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Lot 1

An 18ct white gold sapphire and diamond flowerhead cluster ring, the six oval sapphires in claw settings, set within seven round brilliant diamonds, London 1976.

Lot 1

A 9ct gold opal and garnet cluster ring, London 1972; a 9ct gold garnet and half pearl marquise shaped cluster ring, London 1967 and two other dress rings, (4).

Lot 1

A 9ct gold diamond solitaire ring, the round brilliant claw-set within a deceptive mount and pierced gallery, London 1977.

Lot 1

A sapphire and diamond cluster ring, the oval brilliant-cut central sapphire in four-claw setting, with ten small round brilliants, all in claw settings, the shank stamped '18ct'.

Lot 1

An emerald and diamond three-stone ring, the central emerald-cut four-claw set emerald between two round brilliant-cut diamonds, the shank stamped '18CT'.

Lot 1

A jade archer's ring, the emerald green jade turned in a plain band, 2cm wide.

Lot 1

A 9ct gold cameo set ring, London 1967, the oval shell cameo of the Three Graces in rub-over setting; another 9ct cameo ring and four other 9ct gold diamond and gem set dress rings, (6).

Lot 1

A blue zircon dress ring, the brilliant-cut single stone 12mm diameter, in white claw setting with open gallery, stamped '18ct' and 'PLAT'.

Lot 1

A modern diamond set 18ct gold gentleman's ring, the rectangular brilliant-cut stone set within the yellow band, approximately 1.67ct.

Lot 1

A collection of jewellery, including a lady's 9ct gold oval bracelet watch, a garnet three stone ring, a small diamond set ring, a diamond two stone illusion cross-over ring, a gate bracelet and a bi-colour woven necklace stamped '9kt'.

Lot 1

A five-stone diamond ring, the central brilliant-cut stone approximately 0.84ct, flanked by similar graduated stones, all claw set, total approximately 2.30ct, stamped '18'.

Lot 1

A three-stone diamond ring, the three round old brilliant cut stones in white rub-over setting, approximately 1.41ct, unmarked.

Lot 1

A ruby and diamond rectangular cluster ring, the five round faceted rubies between round modern brilliant cut diamonds in claw setting, with 18ct gold shank, London 1980.

Lot 1

A five-stone diamond ring, the graduated old European cut stones in claw setting, the shank stamped '18ct'; a modern garnet set 9ct gold ring, the five graduated oval faceted garnets in claw settings, London 1976; a large oval tiger's-eye 9ct gold dress ring, Birmingham 1976; a modern opal and diamond ring and four other rings, (8).

Lot 1

A three-stone diamond ring, the brilliant-cut stones in claw setting, the inside of the shank with inscription dated '41, stamped '18CT PLAT', approximately 1.21ct in total.

Lot 1

A five-stone diamond half hoop ring, the graduated modern brilliants in raised four-claw settings between 18ct yellow gold bands, Birmingham 1973; and a two-row half hoop diamond ring, the eighteen eight-cut diamonds in white grain setting and pierced girdle with 18ct gold shank, Birmingham 1976, (2).

Lot 1

A three-stone sapphire and diamond ring, the single round faceted sapphire between two round brilliant-cut diamonds, all in 18ct white gold claw setting, London 1895.

Lot 1

An emerald and diamond hexagonal cluster ring, the seven round brilliant-cut diamonds in daisy setting with a twelve round faceted emerald border, all in 18ct gold claw setting, London 1978.

Lot 1

An 18ct gold buckle ring, set with a single eight-cut diamond in gypsy setting, Birmingham 1906; an 18ct gold gypsy ring set single Old European cut diamond, Chester 1915; a wishbone ring; two signet rings and two wedding bands, (7).

Lot 1

A large modern oval sapphire and diamond cluster ring, the dark central sapphire measuring approximately 14mm x 11mm within a 24 eight-cut diamond surround, bears hallmark for Birmingham, stamped '375'; an oval shell cameo ring of an angel's profile, the shank stamped '9ct'; and a ruby and diamond set band, the central round faceted ruby between two eight-cut diamonds all in gypsy setting with scroll moulded shank, stamped '18', (3).

Lot 1

A modern 18ct gold diamond solitaire ring, in rub-over setting, London 1982; and a two-colour yellow and white twisted band, stamped '.750'.

Lot 1

A Victorian five-stone emerald ring, the graduated emerald-cut stones in foil backed closed setting, the moulded band stamped '18CT'.

Lot 1

A 1926 half sovereign ring, in claw mount, the ring with pierced and scroll cast shoulders, marks rubbed, stamped '9, .375'; and a 1981 one tenth Krugerrand ring, the coin set behind a 9ct gold diamond cut bezel, London 1891. Gross combined weight 15g.

Lot 1

A gilt and enamel 'Ancient Order of Foresters' medal and ribbon, a 19th century Continental green agate and marcasite ring, another similar, a jade set marquise shaped ring, a green and white paste set pendant necklace, a cultured pearl pendant necklace and one other, (7).

Lot 1

A curb link necklace, stamped '750', 53cm; another similar with smaller links stamped '14k'; a curb link bracelet with padlock clasp, each link stamped '9c'; an 18ct gold signet ring; a 9ct gold signet ring; an onyx set signet ring and other items, (22).

Lot 1

A multi-link belcher chain with snap clasp, stamped '9ct', 35cm long; a 54cm belcher link necklace with tube clasp, stamped '9ct', combined weight approximately 26g; a garnet and pearl ring, stamped '9ct'; a ruby and diamond set gypsy ring; five other gem set rings; a pair of Victorian style drop earrings; twelve 9ct gold rings, approximately 52g; and six other wedding bands and signet rings.

Lot 1

A modern sapphire and cubic zirconia set bracelet, the nine oval mixed-cut sapphires in yellow four claw settings interspaced with white mounted cubic zirconias; with matching pendant, ring and earrings, all stamped '585'.

Lot 1

A diamond set half eternity ring, the eleven round brilliants in channel settings, the yellow shank bears import marks for 2000, stamped '.375'; a two-stone diamond crossover ring; a modern sapphire and diamond cluster ring; a diamond set gentleman's signet ring and a hollow link bracelet stamped '9k', '.375', (5).

Lot 1

A ruby and diamond cluster ring, the central diamond in white claw setting with six round brilliant-cut ruby surround and twelve similar cut diamond border, with yellow simulated bark moulded shank, with 18ct gold bark finish shank, London 1973; and a white three-stone dress ring, (2).

Lot 1

A baby's teether, the simulated ivory ring hung with a silver rabbit shaped rattle, Birmingham 1971; a 9ct gold 'Baby' brooch; two dress rings; a 22ct gold wedding band, Birmingham 1899 and one other item, (6).

Lot 1

A 9ct gold cameo set ring, another similar, a modern silver gilt cameo bracelet with matching earrings, a silver mounted shell cameo, a 14k mounted shell cameo, and other cameo jewellery

Lot 1

An oval 9ct gold mounted shell cameo of the Three Graces, London 1967; a 9ct gold mounted cameo pendant and a similar ring, (3).

Lot 1

A George III thirty-hour weight driven brass pantry timepiece, circa 1780, the posted movement with anchor escapement and internal alarm mechanism, the 6.5 inch brass break-arch dial with alarm disc and single steel hand to centre within applied Roman numeral chapter ring with squat cruciform half hour markers, the spandrels with engraved rococo scroll decoration, the arch applied with signature boss 'Hen'y Baker, Malling', 22.5cm high, with oak wall bracket, pendulum and weights. Henry Baker is recorded in Britten's 'Old Clocks & Watches and their Makers' as working in Malling 1768-84.

Lot 1

A good George II small ebony veneered eight-day bracket clock with rise/fall regulation and pull quarter repeat, circa 1750, the six-pillar twin fusee movement with pull quarter repeat on six bells, verge escapement and rise/fall regulation via cam and beam mounted on the Hoho bird and foliate scroll engraved backplate, the 6 inch brass break-arch dial with calendar aperture and false bob aperture to the finely matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and unusual symmetrical leafy scroll cast spandrel mounted angles, the arch with strike/silent beside regulation dials beneath signature plaque 'Benj'n Steele, London', the break-arch case with generous brass handle and large single pad panel to top over break-arch side windows and unusual shaped glazed panel to rear door, on moulded stepped base with brass bracket feet, 35cm high excluding handle. Benjamin Steel(e) is recorded in Britten's 'Old Clocks & Watches and their Makers' as working from Old Southampton Buildings in 1744.

Lot 1

The remnants of an early 18th century provincial brass wing lantern clock, of posted construction with outside countwheel strike and space between the trains for short verge pendulum, now with anchor escapement and conversion to two hands, finials, feet, bell and cage, doors, backplate and dial lacking, 18cm high; and a First Period part lantern clock dial centre and chapter ring with fine repeating rose engraved decoration, (2).

Lot 1

A good French brass eight-day repeating carriage clock with decorated panels by Achille Brocot, circa 1875, the two-train gong-striking movement with silvered platform lever escapement and push button repeat, the dial with silvered Roman numeral chapter ring and rosette centre within relief electrotype scene of camel caravan at a well finished in silver, gilt and copper, the sides with conforming relief panels, in pillars variant case with Egyptian influence chased columns to corners and leaf panel moulded shaped apron base with pad feet, numbered 443 to underside, 18cm high excluding handle.

Lot 1

An Irish inlaid figured mahogany eight-day longcase clock, the four-pillar rack-striking movement with anchor escapement, the 13.75 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the foliate border engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers, Arabic five minutes and signed 'William Marshall, Dublin' along lower edge, in a broken pedimented case with dentil cornice and oval inlaid panel frieze above reeded pilasters to hood above shaped-top trunk door short panel flanked by reeded quarter columns to trunk, on panel inlaid plinth base with bracket feet, movement and dial mid 18th century, the case later, 235cm high.

Lot 1

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement now with 11 inch square brass dial with matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and inscribed 'Edw. May, Witney' along lower edge, the case with moulded dentil cornice over plain hood pilasters and long door flanked by reeded canted angles to trunk, on plinth base with moulded skirt, part 18th century, composite, 182cm high.

Lot 1

A carved oak eight-day longcase clock, the four-pillar rack and bell striking movement now with 12 inch brass break-arch dial with redundant arched calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within applied Roman numeral chapter ring with arcaded minute ring, foliate half hour markers and Arabic five minutes, with bird and urn pattern spandrel applied angles and arch with a boss inscribed 'Arthur Glover, Newcastle' between dolphin cast foliate mounts, the case with foliate mask centred pagoda shaped pediment over fluted hood pilasters and shaped-top long trunk door, on panelled plinth with shaped skirt, overall carved with foliate designs, composite, dial and parts of case 18th century, 226cm high.

Lot 1

A George III figured mahogany eight-day longcase clock, circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, silvered seconds ring and arched plaque signed 'Tho's Henderson, Hull' within an applied silvered Roman numeral chapter ring with Arabic five minutes, with female mask scroll cast spandrel applied angles and strike/silent dial flanked by dolphin mounts to arch, in a break-arch case with cavetto moulded cornice and reeded pilasters to hood over break-arch flame figured trunk door and conforming raised panel plinth base with moulded skirt and rectangular pad feet, movement and dial possibly associated to case, 217cm high. Thomas Henderson is recorded in Britten's 'Old Clocks & Watches and their Makers' as working in Hull circa 1770.

Lot 1

A thirty-hour longcase clock with moonphase, the four-pillar outside countwheel bell-striking movement with anchor escapement and 13 inch square brass dial with subsidiary calendar dial and rolling moonphase to the foliate engraved centre signed 'T. Lister, Hallifax' to lower edge, with an applied Roman numeral chapter ring with Arabic five minutes and unusual rococo scroll cast spandrels applied to angles, now in a flat-top carved oak case with bobbin turned hood pilasters and scroll carved rectangular trunk door, on plinth base, movement and dial circa 1770, case later.

Lot 1

A Thonet bentwood armchair, with dipped toprail over ovoid woven cane panel centred back and scroll arms above conforming seat, on ring-stretchered splayed supports, 96cm high.

Lot 1

An eight-day longcase clock movement and associated dial, the four-pillar rack and bell striking movement with Osborne falseplate, the 12 inch brass break-arch dial with recessed seconds dial and calendar aperture to the matted centre, within Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the arch bearing signature boss 'Sam'l Buxton, Diss'.

Lot 1

Benjamin Gray and Justin Vulliamy, London. A fine red lacquer eight-day longcase clock with moonphase, circa 1760, the substantial five-pillar rack and bell striking movement with anchor escapement, the 13 inch brass break-arch dial with calendar aperture, large silvered seconds ring and applied silvered plaque signed 'Benjamin Gray & Just. Vulliamy, London' to the finely matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrel applied angles, with strike/silent lever at 3 o'clock and moonphase within foliate engraved border to arch, the gilt decorated pagoda pedimented case with three large urn finials over break-arch cavetto moulded cornice and brass capped turned pilasters to hood, the trunk with break-arch door raised gilt and polychrome decorated with figures and pagodas over two square rigged sailing vessels within foliate panel borders, the plinth further decorated with figures beside a gazebo, on double skirt base, case with restoration to decoration, 276cm high. The celebrated partnership of Benjamin Gray and Justin Vulliamy was established three years before the marriage of Vulliamy to Gray's daughter in 1746. At this time Gray was clockmaker to George II. Vulliamy's son, Benjamin, later became clockmaker to George III. This particular clock departs from the usual square dial walnut longcase product of the partnership thus was probably a special order, although signature features such as the unusually large subsidiary seconds ring are present.

Lot 1

Thomas Pierce, Bristol. A curious miniature eight-day bracket timepiece, circa 1780, probably for the workshop testing of pocket watches, the four-pillar single fusee movement with anchor escapement, passing hour strike and elaborate shouldered plates, the 4 inch single-sheet silvered break-arch dial with Arabic minutes ring beside jump hour aperture within foliate engraved cartouche beneath brass watch suspension hook within conforming cartouche, the arch signed 'Thomas Pierce, Bristo' around upper edge, with border decoration to sheet beneath, the case with pierced swan neck pediment over break-arch door and bracket feet, 35cm high. Thomas Pierce (II) is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working 1739-93. This clock is illustrated on page 313 as well as the front cover and is discussed on page 316. The passing strike would act as a reminder for the watchmaker to check the progress of a watch hanging from the brass hook to the upper part of the dial against the minutes ring at the bottom right. The movement shows some evidence of restoration and replacements which may indicate that it may originally have been made with a verge escapement. Although the case is of fairly simple construction it would have been perfectly adequate for workshop use.

Lot 1

A pair of white painted reconstituted stone pedestal garden urns, each with moulded rim over armorial relief moulded waist and reeded underside with moulded ring handles, on tapered base, 65cm high, 55cm diameter.

Lot 1

Thomas Pierce, Bristol. An eight-day longcase clock movement and dial, circa 1780, the four-pillar rack and bell striking movement with anchor escapement, the 12 inch square single-sheet brass Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Pierce, Bristol' to centre within engraved chapter ring with Arabic five-minutes. See footnote to previous lot.

Lot 1

Thomas Bullock, Bath. An unusual figured mahogany eight-day longcase clock with rocking figure automaton entitled 'The Large Bread Warehouse', circa 1770, the four-pillar rack and bell striking movement with anchor escapement and automaton linkage to arch, the single-sheet silvered brass break-arch Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Bullock, Bath' to the Hoho bird and rococo scroll engraved centre, the chapter ring with Arabic five minutes within unusual engraved spandrels representing the four elements, the arch with polychrome rocking figure of a gentleman carrying a bag of flour within bakery interior, with kiln to his right and engraved legend above, the swan neck pedimented case with simulated blind fret infill and dentil cornice over integral pilasters to hood above shaped-top door to trunk, on plain plinth base with bracket feet, 230cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working 1764-1773. The automaton and legend in the arch strongly suggest that this clock was made to special order by the owner of one of the larger Bath bakeries of which there were several operating at this time, the most well known being Sally Lunns, North Parade Passage which is now a museum.

Lot 1

A George III style small mahogany chest of four graduated drawers, with moulded edge top over hexagonal brass ring handles and bracket feet, 79cm high, 65cm wide, 47cm deep.

Lot 1

Edward Bilbie, Chew Stoke. A rare William & Mary thirty-hour musical longcase clock, circa 1695, the substantial three-train posted movement with four square section brass pillars riveted into the base plate and secured via brass nuts at the top plate, with verge escapement, outside countwheel bell strike and music playing every three hours via a 2.75 inch pinned cylinder on eight bells with twelve hammers, the movement raised on four steel spurs, the 9.5 inch square brass dial engraved with leafy tulip trails around a formal flowerhead and signed 'Edward Bilbie Fecit' to centre, within an applied Roman numeral chapter ring with stylised trident half hour markers and foliate cast winged cherub head pattern spandrel applied angles, now in a walnut veneered case with ogee cornice over rectangular door to hood and narrow trunk with slender door, on plinth base, 203cm high. Edward Bilbie is thought to have learnt the clockmaking trade from Edward Webb, who died in 1694. Bilbie started casting bells in 1698 and it is highly probable that he was making clocks by this time. This clock bears a very strong resemblance to an example by Edward Webb (as discussed in Moore, A J 'The Clockmakers of Somerset 1650-1900' Appendix vii) thus may well be one of the first clocks made by Edward Bilbie. The level of decoration and attention to detail lavished on the arbors, collets and other parts of the clock indicates a great deal of pride by the maker, possibly supporting a theory that this may well be his masterpiece. The movement and dial have survived in remarkable original condition, however the case is almost certainly associated but of the period with later veneers.

Lot 1

An unusual oak cased rack-striking thirty-hour longcase clock with alarm and day of the week indication, circa 1735, the substantial four finned pillar movement with anchor escapement and alarm mechanism mounted on the backplate, the 11.5 inch brass square dial with foliate engraved calendar aperture, ringed false winding holes, silvered alarm disc and day of week with deity symbol sector to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn'o Limbry, Currymallet' along lower edge, the angles applied with cast female mask and scroll pattern spandrels, the case with box upstand over moulded cornice and integral pilasters to hood, above line bordered rectangular trunk door and plain plinth base with bracket feet, 200cm high. John Limbry is recorded in Moore, A J 'The Clockmakers of Somerset 1650-1900' as working in Curry Mallet circa 1729. This clock is illustrated on page 159 and on the back cover. The movement demonstrates a remarkable level of attention to detail and originality in its specification and finish.

Lot 1

A 19th century mahogany framed large settee, the shallow arch wrap-around back with shaped end terminals over shaped-front padded seat and four ring-turned tapered front supports, 100cm high, 270cm long.

Lot 1

A Regency rosewood crossbanded figured mahogany small pembroke work table, the top with rounded corners over single end frieze drawer opposing dummy with turned wood handles, over four ring-turned tapered supports with pleated silk bag between, on brass castors, 72cm high, the top 49cm x 33cm flaps down.

Lot 1

A Regency figured mahogany pedestal pembroke table, the moulded edge top over single panel fronted frieze drawer and two ring-turned baluster uprights over rectangular concave sided platform base issuing four reeded downswept supports with leaf cast brass box castors, 71cm high, the top 91cm x 52cm (flaps down).

Lot 1

A late Victorian extending dining table, the moulded edge top with canted angles and wind-out action to take the single leaf, on four ring-turned reeded supports with ceramic castors, 74cm high, the top 148cm x 101cm extended.

Lot 1

A Regency figured mahogany D-shaped tea table, with hinged folding reeded edge top over plain frieze and four ring-turned tapered supports with brass castors and dual swing action to rear, 75cm high, 92cm wide, 43cm deep.

Lot 1

A Regency mahogany bowfront chest of three graduated drawers, with ebony line edge top over gilt brass ring handles, on splayed bracket supports with shaped apron between, 89cm high, 91cm wide, 49cm deep.

Lot 1

A double barrelled percussion cavalry carbine by Swinburn & Son, 1853, 20.75" twist barrels with patent breeches of approximately .710 calibre, double back action locks, trigger guard with semi pistol grip spur and circular patch box to butt, fitted with saddle bar and ring and swivel rammer

Lot 1

A Continental style, half stocked percussion cavalry pistol, 7.25" barrel of approximately .69" calibre, bar sidelock with hammer of Franco-Belgian form, brass mounted with skull crusher butt cap with swivel ring

Lot 1

Corgi Toys, 497 'The Man from UNCLE' Gun Firing 'Thrushbuster' with Waverley ring, inner pictorial sleeve, an invitation to join the Corgi Club, purple, boxed, end flaps missing

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