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An early 19th Century oak and mahogany crossbanded longcase clock, by W Yeadon Stourbridge, thirty hour striking movement with silvered chapter ring, seconds subsidiary dial and date aperture, engraved centre enclosed by a glazed pillar hood over short trunk door on canted plinth case and bracket feet, height 200cm. PLEASE VIEW CONDITION REPORT
A George III style yew wood concave side table fitted with two drawers, on square tapering legs, height 83cm x depth 46cm x width 107cm, a similar shaped top yew wood occasional table on ring turned legs united by a cross stretcher, 77cm, and a similar two tier what-not. (3) PLEASE VIEW CONDITION REPORT
A late 19th and early 20th Century oak longcase clock, eight day striking movement on a gong below a moon phase, Arabic dial and silvered chapter ring, enclosed by a pillar glazed hood below a broken swan neck pediment over a long glazed door and canted plinth base, height 216cm. PLEASE VIEW CONDITION REPORT
Black patent leather slip on with gilt cross and blue ring emblem. Rubberized sole. Vivienne Westwood mark. This item has its original box: 13.75"L x 8"W x 5"H. Issued: 21st centuryDimensions: See DescriptionManufacturer: Vivienne WestwoodCountry of Origin: ItalyCondition: Age related wear. Scuff marks.
This gorgeous necklace has a 14k white gold chain with a platinum ring and large cultured pearl pendant. The chain is stamped 14K Italy and measures 18.25"L. The platinum and pearl pendant measures approximately 1.25"L x 0.75"W. Total weight is approximately 3g. Dimensions: See DescriptionCondition: Age related wear.
Ring in a new year with this box and store a memento. Champagne bottle in gilt overlay box with grape clasp closure. Chamart Limoges Peint Main backstamp. Issued: 20th centuryDimensions: 2.5"L x 2"W x 3.5"HManufacturer: ChamartCountry of Origin: FranceCondition: Age related wear.
Beautiful Southwestern Native American sterling silver ring and pendant charms set with turquoise, onyx, gaspeite, coral, and lapis lazuli. The ring is a size 8.25. The charms measure approximately 1"L x 0.5"W. Everything is stamped 925. Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Frank McKelvey, RHA, RUA (1895-1974) "Portrait of a Man," O.O.C.ÿ92 h x 71 w cms (36? x 28?) An understated and dignified portrait by Frank McKelvey, depicting a man dressed in a grey business suit, with matching waistcoat, white shirt and grey silk tie. The identity of the sitter is not known, and few clues are provided by the setting, in terms of architecture or context. Seated in a wooden chair beside a desk, the man?perhaps a senior civil servant, accountant or bank manager?is pleasant looking, with thinning hair. He wears a wedding ring, wristwatch and horn-rimmed spectacles. He has a candid and open expression, and although seated at an angle, with his hands folded, his head is turned slightly so as to look directly at the observer. ÿ Although a leading member of the Northern landscape painters, and best known for his Impressionist/Realist views of coastline and countryside, from the outset of his career McKelvey was also a talented portrait painter. In 1918, while a full-time student at the Belfast College of Art, he won the Taylor art competition with his painting The Grandmother. In Queen?s University there are ten portraits by him, while in the Ulster Museum there are thirteen portrait drawings, of US presidents of Ulster extraction. ÿ Born in Belfast in 1895, McKelvey attended evening classes at the Belfast College of Art, before enrollingÿ in 1911 as a full time student. He also trained as a poster designer for David Allen and Sons. Over the following years he painted views in the vicinity of Bessborough, Co. Armagh, where his in-laws had a farm. While the Realism of his early work gradually gave way to a more Impressionist palette and approach, McKelvey never swayed from providing an authentic depiction of life of the Irish countryside and coastline, and this ability to capture likenesses is evident also in his portraits. Early in his career, McKelvey was commissioned by Thomas McGowan to paint a series of views depicting the older parts of Belfast city: these are now in the collection of the Ulster Museum. In 1920 he established a studio in Royal Avenue and over the following years became a member of the Belfast Art Society, the Ulster Society of Painters and, in 1930, the Royal Hibernian Academy. In 1924, after marrying he settled in Co. Down, but two years later moved back to Belfast. In New York McKelvey was one of a number of Irish artists shown at the Hackett Gallery, while in Dublin, in 1937, he had his first exhibition at the Victor Waddington Gallery. A founder member of the Royal Ulster Academy in 1930, he last exhibited with the RUA in 1969. McKelvey?s favourite locations for painting landscape were Co. Armagh, the Antrim Coast and, in later years, Co. Donegal. Dr. Peter Murray, 2022
SAVVY & SAND: DIAMOND RINGThe brilliant-cut diamond weighing 0.80 carat, between baguette and brilliant-cut diamond shoulders, remaining diamonds approx. 0.65ct total, signed Savvy & Sand, ring size approx. I½Footnotes:GIA: 0.80 carat, E colour, SI1 clarity. Report number 2366821139, 30 November 2020.For further information on this lot please visit Bonhams.com
DIAMOND RING AND DIAMOND-SET HALF ETERNITY RING1st: Cushion-shaped diamond, the front of the hoop set to three sides with brilliant-cut diamonds, mounted in platinum, 2nd: Similarly-set with brilliant-cut diamonds, mounted in platinum, 1st and 2nd: London hallmark, 2nd: European convention mark, ring sizes: both approx. H½ (2)Footnotes:Accompanied by a facsimile of a report from GIA, stating that the diamond is D colour, VS2 clarity. Report number 1159035273, dated 23rd April 2013.Please note, this report is over ten years old and may require updating.For further information on this lot please visit Bonhams.com
SAPPHIRE AND DIAMOND RINGThe oval-cut sapphire, weighing 1.78 carats, between single-cut diamond set shoulders, ring size approx. H½,Footnotes:GRS: Burmese origin, no indication of thermal treatment. Report number GRS2016-021498, 19th April 2016.Please note, this report is over five years old and may require updating.For further information on this lot please visit Bonhams.com
DEMANTOID GARNET, RUBY, OPAL AND DIAMOND RING, LATE 19TH CENTURYDesigned as a flowerhead, set with opal cabochons, a circular-cut ruby, cushion-shaped demantoid garnets and rose-cut diamonds, mounted in silver and gold, ring size approx. LFor further information on this lot please visit Bonhams.com
DIAMOND-SET RING AND EARHOOPSThe ring composed of interlocking tear-shaped links, four links pavé-set with brilliant-cut diamonds, the earrings of matching design, diamonds approx. 0.95ct total, ring numbered, lengths: earrings 2.0cm, ring size approx. O (2)For further information on this lot please visit Bonhams.com
TURQUOISE AND DIAMOND CLUSTER RING AND PENDENT EARRINGSEach oval turquoise and brilliant-cut diamond cluster, beneath a similarly-set foliate surmount, the ring of matching design, diamonds approx. 1.40cts total, earring length 4.50cm, ring size approx. L½For further information on this lot please visit Bonhams.com
SAPPHIRE RING, 1907The cushion-shaped sapphire, mounted in 18 carat gold, sapphire approx. 1.50cts, UK hallmark, ring size approx. P Footnotes:AnchorCert Gem Lab: Burmese origin, no indications of heat treatment. Report number 320492/20067759, 30th April 2024.For further information on this lot please visit Bonhams.com
DIAMOND SINGLE STONE RINGThe Asscher-cut diamond weighing 3.04 carats, between tapered baguette-cut diamond shoulders, ring size approx. KFootnotes:Copy of GIA report check: Square emerald-cut weighing 3.04 carats, G colour, VVS2 clarity. Certificate number 11114269, dated 6th June 2000. Please note this report is over 10 years old and may require updating.For further information on this lot please visit Bonhams.com
ART DECO EMERALD AND DIAMOND RING, CIRCA 1925Step-cut emeralds, cushion-shaped and single-cut diamonds, emeralds approx. 2.65cts total, diamonds approx. 1.10cts total, ring size approx. K½Footnotes:The Gem and Pearl Laboratory: Colombian origin, minor to moderate enhancement, report number 24671, 31 May 2024.For further information on this lot please visit Bonhams.com
ATTRIBUTED TO JOHN DONALD: DIAMOND 'CROWN' RING, 1969Designed as an openwork circular crown of abstract design, the centre issuing spokes of varying lengths each terminating in a brilliant-cut diamond finial, mounted in 18 carat gold, unsigned, London hallmark, diamonds approx. 0.55ct total, ring size approx. L, maker's caseFootnotes:This is an example of John Donald's famous 'Crown' ring. This design is typical of the 1970s and resulted from Donald's experimentation with molten gold in water, which created a result that echoes the striations formed in natural minerals.For further information on this lot please visit Bonhams.com
CARTIER: GEM-SET 'TRINITY' RINGEach interlocking hoop accented with circular-cut rubies, circular-cut sapphires or brilliant-cut diamonds, signed Cartier, maker's mark, numbered, French assay mark, ring size approx. F, maker's caseFootnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
EMERALD AND DIAMOND RINGThe hexagonal-cut emerald, weighing 6.38 carats, within an old brilliant-cut diamond surround, diamonds approx. 1.40 carats total, ring size approx. NFootnotes:The Gem and Pearl Laboratory: Colombian origin, evidence of negligible clarity enhancement, report number 24704, 7th June 2024.For further information on this lot please visit Bonhams.com
MONTURE CARTIER: DIAMOND RING, CIRCA 1970Old brilliant and baguette-cut diamonds, on a wirework basket frame, with rope twist decoration, diamonds approx. 5.05cts total, signed Monture Cartier, ring size approx. H (hoop off round)For further information on this lot please visit Bonhams.com
VAN CLEEF & ARPELS: DIAMOND, SAPPHIRE AND EMERALD BROOCH AND RING, CIRCA 1965Of ropetwist design, set with brilliant-cut diamonds and circular-cut sapphires and emeralds, the ring of similar design, diamonds approx. 3.90cts total, both signed Van Cleef & Arpels, numbered and with French assay marks, ring with maker's mark for Péry & Fils, lengths: brooch 6.0cm, ring size approx. O½ (2)For further information on this lot please visit Bonhams.com
MARIO BUCCELLATI: AQUAMARINE AND DIAMOND RING, CIRCA 1960Bicoloured, set with a step-cut aquamarine and brilliant and single-cut diamonds, the mount with foliate scrolls engraved with lattice-work details, aquamarine approx. 20.00cts, signed M. Buccellati, ring size approx. MFor further information on this lot please visit Bonhams.com
KUTCHINSKY: DIAMOND-SET RING, 1971Of reeded design, set with two rows of pavé-set brilliant-cut diamonds, mounted in 18 carat gold, diamonds approx. 0.80ct total, maker's mark KLd, London hallmark, ring size approx. EFootnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
DIAMOND ETERNITY RINGBrilliant-cut diamonds, approx. 2.70cts total, ring size approx. JFootnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
SAPPHIRE AND DIAMOND RING, LATE 19TH CENTURYThe cushion-shaped sapphire, within an old brilliant-cut diamond surround, mounted in silver and gold, diamonds approx. 5.00cts total, sapphire approx. 6.50cts total, ring size approx. P½For further information on this lot please visit Bonhams.com

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1087795 item(s)/page