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Click here to subscribeA late 19th / early 20th century French ormolu and champleve enamel architectural mantel clock, the 4 inch dial with ring of Roman numerals in arch case, with turned corner pilasters with cherub mounts on a stepped base and eight short turned feet, the movement back plate stamped 'Japy Freres No. 6', striking on a single bell, behind an opaque glass hinged door, 42cm high
A late 19th century French gilt metal mantel clock with 3 inch porcelain dial with ring of Roman numerals over a serve style figural decorated porcelain panel, the arched case with urn finial, over bell flower side mouldings and putti front corner figural mounts raised on four short feet, the movement stamped 'Japy Freres No. 143 72', the case stamped 'Mourey 3 76' (at fault), 41.5cm high
A late 19th century gilt brass carriage clock, the 2 ¾ inch enamel dial with ring of Roman numerals over a floral swag, the case with three quarter fluted corner pilasters under a swing handle, raised on four short turned feet, the spring driven movement striking on a single coiled gong, with repeat mechanism and striking the hours and passing half hour, 27cm high overall
A 19th century French multi dial black slate (Belgium Calcite) and malachite inlaid mantel clock, with perpetual calendar and aneroid barometer, the clock dial 6 inches diameter with ring of Roman numerals, the barometer labelled Holosteric Barometer, 4 inches diameter, the perpetual calendar with subsidiary centred dials and moon phases, 4 inches diameter, overall height 49.5cm
A 19th century ebonised portico type mantel timepiece with gilt metal mounts and 3 inch Sevres style porcelain dial with ring of Roman numerals and single winding hole, the spring driven movement with sunburst pendulum, adjustable on a steel rod, support on four spiral turned columns on a rectangular stepped base and four claw feet, 52cm high
An early 20th century mahogany bracket style chiming mantel clock, the 6 inch arched dial with chapter ring of Arabic numerals under subsidiary dials to the arch for chime, silent and slow/fast adjustment, the arched case with bell flower mouldings and pierced sides, the movement chiming on four rod gongs stamped 'FMS' to the back plate, 40cm high
A late 19th century ebonised calendar clock, the movement month going, the 4½ white enamel dial with ring of Roman numerals over apertures for day, date and month, in a rectangular ebonised wooden case, the movement with single bell and long bob pendulum, paperwork label to the reverse of the back panel titled 'Pendule-Calendrier, Inventuer-Brevete', 45cm high
A 19th century French Empire style mahogany arched mantel clock, the 4½ inch enamel dial with ring of Arabic numerals and twin winding holes, within a brass strap decorated riven moulded mahogany case with side brass ring handles, the eight day movement striking on a single coiled gong, No. 4084 5 2, the clock on four shaped gilt metal bracket feet, 29.5cm high
An Art Deco onyx and marble figural clock garniture, the 4 inch square silver dial signed 'I Rouve', within a ring of stylised Arabic numerals, the fan shaped case housing an eight day spring driven drum movement striking on a single bell, with cold painted spelter female figural mount to the left hand side, along with a pair of fan shaped shallow vases en suite, clock 45.5cm wide, 25.5cm high
A late 19th century plated and gilt metal Aesthetic mantel clock, the 3½ silvered dial with ring of Roman numerals, the pagoda top with cherub finial, over leaf and blossom decorated front and sides (at fault), on a leaf moulded stepped base and four heavy claw feet, the spring driven drum movement striking on a single coiled gong, 43cm high
A late 19th century brass carriage clock, the 2½ inch enamel dial with ring of Roman numerals, the eight day spring driven movement striking on a blue coiled gong, striking the hour and passing half hour, the unmarked brass case with four glass sides and oval glass to the top, under a brass swing handle, 17.5cm high overall, along with its original leather covered carry box with slide front and strap handle (at fault)
An 18th century walnut eight day longcase clock, the 12 inch arched brass dial signed 'Jn Berry, Manchester', with centred subsidiary seconds dial within an inner ring of Roman numerals, outer ring of Arabic numerals and urn pierced spandrels, silver disc to the arch, engraved tempest 'Dia et hora transit fugi ians', the hood with arched door between turned front corner hood pilasters, over an arched trunk door on a crossbanded quarter veneered base and tall bracket feet, 241cm high
A mahogany and marquetry eight day longcase clock, the associated 11½ inch painted arch dial signed 'Mason', with centred subsidiary seconds dial within a ring of Arabic numerals, with floral painted spandrels under a bird and anchor painted to the arch, the associated case with swan-neck pediment over ribbon and swag marquetry frieze above a bell flower framed arched glazed hood door, between fluted front corner hood pilasters, over a marquetry arched long trunk door between fluted corner quarter pilasters, on a marquetry and boxwood strung box base and ogee bracket feet, 238cm high
A George III oak and mahogany eight day longcase clock, the 12½ inch painted arched dial signed 'Tho. Lister, Bromley, Halifax', with centred subsidiary seconds dial and twin winding holes, within an inner ring of Roman numerals, outer ring of Arabic numerals, rose painted spandrels under a rolling moon to the arch, the hood with swan-neck pediment over an arched glazed hood door, between fluted front corner hood pilasters over a short painted arched trunk door, between fluted quarter front trunk pilasters, on a crossbanded box base, lacking bracket feet, 221cm high
A George III oak eight day longcase clock, the 12 inch arched brass dial signed 'Knight, West Marden', with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, over ring of Arabic numerals and pierced leaf scrolling spandrels, under a subsidiary strike silent dial to the arch, the pagoda topped hood with turned front corner hood pilasters over a long arched trunk door, on a boarded base and later bracket feet, 221cm high
An 18th century oak thirty hour longcase clock, the 11½ inch square brass dial signed ' Sam.Varley Thorne', with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and a pierced leaf scrolling spandrels, the hood with ogee moulded cornice over three quarter turned front corner hood pilasters and a long arched trunk door fitted with scrolling brass key escutcheon, on a boarded base and cut out skirting plinth, 203cm high
A William IV mahogany eight day longcase clock, the arched painted dial signed 'W Rutherford, Sedburgh', with centred subsidiary seconds dial and date dial within a ring of Roman numerals and cottages painted to the spandrels, under an armorial painted arch bearing motto 'Peace and Plenty, the reward of temperance', the hood with swan-neck pediment over an arched glazed hood door between turned front corner hood pilasters, over a convex short trunk door between half turned front corner trunk pilasters, on a single panel box base and cut-out bracket feet, 216cm high
A George III oak eight day longcase clock, the painted arched dial later signed 'Jn Summerhayes, Hayle. 1763', with centre subsidiary seconds dial and date aperture with in a ring of Arabic numerals within floral painted spandrels under a later painted arch, the hood with broken swan-neck pediment and associated finials, over an arched hood door between fluted front corner hood pilasters, over a long crossbanded arched trunk door, on a crossbanded box base and later bracket feet, 219cm high (at fault)
A George III stained fruitwood eight day longcase clock, the associated 11½ inch brass dial signed 'Emmanuel Hopperton, Leeds', the dial with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced spandrels, the arched hood with three quarter turned front corner tapering pilasters, over a long arched trunk door, on a boarded base and later skirting plinth, 212cm high
A George III oak eight day longcase clock, the 12 inch square brass dial signed 'Dav Collier, Gatley', with inner ring of Roman numerals, outer ring of Arabic numerals and pierced spandrels, the hood with ogee moulded cornice over a square glazed hood door flanked by tapering turned front corner hood pilasters, over an ogee crossbanded trunk door between quarter turned front corner trunk pilasters, on a canted base, lacking bracket feet, 213cm high
A 19th century mahogany eight day longcase clock, the painted arched dial signed 'W.Muncaster, Whitehaven', with centred subsidiary seconds dial and date dial, within a ring of repainted Arabic numerals with figural painted spandrels and figure to the arch, the hood with swan-neck pediment over an arched glazed hood door between reeded front corner hood pilasters, over a satinwood banded long trunk door between reeded quarter front corner trunk pilasters, on a crossbanded box base and short bracket feet, 220cm high
A George III and later oak eight day longcase clock, the 12 inch arched brass dial with centred subsidiary seconds dial and date dial within an inner ring of Roman numerals and outer ring of Arabic numerals, signed to a silver disk to the arch 'Mich Wild, Doncaster', the later carved oak case with swan-neck pediment over fluted front corner hood pilasters over a leaf and portrait carved long trunk door and leaf carved box base, raised on short bracket plinth, 217.5cm high
A George III mahogany musical longcase clock, the 14 inch arched brass dial signed 'Jos Slater, Oswestry' to the arch, flanked by subsidiary chime, silent and strike silent subsidiary dials over a silvered ring of Roman and Arabic numerals, centre by a subsidiary seconds dial and date dial, within pierced leaf scrolling leaf moulded spandrels, the six pillar movement striking on a single bell, the musical chime striking twin hammers on twelve graduated bells, from the 11½ cylinder, the hood with enclosed swan-neck pediment over an arched hood door flanked by tapering fluted front corner hood pilasters, over a dentil moulded and blind fret frieze, above an inverted arch mahogany veneered long trunk door, fitted with a pierced moulded key escutcheon between quarter fluted front corner pilasters, on a single panel box base between blind fret canted front corners raised on short ogee moulded bracket feet, 240cm high
An early 18th century and later eight day longcase clock, the 12 inch square brass dial signed 'Jos Kirk, Skegby', with centre subsidiary seconds dial and date aperture, within inner ring of Roman numerals, outer ring of Arabic numerals and pierced spandrels, the hood with square glazed hood door between turned front corner hood pilasters, over a figural later carved oak case, raised on a cut out skirting plinth, 194cm high
A George III eight day longcase clock, the 13 inch arched brass dial signed 'David Collier, Gatley', to the arch, over painted moon phases with dial with centred subsidiary seconds dial and date aperture and with inner ring of Roman numerals, outer ring of Arabic numerals and pierced cherub mask spandrels, the arched hood with turned front corner hood pilasters, over an ogee arched crossbanded trunk door between quarter turned front corner trunk pilasters, on a crossbanded box base with canted front corners, raised on shaped bracket feet, 227cm high
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