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Lot 31

A Good Mid 19th Century English Gilt Brass Carriage Timepiece With Underslung Lever Platform EscapementThe case surmounted by a knurled handle over the circular escapement window, with four turned finials to the corners above polished columns and engraved front and sides, supported on four turned feet. The silvered 2 inch dial with Roman chapter ring and engine turned centre and fine blued steel moon hands. The single spring barrel movement with silvered, jewelled underslung English lever platform escapement and mono-metallic balance with straight grained backplate. Ticking with a double-ended winding key. 18cms (7ins) highFor further information on this lot please visit the Bonhams website

Lot 76

A good mid 18th century brass-bound ebonised quarter chiming table clockWilliam Webster, Exchange Alley, LondonThe inverted bell top case with brass handle over circular and shaped glazed panels framed in brass, the front and rear doors similarly framed, on a brass-bound base on cast block feet. The 6.75inch arched brass dial signed in a shaped reserve between twin subsidiary dials for strike/silent and rise-and-fall pendulum regulation, the silvered Roman and Arabic chapter ring framed by scroll spandrels, with matted centre, curved mock pendulum aperture and chamfered date aperture. The substantial triple chain fusee movement united by seven heavy knopped pillars, pivoted verge escapement with rise and fall regulation, rack striking the hours on a bell and sounding the quarters on a run of eight bells and hammers, the backplate with single line border framing an elaborate pattern of foliate scrolls set with a pair of dragons and a male mask, centred by the signature cartouche William Webster, Exchange Alley, London. Ticking, striking and chiming. 51cms (20ins) high. For further information on this lot please visit the Bonhams website

Lot 78

An impressive mid 18th century Dutch walnut quarter striking automata longcase clock with moonhpase, alarm and annual calendarAntoni van Oostrom, AmsterdamThe caddy top with three carved giltwood figural finials depicting Atlas and two heralds over tall brass-mounted Doric columns, the long shaped door centred by a brass-framed lenticle depicting Europa and the Bull, on a base with canted front angles to paw feet. The 13 inch rectangular arched dial set to the top with a hand painted maritime scene featuring four three-masted ships in full sail on choppy waters, around them three smaller manned row boats try in vain to spear a whale blowing a plume of water in the distance, an albatross and pair of polar bears look on, the whole scene overseen by the figure of Mercury hovering in the cloudy sky above, all participants rocking in time with the pendulum. The lower half of the dial is framed by bold scroll spandrels with a silvered Roman and Arabic arcaded chapter ring, finely matted centre with subsidiary seconds dial enclosing the date aperture over tapering apertures for the month and day with engraved figural representations of each, the lower half of the centre with recessed rolling moon engraved with signs of the zodiac, signed around VI Antoni Van Oostrum, Amsterdam. The weight driven movement united by four knopped pillars, anchor escapement, sounding the hours and the quarters on a pair of nested bells, the separate weight-driven alarm train mounted to the side and using the larger bell. Together with a pendulum, a pair of brass weights, and a crank winder. 2.68m (8ft 10ins) high.For further information on this lot please visit the Bonhams website

Lot 82

A good mid 19th century eight-day brass-bound mahogany marine chronometerAbraham Jackson, Liverpool. No. 164/9229The three part case with solid top lid set with brass corners and side pieces, the mid section with vacant cartouche, over a base with side handles. The 4 inch silvered Roman and Arabic dial with minute track framing the gold hands and subsidiaries for power reserve marked 0-8, and running seconds with Observatory Marks and the fractional number, all enclosed by an angled sight ring and hung in a weighted gimballed bowl with locking arm. The chain fusee movement with maintaining power and freesprung cut and compensated bimetallic balance set on a smaller sub-plate with diamond endstone in double screwed chatons, to an Earnshaw type detent escapement. Ticking, together with a case key and safety winding key. The case 19cms wide. For further information on this lot please visit the Bonhams website

Lot 41

An impressive first half of the 19th century brass-inlaid mahogany quarter chiming table clockFrodsham, Gracechurch St, London The tall gothic arched case with twin finials over canted front angles inlaid with harebells, foliate scrolls, flowerheads and quatrefoils, the sides with cornucopia ring handles and architectural silk-backed sound frets over ebonised detailing to the shaped base. The 9 inch arched signed painted dial with strike/silent and chime/not chime subsidiaries over the Roman chapters framing the subsidiary date dial, with brass and blued steel hands. The large triple gut fusee movement with steeply shouldered plates united by knopped pillars, the anchor escapement with rack striking on a bell and chiming the quarters on a run of eight bells and hammers. Ticking, striking and chiming the quarters. Together with a door key to operate both doors. 173cm highFor further information on this lot please visit the Bonhams website

Lot 29

A good 19th century rosewood four glass timepieceMolyneux, 42 Lombard St., LondonThe case surmounted by a large bevelled glass escapement observation window framed by a stepped top and rippled cornice over glazed sides, supported on a large moulded base with brass button feet. The 3.75-inch brass engine turned Roman dial signed Molyneux 42 Lombard St London between X and II, under blued steel moon hands, with brass sight ring.The single chain fusee movement with maintaining power, jewelled English lever platform escapement and monometallic balance, the back plate repeat signed Molyneux 42 Lombard St London. Ticking with a case key and a winding key. 24cms (9ins) highFor further information on this lot please visit the Bonhams website

Lot 8

A late 19th century ebonised quarter chiming table clockCharles Frodsham, 84 Strand London, No. 1923The arched case with four cast brass pineapple finials, above the cast brass side frets and Corinthian columns to the front, flanking the glazed front door, on a deep moulded base with cast ogee feet. The 6.75 inch arched brass dial with scroll and floral spandrels framing the silvered Roman and Arabic chapter ring signed Chas. Frodsham 84 Strand under XII and London No 1923 above VI, the matted centre under pierced blued steel hands, with two large, silvered subsidiary dials in the arch for regulation, and Chime on Eight Bells/ Chime on Four Bells/ Chime on Four Gongs. The substantial triple chain fusee signed movement with anchor escapement, striking the hours on a large gong, and the quarters on either 4 gongs, 4 bells or 8 bells (both gong stands stamped J.&F. D.). Together with a crank winder, another winding key and two door keys. 51cms (20ins) highFor further information on this lot please visit the Bonhams website

Lot 86

A rare and very interesting early 20th century mahogany regulator with Parker's patentWilliam Bruford & Son Ltd., Exeter and Eastbourne. The case with stepped moulded top above the double locking glazed front door and sides, supported on a stepped base. The 12.5-inch silvered Arabic and Roman skeletonised regulator dial with slender blued steel hands, the minute ring engraved to the top Parker's Patent and signed for the retailer below; Wm Bruford & Son Ltd Exeter & Eastbourne. The extremely heavy skeletonised movement with open geometric plates united by steel rods and a substantial brass top plate running the width of the plates to carry the chain drive from one side to the other, all set on a very heavy cast bracket and pendulum suspension, all train wheels (including the deadbeat escape wheel) of solid brass, their arbors all set in roller bearings and with high count pinions, driven by an endless chain. The invar pendulum terminating in four polished cylinders. Together with brass cased weights (the counter weight hollow), screw-secured pulleys, three case keys and a steel and brass crank key. 198cms (77.5ins) highFor further information on this lot please visit the Bonhams website

Lot 43

A remarkable late 19th century French 'Pendule Geo-Cosmographique'The globe signed E. Bartaux, Rue de Serpente 25, Paris. Contained in a glazed mahogany case with applied ebonised mouldings, the front door over a drawer and reeded part-ebonised tapering supports. The rectangular wooden dial plate set with five enamel dials, an enamel day-aperture a pocket globe and a map of the Northern Hemisphere, all geared together to offer a range of calendrical and world time information. A pocket globe signed E. Bartaux, Rue de Serpente 25, Paris is set to the top framed by a vertical 24-hour chapter ring with 12 white and 12 blue numerals to indicate day and night over a hemispherical meshed lower section. The main time dial sits below and is signed Pendule Geo-Cosmographique Universell with blued steel moon hands over four further subsidiary dials giving the leap year, the Dominical letter and Solar circle, information on how to adjust the moonphase (dated 1879), and another to give the Epact and Golden Number up to the year 2100, all sitting above the large multi coloured map with outer printed calendar and zodiac scale below another vertical chapter ring of 12 white and 12 blue Roman numerals in brass and silvered cartouches, further set with a small rolling moon. The clock movement with steel plates, (its wheels running in brass bushes), set over a further steel plate and a pair of skeletonised brass plates carrying the various drives, bevel gearing and motion work for the remaining dials, all within an open wooden framework, the pendulum with off-set crutch suspended below, striking the hours on a coiled steel gong. 2.02m (6ft 8ins) highFor further information on this lot please visit the Bonhams website

Lot 65

A most interesting late 17th century ebonised single-handed alarm timepiecePeter WalkerThe case with shallow caddy top surmounted by a tied-bud handle framed by four urn finials on the simple moulded cornice, the sides with glazed panels to a moulded base and later block feet. The 5.75inch square brass dial with single line border enclosing the winged cherubs head spandrels, the silvered chapter ring with Roman hours, meeting-arrowhead half-hour markers and an inner quarter hour track, the finely matted centre with curved mock pendulum aperture, ringed winding squares and a silvered alarm-setting disc centred on a blued steel hand. The single gut fusee movement with small plates measuring 13cms x 9.5cms (5.25ins x 3.75ins) united by four vase shaped pillars, the going train with gut fusee to a pivoted verge escapement and short pendulum with pear-shaped bob, the alarm train with spring barrel and typical double-headed hammer acting on the bell above. The backplate with single line border and full foliate engraving of seven flowerheads, mainly anenomes and cross-hatched flower buds emanating from a central primrose around the barrel arbor. Ticking and with operational alarm. Together with a door key. 31cms (12ins) high. For further information on this lot please visit the Bonhams website

Lot 25

A good 19th century brass skeleton clock with deadbeat escapementUnsignedThe scroll frame united by six turned vase-shaped pillars secured front and back with blued steel screws, mounted on a pair of brass pedestals set on a velvet base and rosewood plinth with bun feet. The skeletonised Roman chapter ring with scalloped edges and outer minute track with blued steel quatrefoil hands. The twin chain fusee movement with wheels of five crossings and deadbeat escapement, rack striking on a bell. Together with a (cracked) glass dome. Ticking and striking. The frame 36cms (14ins) high. 50cms (19.5ins) highFor further information on this lot please visit the Bonhams website

Lot 51

A very fine and small second quarter of the 18th century brass-bound ebonised quarter repeating table clockJames Snelling, LondonThe inverted bell top with carrying handle and brass inserts, over glazed sides and a moulded base on pad feet. The 5-inch arched brass dial signed James Snelling, London in a shaped silvered plaque above the date aperture, framed by silvered subsidiary rings for strike/silent and rise-and-fall pendulum regulation, the Roman and Arabic chapter ring with floating lozenge half hour markers, the finely matted centre with curved mock pendulum aperture and blued steel hands. The twin gut fusee movement united by five knopped pillars, with pivoted verge escapement to a pendulum with lenticular bob and rise-and-fall regulation, the striking train with rack striking on a bell, and repeating the quarters on a run of six bells and hammers, the backplate with a single line border framing a symmetrical pattern of foliate scrolls centred by a winged cherub's head 31cms (12.5ins) high. For further information on this lot please visit the Bonhams website

Lot 64

A late 17th century basket top table clock with pull quarter repeat. The case and movement possibly associated.The movement signed Jonathan Lowndes in ye Pall MallThe repousse basket top with double-bird head and dolphin handle over floral swags, birds and cherubs heads, the moulded cornice over long glazed panels to a moulded base on bun feet, the 6.75 inch square brass dial with winged cherubs head spandrels framing the Roman and Arabic silvered chapter ring, the dial centre now silvered and with evidence of a signature plaque above VI. The twin gut fusee movement with knife edge verge escapement, and outside countwheel striking on a bell. Repeating the quarters on the hour bell and another smaller bell via two hammers set on linkages to the right hand side. The backplate with a single line border framing floral and foliate scrolls surrounding the signature Jonathan Lowndes in ye. Pall Mall. Secured into the case via two L-shaped brass brackets screwing into the base. Ticking, striking and repeating. 38cms (15ins) high.For further information on this lot please visit the Bonhams website

Lot 63

A walnut table clockThe movement late 17th century, the dial and case laterThe movement with tall rectangular plates measuring 25.5cms x 17.5cms (10ins x 6 7/8ths ins) united by seven knopped and ringed pillars (all latched except two larger central ones which are pinned), with twin gut fusees, the going train terminating in a knife edge verge escapement held in a heart-shape apron, the striking train with rack striking on a bell, the backplate signed to the centre, L.Bradley, LONDON below a 'Green Man' mask issuing foliate scrolls, all enclosed by a wide stylised wheatear border. Set in the case by two engraved brass L-shaped brackets mounted along the bottom edge, and with no evidence of any other fixings. Now mounted to an associated 17th/18th century 9.25 inch square dial with a later skeletonised chapter ring. The bespoke walnut case probably dating to the first half of the 20th century, with caddy top surmounted by a handle over side glazed apertures to a moulded base 47cms (18.5ins) highFor further information on this lot please visit the Bonhams website

Lot 10

A mid-19th century brass-bound mahogany single pad top clockJohn Leumas, LondonThe case surmounted by a brass bound pad above the moulded arch with cast brass leaf handles and fabric backed brass fish scale frets to either side, the glazed back door and brass bound front door with ivory escutcheon, all supported on a concave moulded base, with stylised brass ogee feet. The silvered dial with engraved floral spandrels framing the Roman and Arabic chapter ring, the centre signed John Leumas London under the skeletonised blued steel hands, an engraved 'strike/silent' dial under the arch, surrounded by floral engraving. The twin gut (now wire) fusee movement with four knopped pillars and anchor escapement, the backplate with engraved curtain border, and large, hollow pendulum. Ticking and striking with mahogany handled crank key. 46cms (18ins) highFor further information on this lot please visit the Bonhams website

Lot 74

An interesting 17th century lantern clock frame and dial, now with a 19th century quarter striking chain fusee movementHenry Ireland at the Dial, LothburyThe case with later bell and spider over later engraved doors, back panel and arcaded fret (the original top plate now covered over and partially cut to accommodate the new movement), between Doric columns on ball feet. The 6.25 inch rectangular dial with well engraved flowerhead corners and floral ring to the centre around a central flowerhead, signed along the lower edge Henry Ireland at ye Dyall in Lothbury with a later Roman chapter ring and a later pair of hands. The associated 19th century quarter-striking twin chain fusee movement with anchor escapement striking on the two bells above. 46cms (18ins) high.For further information on this lot please visit the Bonhams website

Lot 47

A very fine first half of the 18th century walnut longcase clockDaniel Quare and Stephen Horseman, London, No. 199The stepped caddy top with brass ball-and-spire finials over blind cut frets, brass-mounted Doric three-quarter and quarter columns to the front and rear angles, the long door of particularly lively burr figuring within a featherbanded border and moulded edge, the base with similar veneered panel within a crossbanded border on double plinth. The 12 inch arched brass dial with large subsidiary date flanked by addorsed dolphin spandrels over the silvered Roman and Arabic chapter ring with floating lozenge half-hour markers and inner quarter-hour track, signed in polished reserve of the matted centre Dan Quare Ste. Horsman, London, No.199, with blued steel hands. The five pillar movement with anchor escapement and rack striking on the bell. Together with a pendulum, two weights (originally brass-covered, now painted black), two door keys and a crank winder. 2.8m (9ft 2ins) high. For further information on this lot please visit the Bonhams website

Lot 187

Vivienne Westwood & Malcolm McLaren: An 'Anarchist Punk Gang' Seditionaries Muslin Shirtc.1979/80,in white muslin, front with black, green and red printed design, Malcolm McLaren Vivienne Westwood Seditionaries Personal Collection label stitched within the fabric lower right (now moved due to stitching coming away), with D-ring to each shoulder, and D-ring and dog-clip to each long sleeve, accompanied by a letter of provenanceFootnotes:ProvenanceOffered by the vendor who purchased it at the time of creation.'Anarchist Punk Gang', or as it is also known 'The One Per Centers', is one of the final, and darkest, designs by Malcolm McLaren and Vivienne Westwood to be introduced at Seditionaries. In 1979 McLaren regularly spent time away from London in Paris and later said that while he approved the design, Westwood was principally responsible for the genesis and realisation. The bleakness of the artwork not only reflects the beleaguered state of affairs experienced by the pair and their coterie but also acts as a memoriam for Sex Pistols bass-player Sid Vicious, who had died in February 1979 from a heroin overdose. The Pistols, around whom McLaren and Westwood's design work revolved from 1976, split up at the beginning of 1978 and in October that year, Vicious had been arrested in New York for the murder of his partner Nancy Spungen. His death four months later coincided with the commencement of an extremely acrimonious court case brought against Pistols manager McLaren by the surviving members of the group with the backing of Richard Branson's record company Virgin Records. Since Punk had gone overground, Seditionaries was by this time regularly closed as a result of it being vandalised and graffiti-ed by passing punks and football hooligans, while members of the staff pilfered stock to fund their drug habits. The appropriately death-cult design takes its text and imagery from Hell's Angels biker gangs, and features a skull at the centre surrounded by the phrase 'As You Were I Was As I Am You Will Be.' This derives from a graffiti scrawl attributed to Heinrich Himmler the gonzo writer Hunter S. Thompson included as a chapter heading in his 1966 book Hell's Angels. The skull is positioned between two banners, with all text in so-called 'blackmail' lettering as if cut out of newspaper headlines, just as in the Sex Pistols band logo, 3 and both feature the encircled capital 'A' anarchy sign which first appeared as a radical political symbol in the 1860s as a protest design of the International Workingmen's' Association of Spain. One flagpole is emblazoned '1%' above the statement 'Anarchist Punk Gang'; in contrast, the other carries a quote from a recording of Vicious in an interview circulated after his death: '99% is shit.' This appears above the slogan: 'Create hell and get away with it.' Underneath the red, green and black vector bearing the skull is the statement: 'The barrier between friend and foe is thin 'At certain times of day there are only us.' This is from a quote by a biker in Raymond C. Morgan's book Angels Do Not Forget, which was published in the summer of 1979. The final statement in the design announces: 'We're the 1% who don't fit and don't care.' As well as looping back to Vicious's original statement, this quotes from the chorus of the Pistols' anthem Pretty Vacant, which ends with Johnny Rotten declaring: 'And we don't care.' Note: the opposing texts '1%' and '99% is shit' are absent from this shirt due to the shoulder insets of the muslin design.For further information on this lot please visit Bonhams.com

Lot 317

Ladies Attractive 9ct Gold Single Stone Citrine Set Ring, full hallmark to interior of shank; the large step cut citrine of excellent colour and clarity, est.citrine weight 8cts, ring size F (small), weight 5.8g, shank and setting in excellent condition

Lot 221

Ladies 9ct Gold Attractive Opal and Diamond Set Ring. Full Hallmark to Shank. Pleasing Opal of Oval Form, With 6 Small Diamonds to Shoulders of Good Colour. Ring Size R - S. Weight 2,6 grams. Shank / Setting Very Good Condition.

Lot 28A

Boodles Excellent Signed Platinum and Diamond Set Ring, with Full Hallmark to Interior of Shank. For Platinum 950. Signed Boodles to Interior of Shank. The Central Modern Brilliant Cut Diamond of Top Colour and Clarity. Est Diamond Weight 0.50 pts, With Matching Set of Diamonds to Shank and Shoulders ( 24 diamonds ) Est Diamond Weight 0.25 pts. Total Est Diamond Weight 0.75 pts. Ring Size O. Shank / Setting Excellent, With Boodles Display Boxes ( 2 )

Lot 135A

18ct Gold and Platinum 3 Stone Diamond Set Ring, Fully Hallmarked to Shank. The 3 Round Brilliant Cut Diamonds of Excellent Colour / Clarity. Est Diamond Weight 0.20 pts, Ring Size R. Weight 3 grams.

Lot 268

Ladies - Excellent Quality Contemporary Designed 18ct Gold Diamond Set Dress Ring, Full Hallmark to Interior of Shank. The Central Step-cut Diamonds of Excellent Colour / Clarity. Est Diamond Weight 0.35 pts, Total Diamond Weight 0.45 pts. Ring Size N. Weight 4 grams. Shank / Setting Very Good Condition.

Lot 481

18ct Yellow Gold Diamond Solitaire Ring, fully hallmarked, ring size M. Good sparkle to stone.

Lot 162

Negretti & Zambra Weather Watch English, c.1900, engraved to the silvered face 'Negretti & Zambra' , the weather watch pocket barometer with three concentric silvered dials, outer ring indicating pressure, ring for wind direction, center with altitude correction and windows for fall rise and steady, rear of case with letter codes for forecasts, case circumference with altitude correction scale, in velvet lined dark red Morocco case, Footnote: responds to plastic bag test Forecasting weather with the Negretti & Zambra Weather Watch - This pocket barometer contains Negretti & Zambras Weather Forecaster, which was patented in 1915 and developed based on real weather conditions observed over a span of ten years. To forecast the weather, you can set the wind direction and align the central disc with the steel pointer on the dial. Adjusting the altitude correction involves rotating the rear cover until the arrow lines up with the appropriate level on the scale engraved on the side of the case. By considering whether the pressure has been rising, falling, or remaining steady, along with the season (summer or winter), you can read the letter that appears within the corresponding sector in the center of the dial. A detailed description of its operation can be found on page 89 of Banfield's book "BAROMETERS Aneroid and Barographs", with an illustration on page 87.

Lot 612

An emerald and diamond cluster ring, the square facet-cut emerald surrounded by old-cut diamonds, in platinum setting and 18ct yellow gold shank, ring size O, 2.1g gross.

Lot 681

A five stone diamond ring, the graduated brilliant-cut diamonds weighing a total of approximately 0.90 carats, in 18ct white gold mount and shank, ring size M, 2.6g gross.

Lot 608

A diamond cluster ring, the seven brilliant-cut diamonds weighing a total of approximately 1.55 carats, in 18ct white gold mount and yellow gold shank, ring size O, 3.4g gross.

Lot 782

A Victorian opal and diamond cluster ring, the marquise-shaped opal cabochon surrounded by old-cut diamonds, on scrolling shoulders, on gold shank, hallmarked (worn), dated circa 1867 and tests at 18-22ct gold, ring size K, 5.2g gross.

Lot 680

An 18ct yellow gold Cartier Love ring, marked 'OVI1866', ring size V, 4g, with box.

Lot 620

A sapphire and diamond ring, the circular facet-cut sapphires parted by brilliant-cut diamonds, in yellow gold twist mount and shank, unmarked but tests at approximately 18ct gold, ring size O, 4.7g gross.

Lot 717

An eight stone diamond ring, the baguette cut diamonds weighing a total of approximately 0.80 carats, in platinum mount and shank, stamped 'Plat', ring size J, 6.9g gross.

Lot 730

A pale pink sapphire ring, the oval facet-cut sapphire measuring 11.4 x 9.6 x 7.1mm, in 18ct yellow gold collet mount and shank, ring size N, 4.3g gross.

Lot 666

A sapphire and diamond ring, the circular facet cut sapphires parted by two brilliant-cut diamonds weighing a total of approximately 0.20 carats, in 18ct yellow gold shank, ring size O, 3.0g gross.

Lot 787

A three stone diamond ring, the principal asscher-cut diamond weighing approximately 0.65 carats, flanked by two brilliant cut diamonds, in 18ct white gold mount and shank, ring size O, 3.6g gross.

Lot 678

A single stone solitaire diamond ring, the old cut diamond measuring 8.6 x 8.6 x 5.4mm estimated to weigh 2.40 carats, in gold claw mount and shank, unmarked but tests at approximately 14ct gold, ring size P, 3.7g gross.

Lot 636

An aquamarine and diamond ring, the square single-cut aquamarine 5.0 x 5.0 x 3.7mm, flanked by two brilliant-cut diamonds, in 18ct white gold mount and yellow gold shank, ring size H, 2.5g gross.

Lot 685

A diamond cluster ring, the target cluster set with brilliant-cut diamonds weighing a total of approximately 2.00 carats, in 18ct white gold mount and yellow gold shank, ring size Q, 5.9g gross.

Lot 600

A sapphire and diamond cluster ring, the circular facet-cut sapphire surrounded by eight brilliant-cut diamonds, in 18ct white gold mount and yellow gold shank, ring size 5.5g gross.

Lot 610

A diamond eternity ring, set with twenty-four brilliant cut diamonds weighing a total of approximately 1.20 carats, in 18ct white gold shank, ring size M, 2.8g gross.

Lot 649

A diamond dress ring, the principle plaque set with nine princess-cut diamonds flanked by brilliant and baguette-cut diamond shoulders, 18ct yellow gold mount and shank, ring size L, 7.7g gross (seemingly lead filled mount), with a Pure Gold Certificate stating ref 7244m total diamond weight 1.063 carats, colour G-H, clarity VS-SI.

Lot 623

A moonstone ring, the oval moonstone cabochon measuring 16.8 x 9.4 x 5.8mm, in 14ct yellow gold mount with fluted shoulders and shank, stamped '14k', ring size L, 6.6g gross.

Lot 708

An opal and diamond cluster ring, the oval opal plaque measuring 17.0 x 13.6 x 3.8mm, surrounded by eight-cut diamonds, in platinum mount and shank, ring size P, 5.6g gross.

Lot 695

A ruby and diamond dress ring, centered by an oval facet-cut ruby flanked by further rectangular single-cut rubies, set above and below with eight-cut diamonds, 18ct yellow gold mount and shank, ring size I, 6.6g gross.

Lot 746

A two stone diamond ring, the brilliant-cut diamonds weighing a total of approximately 0.60 carats, in platinum crossover setting and 18ct white gold shank, ring size Q, 2.5g gross.

Lot 728

An emerald and diamond cluster ring, the oval facet-cut emerald measuring 9.0 x 6.9 x 4.7mm, surrounded by twelve brilliant cut diamonds weighing a total of approximately 1.00 carat, in gold mount and shank, unmarked but tests at approximately 18ct yellow gold, ring size O, 5.2g gross.

Lot 714

Turquoise cabochon set jewellery, set in 18ct yellow gold ring, size K; bracelet, 16.5cms long; and earrings, 1.3cms high; 17.8g gross.

Lot 672

An 18th Century miniature set mourning ring, the oval painted portrait miniature of a gentleman, in gold mount and shank, unmarked but tests at approximately 9-14ct gold, ring size L, 4.1g gross.Ivory self-declaration submission reference 5BPD57KF

Lot 664

A yellow sapphire and diamond cluster ring, the oval facet cut yellow sapphire measuring 11.9 x 9.8 x 6.6mm, estimated to weigh 5.86carats, surrounded by sixteen old cut diamonds and a further two diamonds to the shoulders, total diamond weight approximately 0.85carats, 18ct yellow gold mount and shank, ring size R, 5.7g gross.

Lot 796

An early 19th Century diamond ring, the five principal graduated rose-cut diamonds closed back and surrounded by a bezel of smaller rose-cut diamonds, in silver mount and gold shank, unmarked but tests at approximately 14-18ct gold, ring size M, 3.5g gross.

Lot 804

An emerald and diamond ring, the oval facet-cut emerald flanked by twelve brilliant-cut diamonds to shoulders, 18ct yellow gold mount and shank, ring size Q, 5.5g gross.

Lot 767

A solitaire diamond ring, the emerald-cut diamond measuring 6.1 x 5.6 x 4.3mm estimated to weigh 1.20 carats, flanked by four graduated baguette-cut diamonds, in platinum mount and shank, ring size P, 4.9g gross.

Lot 677

A Victorian five stone diamond ring, the old-cut diamonds set within rose-cut point-diamonds, in yellow gold scrolling mount and shank, unmarked but tests at approximately 18ct gold, ring size R, 3.8g gross.

Lot 660

A sapphire and diamond cluster ring, the oval facet cut sapphire 5.7 x 3.6 x 3.3mm, surrounded by ten brilliant-cut diamonds weighing a total of approximately 0.45carats, on platinum mount stamped 'Plat', ring size L, 3.6g gross.

Lot 650

A single stone solitaire diamond ring, the heart-shaped diamond measuring approximately 6.4 x 6.6 x 2.6mm, estimated to weigh 0.65 carats, in 18ct white gold mount and yellow gold shank, ring size P, 3.9g gross.

Lot 645

A Victorian diamond and turquoise ring, designed as entwined hearts under a bow, set with two turquoise cabochons and rose-cut diamonds, in silver on 18ct yellow gold mount and 18ct gold shank (cut), ring size S, 4.8g gross.

Lot 611

A ruby and diamond ring, centered by a brilliant-cut diamond surrounded by a cluster of circular facet-cut rubies and flanked by two further diamonds, in 18ct white gold mount and yellow gold shank, ring size N, 3.2g gross.

Lot 641

An amethyst and diamond cluster ring, the oval fancy-cut amethyst surrounded by brilliant-cut diamonds, the 18ct white gold shank stamped 'D078' and hallmarked, ring size N, 6.5g gross.

Lot 675

An aquamarine ring, the rectangular step-cut aquamarine measuring 15.2 x 12.2 x 7.6mm, in white gold mount and shank, unmarked but tests as approximately 18ct gold, ring size P, 6.4g gross.

Lot 665

An emerald and diamond ring, the central emerald and diamond cluster flanked by emeralds in channel setting and further diamonds to shoulders, in 18ct yellow gold mount and shank, ring size R, 3.9g gross.

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