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Lot 299

BRASS, IRON AND TEAK BINNACLE, FROM THE SS GOTHLAND LATE 19TH CENTURY with a brass hood, painted iron compensating quadrantal spheres, a chart tube, and side light; the interior 8in. compass dial on a gimbal ring stamped CHADBURNS LIVERPOOL, LTD. and numbered 1408 (151cm high) Footnote: Note: The SS Gothland was a 7,755 gross ton passenger steamer, built in 1893 by Harland & Wolff, Belfast as the ''Gothic'' for the White Star Line's New Zealand service. Launched on 28th Jun 1893 with accommodation for 104 1st and 114 3rd class passengers and refrigerated cargo space, she sailed on her maiden voyage from London to Capetown and Wellington on 28th Dec. 1893. She was renamed the Gothland in 1908 and converted to a emmigrant carrier with 3rd class accommodation for 1800 passengers. Her name changed between the two for the next 10 years and she was eventually scrapped in 1925 after running aground the year before.

Lot 312

Y WHYTOCK & REID ART DECO TIGER MAPLE, SATIN BIRCH, AND MAHOGANY WARDROBE MID 20TH CENTURY the moulded breakfront cornice above a pair of quarter-veneered, line inlaid and crossbanded doors opening to hanging space, flanked by further cupboard doors enclosing drawers and shelves and further hanging space, with ivory ring handles, raised on squat bracket feet (235cm wide, 191cm high, 58cm deep) Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lot 318

UPHOLSTERED ARMCHAIR, BY BEAUMONT AND FLETCHER MODERN the scrolled button upholstered back above a serpentine stuff-over seat and scroll arms, covered in pale blue plush fabric, raised on ring-turned and tapered legs ending in brass caps and castors (74cm wide, 88cm high, 51cm deep)

Lot 336

PAIR OF SCAGLIOLA STONE PEDESTALS MODERN the circular tops above ring banded columns on circular bases (38cm diameter, 99cm high) Qty: (2)

Lot 374

AUSTRO-HUNGARIAN MAHOGANY AND GILT METAL CLOCK GARNITURE LATE 18TH CENTURY the white enamel Arabic number dial with seconds, hours, and date chapters and three winding holes, in a rectangular case surmounted by an obelisk with an eagle finial; the whole with neoclassical mounts and lion mask ring handles, raised on brass hairy paw feet; the movement striking on two bells; together with a pair of mahogany candlesticks with twin gilt brass candle arms and nozzles centred by a mahogany gilt metal mounted urn (Clock 30cm wide, 66cm high, 19cm deep; candelabra 42.5cm high) Qty: (3)

Lot 377

SET OF SIX FRENCH DIRECTOIRE MAHOGANY DINING CHAIRS, BY JEAN-BAPTISTE BERNARD DEMAY LATE 18TH CENTURY comprising four side chairs and a pair of armchairs, with rectangular brown leather upholstered backs and seats outlined with brass nail heads, raised on tapered ring-turned legs, stamped DEMAY/RUE DE CLERY (armchair 58cm 92cm high, 50cm wide) Qty: (6) Footnote: Note: The menuisier (joiner) Jean-Baptiste-Bernard Demay became a Mâitre in 1784 and supplied furniture to the establishment of Napoleon I. He specialized in carving in mahogany, often using carved motifs in place of gilt-bronze mounts.

Lot 408

PAIR OF SMALL RED MARBLE STANDS EARLY 20TH CENTURY of cylindrical form, with ring carved spreading platform tops and corresponding bases (15.5cm diameter; 15cm high) Qty: (2)

Lot 423

VICTORIAN EBONISED SIDE TABLE 19TH CENTURY the rectangular top above a painted frieze outlined with simulated ivory, raised on ring and baluster-turned legs (104cm wide, 83cm high, 50cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 438

ATTIC BLACK GLAZED FISH PLATE GREECE, MID 4TH CENTURY B.C. fired ceramic, with a black glaze, standing on a ring base w ith a gently sloping floor leading to a central depression (23cm diameter) Footnote: Provenance : The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland Literature : Cf. Simon, E. 1982. The Kurashiki Ninagawa Museum, Greek, Etruscan and Roman Antiquities, no. 47.

Lot 450

PAIR OF ITALIAN KINGWOOD AND MARQUETRY DEMI-LUNE CABINETS 19TH CENTURY with rouge marble tops, above single frieze drawers and cupboard doors inlaid with floral marquetry, each enclosing a shelf, on ring-turned tapering legs (59cm wide, 87cm high, 26cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 477

GEORGE III MAHOGANY LONGCASE CLOCK, BY JOSEPH HERRING, LONDON EARLY 19TH CENTURY the twin-train movement striking a bell, with an arched brass dial with Roman and Arabic numeral chapter ring, enclosing subsidiary seconds and Strike/Silent dials and a date aperture, signed JOSEPH HERRING, LONDON, enclosed by a pagoda hood with fretwork panel, flanked by fluted columns, above a shaped trunk door, raised on a plinth base with bracket feet (48cm wide, 238cm high, 24cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 493

PAIR OF GEORGE III CARVED MAHOGANY BEDPOSTS LATE 18TH CENTURY each with tapering ring-turned, faceted and spiral twist columns, above square section and inlaid bases, ending on spade feet with castors (251cm high) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 523

REGENCY MAHOGANY AND EBONY SIDE TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, above three short frieze drawers, raised on slender ring-turned tapering legs (100cm wide, 77cm high, 54cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 527

PAIR OF REGENCY MAHOGANY UPHOLSTERED ARMCHAIRS EARLY 19TH CENTURY with rectangular button backs above open padded arms with scroll supports, over padded seats, raised on ring-turned tapering legs with brass caps and castors stamped COPE & COLLINSON PATENT; covered in red silk damask with tassel trim (66cm wide, 98cm high, 52cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 534

TWO EARLY VICTORIAN MAHOGANY UPHOLSTERED CHAIRS MID-19TH CENTURY to include an armchair with a button upholstered back above enclosed arms and a stuffover seat, raised on ring-turned tapering legs with brass caps and castors stamped J M LEWTY'S PATENT; and a side chair with a padded upright back and stuffover seat, raised on lappet carved legs, also with Lewty's Patent brass caps and castors (Armchair 63cm wide, 106cm high, 56cm deep; Sidechair 49cm wide, 97cm high, 43cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 536

LATE REGENCY MAHOGANY, EBONY, AND BRASS INLAID MANTEL CLOCK, BY MOLYNEUX, LONDON EARLY 19TH CENTURY the arched case enclosing a cream enamelled dial with Roman numerals, with rubbed maker’s marks, above a brass-lined and inlaid panel flanked by brass flower basket ring handles, above a brass star-inlaid base, raised on a plinth; the twin-train eight-day movement striking a bell, the back plate signed MOLYNEUX/ LONDON (24cm wide, 36cm high, 15cm deep) Footnote: Provenance : The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland Note : It is unknown when exactly Robert Molyneux came to London to be a pupil of the famous watchmaker Thomas Earnshaw, but around 1800 he went on to establish his own business, and in 1805 he was asked to be an adjudicator on Earnshaw’s inventions, a sign that his skills were highly valued. By the mid-1840s Molyneux had won the first place in the Premium Trials three times, a competition instituted by the Board of Longitude to encourage makers to introduce improvements to chronometers, and his products were used by the British Navy. Although the major part of Molyneux’s business was concerned with watches and chronometers, he also made longcase regulators and some bracket clocks, like the example in this lot.

Lot 543

WILLIAM IV MAHOGANY UPHOLSTERED PATENT ARMCHAIR, BY GEORGE MINTER, LONDON SECOND QUARTER 19TH CENTURY the rectangular back and seat with outswept arms, above a stuffover seat and moulded seat rail, with a pull-out adjustable footrest, raised on ring-turned tapering front legs with brass caps and castors, the front right leg stamped G MINTER, 33 GERRARD ST, SOHO WR PATENT 467; covered in red patterned silk (69cm wide, 110cm high, 55cm deep, 106cm extended) Footnote: Provenance : The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland Note : The Soho cabinet-maker George Minter established premises at 26 Princes Street, London in 1829, filed various 'reclining chair' patents in the 1830s. He acquired his brass fittings from his Wardour Street neighbours Joseph, Daniel and Thomas Munyard. By 1832 he had moved to 33 Gerard Street.

Lot 545

REGENCY MAHOGANY WASHSTAND SECOND QUARTER 19TH CENTURY the rectangular top with a three-quarter gallery above three short drawers, raised on ring-turned and reeded legs (112cm wide, 84cm high, 62cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 548

TWO EARLY VICTORIAN MAHOGANY WASHSTANDS MID-19TH CENTURY the first with a high three-quarter gallery above two false drawers, raised on ring turned tapered legs with brass caps and castors; the other with a three-quarter gallery and two frieze drawers, raised on turned tapered legs with brass caps and castors (92cm wide, 98cm high, 52cm deep; and 122cm wide, 86cm high, 55cm deep) Qty: (2 ) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 554

VICTORIAN MAHOGANY ARMCHAIR WRITING TABLE 19TH CENTURY the rectangular top with central adjustable writing surface, above shaped corner brackets, raised on ring-turned legs on trestle bases with splayed pad feet, linked by stretchers (95cm wide, 68cm high, 29cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 570

PAIR OF VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIRS LATE 19TH CENTURY with a scroll-top backs and outswept arms above stuffover seats, raised on ring-turned front legs with ceramic castors; covered in an Art Nouveau foliate print fabric, one with a cream slipcover, the other with a floral slipcover (93cm wide, 91cm high, 67cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 572

LATE VICTORIAN UPHOLSTERED CHESTERFIELD SOFA LATE 19TH CENTURY with a low button back, arms and seat covered in an Art Nouveau printed cotton fabric in the manner of The Silver Studio, raised on ring-turned feet with ceramic castors (215cm wide, 74cm high, 64cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 575

TWO VICTORIAN UPHOLSTERED PARLOUR CHAIRS MID-19TH CENTURY the first walnut framed with a low button back and open arms with scrolled uprights, above a stuffover seat, raised on ring-turned tapering legs with brass caps and castors; the second a mahogany framed nursing chair with a curved button back and seat enclosed by low arms, raised on ring-turned and fluted legs with brass caps and ceramic castors, stamped '2148', the castors stamped PATENT (Armchair 58cm wide 79cm high 52cm deep: Nursing chair 68cm wide, 94cm high, 57cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 576

VICTORIAN MAHOGANY UPHOLSTERED SOFA MID-19TH CENTURY with a low back and outscrolled arms above a long cushion seat, raised on ring-turned legs with bulbous feet, with brass caps and castors; covered in distressed red damask with a deep fringe trim (224cm wide, 74cm high, 69cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 582

VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIR MID-19TH CENTURY the slightly curved back above outswept arms and a stuffover seat, raised on ring-turned tapering legs with brass caps and ceramic castors, the caps stamped COPE & COLLINSON; covered in faded pink toile (74cm wide, 98cm high, 58cm deep ) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 584

TWO VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIRS 19TH CENTURY the rectangular backs above open padded arms with turned supports, over stuffover seats, raised on ring-turned legs with brass caps and castors, one stamped C. HINDLEY & SONS, 134 OXFORD ST., with serial no. 52026 (One 62cm wide, 96cm high, 63cm deep; the other 64cm wide, 94cm high, 59cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 593

VICTORIAN MAHOGANY-FRAMED UPHOLSTERED ARMCHAIR, BY JAMES SHOOLBRED & CO., LONDON MID-19TH CENTURY with rectangular button back, the padded arms on turned spindle supports, the front rail centred by roundels, raised on ring-turned legs, the seat rail with brass plaque 'J. SHOOLBRED, TOTTENHAM HOUSE, LONDON', the rear leg stamped 4092; in an Art Nouveau peach and coral foliate print fabric (75cm wide, 91cm high, 53cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 596

VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIR 19TH CENTURY the low arched button back and seat with open arms on turned supports, raised on ring-turned legs with brass castors; covered in yellow floral stripe print fabric (77cm wide, 79cm high, 57cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 600

PAIR OF VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIRS MID-19TH CENTURY with rounded arched backs and open arms on turned supports, above stuffover seats raised on ring-turned front legs with brass caps and castors; covered in brown and pink floral striped upholstery with loose green patterned slipcovers (63cm wide, 92cm high, 54cm deep) Qty: (2) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland

Lot 69

SET OF THREE BRASS FIRE IRONS LATE 19TH/ EARLY 20TH CENTURY comprising a shovel, a poker, and a set of tongs, with ring-cast handles; together with A PAIR OF BRASS SHOE FIREPLACE ORNAMENTS, 13.5cm high (Longest 63cm) Qty: (5)

Lot 95

GEORGIAN STYLE MAHOGANY LIBRARY STEPS LATE 19TH/ EARLY 20TH CENTURY with four steps with red leather treads and a ring-turned column with brass finial, on straight legs with brass caps and castors (171cm high)

Lot 178

A Royal Worcester Aesthetic movement vase dated 1878 of high shouldered rectangular form with twin lion mask ring handles, raised on four feet, the dark green ground decorated with gilt relief seashells, printed factory mark in gold, 27cm high (losses to feet)

Lot 379

A pair of 9ct gold cufflinks, weight approx 6.1g, together with a 9ct gold cameo ring, silver fobs, a silver bracelet with attached charms and coins and a collection of costume jewellery

Lot 381

An early 20th century 18ct gold opal and diamond ring, designed as three graduated oval cabochon opals interspersed with four diamond points, all mounted to pierced gallery, the yellow gold shank hallmarked, Chester 1916, size L, weight approx 2.2g

Lot 384

An 18ct gold diamond and blue stone ring (lacking one stone), together with a pair of 9ct gold cufflinks, a 15ct gold split seed pearl ring (lacking stones), a single stone turquoise ring and a large collection of costume jewellery, to include; brooches, necklaces and watches (a lot)

Lot 385

A 9ct gold diamond set signet ring, together with a bloodstone set signet ring and a yellow metal 'Barbados' pendant suspended from 9ct gold chain and a collection of costume jewellery and watches (a lot)

Lot 387

A 9ct god Victorian bar brooch, together with a yellow metal mounted cameo brooch stamped '9ct', a single stone amethyst ring, a banded agate brooch, a lapis lazuli bead necklace, a malachite bead necklace, a jet brooch and various other pieces of costume jewellery (a lot)

Lot 392

An oval cabochon tigers eye brooch of abstract design, the reverse stamped '9ct South Africa', together with a 9ct gold five stone garnet ring, a pendant on chain stamped '9ct and a 9ct gold oval locket

Lot 393

A three stone sapphire and diamond ring, the central square cut sapphire flanked to each side by three graduated faceted diamonds, claw and collet set in white metal to white metal shank, stamped '18ct', weight approx 2.5g

Lot 395

A 9ct yellow and white gold bangle, together with a 9ct yellow, white and rose gold Russian wedding ring, total weight approx 10.3g, graduated untested pearl necklace with diamond set clasp, a silver hinged bangle, three gilt metal and plated wristwatches and a white metal brooch stamped 'Sterling Silver'

Lot 397

An early 20th century seven stone diamond floral cluster ring, the transition cut diamonds claw and collet set in white metal to yellow metal shank, stamped '18ct & plat', weight approx 2.6g

Lot 399

An opal and diamond ring, designed as a central oval cabochon opal collet set in white metal and flanked to each side by three faceted diamonds, the yellow metal shank stamped '18ct', weight approx 2.3g

Lot 401

A 9ct gold wedding band, together with a yellow metal signet ring with engraved initials, total weight approx 6.6g

Lot 404

A 9ct gold identity bracelet stamped 'Joan', together with a 9ct yellow and white gold diamond set pendant on chain, a 9ct gold pyrite intaglio ring and a 9ct gold stone set half eternity ring, total weight approx 19.8g

Lot 1219

A large Victorian curtain pole, complete with rings. Length 236 cm. CONDITION REPORT: The length at 236 cm does include the finials. The pole length itself is 199.5 cm. Please note one end finial is detached at the narrow point of the turning. There is a natural join at this point but the simple ring turning into which this fits has numerous losses. The larger ring turning which is more visible in the image is intact.

Lot 122

A pair of George III style cut glass decanters, with mushroom stoppers and faceted three ring neck, 26.5 cm high. CONDITION REPORT: Both decanter bases are in generally good order with no chips and no damage. The stopper on one decanter has nibbles around the bottom edge of the plug section as tends to be the case. The second stopper has more significant damage around the same section. This does not affect the operation of the stopper but there is a loss of +/- 1/3 of the clear plug section at the base of the stopper.

Lot 1327

A Regency mahogany desk or dressing table in the manner of Gillows, with three quarter low gallery and two frieze drawers and raised on tapered legs of turned section. Width 102.5 cm, height to top of gallery 79.5 cm, depth 58 cm (see illustration). CONDITION REPORT: The dressing table is in generally good order. It has an original colour and does not appear to have had any repairs or restoration. The gallery is in good condition all round. The top does not have any significant marks or damage. There are two faint partial ring marks and other minor surface scratches but no significant issues with the top. It is also flat and not warped. The handles have clearly been in position for a long time and if not original do go through the original handle holes. The drawer fronts are both in good condition and run smoothly. The frieze is in good order all round. There are no repairs to the legs and no evidence of any woodworm.

Lot 1363

A George III mahogany tripod table, with circular top, snap action and bird cage support with gun barrel column and downswept legs terminating in pad feet. diameter 76 cm. CONDITION REPORT: The table is structurally very sound. The top is flat with no significant warping. The bird cage is in good order and the hinge original. The centre turned column is in good condition. The legs are not loose and also in good order. The pad feet are in good condition also. The table could be used in its current state without the need for any work. The only minor drawback is that there are numerous old dark ring marks to the top surface which is often the case. The top is of good colour and has a nice patina. Height from floor to underside of tabletop 69 cm. Height to the actual top of the table 71 cm. the diameter of the column above the base turning is +/- 9 cm. The distance from the point of one foot to the next one is 58.5 cm. There is no evidence of the table having had castors.

Lot 1409

A pair of George III mahogany dining table D ends with single leaf, each end raised on four legs. Width 127 cm. CONDITION REPORT: The table is not quite circular without the leaf. It is 130.5 cm end to end and 127 cm along the join. The height is 68.5 cm to the underside edge of the table top and 71 cm to actual top. The leaf at a further 51.5 cm and is 127 cm wide. The table is sturdy with no loose joints. The colour of both ends and the leaf is similar. There are numerous old scratches, ring marks etc to the top surface. The legs have no breaks or repairs. We have the four clips.

Lot 1440

A late 19th century mahogany and inlaid boxwood strung ladies desk, the shaped gallery back having a well figured oval panel above a central open aperture flanked by drawers with nickel plated ring handles and backplates, all above a single crossbanded drawer flanked by inlaid lozenges, all upon slender square tapering and boxwood strung legs united by an X shape stretcher. Width 30.5 cm, height 109 cm, depth 37.5 cm.

Lot 1554

A 19th century Chinese hardwood altar table, with pierced frieze and raised on moulded legs with stretchers and inner frames. Length 208 cm, depth 43.5 cm, height 103 cm (see illustration). CONDITION REPORT: The table is structurally sound. The top is of generally a good colour but does have several old ring and watermarks. There are minor old surface scratches but no significant problems with the top. The frieze is in good condition all round. The legs have metal bracing brackets at the bottom where they join the side stretcher. This means that there is no movement but that the joints have been loose at some time in the past. The joints of both bottom stretchers have shrunk away from the legs and there are visible gaps between the joins. This would explain the bracing hoops. In our opinion these are not problematic but they are visible.

Lot 16

A pair of Chinese porcelain square shaped vases, Republic period, painted on opposing side with females and children in garden landscape with blossoming flowers in between lines of poetry beneath mask and ring handles, pseudo Tongzhi four character seal mark. Height 26.7 cm. CONDITION REPORT: Both vases are in very good order. We can see no evidence of any damage, no repairs and no restoration. There are no hairline cracks and no chips.

Lot 244

A 9 ct gold ruby and diamond ring, size Q.

Lot 248

A 9 ct gold pearl and diamond set ring, size O.

Lot 250

A 9 ct gold ring, set with a single garnet, size K.

Lot 254

An 18 ct yellow gold Art Deco sapphire and diamond ring, the offset square shaped sapphire flanked by diamonds to each point. Size P/Q (see illustration). CONDITION REPORT: The ring is structurally sound with no missing or loose stones. The four larger diamonds are rubover set and whilst the settings are secure the edges of the settings are rubbed smooth on both small diamonds and to the outer edges of both of the larger diamonds. The ring is very dirty but we cannot see any significant damage to any of the stones. The shank is in good order and there do not appear to have been any repairs. The diameter of the large diamonds is +/- 3 mm and the small diamonds +/- 1.5 mm. The sapphire is a dark royal blue. We cannot see any inclusions in the sapphire with the naked eye. The ring is extremely dirty but the diamonds seem clear and generally bright. They are not yellowed. Gross weight 3.3 grams.

Lot 262

An 18 ct white gold ring, set with a diamond to the centre and with baguette shoulders. Total weight +/- 1.64 carats. Size M (see illustration).

Lot 282

A ladies 18 ct gold crossover ring set with seven diamonds, ring size L, +/- .66 carats of diamonds, 4.2 grams gross weight.

Lot 296

A 9 ct gold blue topaz and diamond cluster ring, yellow gold shank. Size N/O.

Lot 298

An 18 ct white gold three row diamond ring, centre diamond +/- 0.35 carats. CONDITION REPORT: The ring size is L/M. It is in first class condition with no wear to the shank. The stones are all secure in their mounts. The shank has no significant marks or scratches.

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