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Click here to subscribeA Harlequin set of Royal Crown Derby coffee ware, all decorated in the imari palette, printed in cobalt with red, foliate decoration and gilt highlights, to include 12 ring handled coffee cups, 13 saucers, 2 cream jugs with gilt rope twist style handles, and 11 side plates, various date codes for 1888, 1901, 1906, 1907 and 1916 (38)
A Coalport three-handled goblet painted with a marine landscape within gilt borders, against a busily printed blue and white rose background with gilt highlights, applied with three gilt foliate ring handles (one damaged), green printed 'Coalport, England' mark to base, pattern No.V6507, 6.75" high
A George III mahogany longcase clock, late 18th century, the broken scroll pediment above a verre eglomise panel and arched glazed door enclosing a 13" brass dial with silvered chapter ring and Roman numerals, matted centre, subsidiary seconds dial and marked 'Richard Pugh, Newtown' in the arch, pierced cherub mask and dolphin spandrels, eight-day movement striking on a bell, flanked by later fluted pilasters over a full length shaped top trunk door between quarter pilasters, ogive moulding and raised panel baseboard and on later ogee bracket feet, restorations throughout, 94" high
A small George III oak tripod table, early 19th century, the circular top raised on a turned pilaster column and three down-curved tapering legs, 13.5" diameter, 24" high, and a parquetry top occasional table, 19th century, the circular top raised on three ring turned spindle columns and on down-curved tapering legs, replaced leg, veneer loss, 14.5" diameter, 27" high (2)
A Flemish walnut open armchair, of 17th century design, the tapestry back and seat worked in coloured wools with figures and birds and flowers, the arms acanthus wrapped and raised on ring turned and block and cup and cover legs, joined by an X stretcher centred by a reeded ball finial, old worm damage
An Iron Stirrup, perhaps Korean, 17th/18th century, with arched bracket pierced as two grotesque masks, oval foot plate, (15.5cm high); A Late Yuan or Early Ming Small Bronze Vase, of shaft and globe form with lion mask and ring motifs to the neck, (16cm high); An 18th Century Chinese Bronze Gu Vase, (24cm) (metal split on flared rim); and Four Other Chinese and Japanese Bronze Items, comprising a two-handled censor and three vases, 18th century and later (7)
A Chinese Bronze Two-Handled Pedestal Vase, late Yuan or early Ming Dynasty, the flared neck with four pointed leaf tips over a band of taotie masks, with mask and scroll shoulder handles, the compressed spherical body on a short swept circular foot ring with a further band of taotie masks, (28cm)
York: A George III Fiddle and Thread Pattern Caddy Spoon, engraved with a cursive letter G, (by James Barber & Whitwell, York 1818, 10cm); and A Victorian Napkin Ring, cylindrical, repousse with a band of flowers and foliage, engraved with the initials EG , (London 1880) (2)
An Early 19th Century Mourning Ring, the square locket compartment inset with plaited haiR, enamel and gold moulded band, each section with black enamel and gold letter spelling 'REMEMBER'; and A Late Victorian Agate Brooch, circular, inlaid with blood stone, brown, red and grey agates, engraved inscription to the reverse (2)
A George III Mahogany Single Compartment Tea Caddy, rectangular section with "fiddle-back" grain and edged in boxwood, with bronze hinged loop finial and ivory narrow lozenge key escutcheon, (11.5cm high) (minor repairs); and a George IV Rosewood Two Division Sarcophagus Tea Caddy, edged in boxwood, with twin lion masks and ring side handles, flat lids with turned bone knops, upon gilt brass bun feet, (21cm wide) (2)
A Large and Unusual Octagonal Parquetry Tea Caddy, the lid veneered in various richly figured and oystered timbers with trompe l'oeil repeat cube pattern within chequer board banding and deeply moulded border with penwork vine and rose detail, chevron flange, similarly decorated to the lid underside, enclosing two hinged and lidded caddies fronted by two sugar bowls divided by a lidded spoon compartment, gilt metal ring side handles, (39.5cm wide)
A Four Glass Mantel Clock by Ansonia, New York, with bronzed metal case enriched with rococo scrolls throughout, surmounted by a vase ,the circular white enamel chapter ring centred by an exposed brocot escapement, compensation mercurial pendulum, striking a coiled gong, (39cm high)
A Lantern Clock with Strike, 5 inch silvered chapter ring with Roman numerals set on brass surround signed Wm Barlow, Lynn Regis, the iron movement with count wheel strike on bell, the case with slender tapered corner pillars, turned feet and finials, (39cm high) (part 18th century with later additions and alterations)
A French Empire Clock, circa 1900, the movement concealed within a circular brass base numbered 99, the columnar stem supporting a 7 1/2 inch terrestrial globe inscribed "Empire Clock, Patent 19460, S Smith & Son Ltd, London Cable", with a 2 x 12 hour equatorial chapter ring, and a fixed gilt brass globe representing the sun, the globe revolving and indicating the time with a pointer, (40cm high) (globe paper gores damaged around Australia/New Zealand general browning, fading and rubbing to the remainder of the gores)
A Late 19th Century Lantern Clock, with strike, signed Brooke & Son, Edinburgh, 6 1/2 inch brass chapter ring with Roman numerals, the case with pierced frets and tapered turned corners and finials, twin fusee chain movement, with anchor escapement, two hammers striking on a bell, (30cm high)
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