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Lot 1

An 18th century Wiltshire mahogany eight-day longcase clock, the four finned pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and subsidiary seconds to the matted centre, within an applied Roman numeral chapter ring with Arabic minutes and fleur de lys half-hour markers, the angles with Indian mask pattern spandrels beneath a domed boss signed 'Thomas Wentworth, Sarum' between dolphin cast mounts to the arch with herringbone engraved borders, now in a Bristol area inlaid mahogany case with swan neck pediment over Corinthian pilasters and wavy edge door to hood, canted angles and break-arch conch shell inlaid trunk door, on shaped panel applied plinth base with double skirt, movement and dial circa 1730, case circa 1780, 226cm high. Thomas Wentworth (II) is recorded in Snell, Michael 'Clocks & Clockmakers of Salisbury' as working up to 1740, he was Mayor of Salisbury in 1719. A movement and dial by his father is also included in the sale, Lot 578.

Lot 1

A brass inlaid mahogany eight-day hooded wall timepiece, composite, with four-pillar single fusee movement and 8 inch square brass dial with matted centre, applied silvered Roman numeral chapter ring and scroll cast spandrels, the case with foliate carved crest, hinged hood door over shaped bracket and backboard beneath, 80cm high.

Lot 1

An unusual aluminium and brass eight-day skeleton clock, mid 20th century, the single train movement with anchor escapement between lozenge shaped pierced plates, with brass button numerals to the aluminium chapter ring, with purpose-made perspex cover, on wooden base with adjustable feet, 29cm high.

Lot 1

A good Bristol area 30-hour longcase clock movement and dial dated 1759 the four-pillar outside countwheel striking movement with anchor escapement and 11 inch square brass dial with centre engraved 'Jesse & Esther Turner 1759' within leafy scrolls, the applied Roman numeral chapter ring with Arabic minutes, fleur de lys half-hour markers and signed 'Samuell Collings, Mangotsfield' along lower edge, with female mask spandrels to angles. Samuel Collings is recorded in Moore A.J. 'The Clockmakers of Bristol 1650-1900' as maintaining Stapleton Church clock in 1789. As this clock pre-dates this by thirty years, it may well have been made by an unrecorded relative.

Lot 1

A rack striking 30-hour grandmother clock with penny moon, part 18th century, the four-pillar bell-striking movement with 7 inch square brass dial with penny moon and arch calendar aperture to the foliate engraved centre within silvered Roman numeral chapter ring and foliate cast spandrel applied angles, in a modern oak case with moulded pediment and turned pilasters to hood over long trunk door and plinth base, 163cm high.

Lot 1

An oak cased 30-hour grandmother clock, part 18th century, the four-pillar outside countwheel striking movement now with 8.75 inch square brass dial with foliate engraved centre within an applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Nick's Bodie, East Grinstead' to lower edge with applied female mask pattern spandrels to angles, the case with moulded pediment and bobbin turned hood pilasters over rectangular trunk door and panelled plinth base, composite, case probably part 18th century, 173cm high.

Lot 1

A 30-hour posted longcase clock movement and dial circa 1740, the iron framed movement with anchor escapement and countwheel strike, the 10 inch square brass dial with square calendar aperture to the phoenix and Hoho bird engraved matted ground centre within an applied Roman numeral chapter ring with fleur de lys half-mour markers and signed 'Geo Wood, Nailsworth' to the lower edge, the angles with applied female mask spandrels with husk decoration between. George Wood is recorded in Dowler, Graham 'Gloucestershire Clock and Watchmakers' as working mid 18th century.

Lot 1

A 30-hour longcase clock movement and dial with penny moon circa 1740, the four finned pillar movement with outside countwheel strike, the 12 inch square brass dial with arched calendar aperture and penny moon with age to the foliate engraved matted ground centre, within an applied Roman numeral chapter ring with fleur de lys half-hour markers, Arabic minutes and signed 'Thomas Lister, Luddenden' to the lower edge, the angles with applied small urn pattern spandrels with herringbone engraving between. Thomas Lister is recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working in Luddenden, then Halifax up to 1779 his son, Thomas II was renowned for his world time dials.

Lot 1

A mahogany cased longcase clock, the eight-day single fusee four-pillar movement with Harrison's maintaining power and deadbeat escapement within A-shaped plates, the associated 12 inch square brass dial with arched calendar aperture and recessed nameplate inscribed 'Jo'n Bagnall, Dudley' to the foliate engraved matted centre, within an applied Roman numeral chapter ring with Arabic minutes and mask and scroll cast spandrel mounted angles, the later shaped-top pediment case with Corinthian hood pilasters over rectangular trunk door and panelled plinth base, composite, 203cm high.

Lot 1

A good French gilt brass carriage clock with alarm and push button repeat, probably by the Couaillet family, circa 1900, the two-train gong-striking movement with platform lever escapement and rectangular silvered dial set with Arabic gilt on blue ceramic chapter ring and subsidiary alarm each with gilt centre, in an unusual inverted break-front Corinthian pillar variation of the Anglaise Riche case, with hinged carrying handle, finely chased twist pilasters to angles and on shaped base, 17cm high excluding handle.

Lot 1

A 30-hour longcase clock movement and dial circa 1740, the outside countwheel bell-striking movement with 11.75 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate, insect and bird decorated matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Sam. Jackson, Wisbech' along lower edge, the angles with female mask pattern spandrels.

Lot 1

A Somerset oak cased 30-hour longcase clock circa 1770, the posted countwheel striking movement with 12 inch square brass Roman numeral dial, with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre within applied chapter ring with Arabic minutes and signed 'Nich. Roper, Oakhill' to lower edge, the angles applied with mask and scroll cast spandrels, now in a swan neck pedimented case with conch shell inlaid rectangular trunk door and recessed panel to plinth, lacking pilasters and door to hood, 211cm high.

Lot 1

An oak eight-day longcase clock circa 1740, the four finned pillar rack and bell striking movement with 12 inch square brass dial with square calendar aperture and subsidiary seconds dial to the matted centre, within silvered Roman numeral chapter ring with fleur de lys half-hour markers and Arabic minutes, the angles with applied female head pattern spandrels, the case with concave sided pediment and integral door columns to hood over long trunk door and plinth base with moulded skirt, 205cm high.

Lot 1

A 19th century inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch brass break-arch Roman numeral dial with subsidiary seconds to the matted centre, within silvered chapter ring with Arabic minutes and fleur de lys half-hour markers, signed 'W. Mapson, Wotten Bassett' along the lower edge, with gilt mask and scroll cast spandrel mounted angles beneath silvered boss inscribed 'Tempus Fugit' between dolphin mounts to arch, in a swan neck pedimented case with turned pilasters to hood, conch shell centred shaped-top mahogany crossbanded trunk door between fluted quarter columns, on plinth base with bracket feet, 220cm high.

Lot 1

A brass lantern clock circa 1690, of posted construction with verge escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Thomas Power, Wellingborow' within an applied 6.5 inch Roman numeral chapter ring with trident half-hour markers, with replaced iron hand, side doors and brass backplate, movement with restorations, 37cm high. Thomas Power is recorded in Brittens 'Old Clocks and Watches and their Makers' as working in Wellingborough circa 1700.

Lot 1

A good brass wing lantern clock circa 1710, of posted construction with verge escapement and pendulum swinging between the trains, with countwheel strike on a bell mounted within the domed cage above, the dial with central alarm disc to the foliate engraved centre within an applied 7.25 inch Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Jn'o Crucefix, London' to lower edge, with steel hand, winged side doors, iron backplate, hanging loop and spurs, alarm lacking, 39cm high. John Crucefix is recorded in Britten's 'Old Clocks and Watches and their Makers' as working 1689-1714 an example of his work resides to Stirling Castle.

Lot 1

A brass lantern clock, of posted construction with anchor escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Jn'o Culliford, Bristoll' within an applied 6.25 inch Roman numeral chapter ring with stylised sword hilt half-hour markers, with brass hand, removable side doors and hanging hoop with spurs to rear, frame and dial circa 1690, movement mid 20th century, 38cm high; with wall bracket, weight and pendulum.

Lot 1

A late Victorian gilt metal mounted ebonised quarter striking bracket clock, the four-pillar twin fusee movement with anchor escapement and quarter strike on two gongs, the 6.5 inch brass break-arch Roman numerral dial with applied silvered retailer's plaque 'Oetzmann & Co, Hampstead Rd, London' to the matted centre, within silvered chapter ring with fleur de lys half-hour markers and Arabic minutes, with female mask and scroll spandrel applied angles and Strike/Silent dial between foliate mounts to arch, the break-arch case with foliate finials over gilt caryatid applied angles and pierced scroll cast gilt arch-top side frets, on foliate cast bracket feet, 44cm high.

Lot 1

An Edwardian inlaid mahogany eight-day precision longcase clock with moonphase, the four-pillar movement with deadbeat escapement and maintaining power, striking the hours on a tubular gong and with wood rod pendulum, the 13 inch brass Arabic numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate engraved centre signed 'T. Pear & Son, Stafford' within gilt numeral applied silvered chapter ring and female mask and scroll pattern spandrel applied angles, with moonphase to arch, the swan neck pedimented case with Corinthian pilasters to hood over oval fan cartouche centred trunk door and conforming plinth base with bracket feet, 234cm high. The inside is pasted with a presentation certificate from Tom Pear Senior to his son, Thomas William Pear, on the event of his marriage in 1910, it has remained in the same family since.

Lot 1

A George II figured mahogany small bracket clock circa 1750, the eight-day twin fusee rack and bell striking movement with verge escapement and foliate engraved backplate, the 6 inch brass break-arch dial with calendar and false bob apertures to the matted centre applied with shaped silvered plaque signed 'Ar. Dobson, London' and a silvered Roman numeral chapter ring with Arabic minutes, with Indian head pattern spandrels to angles and Strike/Silent subsidiary dial flanked by foliate mounts to arch, the inverted bell-top case with brass carrying handle and break-arch side windows, on bracket feet, 41cm high excluding handle.

Lot 1

A George III mahogany butler's tray, of rectangular form with handle cut-outs to the shaped gallery, 58cm x 46cm; on later folding ring-turned cruciform stand, 88cm high.

Lot 1

A Regency figured mahogany and ebony line inlaid rectangular breakfast table, of good colour, with reeded edge tilting top over ring-turned upright issuing four downswept moulded supports with brass box castors, 70cm high, the top 145cm x 95cm.

Lot 1

An Edwardian mahogany third size snooker table, on four substantial ring-turned supports, 87cm high, 121cm x 226cm; complete with balls, four cues and a triangle.

Lot 1

A pair of Cantonese porcelain baluster jars and domed covers with mask and ring handles, enamelled with alternating panels of figures in interiors and flowers and butterflies on a profuse gilt scrolling floral ground, 63cm. high each, late 19th century.

Lot 1

A George III miniature corkscrew, the mother-of-pearl handle mounted with reeded bands above a ring turned stem, the wire helix enclosed by a tapered screw-on cover, stamped to the base with the maker's mark JR, possibly for John Robins, 6.75cm. long.

Lot 1

A Victorian leather vanity case of rectangular form, the hinged lid enclosing fitted compartments with scent bottles, ring caskets, and other jars to the lift-out tray, each cover and lid having an initialled gold mount enclosed by red coral beads, with fitted tray of manicure items and mirror below, the lid interior signed Asprey & Son, 166 Bond Street and 22, Albemarle St., the lockplate stamped Asprey, 166 Bond Street, 21cm. wide.

Lot 1

A platinum and diamond eternity ring, pave-set with twenty-four brilliant-cut stones, size N.

Lot 1

A gold and diamond five-stone ring with graduated old brilliant-cut stones in claw setting.

Lot 1

A gold, platinum, sapphire and diamond rectangular plaque cluster ring with central oval sapphire pavŽ-set within a surround of old brilliant and single-cut diamonds.

Lot 1

A synthetic sapphire and diamond oval cluster ring with central oval synthetic sapphire within a foliate surround of old brilliant-cut diamonds.

Lot 1

An emerald and diamond rectangular cluster ring with central cushion-shaped emerald, claw-set within a pierced border of old brilliant-cut diamonds in 18th century style.

Lot 1

A platinum and diamond eternity ring, pave-set with nineteen brilliant-cut stones, size N.

Lot 1

A sapphire and diamond mounted triple cluster ring with three oval sapphires within a surround of circular brilliant-cut diamonds.

Lot 1

A platinum, opal and diamond oval cluster ring with central oval opal within a surround of circular and baguette-cut diamonds.

Lot 1

A platinum and diamond three-stone ring with graduated old brilliant-cut stones, estimated to weigh approximately 0.5cts, 0.9cts and 0.5cts respectively, in curtain claw setting.

Lot 1

A platinum and diamond mounted three-stone ring with central circular brilliant-cut stone, approximately 6.5mm x 3.8mm, estimated to weigh 1.0ct between one similar and one old brilliant-cut diamond, each estimated to weigh 0.45ct.

Lot 1

A platinum and diamond three-stone ring with central circular brilliant-cut stone, approximately 8.8mm x 5.5mm, estimated to weigh 2.75cts between smaller brilliants, each approximately 1.0cts, in claw setting.

Lot 1

An 18ct white gold, platinum and diamond single-stone ring with round old brilliant-cut stone, approximately 8.2mm x 5.0mm estimated to weigh 2.15cts, claw-set between baguette-cut diamond two-stone shoulders.

Lot 1

An 18ct white gold and diamond two-stone crossover ring with circular brilliant-cut stones, each approximately 7.2mm x 4.2mm, estimated to weigh 1.4cts, between diamond three-stone shoulders.

Lot 1

A diamond single-stone ring with circular brilliant-cut stone, 10.8mm x 6.2mm, estimated to weigh 4.5cts, in a six-claw setting between baguette-cut diamond single-stone shoulders.

Lot 1

A diamond single-stone ring with circular old European brilliant-cut stone, approximately 9.6mm x 5.75mm, estimated to weigh 3.3cts, in rex claw setting.

Lot 1

A 1930's style platinum and diamond cluster ring with central round old brilliant-cut diamond, 7.9mm x 5.1mm, estimated to weigh 1.95cts, on a band of graduated round and calibre-cut diamonds.

Lot 1

A late 19th century gilt metal mantel clock, the finial capped and pillared rectangular case with chinoiserie decoration to the front and sides, on turned feet, the silvered Roman chapter ring signed 'W Marshall & Co., Paris', having a twin barrel movement with bell strike, 41cm. high.

Lot 1

A Victorian rosewood mantel clock of arched outline with applied foliate carved decoration, having a 20cm. silvered dial with pierced brass and foliate decorated chapter ring, Roman numerals, the twin fusee movement with pull repeat striking to a gong, 53cm. high.

Lot 1

A late Victorian walnut and gilt-brass mounted quarter-chiming director's clock, the case with bell top pediment surmounted by pineapple finials, having caryatid mounts to the front angles, on four foliate paw feet, the arched brass dial with silvered Roman and Arabic chapter ring, the silvered retail plate inscribed 'Pridham & Sons, Torquay', with subsidiary rings above for chime/silent, slow/fast and chime on eight bells/Westminster, the triple chain.

Lot 1

A Victorian ebonised and gilt metal mounted quarter-chiming director's clock, the arched case with pineapple finials, foliate cast handles above silk-backed sound frets to the sides, caryatid mounts with trailing flowers to the front angles with a moulded base on cast foliate feet, the 18cm. arched brass dial, Roman and Arabic chapter ring with chime/silent and Westminster/chime of eight bells to the arch, the substantial triple fusee movement striking to eight bells and a gong, 75cm. high (fire damage to case).

Lot 1

An early 19th century mahogany longcase clock, the arched hood with ball and spire finials and turned columns having a moulded arched waist panel door on a box base, the 31cm. arched brass dial with silvered chapter ring, date aperture and subsidiary seconds dial, signed to the arch 'James Low, Arbroath', the twin-train movement striking to a bell, 218cm. high.

Lot 1

A late 18th century fruitwood and oak longcase clock, the square hood with caddy top with turned columns with a moulded plain field waist panel door with inset glass panel on a box base, the 30.5cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture signed to the arch 'Far. Webb', the twin train movement striking to a bell, 230cm. high.

Lot 1

A platinum and diamond eternity ring, pave-set with circular brilliant-cut stone, size O.

Lot 1

A Sylvac green glazed posy ring number 4580, a Sylvac rabbit decorated ashtray, two Falcon Ware moulded bowls and a Minton Guinness ashtray and matchbox holder. [5]

Lot 1

A pair of ring neck decanters with deep cut bodies and mushroom type stoppers, 26 cms.

Lot 1

An Edward VII sovereign 1905 set as a ring within a gold[?] shank.

Lot 1

An 18 ct. gold and platinum three-stone diamond ring.

Lot 1

An 18 ct. gold three-stone sapphire and two-stone diamond ring.

Lot 1

Two 9 ct. gold signet rings together with a 15 ct. gold dress ring lacking one stone.

Lot 1

A hallmarked silver serviette ring, a large oval Victorian silver locket, a 1978 silver ingot pendant with chain and other items.

Lot 1

A 9 ct. gold full eternity ring, boxed together with another eternity ring. [2]

Lot 1

A 9 ct. gold dress ring, boxed, a Celtic style silver crucifix with chain, boxed, together with a silver H.M.S. Victory anchor shape brooch. [3]

Lot 1

A collection of Wedgwood blue jasperware decorated silver jewellery - bracelet, brooch, ring and pendant.

Lot 1

An 18 ct. gold solitaire diamond ring.

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