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*Item to be collected from Friargate, Derby* A pair of gentleman's 9ct gold rounded rectangular engine turned cufflinks, London 1966; a pair of Edwardian 9ct gold oval cufflinks; a 9ct gold collar stud; a pair of 9ct gold and amber earrings; a single 9ct gold earring; a 9ct gold cygnet ring (broken), gross weight approx 13.6g; an 18k gold chain (broken), approx 2.9g; together with a yellow metal guard chain; a collar stud and bar broochCondition - wear and tear commensurate with age - 1960s cufflinks good, Edwardian cufflinks heavily dented, cygnet ring cut, all others generally okObject location - Drawing Room
*Item to be collected from Friargate, Derby*A Victorian style cast iron pillar, with horsehead finial, with ring to mouth, on a spreading hexaganal base, painted in black, green and red, with gilt highlights, approx 134cm highCondition - wear and tear commensurate with ageItem location - Ground floor hall
*Item to be collected from Friargate, Derby* A silver charm bracelet with white metal charms; together with another bracelet with silver and enamel souvenir charms; a silver bracelet; a silver bangle; a white metal and agate pendant; a white metal abstract ring; a fine silver bracelet; total gross weight 3.44ozt/107g; together with a white metal mounted meerschaum and amber cheroot holderCondition - wear and tear commensurate with age Object location - Drawing Room
*Item to be collected from Friargate, Derby* Treen - a Japanese lacquered oval box and cover, approx 14cm; a Victorian papier mache wall hanging letter rack, painted with daises (af); a Far Eastern hardwood incense box inlaid with brass elephants, approx 30.5cm; an early 20th century satinwood articulating hand (af); a wooden napklin ring from the timber of HMS Worcester; a Victorian turned wooden jar and cover, approx 16cm high; carved animals; horn letter opener; etcCondition - wear and tear commensurate with age Object location - Drawing Room
*Item to be collected from Friargate, Derby* A ladies 14k cased fob watch, white enamelled dial with Roman numerals; collection of ladies and gentlemen's wristwatches including Timex, Seconda, Ingersoll, a rolled gold ladies watch; three travelling night stand clocks, including a 1930s, Roamer etcCondition - wear and tear commensurate with age - fob watch has small dents, missing hand and loop ring; wristwatches in very worn condition, can't guarantee working orderObject location - Drawing Room
*Item to be collected from Friargate, Derby* Treen - a pair of shoe lasts; another; a carved ebony elephant, hardwood rhino and hippo; a carved embracing couple; a hardwood pillbox; an ebony letter opener; a carved trinket box; together with a 19th century jewellery box; a Japanese lacquer box; a Chinese mother of pearl inlayed box; a lacquered jewellery box, matching mirror and circular ring box; an art deco Bakelite box; other modern jewellery boxes etcCondition - wear and tear commensurate with age (see images) Object location - Bedroom 1
*Item to be collected from Friargate, Derby*A Scalextric Super Speed (C544) track and cars, boxed; a Chad Valley tin plate soccer stadium; a Waddingtons Scoop boxed game; a Spears weaving loom, boxed; a pair of Jacoskates; vintage skipping rope; Tearie Dearie doll's bed; a Chiltern doll; a replica plastic Titanic life ring; assorted chess and games pieces; and a 'Computter' golf putting game Condition - wear and tear commensurate with ageItem location - dispatch room
*Item to be collected from Friargate, Derby* A silver mounted coconut shell Yerba Mate cup, embossed with flowers and foliage, stamped to base Alpaca Argentina, approx 9cm high; a George VI silver pepperette, Suckling Ltd, Birmingham 1942, and a similar salt, 1950; three silver mounted glass dressing table jars, a cut glass bottle converted to an atomiser; a silver triangular napkin ring, Birmingham 1923; a faux tortoise shell cigarette box, inlaid with mother of pearl bird; five silver teaspoons approx 3.19ozt/99g; a pair of Edward VIII silver mounted circular clothes brushes, makers mark W.A, London 1936, fitted caseCondition - wear and tear commensurate with age Object location - Drawing Room
*Item to be collected from Friargate, Derby* A Regency mahogany circular coal / log box, brass lion mask ring handles, inlaid stringing, approx 33cm high x 32cm diam; together with a Victorian mahogany circular footstool, approx 27cm diam; and another 19th century square mahogany footstool (3)Condition - wear and tear commensurate with age Object location - Drawing Room
CRUZEIRO SEIXAS (1920-2020)Sans titre signé et daté 'Cruzeiro Seixas - 73' (en bas à droite)gouache et stylo sur papier brunExécuté en 1973 signed and dated 'Cruzeiro Seixas - 73' (lower right)gouache and ballpoint pen on brown paperExecuted in 197320 x 28cm (7 7/8 x 11in).Footnotes:ProvenanceCollection particulière, Italie (don de l'artiste).Artiste métamorphe possédant d'innombrables compétences en peinture, sculpture, dessin, poésie, scénographie et collage, Cruzeiro Seixas est d'une importance capitale pour le mouvement surréaliste portugais. Son Å“uvre a été décrite comme une 'poésie du fantastique', car elle reflète l'ensemble des paradoxes surréalistes : rêve et cauchemar, sacré et profane, sexe et mort, corps et âme. L'atmosphère évoquée dans les Å“uvres de Cruzeiro Seixas est à la fois paisible et angoissante, mêlant des paysages nocturnes sublimes à une végétation extraterrestre, une architecture creuse, des phénomènes célestes, des fantômes, des monstres et des corps humains aux têtes zoomorphes. Au travers de l'univers de l'artiste, nous retrouvons l'influence de Salvador Dalí, Giorgio de Chirico, William Blake, Arthur Rimbaud et Hieronymus Bosch. Comme ses prédécesseurs, Seixas fait habilement allusion à l'existence d'une narration, tout en l'occultant sous des couches sinistres d'images étranges. Seixas a vécu une vie plurielle, ses voyages à travers l'Afrique, l'Inde et l'Asie alors qu'il était engagé dans la marine marchande de 1950 à 1964 lui offrent une vision plus globale du monde. La période qu'il a passée en Angola le marque de manière significative, il collectionne des Å“uvres d'art indigènes, celles-ci inspirent et influencent sa propre création, c'est également en Angola qu'il organisera des expositions marquantes de l'art moderne portugais. C'est là, dans les années 1960, que Seixas noue une amitié étroite avec le propriétaire de ces trois captivantes Å“uvres sur papier, un Italien né en Angola. Dès lors et ce jusqu'à la mort de Seixas en 2020 à l'âge de 99 ans, les deux hommes ont échangé de nombreuses lettres. Les envois de l'artiste comprenaient souvent de belles illustrations et Å“uvres sur papier avec des dédicaces personnelles au propriétaire, ce qui l'a amené à rassembler un ensemble diversifié et personnel d'Å“uvres de Seixas. Ces trois Å“uvres sont le témoignage d'une amitié unique entre deux individus qui partageaient un amour de l'art surréaliste et une fascination durable pour l'exploration du potentiel subconscient de l'inattendu.An artistic shapeshifter possessing innumerable skills across painting, sculpture, drawing, poetry, scenography and collage, Cruzeiro Seixas is of central importance to Os Surrealistas, the Surrealists of Portugal. His work has been described as 'poetics of the fantastic', as he weaves together central Surrealist paradoxes: dream and nightmare, sacred and profane, sex and death, body and soul. His works achieve atmospheres that strike both tranquillity and anxiety, overlaying sublime nocturnal environments with alien vegetation, hollow architecture, celestial phenomena, ghosts, monsters, and youthful human bodies with zoomorphic heads. In tone and imagery, his influences from Salvador Dalí, Giorgio de Chirico, William Blake, Arthur Rimbaud and Hieronymus Bosch ring true. Like his forebears, Seixas was able to deftly hint at the existence of some narrative, while at the same time obscuring it beneath eerie layers of outlandish imagery. Having a distinctly global outlook, Seixas lived a peripatetic life, travelling throughout Africa, India and Asia while enlisted in the merchant navy from 1950 to 1964. Momentous in this regard was his period in Angola, during which he collected indigenous artworks, contributed fervently to his own practice and curated landmark exhibitions of Modern Portuguese art. It was there in the 1960s that Seixas struck a close friendship with the owner of these three captivating works on paper, an Italian born in Angola. From this period until Seixas' passing in 2020 at the age of 99, the pair sent many letters back and forth. Seixas' correspondences would often include beautiful illustrations and works on paper with personal dedications to the owner, leading him to gather a diverse and personal body of Seixas' work. The following three works therefore stand as a testament to this unique friendship between two individuals that shared a love of Surrealist art and an enduring fascination with exploring the subconscious potential of the unexpected.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MAN RAY (1890-1976)Un ensemble de 11 livres sur Man Ray Une collection de 11 livres sur Man Ray, dédicacés par Man Ray ou son épouse Juliet, à Jacqueline Goddard (née Barsotti), muse, modèle et amie proche de Man Ray, comprenant:Man Ray. Portraits, édité par L. Fritz Gruber, enrichi d'un envoi autographe de l'artiste à Jacqueline Barsotti-Goddard et Ivor Goddard: 'to Jacqueline/ and to Ivor –/ to be continued.../Man Ray/Paris 1966' sur le faux-titre, texte en allemand, pleine toile d'éditeur, avec jaquette Gutersloh, Sigbert Mohn, 1963.Man Ray. An exhibition organized by the Los Angeles County Museum of Art in cooperation with the Museum's contemporary art council and under the direction of Jules Langsner. Enrichi d'un envoi autographe de l'artiste à Jacqueline Barsotti-Goddard et Ivor Goddard: 'for Jacqueline and for Ivor/affectionately/Man Ray/Paris/[19]67' sur la première page, texte en anglais, cartonnage d'éditeur Los Angeles, Los Angeles Museum of Art, 1966.Man Ray. Catalogue d'exposition, texte en anglais, reliure à spirales, plats en aluminium avec motif en rouge sur le premier platLondres, Hanover Gallery, 1969.Man Ray. Autoportrait. Enrichi d'un envoi autographe de Juliet Man Ray à Jacqueline Barsotti-Goddard: 'Paris May 20, 1986/For dearest Jacqueline/how nice that you/were with me in the/springtime/love Juliet', cartonnage d'éditeur Paris, Seghers, 1964.Man Ray, I 50 volti di Juliet. Exemplaire enrichi d'un envoi autographe de Juliet Man Ray à Jacqueline Barsotti-Goddard: 'May 7, 1982 Paris in the Spring/For my darling Jacqueline/who loved Man Ray/she says me too/pour toujours/Juliet', sur la page de titre, pleine toile d'éditeur avec jaquette Milan, Gabrielle Mazzotta, 1981.Man Ray. Introduction par Merry A. Foresta, exemplaire enrichi d'un envoi autographe de Juliet Man Ray à Jacqueline Barsotti-Goddard: 'Paris June 19, 1988/For Jacqueline/on a hot sunny day/love Juliet Man Ray' sur le faux-titre, cartonnage d'éditeurParis, Centre National de la Photographie, 1988.SCHWARZ (ARTURO) Man Ray. The Rigour of Imagination. Exemplaire enrichi d'un envoi autographe de Juliet Man Ray à Jacqueline Barsotti-Goddard: 'Jacqueline a love/who appeared just when/love was needed/your Juliet' sur la page de titre, texte en anglais, pleine toile d'éditeur avec jaquetteLondon, Thames and Hudson, 1977.Man Ray. Peintures et dessins provenant de l'atelier. Catalogue de vente, exemplaire enrichi d'un envoi autographe de Juliet Man Ray à Jacqueline Barsotti-Goddard: 'for a lovely/person who is/Jacqueline/love/Juliet', sur la page de titre, cartonnage d'éditeurParis, Galerie 1900-2000, 1988.Man Ray. Photographien Paris 1920-1934. Edité par Andrea Haus, exemplaire enrichi d'un envoi autographe de Juliet Man Ray à Jacqueline Barsotti-Goddard: 'Paris, Dec. 15, 1981/For darling Jacqueline/all my love Juliet' sur la page de garde, cartonnage d'éditeurMunich, Schirmer/Mosel, 1980.Et deux autres ouvrages, avec planches ou illustrations, in-octavo et in-quarto (11).A collection of 11 books about Man Ray, inscribed either by Man Ray or his wife Juliet, to Jacqueline Goodard (née Barsotti), Man Ray's muse, model and close friend, comprising:Man Ray. Portraits, edited by L. Fritz Gruber, presentation copy inscribed by the artist: 'to Jacqueline/ and to Ivor –/ to be continued.../Man Ray/Paris 1966' on the half-title, text in German, publisher's cloth, dust-jacketGutersloh, Sigbert Mohn, 1963.Man Ray. An exhibition organized by the Los Angeles County Museum of Art in cooperation with the Museum's contemporary art council and under the direction of Jules Langsner, presentation copy inscribed by the artist 'for Jacqueline and for Ivor/affectionately/Man Ray/Paris/[19]67' on the opening leaf, text in English, publisher's wrappersLos Angeles Museum of Art, 1966.Man Ray. Exhibition Catalogue, text in English, publisher's ring-bound aluminium boards with design in red on upper cover London, Hanover Gallery, 1969.Man Ray. Autoportrait., Presentation copy inscribed by Juliet Man Ray: 'Paris May 20, 1986/For dearest Jacqueline/how nice that you/ were with me in the/springtime/love Juliet' on the dedication leaf, publisher's wrappers Paris, Seghers, 1964.Man Ray I 50 volti di Juliet. Presentation copy inscribed by Juliet Man Ray: 'May 7, 1982 Paris in the Spring/For my darling Jacqueline/who loved Man Ray/she says me too/pour toujours/Juliet' on the title, publisher's cloth, dust-jacketMilan, Gabrielle Mazzotta, 1981.Man Ray. Introduction par Merry A. Foresta, presentation copy inscribed by Juliet Man Ray:' Paris June 19, 1988/For Jacqueline/on a hot sunny day/love Juliet Man Ray' on the half-title, publisher's wrappersParis, Centre National de la Photographie, 1988.SCHWARZ (ARTURO) Man Ray. The Rigour of Imagination. Presentation copy inscribed by Juliet Man Ray: 'Jacqueline a love/who appeared just when/love was needed/your Juliet' on the title-page, text in English, publisher's cloth, dust-jacketLondon, Thames and Hudson, 1977.Man Ray. Peintures et dessins provenant de l'atelier. Sale catalogue, presentation copy inscribed by Juliet Man Ray: 'for a lovely/person who is/Jacqueline/love/Juliet' on the title-page, publisher's wrappers Paris, Galerie 1900-2000, 1988.Man Ray. Photographien Paris 1920-1934. Edited by Andrea Haus, presentation copy inscribed by Juliet Man Ray: 'Paris, Dec. 15, 1981/For darling Jacqueline/all my love Juliet' on the front free endpaper, publisher's wrappersMunich, Schirmer/Mosel, 1980.And 2 others, all with plates or illustrations, 8vo and 4to (11).Footnotes:ProvenanceMan Ray, Paris.Jacqueline Barsotti-Goddard, Royaume-Uni (don de l'artiste).Collection particulière, Londres (par descendance). This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Elvis Presley EPs / 7" Singles, five EPs and approximately forty 7" singles - all UK RCA Releases on the silver spot labels - with titles including Jailhouse Rock, Heartbreak Hotel, All Shook Up, Strictly Elvis, Party, Don't, Wear My Ring Around Your Neck, Hard Headed Woman, King Creole, Hound Dog, One Night, A Big Hunk O Love and more - a mix of originals and reissues - various years and conditions

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1087811 item(s)/page