French black slate two train mantel clock striking on a gong, the 4.25" cream chapter ring enclosing a recessed visible escapement, within a temple stepped case, 13.25" high; also a small French black slate and red marble two train mantel clock striking on a bell, the 3.75" white dial signed Mackay Cunningham & Co, within a breakfront stepped pillared case with rounded sides, 8.5" high (both with pendulums) (2)
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Good eight day longcase clock five pillar movement, the 11.25" brass chapter ring signed William Clement, Totness (sic), enclosing a matted centre engraved with birds and flowers, with subsidiary seconds dial, ringed winding holes and calendar aperture within a jewelled border (with separated dial glass within an engine turned brass bezel, seat board)
Good German ebonised ting-tang bracket clock, the W & H movement with pull repeat striking on two gongs, the 5.5" silvered chapter ring enclosing a matted centre and with subsidiary slow/fast and chime/silent dials above, within a stepped case surmounted by a moulded flat top and carrying handle, 15.5" high (pendulum)
Good mahogany three train musical longcase clock, the 10.25" brass arched dial signed A & H. Rowley, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, with moon phase to the arch, the movement with deadbeat escapement and maintaining power chiming on five metal tubes, the case with long bevelled glazed rounded arched door and the hood surmounted by a swan neck pediment with three brass ball and spike finials over two pierced foliate carved panels, 90" high (pendulum, three weights, five tubes and keys)
Good French black marble and malachite two train mantel clock, the movement back plate stamped A. Brocot & Delettrez, Paris, striking on a bell, the 4" gilt chapter ring enclosing a foliate engraved centre signed Barwise, London beneath twelve o'clock and Brocot et Delettrez, Paris beneath six o'clock, within a breakfront stepped case with scrolling sides and flat cornice, 9" high (pendulum and key)
Interesting and rare brass globe clock inscribed The Empire Clock Patent 19450, the rotating globe wound from the base and within a horizontal brass chapter ring with strapwork pointer, upon a short tapered turned column and circular stepped base, 17" high overall (at fault)
Good Jaeger-LeCoultre Vendome Model Atmos clock, the 4.25" white chapter ring enclosing a skeletonised jewelled movement, within a green fluted pillared case decorated with egg and dart bands and supported upon a black and white veined marble base, ser. no. 218451, 9.5" high
Fine English ormolu giant double fusee repeating carriage clock in the manner of Dent, the 3.25" gilt chapter ring within a pierced ormolu foliate mask, signed J.W. Bell, Leeds on a foliate shaped plate beneath six o'clock, the five pillar movement with maintaining power, the back door with vertical release mechanism and three shuttered apertures, also with slow/fast lever to the top and inscribed 'Mary Clarke, the Gift of her Husband 17th Jan 1877', also inscribed to the movement back plate J.W. Bell, within an elegant case with applied fluted sweeping canted corners and four matching swept bracket feet, the sides and top with bevelled glazed panels, 11" high overall (original key) ** For a similar clock made by Dent London see Carriage Clocks by Allix and Bonnert. P. 262 Plate IX/38.
German Arts & Crafts style oak ting tang mantel clock, the W & H movement striking on two gongs, the 5.75" chapter ring enclosing a matted centre surmounted by subsidiary slow/fast and chime/silent dials, within a stepped case carved with bands of foliage and surmounted by a crenelated cornice, 15" high (pendulum & key)
Oak eight day longcase clock, the 12" brass arch dial signed Edward Seed, Southampton on a circular silver disc to the arch, over a silver chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a rounded moulded arch cornice, 81" high (pendulum and two weights)
Jaeger-LeCoultre Marina eight day musical alarm desk clock, the chapter ring over a three masted sailing ship within a blue background and brushed gilded brass case, 8.25" high ** This clock has been recently serviced and comes with a twelve month guarantee from 30th March 2023
English mahogany double fusee verge bracket clock, the 7" brass arched dial signed Robert Ward, London on a silvered arch at twelve o'clock, the silvered chapter ring enclosing a matted centre with calendar aperture and subsidiary dial to the arch, the movement back plate with chinoiserie meandering foliate engraved decoration, within a stepped case surmounted by a caddy top and four pineapple finials, 21.5" high (pendulum and door keys)
French black slate two train drumhead mantel clock striking on a bell, the 4.5" white chapter ring enclosing a visible recessed escapement, within a scrolling stepped case, 11" high; also another French black slate two train mantel clock striking on a bell, the 4.75" white chapter ring enclosing a recessed centre with visible escapement, within a stepped scrolling case, 12" high (both with pendulums) (2)
English oak and ebonised two train mantel clock with alarm, the 4.5" white chapter ring and movement back plate signed Fattorini & Son, Bradford, English Manufacture, Patent Automatic Alarm, Patent no. 1025, the movement striking on a bell, within a stepped fluted pillared case, 15.75" high (pendulum and key); also an early oak cased hooded single train wall clock with alarm, the 6" banded arched dial signed William Thristle, Stogursey, with central alarm dial and an old two train American shelf clock within a rounded arched case, 17.75" high, both in need of restoration (3)
Interesting early English hook and spike brass lantern clock, the 5.75" brass chapter ring enclosing a foliate engraved centre and single iron hand, surmounted by pierced dolphin frets, strapwork bell and finial, 13.5" high (pendulum, weight and later Victorian wall bracket)
Fine French Empire ormolu figural two train musical mantel clock, the movement with outside countwheel striking with two hammers on a bell, the 3" chapter ring enclosing an engine turned centre, within a drumhead casing supported upon a fluted pillar surmounted by a draped robe and implements emblematic of war, the figure of a standing soldier in battle pose beneath the clock, over a stepped base with egg and dart frieze and upon a rounded mahogany base containing the musical movement, with a brass plate to the side fitted with three selection levers inscribed Change, Play and Stop, under a glass dome, 23.5" high overall (pendulum and two keys)
Fulham Pottery, a white glazed twin handled flower vase, on oval pedestal base, printed marks to the base, 19.5cm high x 42cm wide, together with a similar grey vase, printed marks, 14cm high x 31cm wide(2)Condition Report: The white/cream vase has domestic wear and inconsistencies to the colour.The grey vase has no apparent dame, but there is a body flaw as the porcelain does not ring well towards one handle.
Colin Melbourne (British, 1928-2009) for Beswick, a brown and turquoise canoe shaped dish, 17.5cm high, together with two elongated dishes with tripod base, a turquoise and black glazed vase, 15cm high (4)Condition Report: Vase on left might have an internal flaw.Middle boat on tripod base has a small flaw to footOther pieces do not ring particularly well despite showing no signs of damage.
Gustavsberg Argenta, Sweden, fruit bowl, decorated with fish, with star fish to the interior, marked to the base, pattern no. 901, 13.5cm high x 25cm diameterCondition Report: There is glaze cracking to the surfaces and there is a body crack to this piece. It does not ring as a good piece. Ideal as a study piece.
A 19th century stripped pine Gothic trestle type side table, with simple planked top and pegged architectural base, 75 cm high x 122cm wide x 58 cm deep.Provenance: The contents of The Birches, Kingston-upon-ThamesThe top shows signs of old cracks and splits and historic tin tack holes, the top and frame'surface is coated with an orange pigmented varnishthe frame has been resecured by some old crude screw repairs over the years to make the frame rigid.the sledge feet have suffered with historic woodworm infestation and one end support has lost and had replaced the tips (6") of each sledge foot replaced.it's opposite support has suffered also but that has only had a shim of timber placed on the bottom of the foot on one side to ring it up level.The table has all the hallmarks of an estate made table usually consigned to scullery or below stairs usage and has been attacked by woodworm and damp to the sledge feet and shows signs of fabric being tacked to it at some point the table I s now sturdy and it's old and crude repairs could be enhanced.Any further questions please ask
A matched set of five Victorian ash and rush-seated chairs, the bobbin-turned top rails over spindle-turned backs and ring-turned legs joined by stretchers, 83 cm highQty: 5The chairs show some evidence of historical woodworm mostly to the top bobbin turned railsPlease note: Two of the four have differing front stretchers.The chairs have been freshly re-rushed by their appearance.
Mixed Hallmarked Silver Items - including 6x small round dishes, Birmingham 1971, cased Mappin & Webb Egg cup set including two cups and two spoons, egg cups 1984, spoons 1983, set of six coffee spoons, Birmingham 1947 and a napkin ring, London 1981, total silver weight approx. 280 grams
925 Silver Gents Fob Pocket Watch with import marks, enamel dial, second hand (in working condition) plus a 1942 50/50 silver half-crown in silver pendant frame, a 1920 threepence coin mounted signet silver ring, a Rotary ladies Incabloc watch movement -in working condition, the coin and ring have a weight of 22g (4)
GRAND BOL EN GRÈS CÉLADON LONGQUANDébut de la dynastie MingA LARGE LONGQUAN CELADON BARBED RIM BOWLEarly Ming DynastyWith deep rounded sides divided into eight lobes, rising from a tapering foot to a foliate rim of corresponding form, the interior freely carved with a central flower medallion surrounded by leafy lotus sprays, the exterior decorated with lotus blooms borne on leafy stems, all under a rich olive-green glaze, the base with an unglazed ring exposing the body burnt orange during the firing. 30.5cm (12in) diam.Footnotes:明早期 龍泉窰青釉蓮紋菱口盌Provenance:Collection of Max Müller (1867-1960), German Consul in Hankow, collected in China between 1905 and 1912, thence by descent to his daughter Irmgard Müller-Doertenbach (1909-2011), acquired from her estate來源: 德國駐漢口領事Max Müller(1867–1960)珍藏,於1905年至1912年間得自中國,後傳至其女Irmgard Müller-Doertenbach(1909-2011)現藏家得自上述來源Compare two similar Longquan celadon bowls carved with lotus sprays from the collection of the National Palace Museum, Taipei, illustrated in Tsai Mei-fen, Green-Longquan Celadon of the Ming Dynasty, Taipei, 2009, nos.28 and 29. See also a bowl of this shape in the collection of the Topkapi Saray Museum, Istanbul, decorated with a carved design of fruit and flower sprays on the interior and lotus sprays on the exterior, illustrated in Regina Krahl, Chinese Ceramics in the Topkapi Saray Museum, Istanbul, vol. 1, London, 1986, p.360, no.493.For further information on this lot please visit Bonhams.com

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1087795 item(s)/page