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A small parcel lot of gold, silver and yellow metal jewellery, to include two silver tree design pendants and earrings, stamped 925, a small 9ct gold child's ring, stamped 9ct, a yellow metal hinged bangle, stamped 375, untested, and five pairs of yellow metal earrings, unmarked or tested and fifteen various yellow metal earrings, unmarked and untested. (qty)
Three Assorted Silver Items, comprising a double cigar-case, engraved with initials 'PLG' and dated '5 Sept'r 1912; a globular bottle stopper, engraved 'IS 1911-37 from P.G-L' and a further bottle stopper, the finial cast as a game bird; Together With a copper napkin-ring, in fitted case and with hammered finish (4)Provenance:The double cigar-case, presented to Philip Lloyd-Greame on the occasion of his marriage to Mary Constance Boynton on 5 September 1912.
A 20th Century French-Style Mahogany and Parquetry-Decorated D-Shape Hall Table, the grey and yellow marble top within a pierced brass gallery decorated with foliage and swags above a small bowfront drawer, on slender cabriole legs with gilt cast mounts and sabots47cm by 23cm by 74cmThe table has numerous scuffs to the legs (as photographed). Some very slight movement in the joints. The marble top has some ring marks, some slight staining and scratches (would benefit from a clean). See further images.
Three Pairs of George II Silver Sugar-Nips, Two Pairs Possibly by Samuel Hitchcock, London, Circa 1720 and One Pair by John Pitts, London, Circa 1730 each of typical form, the first two pairs with shell-cast grips, each later engraved with the Cunliffe and Lister crests and a baron’s coronet, Together With another similar pair, unengraved, London, circa 1730 and a pair of George III silver ribbon-threaders, in the form of a stork, maker's mark IW, circa 17806oz 3dwt, 192gr (5)The later crests are those of Samuel Cunliffe-Lister, later 1st Baron Masham (1815-1906). He was elevated to the peerage in 1891, taking his title from the market town of Masham which was near Swinton Park, the country seat he purchased in 1888.The sugar-nips each part marked either on edge of ring handles or inside grips. There is some wear to the marks. There is some overall surface scratching and wear, consistent with age and use. The ribbon threader re-soldered to base.
Tolkien (J.R.R.). The Lord of the Rings Trilogy: The Fellowship of the Ring. George Allen & Unwin, 1966, fifteenth impression, folding map, previous owner's name and large scribble to front free endpaper, creasing to map, edge-worn dust jacket with light tanning; idem, The Two Towers. George Allen & Unwin, 1965, eleventh impression, folding map, previous owner's name to front free endpaper, small stain to lower fore-edge, crease to map, light staining and tanning to dust jacket, frayed at edges; idem, The Return of the King. George Allen & Unwin, 1965, eleventh impression, folding map, previous owner's name to front free endpaper, a few spots to fore-edge, edge-worn dust jacket with light tanning. (3) Top edges a little dusty.
A Late 19th Century French Cream-Painted and Japanned Secretaire Cabinet, in Louis XVI style, the original Brocatello marble top with canted corners above a guilloche pierced border, the fall front enclosing a tulipwood-lined interior with marquetry-decorated drawers and cupboard doors below, all between canted stiles surmounted by acanthus-decorated scrolled brackets90cm by 44cm by 141cmVarious losses to the paintwork throughout, as well as various splits (as photographed). Both end panels, as well as the fall front have further minor small splits and crazing throughout the paintwork. The cupboard doors also have some splitting and there are further losses to the bracket feet. The underside of the marble top has various areas of fritting. See further images. The interior is worn and split. The shelves to the interior have some ring marks but are overall good.
A George III Silver Egg-Cruet With Six Associated Victorian Silver Egg-Spoons, The Egg-Cruet by William Stroud, London, 1819, The Egg-Spoons by George Adams, London, 1846 and 1854 shaped circular and with three foliage-cast supports for the upper ring, each with a paw foot, with three further feet between, the feet and borders each cast with foliage and flowers, capped with an integral salt-cellar with overhead handle, with six tapering egg cups with foliage shell and flower border and gilt interior, each cup and the salt-cellar each engraved with the Cunliffe and Lister crests below a baron's coronet, the interior of the cups and salt-cellar each gilt, the six associated egg-spoons Victoria pattern, engraved with the crests of Cunliffe and Listerthe stand 21cm diameter, 22cm high, total weight 1,684grThe stand marked on bottom ring with lion passant, town mark, date letter and duty mark. The salt cellar marked with maker's mark. The cups each fully marked near rim. There is some wear to the marks on the cups but in general each is still legible. There is some overall surface scratching and wear, consistent with age and use. There wear is noticeable as a softening to the high points and the engraving. The spoons are fully marked on back of handle. There is some wear to the marks. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving.
A Victorian Silver Butter-Dish, Cover and Stand, by John Samuel Hunt, London, 1854 circular, the fluted sides engraved with alternating bands of strapwork, with drop-ring handles, the detachable cover with cast cow finial, engraved with the crests of Cunliffe and Lister, with an associated frosted glass linerthe stand 19cm diameter, weight of silver 21oz 1dwt, 654grThe crests are almost certainly those of Samuel Cunliffe-Lister, later 1st Baron Masham (1815-1906). He was elevated to the peerage in 1891, taking his title from the market town of Masham which was near Swinton Park, the country seat he purchased in 1888.Fully marked under base and stand as well as inside cover. Further part marked on finial, drop ring handles and fixing bold. The base and stand 'Hunt & Roskell Late Storr & Mortimer' and numbered '7233'. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There are splits to a number of the flutes on the stand. The glass liner is associated and the cover does not fit properly with the glass bowl inside.
A George V Silver Treasury-Inkstand, by Lionel Alfred Crichton, London, 1934, Britannia Standard, Retailed by Crichton Bros., 22 New Bond Street in the George II style, oblong and on four bun feet, with two drop-ring handles, one side with single hinged cover, the other with three hinged covers, two open to reveal silver-mounted glass ink-bottles23.5cm wide, weighable silver 51oz 6dwt, 1,595grFully marked one side and further part marked on base, inside hinged covers, on handles and bottle mounts. The base with retailers name. The marks are generally clear. There is some overall surface scratching and wear consistent with age and use. The hinge is rather stiff and the covers do not close tightly. There is some bruising overall. The glass bottles do not have covers.
A Tortoiseshell Striking Table Clock Made for the Turkish Market, signed Markwick, London, early 18th century, caddied pediment with gilt metal floral mounts, side carrying handles and glass panels, scroll feet, 8-1/2-inch square brass dial, silvered chapter ring with Turkish Arabic numerals and signed, matted dial centre with ringed winding holes, mock pendulum and date apertures, twin fusee movement now converted to an anchor escapement, hour striking on a bell, (pull repeat mechanism parts are missing), movement backplate elaborately scroll engraved throughout and signed to the centre in an oval cartouche Markwick Londini49cm highCase with small cracks, chips and some tortoiseshell veneers missing in parts, top caddy is loose, some veneers and mouldings are lifting in parts, later scroll feet, dial with strike/non strike lever missing above 12, dial looks clean, movement with vacant holes visible to the top left of the movement backplate which would have been for the pull quarter repeat mechanism, this is now missing, now converted from a verge to an anchor escapement, later bell, with later pendulum.
An Elizabeth II Silver-Gilt Rose-Bowl, by James R. Ogden and Sons Ltd., Sheffield, 1960, Retailed by James R. Ogden and Sons, Harrogate and London tapering oblong and on spreading foot, with shell-heightened gadrooned rim and two drop-ring handles, chased and engraved with foliage scrolls and latticework and further engraved slightly later with an inscription, with gilt-metal grille30.5cm wide over handles, weight of silver 28oz 12dwt, 889grProvenance:A gift from the tenants of the Swinton Estate to Philip Cunliffe-Lister, 1st Earl of Swinton (1884-1972) and his wife Mary Constance, née Boynton (d.1974) to celebrate the 50th anniversary of their marriage on 5 September 1962.The inscription reads ‘To the Earl and Countess of Swinton on the occasion of their Golden Wedding September 5th 1962 from the Tenants of the Swinton Estate’.Fully marked near rim. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is a bruise to the base of the bowl.
KATHARINE HEPBURN - HANDWRITTEN SIGNED LETTER ON SPENCER TRACY'S LETTERHEADLetter (8.5" x 11") Handwritten by Katharine Hepburn on Spencer Tracy's personal letterhead describing Tracy's recent death (JSA COA)Very Fine 1967An autographed letter signed by Katharine Hepburn to her fellow suffragette Emily Pierson mourns the death of Spencer Tracy in 1967. This intimate and poignant letter, penned on Tracy's stationery with Hepburn's St Ives Street address in Los Angeles handwritten at the top right corner, is a remarkable artifact. It symbolizes the most celebrated romantic partnership in twentieth-century cinema and subtly references Hepburn's enduring commitment to the women's suffrage movement in the United States.The letter, undated, was composed shortly after Tracy's death on June 10, 1967. Following their long-standing, highly publicized romance, Tracy, who remained married, spent his last two years predominantly in the company of Hepburn. She recounts their final moments together with vivid detail, a narrative she reiterates in her autobiography:"A massive coronary occurred at 3 AM. I'm certain he felt nothing unusual since he didn't ring my bell. I heard him walk down the hall to the kitchen. I rose to join him-I knew he was about to prepare a cup of tea..."Hepburn's signature on the reverse of the letter simply reads "Kath."This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.
GREAT GLOVE FIGHTBritish Double Crown (20" x 30"); Country-of-OriginVery Fine- on Linen Williamson Films Ltd., 1900We believe this may be the earliest known boxing-themed movie poster known to exist. It corresponds to the short film, GREAT GLOVE FIGHT (1900), produced in the UK by James Williamson, one of the few early British pioneers who made motion pictures from 1897-1912 through his company, Williamson Films Ltd. This is an exceptionally rare and historic British country-of-origin poster for the early boxing film "Great Glove Fight," produced by Williamson Films Ltd. circa 1900. Stafford & Co. Ltd. printed this remarkable stone lithograph, featuring two boxers in a ring, accentuated by a woman's presence, the British and American flags, and the Williamson Films Ltd. logo in the lower right corner. The poster has been linen-backed and minimally restored to stabilize small chips and tears along the edges, as well as a vertical tear at the top border that extends into the background, much of which remains visible due to the European method of restoration.We utilized the following source as part of our research: "The Beginnings of the Cinema in England 1894-1901 - Volume 5 1900" by John Barnes; page 251; GREAT GLOVE FIGHT (N [for News Film]) 150 ft.; "Between Frank Lewis, champion of South of England, and Fred Gausden, champion of Sussex. Gausden beaten in three rounds. "Continuation, showing the two combatants receiving the attention of their seconds, and a bookmaker paying up his calls. 80 ft." Ref: Williamson catalogue (September 1902), p. 9, no. 106.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.
Vintage Transitional Cut Diamond Three-Stone Ring. Weight: 3.0 grams Ring Size: N (54) Centre Diamond: Approx. 0.40ct Diamond Details: Approx. Colour: J, Clarity: SI Total Remaining Diamond Weight: Approx. 0.60ct (0.30ct each) Diamond Details: Approx. Colour: I&J, Clarity: SI Marked: ‘PLAT' Period: 1930s
Art Deco Sapphire and Diamond Cluster Ring. Weight: 3.4 grams Ring Size: N (54) Face Dimensions: 14mm x 11mm Sapphire Weight: Approx. 1.40ct Diamond Dimensions: 32 (1mm) Marked: French Platinum & 18ct Gold Comments: These diamonds/gemstones have not been certified by a laboratory, they have been graded by our own qualified gemologists as fairly and as accurately as possible.

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1087811 item(s)/page