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A cat's eye moonstone and sapphire circular cluster ring with matching ear-clips: each ear-clip with a central cat's eye moonstone 15mm diameter within a surround of round sapphires, the ring with a central moonstone 14mm diameter, approximately 29gms gross weight.
A gentleman's 18ct gold and diamond single-stone ring: the cushion-shaped old brilliant-cut diamond approximately 8mm long x 7mm wide x 4.8mm deep, estimated to weigh a total of 1.9cts, in rub-over setting, the shank with assay marks for Birmingham 1911, approximately 9.5gms gross weight, ring size P 1/2.
A diamond single-stone ring: the round brilliant-cut diamond approximately 7.3mm diameter x 4.3mm deep, estimated to weigh a total of 1.45cts in curtain claw setting and between baguette-cut diamond shoulders, the shank stamped 'PLAT', 3.5gms gross weight, ring size L.
A late 19th century gold and diamond ring: the principal cushion-shaped old, brilliant-cut diamond approximately 9.7mm long x 8.6 mm wide x 5.5mm deep, estimated to weigh 3.0cts in claw setting highlighted with smaller round old brilliant-cut diamonds, 7gms gross weight, ring size R 1/2.
An Edward VII silver tea caddy, maker George Nathan & Ridley Hayes, Chester, 1904: of barge shaped outline, the hinged lid surmounted by a finial and enclosing a gilt interior with two lion mask ring-turned handles, raised on four squat bun feet, 10.3cm high, 182gms, 5.88ozs.
A Liberty & Co Tudric pewter mantel clock: designed by David Veasey, London, circa 1902, the eight-day duration French timepiece movement having a platform escapement and stamped with the serial number 17066, the round turquoise enamelled dial having black Roman numerals to the copper chapter ring and brass spade hands, the arched hammered pewter case having a three part inset panel to the front and stamped to the underside English Pewter, Made by Liberty & Co, 01269, height 22.5cm
A Liberty & Co Tudric pewter mantel clock: designed by David Veasey, London, circa 1902, the eight-day duration French timepiece movement having a platform escapement and stamped with the serial number 17054, the round turquoise enamelled dial having black Roman numerals to the copper chapter ring and brass spade hands, the arched hammered pewter case having a three part inset panel to the front and stamped to the underside Made in England, Tudric, 01269, Golkets, height 22.5cm
A miniature ebonised bracket clock: the French eight-day duration timepiece movement having a platform lever escapement, the three-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic outer five-minute markings, with a matted centre and cast-brass c-scroll corner spandrels, the small ebonised bell-top case having cast-brass finials to the four top corners, brass frets to the sides, a brass carrying handle to the top and standing on bracket feet, height 18cms, 20.5cms inc. handle.
William Edwards, London, an ebonised Georgian bracket clock: the eight-day duration, five-pillar movement having a verge escapement and striking the hours on a bell, the backplate having rococo engraved decoration and signed by the maker Will. Edwards, London, the seven-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and five-minute outer numerals, the matted centre having a date aperture and inset silvered plaque engraved with a repeat of the maker's name William Edwards, London, with cast-brass c-scroll spandrels to the four corners and blued steel hands, the arch having a 'strike/silent' dial with further cast-brass spandrels, the bell-top ebonised case having four cast-brass finials to the top corners, rococo fret-work inset above the dial, glazed side panels, surmounted by a brass carrying handle and all standing on brass bracket feet, height 50cms inc. handle.
A 1930's walnut grandmother clock: the eight-day duration spring driven movement striking the hours on a gong and the quarters on a further four gongs, the seven-inch break-arch brass dial having a raised silvered chapter ring with black Roman numerals and blued steel hands with the matted centre having an applied silvered plaque engraved with the name Boodle & Dunthorne, Liverpool, with cast-brass spandrels to the four corners, the arch having a silvered centre boss engraved Tempus Fugit, the walnut grandmother case having a swan-neck pediment to the hood with a wooden centre finial and fluted pillars, the trunk with a shaped door and fluted quarter columns and blind fretwork mouldings, the base with canted corners and all standing on bracket feet, height 149cms.
John Rayment, Huntingdon, an oak longcase clock: the eight-day duration movement striking the hours on a bell, with the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals and outer Arabic five-minute numerals, the matted dial centre having a date aperture and subsidiary date aperture, with cast-brass urn spandrels to the four corners, the arch with a round silvered boss engraved with the makers name Jno. Rayment, Huntingdon and with cast-brass dolphin spandrels to either side, the oak case having a break-arch hood with three-quarter turned pillars, with boxwood stringing to the break-arch trunk door and having a plain base, height 203 cms.* Biography John Rayment, born 1715, the son of clockmaker Richard Rayment is recorded as working from at least 1751 in Huntingdon and died in 1795. He was succeeded by his son, also John, born circa 1745 who is known working in Stamford, Lincolnshire also as an auctioneer, silversmith and dentist before becoming master of the Ladies' Boarding School at Huntingdon.
Thomas Ogden, Halifax, an eight-day longcase clock with 'Halifax' moonphase aperture: the eight-day duration movement striking the hours on a bell and having arched tops to the plates along with finned pillars both typical of this maker, the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute numerals, decorative half-hour markings and diamond quarter-hour markings, engraved at VI o'clock with the makers name Thos. Ogden, Halifax, the matted dial centre having ringed winding holes, a date aperture with engraved surround and a round moonphase aperture with date as typical from the Halifax region, with cast-brass female-head spandrels to the four corners, the arch with a round silvered boss engraved with the inscription Moveo dum Moneo (I warn whilst I move) and with cast-brass dolphin spandrels to either side, contained in a modern walnut flat-top case with three-quarter turned pillars to the hood, a plain trunk and standing on a plain plinth to the base, height 226 cms.* Biography Thomas Ogden was a member of the well-known clockmaking family from Yorkshire founded by James Ogden born circa 1640. Thomas Ogden, born 1693 and the son of Samuel, lived near Ripponden before moving to Halifax in the 1740s where he died in 1769.
A Regency mahogany and inlaid sofa table:, bordered with lines, the hinged top with rounded corners, the frieze fitted with a single long drawer with stellar and hexagonal designs, on ring turned column end and dual splayed legs, terminating in brass cappings and castors, the top 52cm (1ft 8 1/2in) x 142cm (4ft 8in) extended.
A French Empire mahogany swing frame cheval mirror:, with an architectural pediment, applied with cornucopia of ferns and with flowerhead circlets, the rectangular plate flanked by ring turned uprights, united by a plain stretcher and dual inswept splayed legs, terminating in brass castors.
By Maple & Co, London - A mahogany examination couch in the Georgian taste:, the upholstered top in crimson plush dralon velvet with adjustable rachetted buttoned head rest, having a geometric fret-carved frieze, on ring turned and fluted legs, united by plain stretchers, terminating in bun feet, 183cm (6ft) long x 64cm (2ft 1in) x 76cm (2ft 6in) high.*Notes By repute formerly in a Harley Street Consulting Room.
A nest of three mahogany, burr walnut and amboyna wood inlaid occasional tables:, bordered with boxwood lines, the rectangular tops with amboyna veneered panels, within burr walnut veneered banded surrounds, on ring turned column end and dual splayed supports, united by curved stretchers.
A carved and burr walnut octagonal jardiniere:, in the 18th Century taste, having a brass liner and beaded ring handles to the sides, the shaped apron decorated with scrolls and husks and incised latticework, on cabriole legs, terminating in claw and ball feet, 39cm (1ft 3 1/4in) diameter, 63cm (2ft 0 3/4in) high.

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1087811 item(s)/page