F.A International medal awarded to Arsenal's Cliff Bastin on his England debut v v Wales at Anfield 18th November 1931, hallmarked 15ct .gold, Birmingham 1931, by Vaughton & Sons, of circular form with suspension ring, obverse with crest shield and THE FOOTBALL ASSOICATION, reverse bears entwined FA letters, INTERNATIONAL banner, rim engraved 1931-32 C.S. BASTIN, , diameter 31mm, weight 28gr., in good condition England defeated Wales 3-1 in this British Home Championship. Bastin's cap for this match is offered as the previous lot.
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Football League representative medal awarded to Arsenal's Cliff Bastin for the match v the Irish League played at Deepdale, Preston, 4th October 1933,hallmarked 9ct .375 Birmingham 1933 by Vaughton & Sons, of oval form with suspension ring, obverse with a football in relief, England's rose and Ireland's shamrock and THE FOOTBALL LEAGUE ENGLAND V IRELAND, reverse engraved DEEPDALE PRESTON OCTOBER 4TH 1933, , 38 by 21mm., weight 21gr.; sold with the badge from Cliff Bastin's match jersey, shield shaped white fabric, embroidered IRISH FL MATCH 1933-34, 8.5 by 7.5cm, both with minor wear, (2)England defeated Ireland 4-0, with Cliff Bastin scoring one goal.
F.A. International medal awarded to Arsenal's Cliff Bastin for the England v Wales match played at St James' Park, Newcastle-upon-Tyne, 15th November 1933,hallmarked 14ct. gold, Birmingham 1934, by Vaughton & Sons, of circular form with suspension ring, obverse with crest shield and THE FOOTBALL ASSOICATION, reverse bears entwined FA letters, INTERNATIONAL banner and engraved TO ARCH FROM CLIFF, rim engraved E. V. W. 1933-34 C.S. BASTIN, , diameter 31mm, weight 29gr., in good condition, no box with this medalWales defeated England 2-1 in this Home International Championship fixture.Traditionally the F.A. International medal is presented on international debut, as was the case with Cliff Bastin in 1931. That medal is being offered as lot 555 in this auction.It would appear that two years later Bastin commissioned a second F.A. International medal as a gift with the engraving TO ARCH FROM CLIFF. This is almost certainly Arch Matthews, relying on a report of Cliff Bastin's wedding published in the Devon and Exeter Gazette 30th June 1939: "The ceremony was attended, in addition to members of the family, by Mr. George Yeoman, the bridegroom's old schoolmaster at Ladysmith Road, Exeter, and Mr. Arch Matthews, of St Thomas [a district of Exeter]."Perhaps Matthews was Bastin's Best Man, but quite clearly a close friend from the Arsenal man's formative years in Exeter.It may be a coincidence, but perhaps the choice of match for the gift is that this International was played at Newcastle United's St James' Park, a name of football ground that is shared with Exeter City. Evidently Bastin re-acquired the medal from Matthews during or perhaps after his lifetime.
Football League representative medal awarded to Cliff Bastin for the match v The Scottish FL played at Ibrox 10th February 1934,hallmarked 9ct .375 Birmingham 1933 by Vaughton & Sons, of oval form with suspension ring, obverse with a football in relief, England's rose and Scotland's thistle and THE FOOTBALL LEAGUE ENGLAND V SCOTLAND, reverse engraved IBROX PARK GLASGOW FEB. 10TH 1934, 38 by 21mm., weight 20gr.; sold with the badge from Cliff Bastin's match jersey, shield shaped white fabric, embroidered SCOTTISH FLMATCH 1933-34 8 by 8cm, both with minor wear, (2)This fixture resulted in a 2-2 draw.
Football League representative medal awarded to Arsenal's Cliff Bastin for the match v the Scottish F.L. played at Goodison Park, Everton, 21st October 1936,hallmarked 9ct .375 Birmingham 1936 by Vaughton & Sons, of oval form with suspension ring, obverse with a football in relief, England's rose and Scotland's thistle and THE FOOTBALL LEAGUE ENGLAND V SCOTLAND, reverse engraved GOODISON PARK LIVERPOOL OCTOBER 21ST 1936, 38 by 22mm, weight 17 gr.; sold with the original match 15-page programme with blue printed cover, centre page with team line-ups, bears wear and fold creases, rusty staple marks, cover loose from internal pages and with two cut-out newspaper match reports, (4)England defeated Scotland 2-0, with Cliff Bastin scoring one goal and Westwood scoring the other. This was Cliff Bastin's fourth and final appearance representing the Football League.Cliff Bastin played for England from 1931 to 1938, making 21 appearances and scoring 12 goals.
Football League Division One 1901-02 Championship medal awarded to Sunderland's Jimmy Watson,hallmarked 9ct .375, Birmingham 1901 by William J Holmes, of circular form with suspension ring, obverse crest in relief and SUNDERLAND A.F.C. LEAGUE CHAMPIONS 1901-02, reverse with twin handled trophy cup in relief, diameter 32mm, weight 15gr., sold with a Singlelon & Cole's printed cigarette card of Jimmy Watson, the medal bears some wear on the obverse side over the lettering and solder repair marksJames 'Jimmy' Watson (1877-1942) former Scottish left-back footballer, who played for Sunderland from 1900 to 1907, making 211 appearances, winning The Football League Championship in 1901-02 and won six Scottish caps from 1903 to 1909.
1930 FIFA World Cup silver plated participants medal,of circular form, obverse struck with a depiction of the centenary tower, reverse inscribed A.U. DE F 1ER CAMPEONATO MUNDIAL DE FOOTBALL MONTEVIDEO 1930, with suspension ring, diameter 27mm, weight 9gr., with original printed paper wrapper and case, the case and wrapper bears wear and the silver plate is worn on the medalUruguay defeated Argentina 4-2.
14th-15th century AD. A silver ring with D-section hoop, the shoulder area emphasised by a tongue-shaped ornament; an octagonal bezel with a base tapering conically downwards with a beaded edge; engraved image of a stylised dragon to the bezel. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 538, for type. 11.60 grams, 31.54mm overall, 18.92mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (1 1/4"). Property of a gentleman from Vienna; from his private collection formed since 1970. The elevated hexagonal bezel suggests a 14th-15th date and a possible provenance from Fertile Crescent or Egypt in the Mamluk Period. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition. A large wearable size.
9th-6th century BC. A complete articulated Iron Age bronze horse bit, formed of two independent arms joined in the centre by a ring; at both ends two further elements similar to the arms of the mouthpiece but of smaller size, each ending with a circular openwork element. See identical specimens in Giannelli, C., Equus Frenatus, morsi dalla collezione Giannelli, Brescia, 2015, figs.60-63. 240 grams, 30cm (11 3/4"). Property of a gentleman from Vienna; from his private collection formed since 1970. It is well known that the Scythians were skilled horsemen. Inhabiting the vast Eurasian plains, and comprising groups such as the Sarmatians and the Alans, or the Huns and Mongols of the following centuries, they based their warfare on cavalry, especially on the extensive use of archers on horseback. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition.
9th-11th century AD. A piriform ceramic vessel with short neck, domed lip and conical base, decorated with a series of raised ribs running vertically on the diagonal, the panels between with an alternating series of geometric motifs: dot-in-tear shapes, dot-in-ring, vertical dashes, c-shapes and chevrons; intended to be filled with explosive liquid and a wick, and used as a hand grenade. See Arendt, W. I., Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; cf. Arendt, W., Die Spharisch-konischen Gefasse aus Gebranntem Ton, ibid; Ayalon, D., Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16. 472 grams, 13.7cm (5 1/2"). From the collection of a North London gentleman, latterly with a London gallery as a display collection exhibiting the wide range of decorative types; accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (??????? k???????) 9th-11th century AD. [No Reserve] Fine condition.
6th-7th century AD. A segmented iron helmet formed from overlapping and rivetted sheets, two upper bands forming a cross running front-to-back and side-to-side; a separately made headband formed of three bands, the lower edge perforated for the attachment of a lining or ring mail; a substantial nose guard rivetted to the frontal band. See Vogt, M., Spangenhelme, Darmstadt, 2006; Miks, C., ‘Relikte eines Fruhmittelalterlichen Oberschichtgrabes?,’ in Jahrbuch des RGZM, 2009, 56, pp.396-538. 1.5 kg, 26cm including nasal (10 1/4"). Property of an English collector; acquired in the Netherlands before 2000; accompanied by an archaeological report by military specialist Raffaele D’Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10398-169267. The helmet belongs to the category of the so-called Kreuzbanden-helmen, the variant virtually identical to a helmet recently published by the Römisch-Germanischen Zentralmuseums Mainz (Miks, 2009, pp.396ff."). Helmets of this type seem to have been the most used helmet between the end of the 5th century and the beginning of the 6th century, as various specimens have been found in the European territory. Originally thought of being of Germanic production, they were instead made in the workshops of the Eastern Roman Empire, as proved by the excavations of Justiniana Prima (Caricin Grad) of Professor Vujadin Ivanisevic. Fine condition.
Late 19th-early 20th century AD. An Ottoman or Turkish ceremonial or parade iron helmet of conical form, with ribbed bulbous finial, raised ribs around the body decorated with gilt pellet and dot-in-ring motifs, horizontal and swag-shaped ribs creating panels within alternate bands, calligraphic floral and foliate motifs occupying the fields; circumferential band of circular perforations for the attachment of aventail (not included); green fabric lining. 1.3 kg, 30cm (11 3/4"). From the family collection of a Hampstead gentleman; formerly acquired in the 1980s. [No Reserve] Fine condition.
Late Neolithic to Early Bronze Age, c.2500-1500 BC. A large Permio-Triassic new red sandstone block of roughly triangular shape with one broad face showing pecked ‘cup-and-ring’ and other marks including the main element comprising a central circular ‘cup’ enclosed within four concentric pecked rings extending to approximately 23cm in diameter; from the centre of this element extends a straight linear ‘gutter’ some 26cm long aligned directly towards the pointed top of the block and terminating in another ‘cup’ depression with pecked half ring above; in addition, several peck mark areas are seen below the main ‘cup-and-ring’ element. See Beckensall, S., Prehistoric Rock Art in Britain Amberley, 2009; Morris, R. W. B., The Prehistoric Rock Art of Great Britain, Prehistoric Society 55, pp.48-88; Nash, G. H., Mazel, A. and Waddington, C., Metaphor as Art: The Prehistoric Rock-art of Britain, Archaeopress, 2007, pp.175-203; Wakeman, William F., Archaeologia Hibernica - A Hand-Book of Irish Antiquities, Dublin, 1891, figures, pp.32-34, showing very similar marks on stones found in County Donegal (copies of these included with this lot"). Portable Antiquities Scheme, reference HESH-43C477; Whitchurch History and Archaeology Group news letter, Spring 2021; see Nash, G. H., Transactions of the Shropshire Archaeological and Historic Society, forthcoming. 56.7 kg, 64cm (25 1/4"). Found whilst excavating a driveway in Whixall, Shropshire, UK, by James Dowley on 16 June 2018 in a peat deposit at a depth of one meter; accompanied by a copy of the Portable Antiquities Scheme report number HESH-43C477 with discussion by Dr George Nash; a report including X-ray images by Peter Reavill, British Museum's Portable Antiquities Scheme; and a copy of Spring 2021 Whitchurch History and Archaeology Group news letter where this piece is featured; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10831-178319. The oldest piece of art ever discovered in Shropshire. Megaliths and other stones that have been enigmatically decorated with pecked cup-and-ring and other marks are well known in the British Isles and in Ireland, as well as in some areas of mainland Europe. They appear where the local geology provides a source of material or where erratic boulders, left behind when the glaciers retreated at the ending of the last Ice Age, are found. Examples have been discovered in Northumberland, Yorkshire, Derbyshire and Cumbria in northern England but this appears to be the first example ever to have been found in the Shropshire area; others are known from Scotland and Ireland. The purpose or meaning of these markings remains uncertain but it has been suggested that they could have been placed on boundary markers, on stones used in chamber tombs or have been connected with sacred sites. The design of a central cup depression surrounded by four concentric pecked rings appears quite frequently, at sites spread across Britain and northern Europe; some are on pillars or standing stones, others on very large in-situ boulders; many show very considerable weathering from being exposed on the surface for millennia. The base of this piece appears to be less eroded and patinated than seen to the other surfaces so it has been suggested that this could be the apex of a standing stone monolith. It has been stated by Nash that the closest parallel to the Whixall Stone is seen with the Llwydiarth Esgob Stone, now sited away from its original context, in a private garden. [A video of this lot can be viewed on the Timeline Auctions website] Fine condition, weathered. Unique and a find certainly of regional and possibly of national importance.
3rd-1st century BC. A clear glass skyphos with bulbous carinated body, integral ring handles formed between projecting plates, the upper with a forked terminal, the lower rounded, and shallow arched foot. Cf. The Hermitage Collection, Ancient Glass in the Hermitage Collection, 1997, no.37; cf. The British Museum, Masterpieces of Glass, 1968, no.37; cf. Christie's, New York, 6th December 2007, lot 92, for a similar example which sold for 97,000 USD; see The Metropolitan Museum, accession numbers 17.194.888 and 81.10.94, for similar examples. 242 grams, 18cm (7"). Property of a London gentleman; formerly with Sheppard & Cooper Ltd, London, UK, 1992. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10427-168745. This vessel was produced using casting techniques, it was then lathe-cut and polished. The skyphos was the most valuable vessel in the Greek and early Roman eras, attested by their representation on the first Jewish coins, the silver shekels minted during the First Jewish Revolt against the Roman Empire in 68 AD. A limited number of these vessels can be found in museums world-wide. Although a number of fragmentary or restored examples can be found on the art market, complete examples such as the one offered here are comparatively rare. They were manufactured in the late Hellenistic period in Anatolia, or in the workshops of the Greek Bosporus kingdom. Fair condition, repaired.
6th-8th century AD. An Anglo-Saxon hanging bowl with Romano-British design elements; unusually complete (approximately 70-80% intact) sheet-bronze hemispherical hanging bowl of Bruce-Mitford's type ‘C’ with the rim complete and the bowl's sidewall fragmentary with basal ring and basal mount; the three zoomorphic escutcheons each with an attachment ring; together with fragments of a second circular rim and a fragment of bone; the group comprises:the bowl frame: a sheet-bronze rim with circumferential C-section neck, flat everted rim and partial remains of bowl sidewall with curved profile; the rim frame is apparently complete, albeit with a single horizontal break; also present is one large fragment of upper bowl wall, the top edge relatively flat and coterminous with a section of the rim, the lower edge with a ragged profile; accompanied by a group of four smaller bowl wall fragments;the base: an approximately circular base with slightly dished profile; the interior face with a central circular scar and remains of tinning; exterior with step between base and lower wall; central piercing and circular scar from mount; remains of tinning;the two-part basal mount: a basal collar with concave outer wall, the convex and carinated inner wall decorated with a dense series of incised geometric patterns consisting of alternating panels of cross hatching, vertical lines and chevrons; a discoid mount with central knop to the reverse which fits into the central piercing on the bowl's base; decorative element comprising a palmette-armed cross within roundel, four enamelled circles at the terminals of two of the arms; a second palmette between each arm; central enamelled rectangle with convex sides; bisecting and dashed lines around;three suspension rings: three sub-oval-section rings with circumferential median groove; one ring with three groups of two dashed grooves to both faces; faint remains of the same pattern on a second ring;the escutcheons: three almost identical zoomorphic ‘hook’ escutcheons: (1) complete, with openwork discoid body and animal-head hook; body with La Tène style designs, penannular border housing two teardrop-shaped motifs at the shoulders with hatching, concentric tear-drops within, openwork pelta-sided triangles and semi-circular openwork voids between, two roundels below with beaded borders and central triskele with remains of enamelling, again with openwork pelta-sided triangles above and below; domed collar supporting an animal-head hook with erect ears, pellet eyes and tapering snout, remains of enamelled lozenge on the animal’s neck; remains of tinning; (2) also complete with almost identical decorative motifs (variations in the details of enamelling and tinning); (3) (repaired) with very small fragments absent, minor variations in the design motifs, e.g. hatching rather than pellets to the bottom right roundel and style of the triskele arms, and variations in enamelling and tinning; elements of the decorative motifs on these escutcheons recall c.4th-5th century BC La Tène style;the second frame: six shallow u-section fragments of varying lengths and curving profile, once part of a second circular frame; remains of soldering to one face;the bone fragment: tapering V-section fragment found in association with the bronze ensemble. 560 grams total, 51-68mm without rings; plus the remains of the bowl (2 - 2 3/4"). Cf. Farley, J. & Hunter, F., Celts Art and Identity, London, 2015, item 162, for similar bowl profile; see Pollington, S., Kerr, L. & Hammond, B. Wayland's Work: Anglo-Saxon Art, Myth & Material Culture from the 4th to 7th century, Ely, 2010, pp.279-80, for discussion relevant to dating and use; see archaeological reconstructions of the royal burial at Prittlewell, Southend-On-Sea, England, for an artist’s reconstruction of a burial chamber with a hanging bowl on the wall; see Bruce-Mitford, R.L.S., A Corpus of late Celtic hanging-bowls: with an account of the bowls found in Scandinavia, OUP, 2005; see Geake, H., When were Hanging Bowls Deposited in Anglo-Saxon Graves? in Medieval Archaeology vol. 43, pp.1-18; see The British Museum collection, accession no.939,1010.110, for a very similar basal collar, dated late 6th-early 7th century AD, excavated at Sutton Hoo burial site; ibid for the same bowl profile with the integral folded rim; see museum number 1967,1004.1, for a 7th-8th century AD bowl of the same profile, found Lullingstone, Kent; see The Portable Antiquities Scheme Database, record id. YORYM-05D224, for similar rings dated c.400-c.700 AD; see The Portable Antiquities Scheme, record id. SUSS-F9E7AA, for a similar escutcheon dated 500-700 AD; see The British Museum., Celts, London, 1996, pp.10-11, for an openwork harness disc with very similar 'triskele' motifs; see Laing, J., and Laing, L., Art of the Celts, Thames and Hudson, 1992, item 51, for a similar animal head, particularly the ear, dated early 4th century BC; see Ryan, M. ed., Ireland and Insular Art, Royal Irish Academy, Dublin, 2002, p.35, item b, for the Chesterton-on-Fosseway escutcheon with a similar cross with palmette terminals (basal mount); other broadly comparable examples of hanging bowls include: The Wilton Bowl (Salisbury Museum); The Winchester hanging bowl, held by the Hampshire Cultural Trust, object number HMCMS:A2007.31.1; The Bagington cemetery hanging bowl, which housed a cremation burial, held by Herbert Art Gallery and Museum; see The Portable Antiquities Scheme, record id. YORYM-6FF21D, for a comparable hanging bowl ensemble. Found while searching with a metal detector by Daniel Watts and Jonathan Dent near Scotch Corner, North Yorkshire, UK; accompanied by a copy of the Portable Antiquities Scheme report number DUR-24F5CC, and a specialist report by Stephen Pollington; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10846-177998. Recorded with the Portable Antiquities Scheme under report number DUR-24F5CC. Mounts: very fine condition, one repaired; plus remains of the bowl. Rare.
6th century AD. A bronze brooch formed as a double-headed serpent, each head resting on the body, creating a figure-of-eight composition; ring-and-dot on each head for eye; pin and catchplate on reverse. See Steuer, H. et al., Reallexikon de Germanischen Altertumskunde Fibel und Fibeltracht, Berlin, 2000, p.157, for other examples which represent stages in the development of this type. 5.14 grams, 31mm (1 1/4"). Ex East Anglian collection; acquired early 2000s. A comparable twin snakehead brooch excavated at Hvolris, Viborg, dated to c. 600 AD. It is currently on display at the Viborg Museum in Denmark. Very fine condition.
11th century AD. A copper-alloy chatelaine chain made of twenty-four interlaced segments and twenty-four rings, the segments decorated by dots, at the top a larger ring with two attached amulets, the first with a dragon inscribed in a grooved circle, the second with an openwork image of an anchor. See Tvauri, A., The Migration Period, Pre-Viking Age, and Viking Age in Estonia, Tartu, 2012, p.172, fig.43. 40.3 grams, 73cm (28 3/4"). From a central London collection; previously in a European collection formed 1979-1989. From the beginning of the 11th century, chatelaine chains were accessories to the belts of both women and men. These consisted of two or three rods with loops at the ends, and were sometimes wrapped in bronze wire. [No Reserve] Fine condition.
9th-11th century AD. A set of gilt-bronze mounts for a bridle comprising: nine tubular mounts with embossed pellet ornament; four rectangular mounts with concentric ring ornament; four stirrup-shaped mounts; a rosette mount; a tongue-shaped strap end with low-relief interlace ornament within a raised border, supporting a substantial ovoid pendant with high-relief bird motif. Cf. Arbman, H., Birka I: Die Gräber, Uppsala, 1940, plate 25, for types. 125 grams total, 16-74mm (1/2 - 3"). Property of a European gentleman living in London; from his grandfather's collection by descent in 1989; formerly in the family collection since at least the 1970s. [21, No Reserve] Fine condition, cleaned and conserved.
9th-11th century AD. A ring with gold round-section hoop and bezel formed from coiled sleeves. 5.69 grams, 29.82mm overall, 20.88 x 23.84mm internal diameter (approximate size British X, USA 11 1/2, Europe 26.29, Japan 25) (1"). From a central London collection; previously in a European collection formed 1979-1989. [No Reserve] Fine condition. A large wearable size.
9th-12th century AD. A gold pendant with round-section hoop with coiled wire terminals, free-running pendant with coiled loop and bell-shaped sleeve bearing stamped circles and triangles, applied twisted wire ring below, holding a cluster of green crystals. 6.23 grams, 45mm (1 3/4"). From a central London collection; previously in a European collection formed 1979-1989. [No Reserve] Fine condition.
10th century AD. A massive iron warrior necklace made of thick iron wire, ring-shaped, with a loop-and-hook to the finials. See similar torques in Politikens Forlag, Jeg ser på oldsager (I look at antiquities), Kopenhagen, 1966, no.806; L., Severní Evropa V raném st?edov?ku a Vikinská expanze, Studia Mediaevalia Preghensia III, Praha, 1992, p.157, fig.38, no.2, from Gn?zdovo. 197 grams, 21.5cm (8 1/2"). From a central London collection; previously in a European collection formed 1979-1989. Where these types of neck rings were originally made is not entirely clear, but there are indications that they may be of Eastern origin and were adopted from the Slavs. From the other side the torques around the neck was a costume already widely diffused among Celts and Germans. [No Reserve] Fine condition.
3rd-1st century BC. A group of three large gold amphora-shaped pendants; bodies composed of hollow-formed spheres decorated with granulated coils; the shoulders, neck and mouth formed from sheet-gold and decorated with petals, leaves and almandine stones; two scrolled handles to the shoulder and central heart-shaped decoration, side and upper holes for the suspension loop; the tubular foot formed from a sheet with pyramid granulated cluster; a fragment of the suspension chain, with gold fastening ring decorated by two rows of petals at the extremities. See The British Museum, accession number 1872,0604.552, for a pair of earring pendants shaped as amphoras of very similar style and form to the pendants offered here; see Yavtushenko, I. ed., Masterpieces of Platar, Kiev, 2004, p.71, for an amphora-shaped pendant composed of spheres; see for very similar necklaces with amphora-pendants Despini, A.D., Ancient Gold Jewellery, Athens, 1996, nos.147-155. 53.08 grams total, 40-55cm (1 1/2 - 2"). Property of a gentleman from Vienna; from his private collection formed since 1970. The necklaces, with vase-shaped pendants hanging from a mesh of chains and embellished with relief floral, granular and filigree decoration, were much appreciated by the Greek and Hellenized elites during the 3rd-2nd century BC. They were often connected with the category of cord-chain necklaces, as in our examples. [4, No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fair condition.
9th-12th century AD. A silver neck-ring comprising a tapering round-section shank with dimple detailing, applied silver-wire coils to the ends, flat-section finials with punched detailing, hook-and-eye closure. 140 grams, 18cm (7"). Property of a gentleman from Vienna; from his private collection formed since 1970. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition, one terminal restored.
9th-12th century AD. A silver neck-ring formed as a round-section rod with ends coiled around the shank, hook-and-eye closure. 59 grams, 12cm (4 3/4"). Property of a gentleman from Vienna; from his private collection formed since 1970. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition.
13th-15th century AD. A carved limestone statue depicting a standing torso in full-length robe, partly covered by a cloak pinned at the right shoulder by a disc brooch; the right hand clutching the hem of the cloak and the left hand resting on the globular pommel of a sword in its scabbard suspended from the belt by a second strap; the reverse of the statue flat with angled sides to fit into a niche, with socket and later iron attachment ring; mounted on a rectangular stone block. 300 kg+, 170cm including base (67 (Available to view at our Harwich head office only)"). Property of a Surrey lady; acquired by her father Christopher Terry in the late 1970s-early 1980s; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10813-175467. The representation of the figure and the folds of clothing is quite naturalistic. The format of the sword is rather generic, although the broad guard and pommel are most commonly shown in the period 1050-1300 AD (Oakeshott, E., Records of the Medieval Sword, Woodbridge, 1991, p.12"). Fine condition; lower portion of robe and cloak sympathetically restored probably in the 18th century.
Low Countries, c.1540 AD. A stained glass window disc insert in a lead-alloy frame; painted scene of St. Stephen kneeling with hands clasped in prayer between two soldiers with arms raised clutching stones with which to perform his martyrdom, in a landscape with ruined city wall, clouds above parted to reveal crowned figure with orb; suspension ring above. 275 grams, 20.9cm (8 1/4"). Ex central London gallery; previously with Hugo Cortes; formerly in the possession of a Parisian family resident in a flat close to the Rodin Museum in Paris for several generations. [No Reserve] Fine condition.
Early-mid 16th century AD. A substantial gold posy ring with heavy D-section hoop, inscribed in black letter script around the interior and exterior faces: '+ with love and joie i thynk of thee' (exterior); '+ loke on thys gyft and thynk of me' (interior); remains of niello infill to the letters. See The Victoria and Albert Museum, accession number 895-1871, for a similar gold ring with inscriptions on the interior and exterior, albeit with a different posy, dated c.1500-1530. 9.54 grams, 23.26mm overall, 18.96mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19) (1"). Property of an East Anglian gentleman; previously acquired in 1991 from the Kensington collectors' fair; accompanied by an independent specialist report and valuation, ref. no.177353/13/07/2021; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10764-177353. The 'posy' name is derived from the 'poesy' (motto) engraved around the hoop. In medieval examples the posy is usually found around the hoop exterior, although on later examples inscriptions were more usually engraved on the interior. Rings with amatory inscriptions can be found from the 14th century AD onwards, when they served as love gifts, betrothal and wedding rings. Posy rings were also given to friends or used to mark significant occasions. Posies were composed by the giver, kept in stock by goldsmiths, or could be selected from published compendiums or commonplace books such as 'The Mysteries of Love or the Arts of Wooing' (1658 AD), or 'Love's Garland or Posies for Rings, Hand-kerchers and Gloves and such pretty tokens that Lovers send their Loves' (1674 AD"). Rings were one genre of personal item amongst many to be adorned with posies at this time. [A video of this lot can be viewed on the Timeline Auctions website] Very fine condition. A large wearable size.
13th-15th century AD. A gold finger ring with D-section hoop, floral designs in raised relief at the shoulders, 'pyramidal' bezel set with a dark green glass or emerald cabochon at the apex. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, for comparable examples; cf. Portable Antiquities Scheme Database, KENT-5DD1D6, for a comparable ring. 2.00 grams, 23.82mm overall, 17.13mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14) (3/4"). Property of an English collector; acquired from John Moor, York, UK, in the late 1990s; accompanied by an independent specialist report and valuation by graduate gemmologist and jewellery expert Anna Rogers, GIA GG, BA, Gem-A, ref. no.168701/07/12/2020; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10463-168701. This form of finger ring rose to popularity in the middle of the 12th century and continued to be produced into the 15th century. [A video of this lot can be viewed on the Timeline Auctions website] Very fine condition.
15th-16th century AD. A gold ring with round-section hoop and rectangular bezel, decorated with a frieze of interlace design; set with a cut and polished carnelian stone, held by four 'claws'. 2.78 grams, 19.90mm overall, 3.85mm internal diameter (approximate size British F, USA 2 3/4, Europe 3.67, Japan 3) (3/4"). Property of an English collector; acquired from John Moor, York, UK, in the late 1990s. Very fine condition.
14th-16th century AD. A gold finger ring comprising a slender hoop, applied bezel formed as a flat-section rim connecting eight radiating arms, beaded collar surrounding the central cell with inset garnet cabochon. 1.89 grams, 22.83mm overall, 15.44mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8) (1"). Formerly from a late Japanese gentleman's collection, 1970-2010. Fine condition.
14th-16th century AD. A gold finger ring comprising a slender hoop and applied piriform plaque with radiating granule detailing, central cell with inset garnet cabochon. 1.42 grams, 19.56mm overall, 15.33mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6) (3/4"). Formerly from a late Japanese gentleman's collection, 1970-2010. Very fine condition.
12th-13th century AD. A silver finger ring with disc bezel, central fleur-de-lys motif, enigmatic surrounding legend '+ W S T 'C' * M V'. 3.38 grams, 23.42mm overall, 20.15mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.38, Japan 19) (1"). Property of a gentleman from Vienna; from his private collection formed since 1970. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition. A large wearable size.
14th century AD. A silver signet ring, the hoop engraved with two side crosses, circular bezel engraved with a shield of arms, representing a bird with a crescent and surrounding illegible legend. See Bequest, F., Catalogue of the finger rings Early Christian, Byzantine, Teutonic, Mediaeval and later, London, 1912, no.252, for the typology. 1.54 grams, 23.06mm overall, 20.99mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15) (1"). Property of a gentleman from Vienna; from his private collection formed since 1970. The use of a seal become more and more essential during the time when the majority of the population was illiterate; the use of the signet ring continued until after the fall of Rome in the West. With the establishment of heraldry, the armorial signet was generally adopted by all those entitled to bear arms. The inscription style seems to recall similar signet rings made in Italy or in the Achaean Greek Latin possessions. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Very fine condition.
11th-12th century AD. A bronze terminal modelled in the round as a sitting dog with gaping mouth and feathered coat at the nape, dot-in-ring motifs across body, detailing to eyes; hollow-body with opening at nape of neck and to mouth, possibly a priest's laver. 70.3 grams, 65mm (2 1/2"). Ex collection of a Surrey, UK, gentleman; acquired on the UK art market; previously on the European art market before 2000. Fine condition.
4th century BC. A gold pendant in the form of two dolphins supporting the suspension ring surmounting four tubular and barrel-shaped glass beads on the central shaft. 2.32 grams, 29mm (1"). Formerly from a late Japanese gentleman's collection, 1970-2010. Fine condition.
Late 16th-early 17th century AD. A substantial gold finger ring comprising a tapering hoop with reserved rosettes and trailing foliage, raised discoid bezel with intaglio beaded border, with initials 'sMu' with oak tree showing roots below and foliage above, being possibly a rebus for 's[tree]Mu (Stremu?"). Cf. Oman, C.C., British Rings 800-1914, London, 1974, pl.44. 16 grams, 23mm overall, 20.36mm internal diameter (approximate size British V, USA 10 1/2, Europe 23.87, Japan 23) (1"). Property of an East Sussex gentleman; previously in the Smigielski collection; acquired in continental Europe in the 1990s; accompanied by an independent specialist report and valuation, ref. no.177324/13/07/2021; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10755-177324. [A video of this lot can be viewed on the Timeline Auctions website] Very fine condition. A large wearable size.
16th century AD. A silver ring with hoop of semi-circular section; each shoulder decorated with laurel leaves and other foliage; hexagonal bezel engraved with a monogram formed from letter M and a vertical line. See a similar bezel on a 15th century ring in the British Museum, accession number 1982,0502.1, in Hugh, T., Seven Thousand Years of Jewellery, London, 1986, fig.589. 12.60 grams, 26.45mm overall, 18.24mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (1"). Property of a gentleman from Vienna; from his private collection formed since 1970. Younger sons and gentlemen of lesser rank typically had their initials placed on the bezels of their signet rings, often entwined in a monogram or cypher. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition. A large wearable size.
17th-18th century AD. A substantial silver ring with D-section hoop decorated with sub-rectangular panels bearing geometric floral forms, one hatched panel to both shoulders, circular lentoid-section bezel bearing engraved scene consisting of a standing skeleton, a raven perched on one hand, holding scales in the other, right field with the hand of god reaching down from above, a cross between, left field with three crossed arrows, stars around; encircled by an enigmatic eastern European inscription punctuated with stylised plant motifs; decorative elements and inscription with remains of niello fill; circular opening to reverse of bezel. 14.12 grams, 25.61mm overall, 17.28mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13) (1"). Property of a Buckinghamshire, UK, gentleman; acquired from the collection Sussex lady. Fine condition.
c.1870 AD. A gold ring with plain band and ornamental shoulders showing traces of enamel tapering to the oval silver bezel set with a large square centre diamond surrounded by eight smaller round and oval diamonds and enamelled to the reverse; all of old cut and totalling about 1.35 carats. 3.87 grams, 21.82mm overall, 15.72mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7) (1"). From the collection of an Essex jeweller. Fine condition.
Dated 1864 AD. A large gold memorial brooch, the front inscribed 'IN MEMORY OF' in Black Letter reserved against black enamel to perimeter with raised ivy leaf spray around the dark central cabochon garnet, inset with a gold star set with a small pearl; the reverse with central glazed recess holding three locks of hair held together with wire braid and a short silk ribbon set with three small pearls, the reverse perimeter engraved in script for 'John Hornsey died 7 September 1864 aged 48, Matthew Hornsey died 13 October 1864 aged 82', and 'M(atthew) Hornsey junior died 10 October 1864 aged 50'; fitted with brooch pin and small loop and ring for wearing as a pendant. 18.38 grams, 40mm (1 1/2"). From the collection of an Essex jeweller. It is usual for mourning jewellery to name three members of the same family, but the three named persons all died within about six weeks of each other so it is possible that the family was affected by an outbreak of cholera or a similar disease, such as were quite often experienced in the United Kingdom during the 19th century. Very fine condition.
Hallmarked London 1835 AD. A gold mourning ring with grooved band expanding to ornate acanthus shoulders; the rectangular bezel with black enamel background against which is set a gold flower with two leaves and stem inset with five pearls; the interior hallmarked with 'WE' maker's mark for William Eaton of London and assayed in London with Gothic 'u' date letter for 1835; engraved with script 'Margaret Smith Ob 15 Aug 1840 Ob 87' inscription. 2.65 grams, 22.76mm overall, 18.46mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (1"). From the collection of an Essex jeweller. William Eaton is a listed gold and silversmith working in London with hallmarked items for dates 1804-1843 noted. Very fine condition. A large wearable size.
Hallmarked Chester 1823 AD. A hollow gold D-section hoop mourning ring with diagonal bands showing engraved floral ornament; the ring threaded with plaited hair; the interior showing slightly worn 'WGM' maker's mark for Walter & George Myers and hallmarks for 18 carat gold, assayed at Chester and with 'E' date letter for 1823. 3.12 grams, 23.22mm overall, 18.96mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18) (1"). From the collection of an Essex jeweller. Walter & George Myers operated as gold and silversmiths in the 19th century and from premises at Northampton Street Birmingham from the later 19th century. Very fine condition.
6th century BC. A silver kantharos with carinated lower body and basal ring, applied strap handles with ribbed detailing, leaf-shaped lower attachment plate, divided upper end forming two elegant curved rods with spherical finials. Cf. similar item in the Metropolitan Museum of Art under accession number 07.286.126. 152 grams, 14cm wide (5 1/2"). Property of a gentleman from Vienna; from his private collection formed since 1970; formerly with Hermann Historica, Auction 76, lot 3728. For this specific lot, 5% import VAT is applicable on the hammer price Fine condition, repaired.
Birmingham and Midland Counties Exhibition (Est. 1849), a glazed silver award medal by Ottley, farm animals, rev. legend in wreath, named (1866, to Mr J. Wigmore for the Best Pen of Long Woolled Sheep, Class 28), 54mm. Extremely fine with frosted surfaces; lunettes held with silver rim, clip and ring for suspension [reverse glazing repaired] £70-£90
Royal Cornwall Agricultural Association, a silver award medal by T. Ottley, named (Awarded to Davey, Sleep & Co for Whippletrees, 1893), 48mm (cf. DNW M5, 1355); Royal Lancashire Agricultural Society, a silver award medal after Elkington & Co, named (Awarded to Miss S.A. Birch, being Second Prize Butter Making Competitions, Champion Class, Southport Show, 1896), 44mm (cf. DNW 169, 1076) [2]. Second about extremely fine with suspension ring, first better and cased as issued £60-£80 --- Provenance: First DNW Auction M5, 17 December 2007, lot 1355 (part)
Roman Republican Coinage, M. Furius Philus, Denarius, c. 119, 3.78g (Craw. 281/1; BMCRR Italy 555ff); P. Licinius Nerva, Denarius, c. 113, 3.89g (Craw. 292/1; BMCRR Italy 5216); M. Æmilius Scaurus and P. Plautius Hypsæus, Denarius, c. 58, King Aretas kneeling beside camel, rev. Jupiter in quadriga left, scorpion below horses’ forelegs, 3.18g (Craw. 422/1b; BMCRR 3877); C. Vibius Pansa Cætronianus, Denarius, 48, 3.28g (Craw. 449/1a; BMCRR 3978); L. Livineius Regulus, Denarius, 42, 2.96g (Craw. 494/29; BMCRR 4269); together with a fourrée legionary Denarius of Mark Antony [6]. Fair to very fine, first removed from a ring mount £60-£80
Roman Imperial Coinage, Divus Vespasian, Denarius, rev. triumphal quadriga left, 3.39g (RIC Titus 361; RSC Vespasian 146; RCV 2566); Nerva, Denarius, rev. Fortuna standing left, 3.09g (RIC 16; RSC 66; RCV 3025); Antoninius Pius, Denarius, rev. Annona standing left, 3.43g (RIC 162; RSC 283; RCV 4067) [3]. First possibly removed from a ring mount, second with a small scuff on bust, otherwise very fine, last better and lightly toned £100-£120
Celtic, part of a Terret Ring, 1st cent. AD, openwork design and trumpet terminals, an enamelled body from a Dragonesque brooch, part of a tinned openwork mount and belt mounts (2), with loops behind, one decorated with triangular panels; Roman, 1st-2nd cent. AD, brooches (15), including trumpet types, umbonate discs, equal armed and several fragments; Medieval, 13th-14th century (4), including horse pendants, an iron arrowhead and strap ends [33] Most with a green patina £100-£120 --- Provenance: All found in Lincolnshire
Late Medieval, a 17th century brass toy Petronel, c. 1630, 8cm long by 2cm wide, hollow barrel faceted at the top and decorated with stamped wavy lines of ring and pellet, small opening for the fuse, solid fish-tail butt and rectangular trigger guard. Very fine with a brown patina £100-£120 --- Provenance: Found in Essex
Tudor, a 16th century silver Vervel or Hawking Ring, 20cm, by 10cm by 1mm, circular, with internal diameter of 6mm attached below to a shield-shaped pendant 12mm deep, engraved on both sides; on the obverse is a demi-falcon with wings expanded above a ducal coronet with central fleur, on the reverse are the letters h ierne gan arranged in three lines. In very fine condition with all detailing clear £800-£1,000 --- Provenance: From an East Anglian private collection. The crest represents the Jernigan family of Norman descent, based in Norfolk and Suffolk. Sir Henry Jernigan (†1571) was a courtier and master of horse to Queen Mary and was granted the manor of Cossey in 1557. In Tudor times the sport of falconry was regarded as the sport of royalty; the vervel was tied onto the jess which was used to tether a bird
1st-2nd century AD. A group of three brooches comprising: one discoid in plan with crescentic and piriform lugs to the perimeter and male bust in relief to centre; a propeller-shaped brooch with ring-and-dot motifs and central animal head in relief, with pin lug and pin; a triangular-headed bow brooch with fantail, pin lug, pin and catchplate to reverse. 30.9 grams total, 37-44mm (1 1/2 - 1 3/4"). Property of a gentleman from Vienna; from his private collection formed since 1970. [3, No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition.
Ptolemaic Period, 332-30 BC. A restrung netted beadwork panel of ring-shaped and tubular glazed composition mummy beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with false beard, a scarab with extended wings below, two pairs of facing ‘sons of Horus’ figures, roughly joined together with areas of open netting of tubular beads. 94 grams, 27cm (10 1/2"). Ex Mariaud des Serres, Paris, France, 1990s. Fine condition.
3rd century AD. A carnelian gemstone with intaglio temple flame motif, set in later gold finger ring with facetted shoulders; supplied with a museum-quality impression. Cf. Ruseva-Slokoska, L., Roman Jewellery, Sofia, 1991, item 183. 4.51 grams, 22.22mm overall, 17.68mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14) (1"). Ex collection of a Surrey, UK, gentleman; acquired on the UK art market; previously on the European art market before 2000. Fine condition.
3rd century AD. A carnelian gemstone with intaglio advancing capricorn; set into a later gold finger ring with facetted hoop, ellipsoid cell with beaded wire collar. Cf. Ruseva-Slokoska, L., Roman Jewellery, Sofia, 1991, item 216, for type. 5.79 grams, 23.41mm overall, 18.98mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17) (1"). Ex collection of a Surrey, UK, gentleman; acquired on the UK art market; previously on the European art market before 2000. Fine condition.
1st-2nd century AD. A gold ring with slender round-section hoop, oval-shaped bezel with raised cell set with a blue glass cabochon, enclosed by applied beads. 0.94 grams, 17.32mm overall, 13.65mm internal diameter (approximate size British E, USA 2 1/4, Europe 2.41, Japan 2) (3/4"). Formerly in the collection of a deceased Japanese gentleman, 1970-2010. Fine condition.

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