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A VICTORIAN ROSEWOOD CASKET, of sarcophagus form, the hinged cover inlaid with cut brass work, ring handles to the sides, the yellow silk lined interior fitted with an arrangement of lidded and open compartments to the removable tray, the lid with a letter sleeve, on gilt metal bun feet, 15cm x 23cm x 18cm
A LATE 18TH CENTURY/EARLY 19TH CENTURY MAHOGANY LONG CASE CLOCK, the later eight day movement striking on a bell, the brass dial with silvered chapter ring, Roman numerals and foliate engraved centre, mask spandrels and Tempus Fugit boss to the arch, the arched hood with fluted pilasters, the slender trunk with conforming door flanked by reeded and canted corners, on bracket foot, 218cm high See illustration
A 19TH CENTURY FRENCH ONYX AND CHAMPLEVE ENAMEL FOUR GLASS MANTEL CLOCK, by Japy & Cie, of eight day chiming movement striking on a gong, with a mercury pendulum, circular cartouche Arabic chapter ring, the case of architectural outline with putti mounts, on cast metal ogee bracket feet, 34.5cm high
A GEORGE III SILVER OVAL CONDIMENTS STAND by Robert and Samuel Hennell, London 1809, crested with a stag and bearing motto 'Tria Juncta in Uno', the base with reeded, gadroon and foliate decorated border, centrally with a four bottle ring frame surmounted by a quadruple strap support and cast handle, on four cast wedge-shaped feet, approximate weight 17ozs, together with four Bristol Blue glass condiment bottles and stoppers, named and further embellished in gilt. See illustration
A GEORGE III IRISH SILVER CONDIMENT STAND by William Bond, Dublin (no date letter) of cinquefoil form, with gadroon ring frame and central circular section bar and cast ring handle, a shaped shield mounted to the side, initialled WEW, four shell cast feet, approximate weight 33ozs, together with five cut glass bottles with associated silver and plated covers. See illustration
A GEORGE V SILVER SPOON by W K & Co, Birmingham 1928, with a hammered fig-shaped bowl, the handle pierced in the Art Nouveau manner, 15cm long, a white metal spoon, with inset turquoise terminal on a slightly curved handle to a hammered bowl, 12.5cm long and an Arts and Crafts napkin ring, Birmingham 1914 (3)
A GENTLEMAN'S BAUME & MERCIER STAINLESS STEEL AND 9CT GOLD WRISTWATCH c.1930s, the rectangular silvered dial with black Arabic 12, 3 & 9, coppered minute ring and rectangular subsidiary second dial, blued steel 'swallow' hands, signed to dial, jewel lever movement, on leather strap
An early 20th century 18ct white gold and platinum mounted diamond set cluster ringclaw set to the centre with an old European cut diamond, within a border of four smaller similarly cut diamonds and an open circular border set with single cut diamonds, with pierced gallery settingDiameter of cluster 1cm
An Art Deco style sapphire and diamond set cluster ringcorner claw set to the centre with a cushion cut sapphire, of a pleasing strong mid-blue hue, within an octagonal surround set with round brilliant cut diamonds, the shoulders each set with six round brilliant or single cut diamonds, and either side of the crown additionally collet set with a round brilliant cut diamondLength of central cluster 1.25cm, estimated sapphire weight 1.66cts
An early 20th century natural pearl and diamond set cluster ringset to the centre with a pearl within a pierced oval border millegrain set with graduated old European cut diamonds additionally box set to each side with a baguette cut diamond, with accompanying Gem & Pearl Laboratory Pearl Report dated 2 July 2011, numbered 04287 stating that the pearl is natural (saltwater), measuring 6.1-6.2mm x 6.5mmLength of cluster 1.6cm
An Art Deco emerald and diamond set ringbox set to the centre with a square trap cut emerald within a bevelled border, millegrain set with round brilliant cut and single cut diamonds, additionally set to each shoulder with a smaller step cut emeraldLength of central cluster 1.2cm

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