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A 9ct gold wedding band, dated London 1980, ring size M, together with a yellow metal charm depicting Nefertiti, 19mm long, French 18ct gold hallmarks to the attached bail, a yellow metal fez charm, a yellow metal menorah charm and a yellow metal shisha charm, gross weight of group 8.4gms (5)
A diamond set 18ct gold ring, the principle round brilliant cut diamond (weighing an estimated 0.05 carats) claw set to a yellow and white gold twist design head with single cut diamonds pave set throughout, continuing to a plain polished shank, stamped '18ct', ring size R, weight 5.0gms
A diamond set 18ct gold stylized 'snake' ring, comprising six round brilliant cut diamonds pave set to three teardrop shaped 'heads', continuing to to a twist design 18ct white gold band, ring size N 1/2, weight 3.1gmsCondition Report; Very good. All diamonds are present and in tact, no signs of chipping, fractures or major damage, minor scratching and wear only. Settings in good order, stones secure. Some thinning to the shank, but no splitting, resizing or signs of repair.
An opal five stone 9ct gold ring, comprising five untested teardrop shaped opals, each bezel set in 9ct yellow gold to a plain polished shank, ring size S 1/2, weight 1.7gmsCondition Report; Worn. There is heavy to the settings, most notably loss to the tip of one stone (this can be seen in the first, second and third images, pictured second from the left). There is also a large split to the bottom of the setting of the stone pictured second from the right. All show some degree of denting, misshaping and wear. All stones show some light scratching and wear, but no major cracks, chips or losses. None of the stones seem loose in their settings, but could not be described as secure due to the settings current state. Shank is in good order, no signs of thinning, splitting, resizing or repair. General scratching, wear and tear only.
A sapphire ring, the central untested rectangular step cut light blue sapphire measuring 8mm x 9.5mm, claw set to a pierced scroll design gallery and shoulders and unmarked plain polished shank, ring size K, weight 6.2gmsPLEASE NOTE; This stone has not been laboratory tested for natural or synthetic origin, however under 10x magnification, the stone is largely clear, but there is a small, transparent angular inclusion just above one of the claws. This looks to be a crystal inclusion. There is also a small, dark coloured surface fracture to one of the top facets (this can be seen in the first and second pictures).
An amethyst and opal 9ct gold dress ring, comprising three oval mixed cut amethysts measuring between 4mm x 5mm and 5mm x 7mm, and two oval opal cabochons measuring 6mm x 3mm, interspersed by eight small single cut diamonds, all set in yellow gold to a pierced scrolling gallery and shoulders, continuing to a plain polished 9ct yellow gold shank, ring size Q, weight 4.8gms
A garnet set 9ct gold ring, the central tiered floral cluster comprising a central round mixed cut garnet measuring 3.5mm diameter, with a surround of eight further garnets, all claw set in yellow gold to pierced scroll design shoulders, continuing to a plain polished 9ct yellow gold shank, ring size O 1/2, weight 2.3gmsCondition Report; Overall good. All garnets are present and in tact, with minor scratching and wear only. Some wear to the claws, but all stones are secure. There is a small area of splitting to the shoulders, but there are no other signs of splitting, damage or repair to central cluster. The shank is in good order, no thinning, splitting, resizing or repair. Hallmarks to inside are clear.
A garnet and white sapphire 9ct gold half-eternity ring, comprising four round mixed cut garnets and three round mixed cut white sapphires, all set in yellow gold to a plain polished shank, ring size N 1/2, together with a red paste set 9ct gold dress ring, ring size V, gross weight of pair 2.8gms (2)
A diamond three stone ring, comprising a central round brilliant cut diamond (weighing between 0.20 - 0.25 carats), with a further round brilliant cut diamond to either side, each claw set in white gold to a plain polished 18ct yellow gold shank, ring size M, weight 1.8gmsCondition Report; Overall good. There is a fracture to the central diamond, running inwards from the girdle and ending at the star facets, measuring just under 1mm. There is a natural on the girdle measuring approx. 1.6mm - when viewing the stone, this can give it a slightly flat appearance on one side. The diamonds either side are in good order. all claws are in tact, and the stones are secure. Shoulders and gallery are in good order, no splitting, damage or signs of repair. Some thinning to the shank concentrated to the bottom, but no splitting, bending or signs of resizing or repair.
A 22ct gold wedding band, marks for Birmingham 1930, ring size L, together with another example, marks for 1956, ring size L, gross weight 5.4gms (2)Condition Report; One example (pictured behind) is dented and misshaped in some places, meaning it is not completely round. There is some evidence of thinning in places around the band. There is a moderate amount of scratching and wear to the exterior and interior, but no signs of splitting or repair. Hallmarks are clear.The other example is in good order, no signs of thinning, splitting, repair or denting. Moderate scratching to the exterior. Hallmarks are clear.
A 22ct gold wedding band, plain polished stamped 'fidelity' to inside, marks for Chester 1934, ring size L, together with another example, marks for Birmingham 1940 (at fault), gross weight 4.3gms (2)Condition report; The ring dated 1940 is quite heavily bent and distorted, and thus we cannot provide a accurate size. There is heavy thinning and general wear, but no signs of resizing, splitting or repair.The ring dated '1934' showings some light mishaping, and general scratching and wear concentrated to the exterior, but no splitting, thinning, resizing or repair.
A 9ct gold white sapphire set eternity ring, comprising twenty-one round brilliant cut white sapphires, all set yellow gold, ring size N, together with a further 9ct gold white sapphire set eternity ring, comprising twenty-six round mixed cut white sapphires set in white gold to scalloped border, ring size M, gross weight 5.4gms (2)
A diamond three stone 18ct gold ring, comprising three single cut diamonds set to a engraved platinum panel, continuing to a plain polished 18ct yellow gold shank, ring size L 1/2, together with a diamond solitaire 9ct gold ring, designed as a single cut illusion set diamond with engraved panels to shoulders and plain polished yellow gold shank, ring size N 1/2, gross weight 4.7gms (2)
An early 20th century diamond and sapphire set 15ct gold ring, comprising three round mixed cut sapphires and a single cut diamond set to an engraved panel with plain polished shank, ring size M 1/2 (at fault), together with a 9ct gold dress ring, with black glass panel mounted with initial 'R', ring size N, and a blue paste set ring, shank stamped '9C' ring size K 1/2, gross weight of group 5.9gms (3)Condition Report; Sapphire example: Worn. Three of the four diamonds are missing. Remaining diamond as sapphires show moderate abrasion, concentrated at the facet edges. Moderate wear to the claws surrounding the diamond, minor wear to those around the sapphires. Moderate wear to the engraved decoration. Heavy scratching and general wear to the exterior. Heavy thinning to the shank, but no signs of splitting, resizing or repair.Paste example: Worn. Heavy scratching an wear to the central stone, giving it a cloudy appearance. Some splitting around the setting of the stone. Halo surrounding the stone is in good order, no splitting or signs of repair, but showing moderate wear and tear consistent with regular wear. Head looks as though it may not be original to the shank, and may of been added later. Shank in fair order, some minor cracks to the shank around the pressed '9C' mark, but no thinning or major misshaping. General scratching and wear only.'R' example: Fair order, no splitting, thinning or major damage to the 'R'. Black glass in good order, no cracks, chips, abrasions or major damage. Some wear to the decoration on shoulders, but no signs of splitting or repair. There is possible signs or repair/resizing on the shank, as well as general thinning, but no splitting.
A synthetic ruby and diamond three stone ring, comprising a central round mixed cut untested (suspected synthetic) ruby measuring 4.8mm diameter, with a single cut illusion set diamond to either side, all set in white metal to tapering shoulders and plain polished shank, stamped '18CT & PLAT', ring size M, weight 2.3gmsCentral ruby in good order, some nibbling to the table facet edges and the girdle, but no cracks or fractures. Some wear to the claws, but central stone is secure. Diamonds to either side in good order, some scratching to the tables, but no cracks or fractures. Settings and claws in good order, stones secure. Gallery in good order, no splitting or signs of repair. Shank in good order, some minor signs of thinning, general scratching and wear consistent with wear, but no splitting, resizing or signs of repair. Some wear to the stamped marks inside shank, but they are still legible.Stone measures 4.8mm diameter, 3.33mm deep.
A 9ct gold cross pendant, with engine turned decoration, stamped '9ct' to reverse, 19mm x 31mm, set to a 9ct gold curb link chain with spring ring and loop fastening, 41.5cm long, together with an early 20th century 9ct gold paste set brooch, 33mm diameter, gross weight 4.2gms (2)
An early 20th century diamond and enamel charm, of circular form with initials 'DG' to centre decorated with blue enamel within a border set with rose cut diamonds and embossed date '1937', 14mm diameter, together with further charm designed as an articulated figure set with cultured pearls, 15mm long, both set to a fancy link bracelet with spring ring and loop fastener, indistinctly stamped '18C', 19cm long, gross weight 6.2gms
An Arts & Crafts silver ring tree by Synyer & Beddoes, Chester 1905, designed as a tree trunk set to a circular silver dish with embossed motifs, 7.5cm high, weight 1.13oztCondition Report; Very good. Some very small dents to the bowl, but no signs of splitting, major damage or repair. Some light scratching and wear, concentrated at the base. The bowl sits flat on a level surface, and the central trunk is straight and in good order. All decoration is crisp and clear. Hallmarks are crisp and clear.
A Chinese celadon glazed baluster vase in the Yuan Dynasty style, with incised archaic decoration, ring handle lugs, below a yun wen border, 32cm high, later converted to a lamp Provenance: Ruyton Hall, ShropshireCondition report; This is a contemporary lamp base and purely of decorative merit. No obvious cracks, chips or signs of restoration. Fittings for conversion to lamp present. Some glaze imperfections visible to include pooling.
A boxed silver Christening set by Adie Brothers, Birmingham 1938, comprising egg cup, spoon and napkin ring, together with a boxed silver Victorian serving knife and fork by George Unite, Birmingham 1853, and a part boxed silver christening set by Emile Viner, Sheffield 1957 (7)Condition Report; The blades of the fish knife and fork are both hallmarked, and are solid silver.
An early 20th century salt glazed feed trough, with incised scrolling foliate detail to three sides, 73cm wide, along with a cast iron water pump of typical form with a reeded and ring turned body, 72cm high (2)Condition report; Trough measures 15cm H x 73cm W x 45cm D, rubbing to the rim on one side, rubbing to the trough interior, minor nibbles and chips, patches of discolourisation
An early 19th century mahogany bracket clock, of lancet form, signed 'Campbell Oswestry', the 20cm white enamel dial with Roman numerals enclosing a twin fusee movement striking on a saucer bell, behind a rear glazed door, trellis vents to the sides and ring handles, all raised upon gilt metal ball feet, 45cm H Provenance: Ruyton Hall, Shropshire (at fault) Condition report; front plinth is detached with some loss to the ebony beading, a minor 'L' shaped gouge to the top of the case, minor hairline cracks running from the top the case, 2cm long ,and around the side handles, general rubbing and wear to the case commensurate with age and use, front left foot only loosely attached and requires attention, please see further images for clock movement and back plate conditionChains are present on both barrels, clock runs when wound and pendulum prompted, however no guarantee of working orderNo subsidiary strike lever on the dial
A George III mahogany commode chest on splayed bracket feet, 77cm H x 64cm W x 50cm D, along with a George III mahogany commode chest, later converted to a music cabinet, the hinged front designed as faux drawers applied with ring handles, 73cm H x 60cm W x 49cm DProvenance: Ruyton Hall, Shropshire
A late Victorian green leather and walnut drawing room chair, the button back over padded arms extending to carved aesthetic movement terminals, above a sprung bow front seat, raised upon tapering ring turned front legs and plain back swept rear legs with ceramic castors, applied overall with peripheral stud detail, 99cm high
A 19th century figured walnut faux partners desk, the rectangular top with an inset green skiver writing surface, above two pedestals each with canted corners and drawers to one side opposed with faux drawers, applied with ring handles, 75cm H x 152cm W x 91cm DProvenance: Ruyton Hall, ShropshireCondition report; General sun bleaching to faux side of desk, multiple rips and tears to skiver, multiple veneer chips to front edge of desk, very minor chips to drawer fronts and surrounds, minor warping to veneer in places, general wear commensurate with age and use.
A pair of reproduction golden oak lamp tables, late 20th century, each with a circular moulded top above a single frieze drawer upon ring turned supports united by a convex cross stretcher, upon ball feet, 54cm H x 48cm D, along with a similar D end side table with a pot board undershelf, 48cm H x 46cm W x 50cm D (3)Condition report; Very slight fading to one lamp table top, minor rubbing wear to table top rims, otherwise very little wear and all appear in good general condition
William Morris, an Arts & Crafts Sussex type chair, the gentle concave back rail with four ring turned spindles extending to tapering out swept arms, above an envelope rush seat, raised upon cylindrical legs and cross stretchers, 84cm high Please see further imagesCondition report; Some loss of rush to the seat with some 'sagging' to the underside, very minor rubbing to the frame commensurate with age and use, some splits to the rear seat frame lath, chair appears to be firm with very little play in the joints Provenance: Ruyton Hall, Shropshire
A George V silver bell by Goldsmiths & Silversmiths Co, London 1934, 6.4cm high, together with a set of three unusual white metal salt spoons with stylized handles, each 6cm long, two further white metal salt spoons, a silver apostle spoon, a silver condiment spoons, a pair of silver sugar tongs and a silver napkin ring, gross weight of group 7.63ozt (10)Provenance: Ruyton Hall, Shropshire
PAIR OF FULL BOTTLE TRIPLE NECK RING DECANTERS AND A MATCHING HALF BOTTLE DECANTER EARLY 19TH the fluted body of each cut with pointed arch panels of strawberry diamonds surmounted with a scallop shell, below a band of cut diamonds, the neck with three facet cut rings, surmounted with a mushroom shaped stopper cut with fine diamonds and scallop shell motifs(larger 27.4cm high, smaller 23.1cm high)Provenance: Taymouth Castle, Perthshire Wooton House, Bedfordshire
TWO PAIRS OF GLASS DECANTERS EARLY 19TH CENTURY one pair of decanters each with facet cut body, triple ring neck, surmounted with a faceted hexagonal form pointed stopper, 29cm high, the other pair each with a facet cut body, the neck with two pairs of double neck rings, with a matched flat mushroom-shaped star cut stopper(28.5cm high)Provenance: Taymouth Castle, Perthshire Wooton House, Bedfordshire
Ceramic napkin ring with a mini bust of Sam Weller on the top.Sam Weller is a fictional character in The Pickwick Papers (1837), the first novel by Charles Dickens, and is the character that made Dickens famous. #royaldoulton Issued: 20th c.Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: England
Ceramic napkin ring with a mini bust of Mr. Pickwick on the top.Samuel Pickwick is a fictional character and the main protagonist in The Pickwick Papers (1837), the first novel by author Charles Dickens. #royaldoulton Issued: 20th c.Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: England
Ceramic napkin ring with a mini bust of Tony Weller on the top.Tony Weller is a character in The Pickwick Papers, the first novel by Charles Dickens. Tony, a loquacious coachman, is the father of Sam Weller whom Mr. Pickwick takes on as a personal servant and companion on his travels #royaldoulton Issued: 20th c.Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: England
Ceramic napkin ring with a mini bust of Sairey Gamp on the top.Sarah or Sairey Gamp, Mrs. Gamp as she is more commonly known, is a nurse in the novel Martin Chuzzlewit by Charles Dickens, first published as a serial in 1843-1844. Mrs. Gamp is dissolute, sloppy and generally drunk. #royaldoulton Issued: 20th c.Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: England
Korloff. A lady's stainless steel and diamond set quartz reversible wristwatch with dual mother of pearl dialsModel: CassiopeReference: 4R3B/40Date: Purchased 7th July 2020Movement: Two jewelled quartz movementsDial: One side blue mother of pearl diamond set, eccentric black ground time dial with diamond set quarters and polished leaf hands, the reverse white mother of pearl diamond set, eccentric mother of pearl time dial with polished chapter ring and polished handsCase: Polished round, one side with diamond set bezel, the reverse with crown at 4, ridged band, hinged lugsStrap/Bracelet: Black Korloff crocodile leatherBuckle/Clasp: Signed reversible steel buckleSigned: Case, dial & movementSize: 32mm Accompaniments: Korloff box, outer card, Certificate of Authenticity and Guarantee, swing tagThis lot is subject to the following lot symbols: Y RY Subject to CITES regulations when exporting items outside of the EU, see clause 13.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Jaeger-LeCoultre. A stainless steel manual wind calendar reversible rectangular bracelet watch with 24 hour indicationModel: Reverso 'Night and Day' Gran Sport DuoReference: 295.8.51Date: Circa 2002Movement: Jewelled Cal.851 manual windDial: One side black with guilloché grid, luminous Arabic numeral hour markers, white inner minute divisions, subsidiary seconds at 6, date aperture between 4 and 5, 24 hour indication between 10 and 12, polished sword hands with luminous inserts; the other side silvered, silvered Arabic numeral quarters and dart hour markers to black chapter ring, 24 hour indication at 6, black sword hands with luminous insertsCase: Brushed and polished reversible rectangular, button in the band at 2 for independently adjusting day time quick set button for the date at 11, reeded ends, No.2154155Strap/Bracelet: Polished brick linkBuckle/Clasp: Signed double folding claspSigned: Case, dial & movementSize: 28mm Accompaniments: Jaeger-LeCoultre box, outer card, blank Guarantee Certificate, instruction manual, copy of service paperwork and receipt dated June 2015For further information on this lot please visit Bonhams.com
Thomas Tompion, London. A fine and rare gold key wind repoussé quarter repeating pair case pocket watchDate: Inner Case London Hallmark for 1693Movement: Gilt full plate fusee verge, pierced and engraved winged balance cock, polished steel 3-arm balance with underslung balance spring, baluster and Egyptian pillars, polished hammers striking on a bellDial: Later white enamel, black Roman numerals, black outer minute track with Arabic numeral five minute markers, later gilt decorative handsCase: Finely engraved and pierced inner case depicting flora, fauna and birds with very unusual regulator segment to reverse, inner ring, bell secured by 1 screw, pierced outer repoussé case depicting the Judgement of HerculesSigned: Inner case stamped WI for William Jaques, movement signed on top plate, numbered on dial plateSize: 44mmFootnotes:Thomas Tompion is commonly referred to as the father of English clockmaking. His workshops were renowned and he had patrons in the highest levels of English society and with good reason. He has created some of the greatest clocks in the world and was one of the first to use balance springs in watches. He famously employed George Graham who married his niece and succeeded him in the company.The current example is hallmarked for London 1693 with a makers mark for William Jaques who also made for Daniel Quare and is mentioned in Philip Priestley's Early Watch Casemakers. The watch is numbered on the dial plate, under the contrate wheel, under the bell and by the pendant.Tompion made a feature of the regulator bringing it through the back of the case with a finely engraved surround to the sector aperture and a female square that fits to the regulator when the movement is closed into the case. This is a rare and early feature and is mentioned in the book Thomas Tompion, 300 years, Evans Carter Wright for the watch number 144.The dial and outer repoussé case were likely to have been put to the watch in the late 1730's and may have been provided by George Graham as he was producing similar watches at that time and would have had contact with Tompions clients. This would have been an update to bring the very fine watch back to the vogue of Rococo.Previously sold at auction in 1966 and 1986.With thanks to Jeremy Evans and David Penney.For further information on this lot please visit Bonhams.com

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