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Lot 34

Ca. 100-300 AD.A fine gold finger ring of a round-section hoop expanding to form an oval bezel set with a jasper intaglio engraved with Gryllos - a parodistic figure composed of a bearded face of Silenus facing right, an equine protome on the top, and ram head facing left. The hybrid stands on rooster legs. Cf. G.M.A. Richer, Catalogue of engraved gems. Greek, Etruscan, and Roman (The Metropolitan Museum of Art, New York), Plate LXIII. Size: D: 19.76mm / US: 10 / UK: T 1/2; 9.79g Provenance: Private London collection; ex. Japanese collection 1990s.

Lot 32

Ca. 100-200 AD.A high quality garnet intaglio presents a captivating portrayal of a right-facing wild boar captured in mid-stride. This masterfully executed depiction showcases the boar in profile, with meticulous attention given to the naturalistic rendering of its features. The incised fur, intricately etched mane, delicately depicted tail, and facial details breathe life into the representation, imbuing the boar with a tangible sense of vitality and presence. Nestled within a possibly later period gold ring, characterized by a round hoop adorned with double ropework decoration, this remarkable artifact exudes a sense of sophistication and craftsmanship. The applied bezel further enhances its allure, featuring a ribbed base and a beaded circuit that accentuates the intricate beauty of the intaglio. Within the realm of Roman glyptic art, depictions of animals held significant importance and played multifaceted roles. Animal imagery often conveyed symbolic meaning, representing various virtues, attributes, or associations tied to the depicted creature. In the case of the wild boar, its portrayal evoked notions of strength, courage, and ferocity, resonating with Roman ideals of bravery and valor. Size: D: 19.35mm / US: 9 1/2 / UK: S 1/2; 8.05g Provenance: Private London collection, UK art market before 2000.

Lot 147

Ca. 300 AD.A glass finger ring characterized by its deep red colour. The ring features a round hoop, delicately crafted from glass, and is adorned with a rectangular-shaped raised bezel. The bezel, though modest in its decor, adds an elegant touch to the overall design. Roman glass not only served as fashionable accessories but also symbolized social status and personal identity. Glass was a favoured material for jewellery-making in the Roman Empire due to its versatility, vibrant colours, and ability to manipulate various shapes and designs. Size: D: 13.5mm / US: 2 1/4 / UK: D 1/2; 2.34g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 222

Ca. 100-300 AD.A garnet intaglio depicting a stag. The majestic creature faces right, its muscular body rendered in profile and captured in a dynamic pose of graceful movement, as if caught mid-stride. Situated in the background are delicately etched trees, serving as a contextual backdrop for the stag's presence. The intaglio is housed within a possibly later gold ring. The ring itself features a round hoop, exhibiting a rounded exterior and expanded shoulders. Within Roman glyptic art, animal representations held a multifaceted significance, encompassing both mythical and naturalistic elements. Such depictions often conveyed symbolic meanings, drawing upon the broader cultural and religious beliefs prevalent in the Roman world. The stag, for instance, embodied notions of strength, agility, and virility. Its depiction in a dynamic pose, as if captured in the midst of running, further emphasizes the animal's vitality and energetic spirit. Size: D: 18.95mm / US: 9 / UK: R 1/2; 5.31g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.

Lot 296

Ca. 900–1000 AD. Viking Age. .A twisted ring made by interweaving four circular golden hoops coming together at the ring’s base. Excellent condition, wearable. The shape of the ring is evocative of a snake, which is a prominent figure in Norse Mythology. According to legend, Jörmungandr, ‘the World Serpent’, was tossed into the great ocean by the god Odin and he grew so large that he could encircle the world. It is told that when Jörmungandr releases its tail, Ragnarök will begin. Ragnarök is the Viking apocalypse involving numerous natural disasters at the end of which the world will resurface anew and will be repopulated by two human survivors, Líf and Lífþrasir – the Adam and Eve of Norse mythology. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: L:8 1/4mm / W:Q 1/2mm ; 9.9g Provenance: Private London Collection; ex. British Art market 1980s.

Lot 190

Ca. 100-300 AD.A carnelian intaglio, set within a potentially later gold finger ring, presents a remarkable depiction of a childbirth scene, capturing a significant moment of human life within the realm of Roman glyptic art. The oval-shaped carnelian stone showcases a meticulously engraved composition. To the right, a seated mother is portrayed. At the center, a newborn child emerges, symbolizing the miracle of birth and the continuity of life. Positioned to the left is a kneeling accoucheur, offering support during this profound event. The inclusion of this childbirth scene reflects the Romans' fascination with the cycle of life, the importance of family, and the celebration of new beginnings. Moving beyond the intaglio, the ring itself demonstrates a high level of ornamental artistry. The hoop is composed of two zoomorphic beast heads with splayed mouths, which serve as captivating supports for the bezel cell. The incorporation of these intricate and detailed elements adds a touch of symbolic significance and visual splendour to the overall design. The bezel cell, adorned with a twisted ropework border, further enhances the ring's aesthetic appeal and acts as a protective frame for the compelling childbirth scene. Size: D: 18.14mm / US: 8 / UK: P 1/2; 9.2g Provenance: Private London collection, UK art market before 2000.

Lot 301

Ca. 600 AD.A gold ring with a unique and captivating design, characterized by its hexagonal profile and flat-section hoop. Each of the ring's exterior faces is adorned with intricate religious script. In Byzantine culture, rings adorned with religious scripts played a vital role in both personal expression and religious devotion. These inscriptions often featured prayers, religious verses, or invocations, serving as tangible expressions of faith and acts of piety. The inclusion of such script on rings allowed individuals to carry their beliefs with them, symbolically reinforcing their spiritual connection and providing a constant reminder of their devotion. Size: D: 21.69mm / US: 12 3/8 / UK: Y 1/2; 10.26g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.

Lot 140

Ca. 200-300 AD.A pair of bronze keys. Each key features a ring that gracefully expands downwards, culminating in a flat-section plaque. The short shank of the keys is equipped with a projecting bezel, showcasing a collection of teeth with distinctive shapes and sizes. These keys played a vital role in unlocking and securing various storage containers, such as chests, boxes, and caskets, serving as indispensable tools for safeguarding valuable possessions. Cf. The Metropolitan Museum of Art, Accession Number: 96.9.440. Size: L:58-63mm / W:25-30mm ; 55g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 192

Ca. 3-5th Cen. AD.An octagonal-shaped intaglio with an intricate depiction of the god Sol riding a quadriga, a chariot drawn by four horses. Sol, a prominent deity in Roman mythology, embodies the sun and its life-giving attributes. In this intaglio, Sol is exquisitely portrayed in a triumphant stance, guiding the quadriga with mastery and authority. The symbolism behind Sol riding a quadriga extends beyond a mere representation of solar power. The quadriga itself signifies dominion and control, emphasizing Sol's role as a celestial charioteer who commands the movements of the sun across the heavens. The unpolished agate intaglio is securely set within a flat-section gold ring boasting a hexagonal profil, and exudes a sense of refined craftsmanship. For a similar, please see The Metropolitan Museum of Art, Accession Number: 81.6.173. Size: D: 17.53mm / US: 7 1/4 / UK: O; 9.22g Provenance: Private London collection, UK art market before 2000.

Lot 118

Ca. 100-300 AD.A bronze finger ring with a broad and flat-section hoop, providing a comfortable fit for the wearer. The incised shoulders add an elegant touch, enhancing the visual appeal of the ring. The focal point of this piece is the large octagonal-shaped bezel, adorned with a grooved border that adds depth and texture. Within the bezel, a central panel captures attention with its mesmerizing chevron decor, displaying a series of interlocking V-shaped motifs. These chevron patterns, characterized by their angular precision, create a sense of visual harmony and geometric sophistication. Flanking the central panel are side panels adorned with mesmerizing geometric patterns. These designs exemplify the Roman fascination with order, symmetry, and precision, reflecting their mastery of mathematical principles and artistic expression. Size: D: 18.75mm / US: 8 3/4 / UK: R; 10.06g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 393

Ca. 10th century AD.A pottery vessel of a distinctive form, characterized by a ring foot that provides stability and elevates the biconical body. The body of the vessel gracefully tapers towards an unglazed, raised rim, adding a sense of elegance to its overall composition. One of the notable features of Nishapur ceramics is the exquisite glaze applied to the vessel's body. In this particular example, a rich and dark brown glaze envelops the surface, imparting a lustrous and captivating effect. It is further embellished with two registers, each with a series of bright circles surrounded by dotted borders, resembling delicate blooms. Nishapur was a flourishing centre of ceramic production during the medieval period. The craftsmen of Nishapur were celebrated for their technical mastery and artistic creativity, and their works gained widespread recognition and admiration throughout the Islamic world. The distinctive glazing techniques employed by Nishapur potters, such as the application of vibrant colors and intricate designs, contributed to the aesthetic appeal and enduring allure of their ceramics. These vessels served both utilitarian and decorative purposes, enriching the daily lives of individuals and acting as tangible reflections of the artistic sophistication and cultural vibrancy of the region. Size: L:70mm / W:110mm ; 140g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Lot 342

Ca. 900-1100 AD.A silver ring featuring a flat-section shank, which gradually expands to form a square-shaped bezel. The shoulders of the ring are meticulously decorated, drawing attention to the elaborate craftsmanship. However, it is the bezel that truly captures the imagination, adorned with engraved symbols that carry profound meaning. The symbols engraved on Viking silver rings acted as personal talismans, imbued with magical or spiritual significance. These rings were believed to offer protection to the wearer, warding off malevolent forces and bringing good fortune. Size: D: 17.73mm / US: 7 1/2 / UK: O 1/2; 4.08g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 353

Ca. 1100-1400 AD.A bronze finger ring featuring a flat-section hoop. The focal point of the ring is its round bezel, which proudly displays a decorative pattern depicting the Star of Bethlehem. The Star of Bethlehem, also known as the Christmas Star or the Star of the Nativity, holds profound significance in Christian iconography. According to the biblical narrative, this celestial phenomenon appeared in the sky and guided the Magi to the birthplace of Jesus Christ in Bethlehem. The Star of Bethlehem is widely regarded as a symbol of divine guidance, hope, and the revelation of God's presence on Earth. In the context of the Crusaders' rings, the inclusion of the Star of Bethlehem motif reflects the deep religious fervour and spiritual devotion of the Crusaders themselves. The Crusades were military expeditions undertaken by Christian warriors with the goal of reclaiming and protecting holy sites in the Holy Land, including Bethlehem, from Islamic rule. These rings served as personal adornments and powerful symbols of faith and allegiance to the cause of the Crusades. By incorporating the Star of Bethlehem into their rings, the Crusaders not only demonstrated their commitment to their Christian faith but also sought divine protection and guidance throughout their perilous journeys and battles. The star symbolized their hope for divine intervention and the belief that their cause was sanctioned by God. Size: D: 16.71mm / US: 6 1/4 / UK: M; 3.88g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 35

Ca. 100-300 AD.A high carat gold ring set with carnelian intaglio with a captivating depiction of a philosopher, possibly Socrates, showcased in a right-facing portrait. The intricately rendered details meticulously capture his distinctive features, characterized by a bald head, a luxuriant, flowing beard, a pointed nose, a prominent browline, slightly parted lips, and remarkably large eyes. The gold ring is with a smooth hoop and exhibits expanded shoulders, adding an aura of elegance to the overall design. Repolished. Size: D: 15.9mm / US: 5 1/4 / UK: K; 9.63g Provenance: Private London collection, UK art market before 2000.

Lot 482

Ca. 224–651 AD.A bronze ring with a circular band and a tulip-shaped oval bezel on a broad base set with a red gemstone depicting a left-facing lion with an upturned tail. The lion is rendered in a naturalistic manner with detailing of the ribcage. The Sasanian Empire was the last Persian imperial dynasty before the Muslim conquest in the mid-seventh century AD. It lasted for over four centuries, from 224 to 651 AD, making it the longest-lived Persian dynasty. The Sasanian Empire succeeded the Parthian Empire, and re-established the Iranians as a superpower in late antiquity, alongside its neighbouring arch-rival, the Roman-Byzantine Empire. The period of Sasanian rule is considered a high point in Iranian history, and in many ways was the peak of ancient Iranian culture before the Muslim conquest. Good condition, fully wearable. Size: D: 17.1mm / US: 6 3/4 / UK: N 1/2; 6.6g Provenance: Private London Collection.

Lot 293

Ca. 200-300 AD.An amethyst intaglio, housed within a gold ring, presents a captivating engraving that unfolds a visually compelling narrative. The scene depicts two avian figures, potentially peacocks, perched atop a sizable amphora. Between these elegant birds, a Latin cross occupies a central position, imbuing the composition with subtle yet profound religious symbolism. The amphora itself stands as a prominent focal point, flanked gracefully by two branches adorned with delicate leaves, further enhancing the aesthetic appeal of the engraving. The symbiotic relationship between the birds and the amphora suggests a harmonious coexistence of natural and man-made elements, perhaps alluding to the intersection between the divine and the earthly. The ring itself possesses a flat-section hoop, providing a smooth interior surface for comfortable wear, while the exterior is adorned with an exquisite repetitive pattern that encircles the entire length of the loop. The shoulders of the ring exhibit an elaborate scroll design and serve as supportive elements for a large bezel cell that encases the captivating intaglio. Size: D: 18.14mm / US: 8 / UK: P 1/2; 9.26g Provenance: Private London collection, UK art market before 2000.

Lot 204

Ca. 350 BC.A black slip skyphos featuring deep, curved sides that create a generous and elegant cup shape, resting on a sturdy ring foot. The vessel is fitted with two equally spaced loop handles, positioned on either side of the cup, allowing for easy and comfortable handling of the vessel. The entire surface of the skyphos is covered in a rich black slip, a technique that was widely used in ancient Greece to create a smooth and lustrous surface on the pottery. The black slip not only enhances the beauty of the piece but also protects it from the elements and makes it more durable. The skyphos was a popular drinking vessel in ancient Greece, used for serving wine and other beverages during social occasions or banquets. It was often passed around among guests, and the handles allow for easy and comfortable sharing of the drink. The deep, curved sides of the skyphos also helped to reduce spillage, making it a practical and functional vessel for drinking. Cf. The Brooklyn Museum, Accession Number 05.3. Size: L:80mm / W:140mm ; 90g Provenance: Property of a London Ancient Art gallery, formerly English private collection, according to the heirs possibly purchased in some auction or Art Gallery during 1970s-1980s.

Lot 219

Ca. 300 - 400 AD (or later) .A chalcedony intaglio features a seated Sphinx positioned in profile, facing to the left, atop a solid baseline. The Sphinx, an enigmatic creature of ancient mythology, is meticulously portrayed with exquisite attention to detail. Its body, a fascinating amalgamation of human and animal elements, showcases a leonine torso elegantly melded with a regal human head, adorned with a majestic headdress. The Sphinx's serene countenance emanates an air of wisdom and mystery, encapsulating the allure of this mythical being. Nestled within a gold ring, possibly from a later period, this chalcedony intaglio finds itself in the embrace of a D-shaped hoop boasting decorative shoulders. The ring's grandeur is further accentuated by its large bezel, adorned with an intricately modelled border. This ornate border adds a touch of sophistication and craftsmanship to the overall composition, framing the Sphinx and creating a captivating visual focal point. Depictions of the Sphinx hold significant significance in Roman glyptic art, transcending mere decorative motifs. The Sphinx, a creature of both Greek and Egyptian mythology, represented a fusion of cultural and symbolic elements. In Roman art, Sphinx depictions often evoked notions of mystery, enigma, and riddles, reflecting the Romans' fascination with intellectual challenges and the quest for knowledge. Size: D: 18.95mm / US: 9 / UK: R 1/2; 9.67g Provenance: Private London collection, UK art market before 2000.

Lot 154

Ca. 100-300 AD.A bronze finger ring showcases a round hoop with a slight carination, adding subtle visual interest to its overall design. However, it is the bezel that commands attention, featuring a central raised boss that acts as a focal point. This prominent boss is encircled by two concentric bands of radiating strokes, forming an intricate and captivating decorative motif. Roman rings, such as this bronze example, were not only fashionable adornments but also significant cultural artefacts. They served as personal statements of wealth, social status, and personal taste. The craftsmanship and artistic embellishments displayed on this ring highlight the expertise of Roman metalworkers in creating intricate designs. Size: D: 17.53mm / US: 7 1/4 / UK: O; 6.35g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 218

Ca. 200 AD.A carnelian intaglio featuring a depiction of the revered goddess Diana, known as Artemis in Greek mythology. This exquisite intaglio portrays Diana in a dynamic stance with her left hand gracefully retrieving an arrow from the quiver resting on her back, while her right hand holds the bow in readiness, poised to unleash her precise aim. Her body is elegantly twisted to the side, adding a sense of movement and energy to the composition. Diana, a significant figure in the Roman pantheon, occupies a prominent position as the goddess of the hunt, the moon, and chastity. As the twin sister of Apollo, she possesses a complex array of attributes and roles. Diana is celebrated as a skilled huntress, embodying grace, agility, and a deep connection with the natural world. Her association with the moon underscores her role as a protector and nurturer of nature and wildlife. This intaglio is set within a gold ring, possibly from a later period. The ring features a round-section, smooth hoop that exudes timeless elegance, gradually expanding to form a bezel that frames the intricately carved intaglio. The harmonious integration of the intaglio and the gold ring showcases the profound admiration for both mythological narratives and skilled metalworking techniques prevalent in Roman culture. For a similar, please see The Israel Museum, Accession number: 70.62.394. Size: D: 18.95mm / US: 9 / UK: R 1/2; 12.4g Provenance: Private London collection, UK art market before 2000.

Lot 300

Ca. 1200-1300 AD.A gold ring characterized by its elegant and delicate construction, enriched by three gemstones original to the piece. The thin and slender hoop of this remarkable piece features slightly faceted sides, lending it a subtle yet captivating visual texture. At the center of attention is the vertically oriented polyhedral bezel, which commands attention with its unique design. The raised upper face of the bezel forms miniature pyramid-shaped settings, each adorned with captivating emerald, garnet and amethyst cabochons. This splendid use of vibrant gemstones adds a touch of opulence and allure to the ring. Size: D: 17.93mm / US: 7 3/4 / UK: P; 2.09g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.

Lot 68

A GIANNI VERSACE SIGNATURE GOLD PLATED BRACELET WATCH The circular dial with Roman numerals on black chapter ring and central Medusa medallion, pierced key fret bracelet, case back signed and numbered '000554', quartz movement in working order (watch serviced and battery replaced in September 2022), with original box, booklet and outer box 25mm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 253

WRITING TABLE, George III bowfronted mahogany with a full width frieze drawer and ring turned tapering supports, 84cm W x 52cm D x 76cm H.

Lot 502

DOUBLE ROW TEN STONE DIAMOND & SAPPHIRE RING, yellow metal, old cut oval stones, ring size P 1/2, 4.5gms, in vintage Alca 'Jewel Case'Provenance: private collection CardiffComments: good overall condition

Lot 562

EARLY 19TH MAHOGANY & BRASS STRUNG BRACKET CLOCK, Haddack of Bath, pagoda top, pierced brass fish scale side grilles, loose ring handles and ball feet, signed 8in. painted Roman dial, signed backplate, two train musical movement striking on six bells, 57cms hProvenance: private collection North Wales, purchased from Christie’s, London, 25 Nov 1988Comments: faint hairline cracks to dial, minor splits, missing brass inlay, finial loose, with two clock keys, door key and pendulum, viewing recommended.

Lot 512

18CT WHITE GOLD DIAMOND CLUSTER RING, set with seven brilliant cut diamonds in a flower shape, shank stamped HC Ltd., ring size L total diamond weight 1.75cts approxProvenance: private collection Vale of GlamorganComments: diamonds are wel matched, viewing recommended

Lot 504

18CT GOLD & PLATINUM DIAMOND SOLITAIRE RING, the single claw set round brilliant stone measuring 0.5cts approx., ring size M, 2.2gms, in heart shaped ring boxProvenance: private collection CardiffComments: Clarity SI1/SI2, Colour H/I, good cut and symmetry, all opinions are subjective and not guarantees, we encourage viewing in person if possible

Lot 501

CARTIER 18CT GOLD 'EMBLEM' RING, marked 'Cartier' and '750', serial number 743723, ring size N, 8.4gms, with Cartier certificate of authenticity bookletProvenance: private collection CambridgeshireComments: very good overall condition

Lot 507

PLATINUM DIAMOND SOLITAIRE RING, the single claw set stone measuring 0.75cts approx., diamond chip shoulders, ring size K, 2.9gmsProvenance: private collection PembrokeshireComments: Clarity SI2/PI, Colour H/I, good 'brilliance' and 'fire', all opinions are subjective and not guarantees, we encourage viewing in person if possible

Lot 563

EARLY 19TH CENTURY MAHOGANY & BRASS INLAID BRACKET CLOCK, Cowling of London, gadrooned top, signed 8in. silvered Roman dial with strike/silent lever, pierced brass fishscale side grilles, loose ring handles and ball feet, three train musical movement striking eight bells and sounding the hours on a further large bell, 54cms highProvenance: private collection North WalesComments: one strut missing form backplate. hammer rods bent.

Lot 508

18CT GOLD & PLATINUM FIVE STONE DIAMOND RING, the five graduated old European cut stones measuring 1.5-1.6cts overall approx., ring size M, 3.7gmsProvenance: private collection CarmarthenshireComments: Clarity SI1/SI2, Colour tinted, diamonds are well matched, all opinions are subjective and not guarantees, we encourage viewing in person if possible

Lot 503

18CT YELLOW GOLD FIVE STONE DIAMOND RING, the graduating old European cut stones totalling 1.5cts approx., ring size M 1/2, 3.3gms, in vintage Morcom of 22 King Street Carmarthen ring boxProvenance: private collection CardiffComments: stones well matched

Lot 2154

BRD - 5 Euro /A/D/F/G/J, Polymerring, Blaue Planet Erde spgl.| FRG - 5 Euro /A/D/F/G/J, polymer ring, blue planet earth, proof-like.

Lot 2155

BRD - 5 x 10 Euro 2019 A/D/F/G/J, Polymerring, In der Luft, spiegelglanz.| FRG - 5 x 10 Euro 2019 A/D/F/G/J, polymer ring, In the air, mirror-finish.

Lot 2158

BRD - 5 x 10 Euro A/D/F/GJ, Luft bewegt: An Land, Polymerring, spiegelglanz| FRG - 5 x 10 Euro A/D/F/GJ, Air moves: On land, polymer ring, brilliant stamp

Lot 2516

BRD / Euro - Sammlung von 50 x 10 Euro, 25 x 20 Euro, sowie 7 x 5 €+ 1 x 10 Euro Polymerring.| FRG / Euro - collection of 50 x 10 Euro, 25 x 20 Euro, and 7 x 5 € + 1 x 10 Euro polymer ring.

Lot 49

Württemberg - Diverse Auszeichnungen und Medaillen, darunter u.a. für alle Bonatzbau-Fans, ehemaliger Stuttgarter Hauptbahnhof, diverse Medaillen (7 Stück) mit Bahnhofsansicht d. Rings für Grossaquisiteure Stuttgart 1956 und 1962, weiterhin Landwehr-Dienstauszeichnung 2. Klasse Schnalle 1879, Silbernes Verdienstkreuz am Band im originalen Etui von Eduard Foehr, Medaille v. Schnitzspahn DEM BESTEN SCHÜTZEN, König Karl von Württemberg, wohl seltenere Größe mit ca. 21,6 g rau und D ca. 34,5 mm, diverse Fleißmedaillen Stuttgarter Schulen, darunter auch Etui Elementarschule 1894-1895 und Etui Realgymnasium 1896-1903, Kreuz Krieg und Milit. Eintracht, Königin Charlotte und mehr. Bitte ansehen, Erhaltungen verschieden| Wurttemberg - Various awards and medals, among others for all Bonatzbau fans, former Stuttgart main station, various medals (7 pieces) with station view of the Ring for Grossaquisiteure Stuttgart 1956 and 1962, furthermore Landwehr-Dienstauszeichnung 2. Klasse Schnalle 1879, Silbernes Verdienstkreuz am Band in original case by Eduard Foehr, Medaille v. Schnitzspahn DEM BESTEN SCHÜTZEN, King Karl von Württemberg, probably rarer size with ca. 21,6 g rough and D ca. 34,5 mm, various diligence medals of Stuttgart schools, among them also case Elementary School 1894-1895 and case Realgymnasium 1896-1903, Cross War and Milit. Concord, Queen Charlotte and more. Please inspect, various conditions

Lot 1066

Early 19th century mahogany commode chest, reeded edge over four faux drawers with cock-beaded facias and brass lion mask ring handlesDimensions: Height: 70cm  Length/Width: 64cm  Depth/Diameter: 46cm

Lot 1273

Connection Furniture - set four oak framed high bar stools, circular seat upholstered in grey and navy blue, raised on tapering supports with metal ring stretcherDimensions: Height: 76cm  Length/Width: 55cm  Depth/Diameter: 55cm

Lot 1006

Regency mahogany sofa table, canted rectangular drop leaf top with walnut crossbanding, fitted with two frieze drawers with central lozenge decoration, two opposing false drawers, vasiform end supports with reeded edge and central roundel joined by ring turned and reeded stretcher, splayed supports on scaled brass cups and castorsDimensions: Height: 71cm  Length/Width: 110cm  Depth/Diameter: 69cm

Lot 1062

Victorian mahogany occasional table, oval top raised on ring turned pedestal, cabriole quadrupod base with acanthus carved supports and scroll feetDimensions: Height: 71cm  Length/Width: 64cm  Depth/Diameter: 49cm

Lot 1056

Set eight (6+2) oak dining chairs, high waived ladder back over rush seats, raised on ring turned supports with pad front feet, united by stretchersDimensions: Height: 104cm  Length/Width: 60cm  Depth/Diameter: 50cm

Lot 1015

Childs Windsor elm and ash armchair, the double hooped and spindle back over saddle seat, raised on ring turned supports united by H-stretcherDimensions: Height: 67cm  Length/Width: 37cm 

Lot 1237

Chris Berry for Berrydesign - contemporary bespoke solid light oak dining table, circular top over ring turned triple pedestal with triform baseDimensions: Height: 76cm  Length/Width: 189cm 

Lot 1004

Jacobean design carved oak side or credence table, demi-heptagon top with moulded edge, frieze carved with foliate C-scroll design above ornate arcade carved apron, under-tier united by ring turned pilisters, lower frieze carved with repeating lunettesDimensions: Height: 82cm  Length/Width: 102cm  Depth/Diameter: 48cm

Lot 268

Ladies 18ct Gold Diamond Solitaire ring 0.45ct H/I Si Estimated Size T 3.7g total weight

Lot 270

Ladies 14ct Gold Tested Diamond Cluster ring with 0.45ct Claw set Diamond surrounded in Claw set Diamonds. 7.9g total weight Size K

Lot 269

Ladies Gold & Silver Stone set Cluster ring size P 3.2g total weight

Lot 272

Ladies 18ct Gold Sapphire & Diamond set ring Size M 5g total weight

Lot 274

Ladies 10K Stone set ring Size N 2.2g total weight

Lot 39

Collection of The Ring Boxing magazines some signed to include Mike Tyson, Evander Holyfield, Sugar Ray Leonard etc with 2 Pop Sporting Legends figures including Muhammad Ali, Tiger Woods etc

Lot 271

Ladies 18ct Gold Sapphire & Diamond set ring Size M 3.2g total weight

Lot 277

Gents 9ct Gold Diamond set ring Size S 3.4g total weight

Lot 32

Forever platinum diamond ring with a claw set brilliant diamond, approx 0.25ct, with smaller diamonds to the shoulders, hallmarked 950 together with a platinum wedding band, both size K1/2 (2)

Lot 214

Mahogany grandmother clock, brass spandrels and slivered chapter ring with roman numerals 34 x 177 x 23cm.

Lot 10

Edwardian silver rimmed glass bowl, 10cm diameter together with glass jar with silver cover, white metal tongs and a German silver napkin ring (4)

Lot 273

19th century mahogany drop leaf table, with two drawers and ring turned legs, (open 93 x 67 x 41cm)

Lot 42

18ct gold and platinum diamond flowerhead ring, size U

Lot 74

19th century gold and seed pearl mourning ring with glazed panel containing hair, the inner inscribed 'Janet Kidson died Aug. 1842 aged 61 years' & 'Jessie Burns Macfarlane died June 1844 aged 5 years and 9 months' together with a mourning broch relating to the same family with three inscriptions verso ()

Lot 66

Gents 9ct gold half hunter pocket watch by Henderson, white enamel dial with subsidiary seconds dial, the case with roman numerals to the chapter ring

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