We found 1087795 price guide item(s) matching your search
There are 1087795 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1087795 item(s)/page
[EMANUEL FORD]: THE FAMOUS AND PLEASANT HISTORY OF PARISMUS THE VALIANT AND RENOWNED PRINCE ON BOHEMIA IN TWO PARTS..., London, printed by W Onley for G Blare at The Sign of the Looking-Glass on London-Bridge [169-?], first part title page darkened with two small areas of losses, lacks A1, collates [4] 7-78 [2], second part with separate title page and imprint 'London Printed by W Onley for Josiah Blare at The Looking-Glass on London-Bridge and for George Conyers at the ring in Little Britain, wood engraved frontis with two parts collates [4] 5-72, 75-78 therefore lacking pp 73-74, pp 71-72 with small part loss affecting text, pp 75-78 both with loss affecting text, mainly black letter, date of publication suggested by Wing later blind stamped black morocco gilt, marbled end papers, a/f
An Art Deco limed oak chest of drawers, with four long graduated drawers each with a wide handle on polished aluminium mounts and raised on a shaped plinth base94 x 61 x 47cmvery original, structurally sound with no play in the joints and drawers run wellSome (faded) ring marks to the top and a few light marks to the sides. Images tell allSome partial fractures to the polished alloy handle mounts but all are still solid and the handles are firm
A Baccarat Dupont glass concentric millefiori paperweight, set with a garland, centred by a stardust cane, encircled by a concentric ring of pink cog canes and a larger garland of pink pastry mould and green complex cogwheel canes 7cm diameter the second, a miniature example with a central cog cane surrounded by a ring of seven cogs and an outer ring composed of five Clichy roses separated by an arrangement of ten edelweiss canes 4.5cm diameterThe larger: a couple of light bruises and surface scratchingThe smaller: with several surface bruises/chips and some surface scratching
William Birch (1840-1954), probably for Liberty, a rare pair of oak settles, each with turned finials and arched backs over once caned supports and similar seats, raised on ring-turned tapering supports146 x 125 x 63cmBoth clearly lack rush backs and seats, but structurally sound with only minimal play in joints, no sign of any woodworm, general wear and scratching commensurate with age and use, a scratch to one arm of one. See additional images.
Attractive French porcelain and brass miniature easel clock timepiece, the oval porcelain dial plate with Roman numeral chapter ring enclosing a winged cherub over a rural painted scene with two figures in a garden, within jewelled gilded borders, the back plate signed Howell James & Co, To The Queen, London, no. 5513, with fast/slow adjustment aperture, within an easel folding frame, 6" high overall
Royal Geographical Society Millennium electric clock, the top fitted with a cobalt blue and gilded globe over a horizontal silvered chapter ring and four pillars enclosing the movement, the square base fitted with a drawer containing the winding key and battery compartment with setting controls, under a glass dome, 12.5" high overall
Rare early continental brass verge lantern clock, the 6.25" brass chapter ring enclosing a foliate engraved centre with single brass hand and cow tail pendulum, surmounted by a front pierced lion and unicorn fret, pierced foliate side frets, strapwork bell and finial, 15" high
English mahogany double fusee verge bracket clock, the 6" brass arched dial signed Robert Henderson, London on a shaped plate beneath twelve o'clock, with matted centre and calendar aperture enclosed by a silvered chapter ring, also with strike/silent subsidiary dial to the arch, within a stepped case surmounted by a caddy top with four pineapple finials and carrying handle, 19.5" high (pendulum and winding key)
Good English mahogany double fusee verge bracket clock with six pillar movement, the 6.75" brass arch dial signed John Herbert Dort on an arched silver plate to the matted centre with false pendulum bob and calendar apertures, enclosed by a silver chapter ring and surmounted by a moon phase to the arch, the six pillar movement with verge escapement and fine foliate engraved back plate, striking the hours and half hours on a bell, within a stepped case surmounted by an inverted bell top, four finials and carrying handle, 19.5" high (pendulum and door key)
English ebonised triple fusee bracket clock of small size, the 5.5" rounded arched dial signed Foster Birchin Lane, London on an arched plate to the matted centre enclosed by a later silvered chapter ring, with strike/silent subsidiary dial to the arch, playing on a nest of eight bells and striking the hours on another, the movement engraved with scrolling foliage, within a later ormolu mounted stepped case surmounted by a caddy top, four urn finials and a carrying handle, 18" high (pendulum)
Fine English ebonised double fusee verge bracket clock, the 7" brass arched dial signed John Pepys on a plate above the silvered chapter ring enclosing a matted centre with false bob pendulum aperture, with calendar date subsidiary dial to the arch, the movement with pull repeat on a set of six graduated bells, with fine foliate engraved back plate and locking pendulum, within a stepped case surmounted by a caddy top and carrying handle, 20" high (pendulum and keys) *This clock has been converted back to a verge escapement ** There is an old label fixed to the bottom inside of the back door inscribed John Pepys, London 1708...
English ebonised and ormolu mounted double fusee verge basket top bracket clock, the 7" square brass dial signed M.Crockford, London on the silver chapter ring at six o'clock, enclosing a matted centre with false pendulum bob and calendar apertures, the five pillar with movement with pull repeat striking the hours on a large bell and the quarters on to smaller bells, the finely foliate engraved back plate also signed Matt Crockford, London, within a stepped case surmounted by a two tier basket top pierced with cherubs and foliage, also with eight turned brass finials and an ornate carrying handle, 19.25" high (pendulum and key) * The movement has been overhauled but the quarter striking is blocked. It has also been converted back to verge. ** The maker Matt Crockford of London is recorded as working between 1693 and 1718
Mahogany double fusee bracket clock, the 7" brass arched dial signed Edmund Martin, London on the silvered chapter ring enclosing a matted centre, with strike/silent dial to the arch, the movement back plate finely engraved with scrolling flowering foliage, within a stepped case surmounted by a caddy top and brass carrying handle, 20" high (pendulum)
Good French gilt metal and porcelain mounted two train mantel clock, the Japy Freres movement striking on a bell, the shaped porcelain dial plate painted with a courting couple in a garden beneath the chapter ring, within an ornate scrolling foliate and pierced case surmounted by a classical urn, 15.5" high (pendulum and key)
Brass single fusee skeleton clock, the 4" silvered chapter ring signed W. Cohen, Portsea at twelve o'clock, the movement upon curving supports terminating in circular feet, under a glass dome and upon a mahogany base with rounded ends, 13.5" high overall (pendulum and key)
French gilt metal two train mantel clock emblematic of exploration and travel, the 3.5" white chapter ring enclosing a skeletonised centre, the movement stamped with the maker's trademark logo (an eagle with outstretched wings over a circle inscribed Medaille de Bronze), within an ornate stepped front base applied with musical instruments, surmounted by a globe and pointer with a telescope and books to either side, 13" high (pendulum)
English brass single fusee skeleton clock in the manner of Dent, the 4.75" silvered chapter ring enclosing a skeletonised movement upon lyre supports and stepped circular feet, with locking pendulum, under a glass dome and upon an oval base, 13.75" overall (pendulum and key)
English oak three train mantel clock, the 8" square brass dial with silvered chapter ring signed Curtis & Horspool, to HM The king, with chime/silent lever, enclosing a matted centre, the movement striking the hours and quarters on five gongs, within a foliate carved stepped case, 14.5" high (pendulum and key)
Good English mahogany triple fusee boardroom clock, the 7.25" silvered chapter ring fitted to a finely engraved dial plate decorated with scrolling foliage, with three subsidiary chime/silent, slow/fast and Whittington/Cambridge/Westminster selection dials, the substantial movement playing the Whittington chimes on 8 bells, the Cambridge chimes on four gongs and striking the hours on a larger gong, within a Corinthian pillared carved stepped case surmounted by a flat pediment, 17.75" high (pendulum and keys)
English ormolu carriage style single fusee mantel clock, the top plinth beneath the handle inscribed Josiah Smith, York Street, City Road, London.A.D. 1850, the 3.5" silvered chapter ring enclosing a foliate engraved gilded centre, the movement with locking pendulum, within a stepped case with brickwork corners and pierced foliate sides, surmounted by a stepped cornice and carrying handle, 11.5" high (pendulum)
French white onyx mantel clock timepiece, the movement back plate signed Farcot...á Paris, no. 39/41049, over a girl on a swing pendulum, the 3.25" white chapter ring enclosing a skeletonised centre, upon curving supports and a rectangular stepped base, 9.25" high (pendulum and key)
Ebonised double fusee bracket clock, the 6" brass arched dial with silvered chapter ring enclosing a matted centre, with subsidiary slow/fast dial to the arch, the movement striking on two gongs, within a stepped case applied with gilt metal mounts and surmounted by a rounded recessed cornice and two foliate brass finials, 16.75" high (pendulum and key)
Good RAF operations room sector wall clock, the 14" twenty-four hour dial with colour sector markers within a minute chapter ring, the movement back plate stamped Made by Elliott Ltd, England, 1941, ser. no. 15977 and the case also stamped Made by F.W. Elliott, 19** (pendulum, winding key and bottom door key) * In 2000, the dial of this clock received very careful professional cleaning and some 'touching-in'; the movement has also been professionally refurbished and keeps good time ** The vendor, a retired RAF veteran, has owned this clock for almost twenty-five years. The previous owner lived in Northern Ireland and although had no history of the clock, believed it had been in Northern Ireland during and since the end of WWII
Oak eight day longcase clock, the 12" brass arched dial signed John Freke, Chard on a silvered convex boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a moulded stepped pediment over blind foliate fret carved panels, 83" high (pendulum and two weights)
Oak eight day longcase clock, the 12" square brass dial signed Fab. Robin's, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long door carved with a mask amidst scrolling foliage, with further carving to the base, the hood surmounted by a moulded stepped pediment over a blind foliate fret carved frieze surmounted by two gilded ball finials, 86" high (pendulum, weights and winding key)
Good early oak thirty hour longcase clock, the 11" square brass dial signed James Webb, Bristol on the silvered chapter ring enclosing a matted centre with engraved Tudor rose and single iron hand, the case with long beaded moulded edged door and the hood surmounted by a stepped moulded cornice over a blind foliate fret carved frieze, 82" high (pendulum and weight)
Dark stained oak thirty hour longcase clock, the 11" square brass dial signed Samuel Whittaker on the silvered chapter ring enclosing a matted centre with calendar aperture enclosed by finely engraved scrolling foliage, the case with long foliate carved door with central oval inlaid panel and the hood surmounted by a moulded stepped cornice over a repeating carved leaf frieze, 78" high (pendulum and weight)
Oak eight day longcase clock, the 10" square brass dial signed JNO Bonsall, Breason on the silvered chapter ring enclosing a matted centre with ringed winding holes and calendar aperture, the case with long beaded moulded door and the hood surmounted by a caddy top with three wooden ball and spike finials, 87" high (pendulum, two weights & keys)
Mahogany three train longcase clock, the 12.5" square brass dial signed S. Smith & Son, 9 Strand, London on a shaped plate above six o'clock to the matted centre with subsidiary seconds dial, enclosed by a silvered chapter ring, the substantial movement with deadbeat escapement and maintaining power, playing on four gongs and striking the hours on another, the case with long beaded moulded edged door inlaid with flowers and scrolling foliage, the hood surmounted by a rounded arched cornice inlaid to the front with a central lyre before a satinwood fanned background with trailing harebells, 97" high (large pendulum with brass bob and steel rod, three brass cased weights and keys)
Oak eight day longcase clock, the 11.75" square brass dial signed Samuel Greaves, Broomsgrove on the silvered chapter ring beneath six o'clock, enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with a calendar chapter ring to the arch enclosing a foliate engraved centre with moon phase aperture, the case with long door and the hood surmounted by a stepped moulded cornice, 87" high (pendulum, two weights and keys)
Mahogany thirty hour longcase clock, the 12" square brass dial signed Jos. Quarman, Temple Cloud on the subsidiary seconds dial over a calendar dial, engraved to the centre with a three masted ship in a port, enclosed by a silvered chapter ring, the case with long ebony banded door and the hood surmounted by a swan neck pediment and brass ball finial, 77" high (pendulum and weight)
Mahogany eight day longcase clock, the 13" brass arched dial signed Thomas Becket, Durham on two silvered plates below the moon phase in the arch, over a silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long rounded broken arched door flanked by blind carved stylised foliate fretwork canted corners, the hood surmounted by a moulded dentil cornice over a pierced foliate fretwork panel, 83" high (pendulum and two weights)
Good early Dutch walnut eight day longcase clock, the 13" brass arched dial signed Pieter Rossignol, Rotterdam under six o'clock on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, central alarm dial flanked by twin calendar dials and over a calendar aperture, with moon phase to the arch enclosed by a surround engraved with maidens, the movement striking the hours and quarters on two bells, the case with long beaded door fitted with an oval glazed lenticle with pierced vase surround, the hood surmounted by a wavy foliate moulded cornice over a blind foliate fretwork carved frieze, with three ball and spike brass finials, 101" high (two large brass cased weights, alarm weight and key)

-
1087795 item(s)/page