A fine and rare early 18th century gilt-metal mounted, ebony-veneered quarter-repeating and striking table clock of small sizeThomas Tompion, London, number 345The case:the tied bud handle over a caddy top and finely moulded cornice, the side panels with pierced sound frets backed in green silk, over glazed rectangular panels, on a moulded base and block feet, the rear door with rectangular glazed panel, the front with silk-backed sound fret over a pair of gilt escutcheons, numbered on the front sill '345'. The dial:the gilt rectangular dial measuring 5.5inches by 6.25 inches (14cms x 16cms), signed top centre in a flowing script 'Tho: Tompion, Londini fecit' within an engraved foliate cartouche to the top corners with a sprig of foliage over the twin subsidiary dials for rise-and-fall regulation (marked in Arabic 5s inside the engraved track) and Strike/Not Strike, both with engraved centres and blued steel hands, the latter with twin brass nibs, the silvered Roman and Arabic chapter ring with cross half-quarter marks, outer minute band and inner quarter hour track with 'sword hilt' half-hour marks, the finely matted centre with D-ended chamfered mock pendulum aperture, and blued steel hands, with three latched dial feet, the lower corners set with double-screwed ornate cherubs head spandrels, and a pair of upper half-spandrels secured with single screws.The movement:of eight day duration and with substantial plates united by seven knopped and ringed pillars latched to the frontplate with shaped brass riveted latches, both fusees with gut line, the going train terminating in a pivoted verge escapement with long steel crutch to a short pendulum with brass bob and rod mounted on a facetted brass rise and fall arm pivotted on the backplate, the mock pendulum screwed to the verge arbor in typical fashion; the strike train with rack strike on a bell mounted on a steel stand with shaped foot; the quarter repeat train sounding the quarters on a smaller, single bell, activated from either side via Tompion's double engaging cocked chamfered steel levers on the backplate. Running, striking and repeating.The backplate:fully engraved within a single line border and punch numbered along the lower edge, signed in an oval cartouche flanked by a pair of cornucopia issuing fruit and flowers within a symmetrical pattern of foliate scrolls, a stylised Green Man mask engraved above the centre, all cocks similarly engraved. 33cms (13ins) high to the top of the raised handle. (30cms (11.75ins) to the pommel of the handle) Footnotes:Provenance:This clock has been in single Dutch family ownership since at least the late 19th century. It is mentioned in the 1912 inventory of the estate of Mr J.J. van der Willigen, Rotterdam as a '..oud klokje (Engelsch), waarde 30 gulden..' 'Old English Clock'Thence by descent.This clock is one of a rare group of mid-size Phase Two table clocks by Thomas Tompion. This size of clock, measuring between 11.5 and 11.75 inches to the pommels, with dials of about 5.25 inches by 6.25 inches, was produced from circa 1691 to 1711. This example was produced at almost exactly the mid-point in production and in many respects is a text book example. It carries the special spandrel reserved for this model, the so called 'Ornate Cherubs Head' - see Evans, Carter & Wright, 'Thomas Tompion' 300 Years, Water Lane Publishing, 2013, p155.For further information on this lot please visit Bonhams.com
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A fine and rare late 17th century ebony quarter repeating table clock with alarmJoseph Knibb, LondonThe shallow caddy top with tied bud handle over foliate mounts to the front and sides, framed by four squat urn finials, the front door with pierced sound fret and two applied escutcheon mounts (the left hand pinned to allow access to the keyhole), with a pair or rectangular glazed side panels, on a plinth base, the 6.25inch square dial signed along the lower edge Joseph Knibb, London, with two slots flanking the XII 'N-S' and 'R-N' (Not strike- Strike and Ring - Not ring), the winged cherubs head spandrels framing the silvered chapter ring with outer minute track (marked in Arabic 5s), Roman hours with fleur-de-lyse half-hour markers and an inner quarter hour track, the centre finely matted and carrying the silvered Arabic alarm-setting dial, with finely fettled blued steel hands (the hour restored, but retaining the original hexagonal centre), the twin gut fusee movement united by six baluster shaped pillars, all latched to the frontplate, the going train terminating in a knife edge verge escapement, the strike train with rack system acting on a single bell above (the alarm sounding on the same bell), probably with a quarter repeat originally taken from the strike train (part of train and bell lacking, but with original pivotted hammer intact), the backplate with single line border framing a symmetrical design of four pairs of flowers (tulips, anenomes and irises), the lowermost pair of irises on cut stalks below the curved copperplate signature Joseph Knibb Londini fecit. 34cms (13ins) highFootnotes:Literature: Illustrated and described in R.A.Lee; The Knibb Family Clockmakers, The Manor House Press, 1964, Plate 81 and page 181 'Joseph Knibb, London. Table clock with ebony veneered case with repousse gilt metal mounts on the caddy top. The lifting handle, finials and escutcheons are of a design which now becomes standard. The eight day striking movement is fitted with alarm mechanism with setting dial under the hands. Stopwork for striking and alarm above chapter ring. Circa 1680-82. In the possession of Mrs Oakes.'For a similar repeat system operated from the strike train, see Dawson, Drover & Parkes, Early English Clocks, Antiques Collectors Club, 1982, pp392. Illustrated is an example by Edward Burgis, but others are known by Richard Colston, William Herbert and Fromanteel, see plates 557 to 563.See Sunny Dzik, Engraving on English Table Clocks, 'Art on a Canvas of Brass, 1660-1800' 2019, figure 8.6 for a related cut-stalk backplate with curving signature on a Joseph Knibb table clock. Other Knibb cut stalk patterns can be seen in plates 8.7 and 8.8, and in the digital library.For further information on this lot please visit Bonhams.com
A 19th century French Boulle bracket clock with an associated wall bracketBaltazar ParisThe architectural case surmounted by a caddy top with flaming urn finials over an arcaded fret and Corinthian columns on raised pediments and toupie feet. The 9 inch velvet covered dial centred by the 7.5 inch brass Roman and Arabic chapter ring held aloft by Chronos astride the rectangular signature plaque, with fine silvered and fettled hands, the twin train movement striking the hours and half hours on a blued-steel coiled gong. Ticking and striking. Sold with a later mahogany wall bracket, brass pendulum and winding key. 61cms (24ins) high (88cms high with bracket) (4)For further information on this lot please visit Bonhams.com
A fine and rare late 18th century mahogany striking regulator longcaseJohn Monkhouse, LondonThe case with a raised architectural cresting surmounted by three ball finials over canted front angles and a long solid mahogany door with good figuring and moulded edge, on a raised panel base and double apron, the 10 inch one-piece silvered dial boldly signed in the low arch 'John Monkhouse' with strike/silent selection lever over a minute track and upward curving aperture revealing the hours, the seconds indicated on a large Arabic subsidiary spanning from the centre to the XII position, with bolt-and-shutter maintaining power lever to the side, the weight driven movement with shouldered plates united by five knopped pillars, both trains with delicate wheel work and high count pinions, the strike with rack system on a bell, the going with large deadbeat 'scapewheel and pallets to a long steel crutch and unusual steel-rod pendulum with heavy bar running into the large lenticular bob secured by an engraved rating nut. Running and striking. Together with a later winding key, two brass (not matching) weights, and door key. 2.02m (6ft 8ins) high. Footnotes:Provenance: Single family ownership for the last 71 years. This clock was bought by the vendor's father from William Lee, BADA-registered Antique Dealer, 39, Stonegate, York, on 11th June 1949 for the sum of £65.00. The receipt from 1949 is included with this lot. John Monkhouse is listed as working from London 1756-1771. A similar regulator by him is illustrated in Roberts: 'English Precision Pendulum Clocks', Schiffer 2003, Figs. 21-2A,B,C. It is featured as an example of the short-lived fashion in the late 18th century for more elaborate regulator cases, interestingly, the dial displays the same large overlapping subsidiary seconds ring as the current lot.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A very rare mid 19th century English historical Presentation skeleton timepiece with deadbeat balance escapementUnsigned, but attributable to James CondliffThe open scroll frame with plates measuring 5mm (3/16ths) in thickness, united at the lower terminals with turned pillars secured by pairs of blued steel screws and brass collets to the front and back, the upper scrolls bound by turned steel posts secured by matching, smaller collets and screws; the single chain fusee movement with Harrison's maintaining power, high count pinions and wheels of five crossings throughout, the train terminating in a vertical deadbeat 'scape wheel and polished steel pallets with banking screws, impulsed via a vertical polished steel lever with trefoil-shaped endpiece concealing the twin impulse pins of the large (2inch) diameter brass four-arm balance above, (the balance set with timing screws on a flat blued steel spring), the 4.5 inch diameter silvered Roman chapter ring with outer minute band and the pair of original matching blued steel Breguet style hands, all mounted on an ebonised wooden base mounted with the presentation plaque, further set on a plinth with recessed edge to take the heavy bronze-finished cover with five heavy bevelled glass panels. Ticking. Sold with a 19th century winding key. The frame 21cms (8.25ins) high. Height to the top of the glass cover 34cms (13.5ins). Footnotes:The silvered presentation plaque reads:PRESENTED TOJOHN CONDIE ESQUIRE,BY THE WORKMEN EMPLOYED AT WILSONTOWN IRON WORKSOn hisleaving the Management of these Works As a small mark of their regard for himas a Kind and Just Master,And of their estimation of his Valuable ACQUIREMENTS IN SCIENCEand especially his IMPROVEMENTS IN IRON MAKING October 1839John Condie was born in the Gorbals, Glasgow on the south bank of the Clyde in 1799. Like many local men, his life revolved around the iron making trade, and he soon joined the Wilsontown Iron Works near Forth, south east of the city. It was here that James Beaumont Neilson (1792-1865) developed a new blast furnace, but it was Condie's invention of the Spiral Tuyere in 1836 that enabled raw coal from the adjacent mines to be used in the process, rather than the far more expensive coke. It was during this time of innovation and expansion that this clock was presented to Condie by his workmen. With the closure of the Wilsontown Works in 1842 (which at one time had employed two thousand men), Condie moved to the Govan Iron Works at Hutchesontown, not far from the Gorbals. It was here in 1846 that he patented a steam hammer with a fixed piston and a moving cylinder which carried the hammer at its base. The first example was erected in the Govan works in 1848. Condie went on to produce a number of these gargantuan steam hammers, each with up to as much as a seven ton force, for several forges around Scotland. Condie handed over the Govan works to Allan C. Wylie before his death in Wellcroft Place in his home city of Glasgow at the age of sixty-one in 1860.Reading the presentation inscription on this clock, one is left in no doubt that not only was Condie a man of huge talent and vision but was also a man of great humanity. The esteem in which he was held by his workforce exudes from every line. The clock was given relatively early on in his career and it is pleasing to consider that this timepiece was witness to such a fertile mind, one that certainly changed the fortunes of Glasgow, and improved the processes of iron manufacturing at a time when Britain was considered 'the workshop of the world.'For further information on this lot please visit Bonhams.com
A good second quarter of the 19th century rosewood two day marine chronometerParkinson & Frodsham 3259The three-part case with brass inserts, a vacant brass cartouche to the top lid and a pair of proud side handles, the top lid with 'D&Co improved' hinges opening to reveal the glazed protective panel, the lower section with dust beading, the signed and numbered 3.5 inch silvered Roman and Arabic dial with minute track, gold hands and subsidiaries for power reserve (marked in 8-hour increments 0-48) and running seconds, under a flat-glass with angled sight ring, the movement with maintaining power to the chain fusee with freesprung helical blued steel spring to a cut and compensated bimetallic balance with circular weights, and Earnshaw detent escapement, signed Parkinson & Frodsham, Change Alley, London, the backplate with lightly snailed decorative finish, hung in a gimballed weighted brass bowl with sliding cover. Ticking, sold with an associated safety winding key, and case key The box 15cms (6ins) wide. This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A good 19th century brass-mounted rosewood two day marine chronometerBrockbank and Atkins, London, No. 1808the three part case with vacant shield shaped brass cartouche and protected angles, over side handles, the mid section with inset ivory plaque, the lower with raised dust lip, the 3.5 inch signed silvered Roman dial with minute track framing the power reserve dial (marked in 8-hour increments from 0-56 with instruction to wind at 24 hours), and subsidiary seconds with fine blued steel hand, under a bevelled glass and angled sight ring, the signed and numbered movement with maintaining power to the chain fusee, the freesprung blued steel helical spring with diamond endstone to a cut and compensated bimetallic balance and Earnshaw type spring detent escapement, the pillar plate signed and numbered and with decorative finish, suspended in a weighted gimballed brass bowl with sprung cover and locking lever. Ticking. 17cms (6.75 ins) high. This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A fine mid 20th century Swiss brass-bound mahogany cased two day marine chronometerUlysse Nardin, Locle, No.4655the three part case with brass corners and side pieces, the lower section with long chrome piano hinge and external handles and internal dust lip, with applied number plaque, the 3.75 inch signed and numbered silvered dial with bold black Roman numerals and minute ring framing the power reserve arc (marked in 8-hour increments from 0-48) and subsidiary seconds, the frosted gilt movement with baluster shaped pillars and trademark and number, maintaining power to the chain fusee, freesprung helical spring with diamond endstone to a cut and compensated bimetallic balance and Earnshaw type detent escapement. Ticking. 19cms (7ins) wideFor further information on this lot please visit Bonhams.com
NO RESERVE Browning (Robert) The Ring and the Book, 4 vol., first edition, first issue, vol. 3 with light spotting to title, but very clean generally, original cloth, spines darkened, spine ends and corners a little bumped, but a bright, sharp set generally, 1868-69; and 7 others, works by Henry James and Laurence Sterne, 8vo (11)
NO RESERVE Johns (Jasper).- Brundage (Susan) & Judith Goldman. Jasper Johns 35 Years Leo Castelli, folding colour plates, illustrations, coloured card dividers, original ring-bound boards, New York, 1993 § Sontag (Susan) Dancers on a Plane: Cage, Cunningham, Johns, illustrations, some colour, original wrappers, a little soiled, 1989, 4to (2)
George Dannatt (British, 1915-2009)Cup and Ring Stone signed, titled and dated 'Cup + ring stone/George Dannatt/1976' (on backboard)oil on board19 x 20.5cm (7 1/2 x 8 1/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A 19th Century mantel clock by Brockbanks of London, the twin fusee movement with plain brass back plate and white enamelled dial with Roman numerals enclosing inscription "Brockbanks London" housed in an ebonised and gilt decorated caddy top case with pineapple finial flanked by foliate decorated brass ring handles on a plinth base to brass ball feet 48 cm high x 29 cm wide x 18 cm deep CONDITION REPORTS Pineapple finial basically sound. The stepped top in need of a good clean. The face with craquelure throughout though basically sound. The front woodwork with nine horizontal cracks. Movement appears to be sound though difficult to view interior so not known whether all pieces/parts are original, restored, cleaned etc - see images for further detail. Base has what looks like an amateur cut hole for the pendulum - again see images for further detail. The piece comes with key for the movement and key for the rear door. N.B. Clock not sold as in working order though see no reason why not
A VERY LARGE COLLECTION OF BAKELITE / CHERRY AMBER ITEMS, consisting of bead necklaces, cylindrical lidded pots, animal formed napkin ring holders, ink well, desk calendars, thermometer, bangles, caddy, pipes, candlesticks, handled tray, shaving brush and box, book formed lidded box, salt & pepper shakers.
A FINE QUALITY 19TH / 20TH CENTURY CHINESE ENAMEL INCENSE BURNER & COVER, decorated with cafe au lait ground with formal lotus and chilong, with lion dog head mask and ring handles, on tripod mask feet, the base with a blue qianlong four character mark, 20cm high x 14.5cm wide.
A First World War German Trench Knife, the 10.5cm single edge steel blade with maker's logo and name E PACK & SOHN, SOLINGEN, with brass bolster, chequered black plastic grip with brass lanyard ring and attached leather strap to secure the black enamelled brass scabbard, 26cm CONDITION REPORT: . Tip of blade broken. Leather strap is perished. Dents and wear to the scabbard.
A George III Naval Dirk, the 15.5cm triangular section blued fullered steel blade engraved and gilt with scrolling tendrils, the gilt brass crossguard cast as fruiting vine leaves, with baluster knopped and ring turned bone grip and foliate engraved gilt brass scabbard with two suspension rings, 26.5cm CONDITION REPORT: . Some wear to bluing and gilding of the blade. Cracks to grip. Wear to the gilding on the scabbard
A William IV Brass Tipstaff, as used by Constables, Ward Beadles and Court Officers, with heavy cast crown pommel, ring engraved cylindrical haft and ring turned lignum vitae grip with drilled hole, 27cm CONDITION REPORT: Small dent to haft. The grip with two small chips around the drilled hole on one side and a tiny chip to the button finial.
A 19th Century J R Cooper's Patent Six Shot Percussion Pepperbox Revolver by R Jones, with 7.5cm cylinder, Birmingham proof marks, foliate engraved and signed rounded nickel action and frame, with slide safety, ring trigger and walnut bag butt scales, the underside of the backstrap stamped 23217102 CONDITION REPORT: . Action works, but the cylinder does not rotate properly. Left side plate of action is seperating at the top seam. Minor pitting to the cylinder. Some bruising to the grip scales.
A Brace of Early 19th Century Belgian Flintlock Cavalry Pistols, each with Liege proof mark to the 20.5cm round steel barrel, the rounded lock plate with brass frizzen pan, walnut half stock with brass barrel band, trigger guard, side plate and butt cap with steel lanyard ring and ramrod, 37cm; a Late 19th Century Copper Powder Flask, with semi fluted embossed decoration and brass charger; a Brass Powder Measure, with ebony handle (4) CONDITION REPORT: . Pistols - Both actions work, holding at full and half cock. Fine pitting to barrels and lock plates. Minor bruising to the stocks. One pistol - the hammer does not fit properly, it is lacking the looped finial to the screwing flint jaw, with later lanyard ring and the rear trigger guard screw is set at a bit of an angle.Flask and measure with minor scratching, generally good.
A Kota Shamaye Figure, with recessed oval face, bone button eyes below domed forehead and fanned coiffure, covered in strips and sheets of brass, with an iron ring to the cylindrical neck, and pierced diamond shape base, 78cm CONDITION REPORT: . Horizontal splits to the metal covering of the fanned headdress.
A 19th Century Brass Bound Mahogany Shotgun Case, the hinged cover with inset brass ring handle, opening to reveal green baize lined interior fitted to take 32" barrels, with original maker's paper label for Richard Burnan, Successor to John Gardner, 111, Pilgrim Srteet, Newcastle-on-Tyne, 87cm by 25cm by 8cm CONDITION REPORT: . Split to hinged cover at the top front and back edge, small piece of wood missing to the back left edge base. Brass lock and escutcheon missing. Some damage to the interior divides and baize lining. Good quality case.
A Post War German Helmet, later painted black, with folded brim, leather liner and chin strap; a US Combat Helmet, finished in olive green paint, with camouflage cover and fibreglass liner; a British L1A3 Knife Bayonet, with steel scabbard; a German Post-Third Reich Brass Fantasy Signet Ring, embossed with aeroplanes over a war ship and Wir fahren gegen Engelland (4)
Good collection of 9ct gold, unmarked gold &/or gold coloured metal to include at least 7 grams of marked 9ct gold, in a jewellery box.The 7 grams of marked gold includes - the 3 rings, back left in the jewellery box and the crosses & chains to the front of the box.There is also 2 rings (back right in jewellery box) stamped "9ct gold & silver" including an eternity ring which holds semi-precious stones.Also, there are 2 additional rings that could be 9ct gold as they appear to be stamped but the stamps are unreadable as they are too dirty.There is also 3 charms which are unmarked which are believed to be 9ct gold but are untested.
A group of 12 large Royal Doulton character jugs - Capt Ahab D6500; The Ring Master D6863; Sam Johnson; Monty D6202; Field Marshal Montgomery D6908; Old Salt D6551; Henry VIII D6642; Porthos D6440; Pied Piper D6403; Capt Henry Morgan D6467; 2 unnamed jugs (one a jester) All pieces are in good condition with no evidence of damage or previous repair
A late Victorian diamond and opal ring, the central precious opal diam. approx. 5.87mm and depth 2.56mm, surrounded by 12 old cut diamonds, total approx. diamond wt. 0.24ct, the flower head diam. 10mm, hallmarked 18ct gold, jeweller's initials 'L&L', Birmingham 1900, size N. Condition - very good, cabochon with minor abrasions dulling lustre but good play of colour, little wear to band, band inscribed, hallmarked well defined, appears free from any major damage/repair.
A Victorian diamond solitaire ring, the central slightly oval European cut stone weighing approx. 0.85ct, hallmarked 18ct gold band with scroll shoulders, jeweller's initials 'G&M', Chester 1885, size P, gross wt. 7.60g. Condition - stone with tiny inclusions visible with 10x loupe only, generally lively stone, little wear to band

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