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Lot 95
SAPPHIRE AND DIAMOND-SET FLORAL CLUSTER RING AND EARCLIP SUITEThe carved sapphire petals surrounding a central brilliant-cut diamond, with single-cut diamond accents, the earclips of similar design, diamonds approx. 1.45cts total, ring size approx. O, earclip length 2.0cm (2)For further information on this lot please visit Bonhams.com
Lot 98
TIFFANY: RING, PANSY EARRINGS AND DIAMOND AND RUBY-SET FLOWER EARCLIPS,1st: of bombé form, the mount of reeded design, 2nd: each designed as a pansy with painted decoration, 3rd: each flowerhead with a central old brilliant-cut or cushion shaped diamond of brown tint, with pear-shaped ruby stamens, 1st: signed Tiffany & Co. 3rd: diamond untested for natural colour, lengths: 1st: ring size approx. K, 2nd: 3.9cm, 3rd: 2.6cmFor further information on this lot please visit Bonhams.com
Lot 10
A Victorian lacquered brass compound monocular field microscopeUnsigned, circa 1870The tube with moulded collar and rack-and pinion focus adjustment sliding within a sleeve decoratively pierced to form twin supports, enclosing stage with slide apertures to each side and incorporating helical retention spring, on moulded ring base, in original mahogany box with six objective lenses, forceps, tweezers and other accessories including six prepared bone sliders, (lacking eyepiece and mirror), the box 27cm (10.5ins) wide; with a cased glass set of hydrometers, Negretti and Zambra, London, late 19th century, comprising eleven blown glass floats each with mercury filled bulb beneath ovoid air chamber and cylindrical stem enclosing a calibrated ivorine scale inscribed TEMP 60 and signed NEGRETTI & ZAMBRA LONDON to verso, in original velvet and silk lined fitted mahogany box with a Fahrenheit scale mercury-tube thermometer and a test-tube, the box 27.5cm (10.75ins) wide (2). The hydrometers in the current lot are by Negretti & Zambra who are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as being established in 1850 when a partnership between Enrico Negretti and Joseph Warren Zambra was formed. The firm became one of the most prolific makers of scientific instruments and continued trading well into the 20th century.Condition Report: Microscope - as catalogued the instrument is lacking its eyepiece insert and mirror; the rack focussing adjustment is working but is very stiff otherwise the instrument is in sound original condition but with noticeable wear/degradation to the original lacquered finish. The box has three small compartments vacant for accessories however all objective lenses appear to be present. The box is in sound original condition but with relatively minor age related bumps, scuffs and staining to exterior; there is no case key present.Hydrometers - are in good original condition with some light mercury staining to the glass bulbs only; one bulb has some migration of the mercury into the upper chamber however it probably can be coaxed back into the lower chamber! the case has light age related marks to the exterior and minor degradation to the silk lining to the lid otherwise is in very good original condition. Condition Report Disclaimer
Lot 100
A French gilt brass mantel clock garniture in the Chinese taste with fine multi-coloured relief cast panelsAchille Brocot, Paris, circa 1880The circular two train eight-day gong striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with oval star-centred trademark AB over serial number 6002 14, the dial with raised relief cast centre decorated in burnished gilt, copper and grey/brown patination with Chinese scholars within silvered Roman numeral chapter ring with stylised star half hour markers and unusual asymmetric trellis pierced gilt hands within circular gilt bezel, the frosted gilt case with large grey/brown patinated and silver highlighted canopy-shaped finial to the stepped caddy pagoda superstructure applied with further disc and spire finials to angles, the front finely relief decorated in gilt, copper, silver and grey/brown patina with scene of courtiers within a trellis garden beneath the dial and with further figural infill to upper quadrants, flanked by stylised grotesque mask centred strip pilasters decorated with silvered strapwork, the sides inset with further panels of figures at leisure within conforming garden settings, on skirt base with generous cavetto top moulding over pad feet with shaped apron between, 39cm (15.25ins) high; the garniture side pieces each modelled as a slender ovoid twin-handled vase with pierced flared rim over applied shaped figural panel matching those of the clock to front and on conforming square platform base, 27.5cm (10.75ins) high. Provenance: The beneficiary of the Estate of a private collector, East Midlands. Achille Brocot is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as born in 1817 and died in 1878. The Museums Victoria (Australia) website notes that Achille patented several improvements in clock mechanism escapements, and invented the 'Brocot Suspension', an adjustable pendulum spring which enabled time keeping to be regulated by altering the length of the pendulum suspension spring by a key turned in the dial. He also introduced a jewelled deadbeat escapement, sometimes called a visible escapement as it was often mounted in the middle of the dial. Achille was awarded a first class medal at the Paris Exhibition in 1855, and in 1856 was appointed Treasurer to La Société des Horlogers in Paris. He published a 'Calculation of the Wheels by Approximation' in 1862. His sons Achille and Paul continued the business following Achille senior's death 1878. The firm was taken over by rival clock maker Gustave Gibaudet in 1889. The highly decorative panels of the current lot employs a series of differing techniques to gild, silver, copper and chemically patinate the finely finished relief cast and engraved scenes to provide depth and contrast. This rare form of decoration is normally only seen on a select few high-end carriage clock cases with an example incorporating comparable decoration to all parts of the case also included in the present sale (lot XX). Another is also illustrated in Roberts, Derek CARRIAGE and other Travelling CLOCKS on page 160 (Fig. 9.38) where the decoration is described as 'quite outstanding' and 'must have been one of the most time consuming methods of decorating a carriage clock'.Condition Report: Movement is in working condition with no visible evidence of alteration or significant replacements with the exception of the hammer for the gong; the mechanism is very dirty hence a clean and overhaul is required. The chapter ring of the dial is a little rubbed with some light patchy oxidation. The case is generally in good original unrestored condition with only very light wear to the original finishes however there is overall light/moderate discolouration and tarnishing predominantly to the gilding. The rear panel is missing two of its four securing screws. The urn side pieces are in sound original condition (commensurate with the case) with faults limited to one or two very slight dents.Clock is complete with pendulum and winding key. Condition Report Disclaimer
Lot 113
Y A French gilt brass carriage clock with painted ivory panels and push-button repeatUnsigned, Paris, circa 1900The two train eight-day gong striking movement with silvered platform lever escapement and stamped with serial number 438 to the lower left hand corner of the backplate, the rectangular ivory panel dial with rose painted centre within chapter ring with vertical Arabic numerals and blued steel hands over painted draped floral sprays to lower margin and with dragonflies to upper, the satin gilt bevel-glazed case with baton-centred hinged double-scroll handle over ripple-edged moulded cornice and channelled uprights, the sides inset with ivory panels each painted with a winged fairy playing a musical instrument set behind a bevelled glass panel, on skirt base incorporating conforming ripple-edge to the top moulding and pad feet, 13cm (5ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands.
Lot 116
A fine French gilt bamboo cased miniature carriage timepiece with Aesthetic style porcelain panelsUnsigned, Paris, late 19th centuryThe French eight-day movement with silvered platform lever escapement and stamped with serial number 4686 to backplate, the rectangular porcelain dial panel overall painted in polychrome and gilt with asymmetric red and black ground landscape and foliate panels within a cream field populated with a bird inhabited stylised foliage, the centre with gilt Roman numeral chapter ring and blued steel spade hands, the frosted gilt brass bevel glazed case of Mignonette No. 2 size with frame modelled to resemble sections of bamboo overlapping at the corners, the top with conforming hinged carrying handle and panel-glazed escapement aperture and the sides inset with additional Aesthetic style porcelain panels matching the dial with arrangement of gilt highlighted shaped panels within a cream ground incorporating birds amongst flowering foliage, on angled T-shaped bamboo stump feet, 9cm (3.5ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The design of the porcelain panels of the current lot draw their inspiration from Japanese art in particular Satsuma pottery. The study and interpretation of Japanese decorative arts was a core element of the Aesthetic Movement which in-turn influenced Orientalist design which became highly fashionable during the latter quarter of the 19th century. Furthermore the 'bamboo' design of the case compliments the Aesthetic feel of the panels resulting in an object which is fully integrated in its visual qualities. A group of three closely related miniature timepieces illustrating the variations on the theme of the current lot can be found in Roberts, Derek CARRIAGE and other Travelling CLOCKS pages 172-73 (Fig. 10.16). Miniature carriage clocks are called Mignonettes or 'little darlings' and come in three graded sizes with No. 2 being the second smallest.Condition Report: Movement is in clean condition with no visible signs of alteration or significant replacements however is prone to stopping suggesting that a gentle clean/service is required before reliable operation is likely to be achieved. The dial has a very light scratch (only visible with a magnifying glass under reflected light) towards the upper left hand corner otherwise appears free from faults. The right hand side has a similar scratch, again towards the upper left hand corner, otherwise side panels appear free from noticeable faults other than very light gilt rubbing. The glasses appear free from visible faults and the gilding to the case is in very fine condition.Timepiece has a winding key. Condition Report Disclaimer
Lot 124
A fine Victorian engraved gilt brass mantel clock in the style of Thomas ColeUnsigned but probably by Edward Winter Robins, London, mid 19th centuryThe eight-day five columnar pillar twin going-barrel gong-striking movement with oval plates truncated at the apex to allow for the horizontally planted gilt platform lever escapement regulated by sprung three-arm monometallic balance, the backplate applied with coiled gong and hammer complete with sprung stop, the 4 inch wide silvered brass oval Roman numeral dial with fine naturalistic leafy spray engraved and line-hatched centre within narrow chapter ring with Gothic style numerals, with unusual speared crescent blued steel hands beneath leafy trail upper border set within overlaid hatched ground foliate scroll engraved and pierced gilt brass mask opposing pierced interloped scrolling trails to the lower margin, with thick bevelled glass secured by foliate trail decorated bezel, the oval case further decorated with leafy scrolls onto a line-hatched ground to circumference and the rear with panel finely engraved with an equestrian stag hunt within intense flowering foliage and incorporating shutters for winding, Set Hands and Slow Fast, the whole supported within an abstracted pierced scroll outline strap frame surround incorporating carrying loop to the top and decorated throughout with conforming leafy designs, mounted on an elaborate plinth with further decoration to the recessed panel cavetto mouldings over bevel-glazed overlaid section to front flanked by stylised geometric scroll projections to angles, the sides with further recessed panels over leafy trail decorated ogee base, and the rear with engraved scene of two shire horses with a plough over pad feet, (the case numbered 2895 to the lower edge behind the front bezel), 33cm (13ins) high. The current lot can be compared to a timepiece of related design signed by Edward Winter Robins and numbered 2878 which was sold at Sotheby's, London Important Watches, clocks, Barometers, Mechanical Music and Scientific Instruments, 26th February 1998 (lot 223) for £4,600. In addition to them sharing strong stylistic similarities this other timepiece and the current lot also have similar serial numbers (2878 and 2895) hence it would be reasonable to suggest that they both originated from the same workshop around the same time. Edward Winter Robins was registered as a manufacturer at 4 Red Lion Street, Clerkenwell and as a watchmaker at 28 Queens Road, Bayswater in 1857; and then at other addresses until 1859. His work followed very much in the style of Thomas Cole and is discussed in Jenkins, J.B. Thomas Cole & Victorian Clockmaking pages 29 and 168-69.
Lot 126
A fine Regency brass inlaid rosewood bracket clock with trip-hour repeat and fired enamel dialJohn Peterkin, London, circa 1825The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum and backplate engraved with a leafy trail border signed John Peterkin, LONDON to centre and applied with pendulum holdfast behind a vertically planted bell, the 5.25 inch circular fired white enamel Roman numeral dial further signed John Peterkin, LONDON to centre and with gilt brass moon hands set within fine engine-turned gilt mask incorporating guilloche band bordering the circumference of the enamel, the 'chamfer top' case with stylised gilt acorn finial applied to a block over shallow gabled superstructure incorporating brass strung raised batons to the ridges and line bordered front panel over shallow cavetto cornice with fluted frieze, the front with full-width square glazed door inset with an angled gilt brass fillet to interior and inlaid with line borders interrupted by rosettes flanked by brass inset canted angles, over apron frieze inlaid with symmetrical scrollwork within a line border, the sides with gilt foliate ring handles over rectangular brass fish scale grille sound frets and the rear with rectangular glazed door set within the frame of the case, on brass ogee moulded skirt base incorporating further inlaid scrollwork to front over ball feet 40cm (15.75ins) high. John Peterkin is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1811-40. From his surviving work it would appear that John Peterkin was primarily a watchmaker with many of his watches signed along with the address '25 Cleveland Street, London'. The current lot is notable in having a fired enamel dial within a fine engine-turned gilt mask. The case is also of particularly pleasing proportions and nicely detailed, and can be closely compared to an example housing a movement and dial by John Denne illustrated in Barder, Richard The Georgian Bracket Clock 1714-1830 on page 204 (Plate VI/45).Condition Report: The movement appears complete and all original with no evidence of alteration or significant replacements. The mechanism will run and strike however it is a little dirty/discoloured hence a gentle clean/service is advised. The dial has a very light small hairline crack beyond the minute track at 12 o'clock (can only be seen on close examination) and there is some slight chipping behind the hour hand centre (only slightly visible face-on) otherwise enamel appears undamaged. The gilt mask is in good condition with one small circular blemish beneath the VI numeral (mostly covered when door is closed).The case is generally in good original condition with no losses or lifting to the brass inlay. The right hand side has a small length (approx. 1.25 ins long) of cock-bead type moulding missing from the waist; all the other lengths of this moulding (around the waist of the case) are older replacements except for one short length (applied to rear right) which includes a length of brass stringing. The rear door has a small veneer chip to the upper left hand corner (where it overlaps the frame). The rear left hand cornice moulding has a small historic scarf repair. The rear of the case is generally faded otherwise faults are very much limited to minor bumps, scuffs, shrinkage and other age related blemishes.Clock has pendulum, (original) winder and a case key. Condition Report Disclaimer
Lot 127
Y A Fine Victorian rosewood five-glass library mantel clockJames Hux, London, circa 1860The five pillar twin chain fusee movement with anchor escapement regulated by lenticular bob pendulum and striking the hours on a coiled gong mounted along with the pendulum holdfast bracket on the backplate signed James Hux, 20 Down Street, Piccadilly to centre, the 4.25 by 4.75 inch fine foliate scroll engraved gilt brass dial further signed JAMES HUX, 20 DOWN St. PICCADILLY in a banner to the upper margin of the centre adjacent to the Roman numeral chapter ring and with blued steel moon hands, the case with large hinged foliate cast carrying handle and generous bevelled top glass to the tablet upstand over stylised leaf decorated cavetto cornice, the front with silvered canted insert to the interior of the glazed dial aperture, the sides with bevelled glasses and the rear with rectangular brass grille inset door, the base with generous ogee outline waist over moulded skirt with brass squat bun feet, 28cm (11ins) high excluding handle. Provenance: The property of a private collector; purchased at Bonhams, London sale of Fine Clocks 11th December 2007 (lot 91) for £8,400. James Hux is recorded in Loomes, Brian Watchmakers and Clockmakers of the World, Volume 2 as working in London 1851-63. It would appear that Hux was mainly a watchmaker with an example incorporating duplex escapement signed Jas. Hux, 20 Down Street, Piccadilly, Chronometer Maker to the Admiralty to the backplate being described in a letter to the editor of ANTIQUARIAN HOROLOGY, Vol X, No 2 (Spring 1977) on page 229. His brother Rodwell Hux (1823-1869) was also noted by Thomas Mercer as a chronometer-maker.Condition Report: Movement is in clean working condition with no visible evidence of alteration or replacements. The strike also sounds once on the half hour. The dial has some very light rubbing to the hour numerals otherwise is in fine condition. The case is in fine original condition with minimal shrinkage and wear; the glass panels appear free from any visible damage.Clock has (original) winder and case key. Condition Report Disclaimer
Lot 132
A Victorian lacquered brass 'Litchfield Cathedral' hour striking skeleton clock Attributed to John Smith and Sons, London, for Hirst, Leeds, mid 19th centuryThe twin chain fusee gong striking movement with anchor escapement and five spoke wheel crossings set between characteristic pierced plates united by six turned pillars and modelled as two towers capped with tall faceted spire finals flanking central arched aperture with further taller spire set to the rear, the front with pierced silvered Roman cartouche numeral chapter ring engraved HIRST, LEEDS to the lower margin, with shaped outer minute track and steel moon hands, 32cm (12.5ins) high; mounted on stepped gilt wood plinth over an ogee moulded ebonised D-ended platform base rebated to locate the glass dome cover and raised on bun feet, 48cm (19ins) high overall. Provenance: The property of a private collector, Hertfordshire. Brothers George K. and John T. Hirst are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Leeds 1851-71. The current lot can be firmly attributed to John Smith and Sons of St. John's Square, Clerkenwell, and can be compared to the design published in their 1865 catalogue; a plate from which is reproduced in Royer-Collard, F.B. SKELETON CLOCKS on page 54. A very similar example (but with platform lever escapement) is also illustrated by Royer-Collard on page 57 - which he describes as an early model dating to around 1840. The clockmaking business of John Smith and Sons of Clerkenwell can trace its roots back to 1780 but was established at the former manufactory of Colonel Mangier in St. John's Square in 1844. The firm ran extensive workshops which incorporated a dedicated brass foundry, clock case workshop and assembly areas for the various types of clocks produced and was featured in the 20th September 1851 issue of the Illustrated London News in an article entitled Visit to a Clerkenwell Clock Factory. At the Great Exhibition held that year they exhibited a year going calendar clock and another chiming clock, chiming on 8 bells and striking on a gong. Ultimately John Smith and Sons perhaps became best known for their skeleton clocks, many of which illustrated in their 1865 catalogue including models based on Litchfield Cathedral and York Minster, however they also produced many fine chiming bracket clocks, longcase regulators, wall clocks and public clocks. The business continued to produce clocks until 1938 when, due to the decline in demand for mechanical timepieces, they diversified to become specialist material stockholders and still continue in this role today.Condition Report: Clock is generally in sound original condition with no visible alterations to the mechanism or any notable replacements. The going train is working, the strike train will also run but the steel pivot post which holds the star wheel and snail is loose hence the mechanism is unable to count the strike correctly. It would appear that the tread that holds the post to the frontplate has stripped hence the frontplate will most likely need a bush inserted and the hole re-threading. This should be a straightforward repair for a skilled clockmaker hence shouldn't add much to the cost of a gentle clean service of the movement.The dial is a little tarnished/discoloured otherwise appears undamged. The stepped wooden plinth has been recently gold-painted hence may not be original to the clock; the dome and stand are also probably not original.Clock has a pendulum and winding key. Condition Report Disclaimer
Lot 14
A Regency fifteen inch celestial library globeJohn and George Cary, London, circa 1825The sphere applied with twelve engraved and hand tinted colour gores incorporating trade label CARY'S, NEW CELESTIAL GLOBE, ON WHICH, are carefully laid down the whole of the, STARS AND NEBULAE, Contained in the Catalogues of, Wollaston, Hershel, Bode, Piazzi, Zach & c., calculated to the year 1820... with the constellations represented by delicately coloured mythical beasts and figures and appropriately labelled along with the stars with brightness represented in eight grades of MAGNITUDE, with equinoctial graduated in degrees in both directions and ecliptic with calendar labelled in Latin and also graduated in degrees, with engraved hour dial to top pole and pivoted within brass meridian circle divided for degrees, resting in wooden stand with hand coloured paper horizon ring graduated in degrees in two directions, days of the month and houses of the Zodiac with names and symbols and also showing compass directions, cradled within three down-curved supports carrying the meridian ring at the base of the sphere over baluster-turned upright issuing three down curved supports incorporating paper-scale glazed compass to stretched and terminating with brass cup castors, 99cm (39ins) approx. high overall. Provenance: Purchased by the vendor at Bonhams, London sale of Fine Mechanical Music & Scientific Instruments 9th November 2011 (lot 158) for £4,750. The celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William; this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year he was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould.Condition Report: The upper hemisphere has an old bruise approx. 3ins by 2 ins. and the equator has filled/repaired cracking to around 60 % of the circumference. The lower hemisphere has two re-touched scuffs and at least two patches of additional repair/touching-in measuring between circa 1 inch and 2 inches across. The lower pole has further surface repair/touching-in to around 3-4ins diameter around the pivot. Faults to the sphere are otherwise limited to relatively minor bumps scuff scratches and light bruising. The general colour is an even brown tone. The horizon papers have three areas of retouching - one of which is over a obliquely orientated crack to the wooden ring beneath which has been made secure. The stand is intact; one of the curved supports for the horizon ring is missing its two 'ears' at the junction with the ring; one foot has been broken-off and re-stuck and a castor is currently detached due to wear/enlargement of the socket into which it fits to the underside of the foot. The compass is lacking its needle, has a crack to the glass and shrinkage to the surround; the papers are also dirty/dust-stained. Condition Report Disclaimer
Lot 147
A rare and potentially important early English wooden-framed turret clock movementAnonymous, believed to have been supplied to Greystoke Castle, Penrith, early 16th century or laterThe single-plane wooden frame enclosing three-wheel trains with both the wooden-cored capstan-wound barrels set within the centre section, the upper for the strike train fitted with ring-braced pins for the pivoted hour hammer lever to rim and pinion for driving the internal-toothed countwheel positioned within the adjacent compartment, the locking wheel separately driven by the greatwheel below with locking enabled by pair of pivoted levers (formerly interconnected) applied to the vertical frame member between, the lower barrel for the going train (formerly with verge escapement regulated by foliate balance) now driving a brass second wheel (probably mounted onto the original verge escape wheel arbor) and anchor escapement with external crutch for regulation by long pendulum, the opposite end of the going greatwheel arbor fitted with a flag for releasing the strike train, (lacking fly, strikework release detents, pendulum, lines and weights), the frame 147cm (58ins) by 128cm (50.5ins).Provenance: Hand-written correspondences included with the current lot anecdotally account the clock having been moved from Greystoke Castle to the village church (St. Andrews) for safe keeping after a fire, where it remained for a substantial period of time before being disposed-of (most likely during the 1980's) by a subsequent vicar (for scrap!). The mechanism was fortunately saved (apparently from the tip) and offered by the locally-based owner through Peter Shirley of Chatham in 1996. The clock was acquired by the late John Hooper at around this time and was subsequently inherited by the current owner.GREYSTOKE CASTLEThe History of Greystoke Castle can be traced back to the 1120's with the building of a house by Llyulph (de Greystoke) on lands re-granted to him after the Norman Conquest. In 1244 the manor received Royal Charter to hold a weekly market and yearly fair, and by 1300 was in the hands of John the first Baron of Greystoke who had been summoned to parliament by writ. The house subsequently went through at least two phases of enlargement including castellation after permission was granted in 1346 by Edward III. The succession continued unbroken until 1506 when the property passed to Elizabeth de Greystoke who, being a minor and ward of the King in the custody of the Earl of Cumberland, was not able to take the manor until her subsequent marriage to Lord Dacre of Gisland. It was at this time that the House went through a third phase of building.In the 1520's the Greystoke estate passed into the ownership the Howard family through the marriage of widowed Lady Anne Dacre to Thomas Howard, Duke of Norfolk. To ensure that the Greystoke estate remained in the hands of the Howard family, the Duke took in as minors Anne's three daughters who were later to marry three of his sons.During the Civil War Greystoke Castle was defended in the name of the King only to fall to a detachment of General Lambert's Army who subsequently placed a battery in the park above the castle. It has been traditionally suggested that the castle was then burnt down on the orders of Cromwell. However, The Lady Mabel Howard in her 1924 article published in the Cumberland and Westmorland Antiquarian and Archeological Society's Transactions (Vol. XXIV) firmly asserted that this was not the case. Notwithstanding this the fortunes of the Castle and estate took time recover however, by the mid 18th century, wealth and prosperity had returned to the extent that renovations and enlargements were able to take place in 1789. The castle was again remodelled in 1838-48 by Anthony Salvin however, in 1868, a maid left a lighted candle in a cupboard full of linen and the consequent fire gutted significant parts of the castle. The damage was subsequently repaired and restored in the 1880's by Henry Charles Howard apparently mainly using materials salvaged from the building or in and around the estate.During WWII the castle was requisitioned with the estate used for battle tank training, and the building for the detention of prisoners of war (mainly Polish Nazi sympathisers). After the war the castle was found to be in a bad state hence significant restoration work was undertaken in the 1950's; it is still maintained today still under the ownership of the Howard family.THE PRESENT CLOCK MOVEMENTPlacing the current lot within the context of the history of the Greystoke estate it would seem that it would have most likely been made during the first few decades of the 16th century when the Castle was going through its third phase of building under Lady Elizabeth Dacre. The clock would then have remained in-situ until the fire in 1868 when it would have been removed to the village Church for safe keeping. These possibilities appear entirely plausible on the assumption that the castle was not comprehensively destroyed during the Civil War. It is also interesting to note that the Lady Mabel Howard infers that the fire of 1868 mainly affected the areas which had been subject to the 1838-48 rebuilding. This would suggest that some of the older parts of the structure may have escaped damage hence why the clock would have survived this particular event.When considering the current movement as an object there are many features which would suggest an early date.The first is the decoration seen on original forged wheels with the finely finished crossings incorporating chamfered edges with the countwheel also having three bands of perpendicular 'collars' filed to each spoke. This degree of finishing is highly unusual in a large turret clock movement and the 'Gothic' nature if the decoration is indicative of an early date.Secondly the strike mechanism appears to have been made with no provision for 'overlift' (in respect to the operation of the strike locking detents) despite having a locking wheel, and the train may also not have had any form of warning. From the surviving mechanism it would seem that the strike train would have released via a lever engaging with an arm positioned on the end of the going great wheel arbor. This lever would have in-turn tilted the pivoted locking flag (attached to the wooden frame behind the locking wheel) and released the train. At the same time a second flag, via a connecting rod with the first, would have been pivoted away from its resting position in one of the slots in the countwheel. As the strike train runs the second flag would prevent the first from relocking the train due to being held in raised position by the rim of the rotating countwheel. Only once the countwheel has rotated enough for the next slot to appear, thus allowing the second flag to drop-in, would the strike train be arrested fully by the first flag also engaging with a pin on the warning wheel. Whether the mechanism has warning or not would seem to depend on whether there would be enough tolerance to allow the countwheel flag to be raised clear of its slot whilst the locking wheel flag has still yet to clear the pin on the locking wheel. The only way to establish whether this system of warning is possible would be by experimentation once the rod that connects the two flags has been reinstated.Read more in the page turning catalogue via the link here. Condition Report: Condition reports for this lot are available from the Clocks Department upon request (clocks@dreweatts.com). Condition Report Disclaimer
Lot 148
A very rare German Renaissance four-train double-hour and quarter-striking table clock movementUnsigned, probably Augsburg or Nuremburg, circa 1575The iron, steel and brass posted quadruple-chain fusee movement with square section corner uprights enclosing going train with verge escapement now regulated by a foliot oscillating above the top plate, set to the right beside the quarter-striking train which in-turn is positioned in front of the two side-by-side hour-striking trains behind, each originally with locking plates to the rear pivot plates (now lacking) and vertically pivoted hammer arbors, the wheelwork entirely of iron except for the spring barrel walls and fusee and each of the trains set between individual pairs of vertical pivot plates, the quarter train with nag's head release via a starwheel to the going centre arbor and countwheel set behind the dial incorporating trip for the first hour striking train, the second hour train originally tripped by the first via detents set to the rear of the movement (now lacking), the front with rectangular gilt brass dial applied with later vestigial alarm disc and Roman numeral chapter ring incorporating cruciform hour markers, with sculpted steel hands formed as a sword and halberd within applied original outer minute track set within fruit inhabited foliate scroll engraved surround incorporating inverted cupola pendant apron panel, the rear with twin side-by-side hour striking dials (one lacking annotated countwheel dial insert) applied to a conforming foliate strapwork engraved panel, distance between top and bottom plates 20cm (7.875ins); 38cm (15ins) high overall including the two-tier bell stand. Provenance: Property of a private collector; purchased at Bonhams and Goodman sale of the The Melbourne Clock Museum, 29th April 2008. When considering the potential date of the current lot a cursory survey of dated German Renaissance table clock movements made during the second half of the 16th century reveals that the use of brass within the mechanism became more widespread as the century progressed. Initially brass was employed just for the fusees and spring barrel walls, then also for the movement pivot plates, and finally (by around 1600-20) for the wheelwork as well. With this in mind the current movement (using brass only for the fusees and spring barrel walls) can be dated to around 1575. This approximate date is also supported by the lack of warning to the striking mechanism as this was not generally adopted until around 1600. In addition to this the engraved decoration to the dial panels exhibits a mixture of naturalistic leafy foliate scrolls and formal strapwork into a matted ground which can be compared to the background decoration seen on a complex astrolabe-dialled table clock dated 1568 attributed to Jeremias Metzger for Casper Bohemus of Vienna in the collection of the Metropolitan Museum of Art, New York (illustrated in Maurice, Klaus and Myer, Otto THE CLOCKWORK UNIVERSE, German Clocks and Automata 1550-1650 on page 185).The unusual specification of the striking mechanism, where the full-hour is repeated shortly after the initial sounding, is believed to have been adopted to confirm the hour in the event that the strike was misheard the first time around. This repeat-hour striking system is most often associated with Italian clocks using the six-hour system where it is given the term 'Ribotta'. In German Renaissance work however re-striking hours are particularly rare although not unheard of; indeed a clock utilising this system, albeit in a two train configuration, was sold at Patrizzi and Company's sale of Pre-pendulum European Renaissance Clocks held in Milan on the 24th May 2009, lot 56. The present mechanism is very unusual, perhaps unique, in that the repeat-hour employs and entirely separate second hour train complete with additional fusee. This results in the movement being 'quadruple' fusee and it is believed to be the only one of its type.Condition Report: The going train has at one time been converted to verge escapement regulated by short pendulum and has subsequently been converted back to verge with balance although regulation is now erroneously by foliot rather than balance. The second wheel is also brass (most likely left over from the pendulum conversion). The brass spring barrel wall has now been soldered to the iron/steel end plate and there is also a solder angle patch repair near the spring anchor rivet. The quarter train survives complete and appears all-original except possibly for the brass fusee which may be a replacement (colour has a copper hue). The star wheel release to the strike train is present as are the detents and countwheel.The first hour striking train (rear left) appears complete and original except for the release detent and the countwheel which are both missing; the starwheel/release pin to the under-dial motionwork id also missing. The second striking train also appears complete and original except for the release detent and the countwheel which are both missing; the hammer is also missing (vertical arbor is present) and the brass fusee may be a replacement (colour has a slightly copper hue).All four trains will turn and it seems that some careful conservation such as cleaning of pivots etc has taken place within the relatively recent past. The alarm mechanism is entirely missing leaving holes in the movement top plate, there are a few other vacant holes present relating to the previous balance and pendulum escapements as well as the case which is no longer present.The dial plate has replaced alarm disc (now fixed tight with rivets) and chapter ring - these would appear to date to somewhere between 1670 and 1740 hence are probably contemporary with the earlier pendulum conversion of the going train. The rest of the plate is original however has some small spare holes including one beyond the minute track between the IX and X numerals and another to the centre just above the apron; the purpose of these holes in not clear. The hands are probably late 19th century. The rear plate is missing one of its hour counting dials, the other appears to be a fairly early replacement made from copper. Otherwise plate is original but is missing a small length of the raised border around the left hand dial has a spare hole above each dial and a third to the centre just above the apron. Both dials are secured by modern screws.The movement has a forged two-tier bel stand but no bells or winding key. Condition Report Disclaimer
Lot 149
A Charles II brass lantern clock Nicholas Coxeter, London, circa 1665The posted countwheel bell-striking movement with separately wound trains and later anchor escapement regulated by long pendulum swinging behind the frame at the rear, the dial with a central rose decorated vestigial alarm disc enveloped by stylised leafy tulip sprays issuing from a three-petal flowerhead positioned just above six o'clock and interrupted by the signature Nicholas Coxeter Neare Gold, Smiths Hall Londini fecit to upper margin, with iron hand within applied narrow Roman numeral chapter ring with stylised wheatear half hour markers and engraved leafy infill to angles, the standard London third period frame with column turned corner posts beneath dolphin inhabited foliate pierced frets, vase turned finials and domed bell bearer, the sides with hinged brass doors and the rear with an iron backplate, hanging hoop and spurs, 38cm (15ins) high; with a copy of Britten, F.J. OLD CLOCKS & WATCHES AND THEIR MAKERS E. & F.N. Spon Limited, London, sixth edition 1932, bound in embossed red cloth, (2). Provenance: The property of a gentleman. Prior to 1935 in the collection of Mr. J.W. Browne; sold by Cromer Antique gallery to E. Britten Esq. of The Beacon House, Monken Hadley, Hertfordshire on 27th June 1935; subsequently acquired by the current owner.Literature: The current lot is illustrated in Britten, F.J. OLD CLOCKS & WATCHES AND THEIR MAKERS (sixth edition 1932) on page 525 (Figure 692). Nicholas Coxeter is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in 1625 and apprenticed to John Pennock (through Richard Masterson) from 1638-46 gaining his freedom of the Clockmaker's Company in March 1646/7. He took on many apprentices including Thomas Wheeler who was freed in 1655/6. Coxeter was married to Priscilla Wells at St. Andrews, Holborn in 1648 and the couple had three children. He is initially recorded as being at Dolphin Court, off high Holborn and worked during his early period from 'near Gold Smiths Hall' before moving to Long Lane then Lothbury.In 1657 Nicholas Coxeter served as a Lieutenant in the Honourable Artillery Company and in 1659 he attended the House of Commons to have his commission as a Lieutenant in the London trained bands confirmed by Parliament alongside the renowned clockmaker William Clement. This was in the Yellow regiment of the Parliamentarian Army in which Coxeter later became a Captain. He died in November 1679 a resident of St. Margaret's Parish, Lothbury.The current lot is a textbook example of London third period practice using frame castings developed probably just prior to 1660 (see White, George English Lantern Clocks page 180 figures IV/37 - IV/39 and lot 153). By this time the design of the dial engraving had also become relatively standardised hence the 'tulip' decoration on the current lot can be closely compared with that seen on a clock by Benjamin Hill which was sold in these rooms on Tuesday 15th September 2015 (lot 155), as well as numerous other examples by the likes of Richard Ames and Thomas Wheeler made during the 1660's-70's.Condition Report: As catalogued the movement has an early conversion from verge escapement with balance regulation to anchor escapement with long pendulum, otherwise movement appears entirely original with the possible exception of the pinion of report driving the hour wheel. The movement is in working condition however is a little dirty and shows moderate pinion wear. The dial appears original and in good condition with brass surfaces exhibiting mellow patination matching the frame; the chapter ring shows signs of old silvering. The frame is also in good original condition with the exception of the rear right hand finial which has an old threaded repair. The backplate and side doors are replacements and there is no longer an alarm mechanism fitted. The hanging loop riveted to the top plate is also a replacement. The frets are original and retain some of their original securing screws, the bell and supporting frame also appear original and are in good condition. Clock is complete with pendulum and two weights. Condition Report Disclaimer
Lot 15
An impressive late Victorian thirty inch terrestrial library globeW. and A.K. Johnson Limited, Edinburgh and London, circa 1890The sphere applied with thirty-six pairs of gores engraved and colour tinted with extensive annotations for cities, countries, significant topographical features, oceans including shipping routes, islands, and other features, the North Pacific with applied label 30 INCH, TERRESTRIAL GLOBE, BY, W. & A.K. JOHNSTON. LIMITED, Geographers, Engravers & Printers, EDINBURGH & LONDON., and the South Pacific with an ANALEMMA, OR TABLE OF, EQUATION OF TIME, Shewing the, difference of time, Between the, Clock and Sun, as well as the, Sun's declination, for every day, in the Year, the equinoctial graduated in degrees and hours and the ecliptic also graduated in degrees in both directions, the North pole fitted with a three-spoke brass hour ring and sphere pivoted within a substantial brass Meridian Arc engraved in degrees, resting in wooden stand with coloured paper horizon ring graduated in degrees in two directions, days-of-the-month and houses of the Zodiac with names and symbols and also displaying compass directions, raised on four substantial baluster turned supports with conforming baluster stretcher to carry the meridian ring at the base, 116cm, (45.5ins) approx. high overall. The partnership between brothers William and Andrew Keith Johnston is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working circa 1830-55. Online sources note that both were apprenticed to the leading Scottish globe-maker, James Kirkwood, until his workshop was destroyed by fire in 1824 (although he is listed by Clifton as still working in 1828). The brothers subsequently went established their business by acquired the publishing house of William Lizars and began printing maps, atlases, globes and related geographical publications. W. and A.K. Johnston became highly respected for the quality of their globe cartography, in particular their 12 inch geo-physical globe, and amongst other accolades were awarded a Royal Appointment by Queen Victoria.Condition Report: Globe is generally in fine original condition with faults limited to some age related marks and light restoration which includes the following (non exhaustive):Retouched scuff approx. 20 inches long to the ocean beneath the label (following the tropic of Cancer).Retouching to the tip of the gore above Finland (section approx. 3ins by 1 ins).Light retouching of gore joint along the Greenwich Meridian through Europe.Light restoration to slight cracking around the Azores.Two restored cracks (approx 7 and 9 ins long) to the Southern Pacific to the right of the Anelemna.There are also a few localised patches of old water staining most noticeably around Maldive islands.The Horizon papers are in sound condition but with noticeable breaks at the joints of the timber onto which they are laid. The stand is generally in fine condition with faults very much limited to very slight bumps and scuffs. All brass fittings are present and appear undamged. Generally the globe presents as an impressive example with good original colouring. Condition Report Disclaimer
Lot 151
A fine and rare James I or Charles I 'first period' lantern clockInitialled W.S. perhaps for William Selwood, London, circa 1625The going train now with later anchor escapement for regulation by seconds pendulum swinging outside the frame of the clock to the rear and the strike train incorporating double-cut hoop wheel and iron countweel for sounding the hours on the bell mounted within the superstructure, the dial with unusual rose within radial sunburst engraved centre and applied narrow silvered Roman numeral chapter ring with cruciform half hour markers with a pierced iron hand and intense scroll engraved cross-hatched infill to angles, the frame with one-piece column turned corner posts and finials incorporating rounded elements at the junctions between the top and bottom plates with the lower front pair each engraved with the initials W*S and the finials flanking shaped cartouche centred foliate scroll pieced and engraved frets, the sides with hinged brass doors and the top with iron-framed bell-bearer unusually decorated with applied strips of pewter-type alloy incorporating serrated edges and secured by repeating finial rivets enclosing a bell cast with the initials WS to interior, on integral ring-decorated ball feet (formerly with verge escapement regulated by horizontal balance wheel), 39cm (15.25ins) high.Provenance: Purchased by the vendors father in Henley-on-Thames circa 1946.The current lantern clock is highly distinctive and has numerous unusual details many of which, in combination, are generally only seen on examples made during the 'first period' of English lantern clock manufacture (ie. clocks made before the Civil War). Firstly with regards to the movement, the strike train utilises a double-cut hoop wheel for locking, the countwheel is also forged from iron and is driven by a separate six-leaf pinion of report applied to the main wheel arbor (rather than being pins filed integral to the end of the arbor). The forged bell spring, check and hammer are also particularly heavy in their construction with the check being of early straight heavily-tapered form (rather than 'L'-shaped). The going train has been largely rebuilt (at the time of conversion to long pendulum regulation) to facilitate longer-duration however the original starwheel survives and is unusual being made from iron. In addition to these details it is worth noting that the pulleys are constructed with the centre and one cheek being of brass and the other cheek being of iron, and the arbors (where original) are heavily tapered with slightly stepped integral collets. When these details are considered within the descriptive list of features found on 'first period' clocks outlined in White, George English Lantern Clocks (pages 98-108) it becomes clear that the current movement originates from within this early timeframe.With regards to the frame and dial, the latter is unusual in that the upper and lower edges lap against the top and bottom plate edges (rather than the plate sitting within the space between), and is secured to the upper margin of the front movement pivot plate via a pinned iron tenon. This method of fixing again originated during the 'first period' of lantern clock manufacture (although was also a popular amongst later West Country makers). The design of the centre engraving to the dial falls into the category described in Loomes, Brian LANTERN CLOCKS & Their Makers in Chapter 2 entitled Engraved Dial Patterns - Starburst, Compass Rose, egg & Dart (pages 10-27). Indeed the 'starburst' motif seen on the current dial has its roots in Continental Renaissance work and is generally only seen on the earliest English lantern clocks. Of notable comparative interest is a clock illustrated by Loomes on page 27 (Figs. 2.43-.45) which, in addition to having related (but simpler) engraving to the dial centre, also has similar frame castings and is signed W, S. In addition to this two further clocks exhibiting the same essential composition to the dial engraving are illustrated in Darken, Jeff and Hooper, John English 30 Hour Clocks, Origin & Development, 1600-1800 on pages 25 (Plate 1/12) and 30 (Plate I/18). These examples are both dated to around 1635 with the first being signed for William Bowyer and the second for William Selwood. Interestingly the chapter ring of the current lot also shares the same design of half-hour markers seen on both these examples.An addition to the starburst engraved centre a further detail within the dial that supports an early date is the engraved infill to each corner. Although this decoration is relatively naive in its execution it has an intensity and 'feel' to the scrollwork and hatching that is more akin to early first period work and can perhaps be compared to the infill seen on the dial of a very early clock by Robert Harvey illustrated in Loomes on page 20 (Fig. 2.24). This generally differs from infill seen on later examples which tends to be more 'formulaic' in composition and based on naturalistic leafy motifs either taking the form of a cluster of broad leaves or, as often seen in mid-century West Country work, a single sweeping leafy scroll.Incidentally the front fret of the present clock is notable in that it is a pattern exclusively found of 'first period' clocks and was in particular favoured by William Bowyer (see White, George, English Lantern Clocks page 75). The fret itself is comprehensively engraved apparently by the same hand as the dial; the side and rear frets are later replacements cast from the front fret.The frame of the present clock is notable in that the dimensions exactly conform with that of a first period clock attributed to the workshop of Richard Milbourne which was sold in these rooms on Thursday 15th March 2018 (lot 112). This coupled with the fact that both of these frames share the same basic design of one-piece castings for the columns, feet and finials (as well as having rounded blocks and the junctions with the plates) would suggest that they are from the same foundry. On closer examination however a couple of detail differences between these two frames can be seen. The first observation is that the shape of the 'body' of each of the finials of the current lot differs from those of the 'Milbourne' clock in that they are more ovoid in shape (i.e. are not of tapered shouldered form). This fatter ovoid shape of finial is closer in form to those seen on the very earliest lantern clocks such as those by Robert Harvey, William Bowyer and Henry Stevens as illustrated in White, George English Lantern Clocks on page 49 (Figure II/13), 82 (Figure II/92) and 83 (Figures II/96). The second difference is in the spacing of the ring collar to the capital of each of the columns with those of the present clock being higher-up the column shaft (ie. closer to the capital) than those on the 'Milbourne' clock. From these observations it would be reasonable to suggest that the present frame castings are perhaps an earlier variant of those used for the 'Milbourne' clock.To read more, please refer to the full lot description in the page turning catalogue via the link here. Condition Report: Condition reports for this lot are available from the Clocks Department upon request (clocks@dreweatts.com). Condition Report Disclaimer
Lot 154
Y A French Louis XIV gilt brass mounted Boulle bracket clockEtienne Le Noir, Paris, early 18th centuryThe rectangular five baluster pillar movement pinned at the rear, with large spring barrels and verge escapement regulated by half seconds disc bob pendulum with silk suspension, the backplate with large diameter external countwheel for sounding the hour and once at the half hour on a bell mounted within the superstructure of the case over engraved signature Estienne Le Noir A Paris to the lower margin, the 8.5 inch circular twelve-piece cartouche numeral dial with centre incorporating scroll cast decoration and an portrait bust of Louis XVI over a crown within chapter ring with enamel Roman hour numerals and rococo scroll cast borders and every minute numbered to outer track, with sculpted blued steel hands, the engraved cut brass and brown stained shell marquetry veneered case with cast winged putto surmount and gilt flambeau urn finials applied to the ogee shaped upstand veneered with figural scrollwork and with acanthus corner mounts over contra-parti frieze emerging from the sides of the gilt architectural moulded break-arch cornice, the front with heavy cast break-arch glazed hinged bezel enclosing scroll cast apron mount centred with a spread-eagle over enamel nameplate Estienne, Le Noir, AParis within floral trail and panel inlaid surround, the canted front angles applied with fine scroll-cast mounts incorporating musical trophies and the angled sides with brass bordered rectangular windows and further conforming mounts to rear over swollen marquetry decorated lower sections, the base with generous gilt brass scrolls flanking shaped apron centred with a female mask, on leaf cast bun feet, 81cm (32ins) high. Two generations of clockmaker with the name Etienne LeNoir were working at the time the current lot was made. Etienne LeNoir I was born in 1675 and died in 1739, whilst his son was born in 1699 and became a Master in 1717. Etienne LeNoir II was subsequently joined in partnership by his son Pierre-Etienne (born in 1724) after he became a Master in 1743 which lasted until around 1778 when Etienne II died.Condition Report: Movement is in fine clean fully working condition having been recently serviced. The escapement appears to be a very well executed restoration as evidence in the form of a filled-in slot to the centre of the top of the backplate would suggest that it had been previously converted to anchor/recoil at some point in the past. The dial has hairline cracks to the XI and III cartouche numerals as well as the signature plaque (all visible only on closer examination), otherwise faults to the numerals are limited to a few very light blemishes. The case is generally in good condition for a Boulle case of this type with some slight lifting and some historic localised replacements to the brass in places. The mounts are all present and in good condition. Clock has pendulum, case key and a winding key.Dimensions at the base 43cm (17ins) wide; 15cm (6ins) deep at the feet (18cm, 7ins deep including from mount). Condition Report Disclaimer
Lot 155
Y A fine French Louis XV gilt brass mounted small Boulle bracket timepiece with silent pull quarter-repeatAntoine Thiout, Paris, mid 18th centuryThe eight-day movement with tapered plates incorporating concave lower angles united by four angular baluster pillars pinned through the backplate signed Thiout AParis to lower margin, the silent pull repeat mechanism sounding on a bell mounted within the superstructure of the case, the 5.5 inch circular thirteen-piece cartouche numeral dial with convex white enamel centre within chapter ring with blue-on-white Roman hour numerals within rococo borders and Arabic five minutes to outer track, with sculpted blued steel hands the engraved cut brass and brown shell marquetry decorated case with seated putto surmount to the concave-sided superstructure veneered with leafy scroll decoration and applied with foliate mounts to angles over generous leaf cast arched cornice, the front with brass-framed arched glazed door enclosing marquetry decorated floor and back panel to interior and incorporating cast panel featuring an eagle grappling a serpent to apron, the surround decorated with leafy scrolls within line border, the sides with recessed arched windows within leaf cast surrounds over hipped swollen base sections, on feet cast as dragons with foliate apron between, 49.5cm (19.5ins) high. Antoine Thiout is recorded in Baillie, G. H. Watchmakers & Clockmakers of the World as a 'very famous maker' born in 1692, appointed Jure in 1743 and dying in 1767. He is perhaps best known for his 1741 publication Traite d'horlogerie which is generally considered as one of the classic horological works of 18th century. Amongst his patrons were the duc d'Orleans and the Dowager Queen of Spain; examples of his work reside in many important European collections including a bracket clock in the Garde Meuble, Paris.Condition Report: Movement has been converted from verge escapement to anchor and the going train will run. The wheelwork of the repeat train is complete however the rack-pull lever is lacking (snail and starwheel are present). The spring box is intact and the train will run through. One of the two vertical hammer arbors are lacking as are both the hammer arms. The dial has hairline crack across the enamel disc centre and the I, IIII and VI cartouche numerals have small edge chips; the rear is lacking a securing latch otherwise dial is in good original condition albeit a little tarnished/discoloured and with finely worked hands.The case is in fine condition with faults limited to some light blooming to the shell veneers in places and some patchy tarnishing to some of the brass marquetry.Clock has a case key but no pendulum or winder. Condition Report Disclaimer
Lot 156
A William III provincial longcase clock movement with 11 inch dialE. Bernard, Southampton, circa 1695The five finned pillar two train inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with subsidiary seconds dial, ringed winding holes and scroll border engraved calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed E. Bernard, Southampton to lower margin, with scroll-pierced pierced blued steel hands and winged cherub and foliate cast spandrels to angles incorporating leafy scroll engraved decoration to the dial plate between, now in an oak case with complex moulded cornice and geometric parquetry band to frieze over three-quarter columns applied to the hinged glazed dial aperture and rectangular side windows to hood, over conforming complex moulded throat and parquetry-banded rectangular caddy moulded door to trunk, on parquetry decorated recessed panel fronted plinth base with moulded skirt, 190.5cm (75ins) high. An Elias Bernard is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in Southampton in around 1700. The movement of the current lot is well made with relatively tall plates and nicely detailed ring turning to the knops of the pillars. From this it would be reasonable to suggest that the maker was most likely London-trained.Condition Report: Movement is in working condition and appears all-original with no visible evidence of alteration or noticeable replacements. The mechanism is dirty and there is evidence of moderate pinion wear (as well as punch-stamp closing to some of the pivots) hence a gentle clean and service is required. There is a vacant spare hole to the upper edge of the backplate which is most likely from a movement securing bracket (for steadying the clock when it was in its original case). The dial is generally in sound condition although at some point it has been polished hence the matting is a little soft and there are also some slight blemishes (scuffs and slight ripples to the casting). The silvering is a little rubbed and the hands appear to be well made replacements. The screws securing the spandrels are modern replacements.As catalogued the case is not the original one for the movement and dial but may have been purpose made for it at a later date (during the 18th century). The top board to the hood has been replaced, the trunk door has a slight warp and the box base would appear to have been reduced (with the parquetry largely re-laid to match that of the door) otherwise case is in sound original condition albeit with bumps, scuffs, shrinkage and historic repairs commensurate with age and use.Clock has pendulum, two weights, case key and a winder. Condition Report Disclaimer
Lot 158
A George II parquetry inlaid oak eight-day longcase clockJohn Seddon, Frodsham, circa 1740The four finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12.5 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the matted centre decorated with an engraved concentric herringbone band and signed John Seddon, Frodsham to a decorative panel above the calendar, within applied silvered Roman numeral chapter ring with elaborate foliate half hour markers and arcaded minute ring with Arabic five minutes to outer track, with scroll pierced steel hands and mask and scroll cast spandrels to angles, the case with ogee caddy over generous double-ogee cornice, fretwork frieze and hinged glazed dial aperture applied with three-quarter columns to angles, the sides with break-arch windows over concave throat moulding and shaped 'Dutch gable' shaped top crossbanded trunk door centred with a parquetry star and flanked by chevron banded uprights to surround, on conforming star decorated plinth base with parquetry border, ogee top mouldings and caddy moulded skirt, 216cm (85ins) high. Records relating to the Seddon family of clockmakers from Frodsham, Cheshire first appear in the Parish baptismal entries for the children of Mary Cook and John Seddon (described as a clockmaker by trade) in 1676, followed by the supposed supplying of a turret clock by John Seddon to Poole Hall in 1704. Frodsham Parish records apparently further record a John Seddon complaining of an Edward Cook in 1713. Finally Daniel Seddon, Clockmaker from Frodsham, is recorded as working 1754-85. John and Daniel Seddon were makers of very fine clocks some of which incorporated spherical globe moons in the arch and invariably displayed fine engraved detail. The current lot is typical of Seddon's work with fine decorative detailing to the movement and lively engraving to the dial. The case also exhibits parquetry star motifs which again is often seen on those housing movements by the Seddon family.Condition Report: The movement is complete and in clean working condition with no evidence of alteration or noticeable replacements. The dial is also in clean condition and free from visible defects other than a few light spots of discolouration.The movement has a replacement seatboard which rests on sections separately applied to thin the side uprights of the case. The presence of a replacement seatboard and sections applied to case uprights means that we cannot offer any assurances that the movement and dial are original to the case however we are generally of the opinion that they probably are (on stylistic grounds) and that the replacements to the seatboard and cheek uprights were most likely done for purely practical reasons. The case generally is in good condition having fairly recently had cosmetic work by the previous owner (an elderly lady now deceased) done to make it eminently presentable. Consequently the base has been rebuilt with a new skirt. Faults are therefore otherwise generally limited to some historic bumps, scuffs, shrinkage and other age related blemishes.Clock is complete with two weights, pendulum, case key and winder. Condition Report Disclaimer
Lot 159
A George III stained pine hooded wall alarm timepieceUnsigned, late 18th centuryThe four pillar movement with anchor escapement regulated by seconds pendulum and alarm mechanism set between the plates next to the going train incorporating verge crownwheel and vertically pivoted hammer sounding on a bell mounted above, the 7 inch square brass dial with central rose engraved alarm disc and single scroll pierced hour hand to centre within applied Roman numeral chapter ring with dot half hour markers and rococo scroll cast spandrels to angles, the case with moulded cornice and plain frieze over hinged glazed dial aperture flanked by free-standing columns, the right hand side with lancet-shaped door and both sides with shaped bargeboards at the rear, the throat with complex mouldings over twin stepped-ogee outline integral side supports with inverted break-arch pendant backboard between, 58.5cm (23ins) high.
Lot 160
A George III mahogany eight-day quarter chiming longcase clockRobert Sampson, London, dated 1785The substantial five pillar movement with anchor escapement regulated by seconds pendulum, chiming the hours on a graduated best of four bells and rack striking the hour on a further larger bell, the 12 inch brass break arch dial with subsidiary seconds over calendar dial incorporating recessed silvered signature plate engraved Rob't, Sampson, Petty France, Westmin'r to the matted centre within applied silvered Roman numeral chapter ring, with pierced blued steel hands and cast rococo scroll spandrels to angles beneath arch applied with silvered chime/silent selection dial unusually engraved Joseph Harborne, 23th Feb'y: 1785 flanked by conforming rococo mounts, in a mahogany pagoda-top case with oval burr yew inlaid panel to superstructure, cavetto cornice and arched fretwork frieze over brass stop fluted columns flanking the glazed dial aperture, the sides with rectangular windows and quarter columns applied to bargeboards at the rear, the trunk with keystone decorated crossbanded break-arch door flanked by quarter columns over plinth base fronted with conforming shaped raised panel and turned roundels to angles, on moulded double skirt, 240cm (94.5ins) high. Provenance: The property of a private collector, Hertfordshire. Robert Sampson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Westminster, London 1779-93Baillie also notes that Sampson was awarded a prize from the Society of Arts for a chiming mechanism.The engraved inscription to the circumference of the silvered chime/silent ring to the arch of the dial of the current lot is unusual and suggests that the clock was supplied as a presentation piece. A cursory online search by the cataloguer for any records relating to Joseph Harborne has so far failed to yield any information however more exhaustive genealogical research will no doubt shed some light on who was almost certainly the original owner of the present clock.Condition Report: The movement is in clean working condition having been well maintained and used in the vendors house right up to consignment for sale. The mechanism appears to be fundamentally original with no visible alterations or noticeable replacements. The dial is generally in good condition; the matting has some discolouration/dirt ingrained and the lower two spandrels are missing the lower tip to each casting. The hour and minute hands are possibly well made replacements.The movement rests on what appears to be its original seatboard which also incorporates an approximately 1/8th inch thick iron plate of the same size and shape applied to the underside to strengthen it. This plate appears to have significant age hence was most likely applied early in the clocks life. The cheek uprights of the case are notched downwards to take the seatboard and have bracing blocks applied to the inside edges, from this no absolute conclusions can be drawn as to whether the movement and dial are original to the case or not however both movement and case are very well suited hence, on balance, are most likely are original to reach other. The case is generally in good condition with faults mainly limited to age related bumps, scuffs, wear, a few small repairs/replacements to the mouldings and a little shrinkage. The finish is somewhat flat and uneven hence case would benefit from a good polish. There are no finials present.Clock is complete with three modern brass-cased weights, pendulum, two case keys and a winder. Condition Report Disclaimer
Lot 161
A George III mahogany table clockRobert Ward, London, circa 1770The five pillar twin fusee movement with verge escapement regulated by short bob pendulum and backplate engraved with a central pagoda over basket surrounded by stylised rococo scrolls, the 7 inch brass break-arch dial with calendar aperture and recessed shaped silvered nameplate signed Rob't Ward, London to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to the outer track, with pierced steel hands and rococo scroll cast spandrels to angles beneath arch centred with a vestigial subsidiary Roman numeral chapter ring dial flanked by conforming mounts, the bell-top case with pineapple finials to superstructure over double-cavetto top mouldings and front door with brass-fillet bordered break-arch glazed dial aperture and foliate scroll cast upper quadrant frets, the sides with hinged brass carrying handles over circular and concave-topped rectangular brass grille sound frets, the rear with rectangular break-arch glazed door set within the frame of the case, on cavetto moulded skirt base with generous leafy scroll cast bracket feet, (the movement formerly fitted with an alarm mechanism now removed), 47cm (18.5ins) excluding top finial and block; 56cm (22ins) high overall. Robert Ward is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1768, gaining his freedom of the Clockmakers' Company in 1779 and working from Abchurch Lane, London until 1808. He is noted as specialising in supplying musical clocks for the Middle Eastern market.Condition Report: Movement is in dirty/oily condition however is working (will run and strike); a clean/service is required. The clock has verge escapement with short bob pendulum which appears original (there is no visible evidence of ever being converted to anchor escapement). As catalogued the alarm mechanism has been removed however the setting/release hand and arbor are present. The movement securing brackets are replacements but it would appear that their position matches that of the originals hence are of the opinion that the movement and dial are original to the case. The alarm exit hole in the case is present however has been blanked-off externally by a veneer patch repair.The dial is in good original condition; the finishes are dirty/discoloured, the hands a appear origina and are finely made.The case is generally in sound unrestored condition and of good colour however the joints to the right hand side of the front door are a little loose causing the section of veneer bordering the right hand side of the arch to be lost. There is a veneer patch repair to the upper right and another small to the bottom left. Tye mask around the dial (behind the front door) is generally in good condition. The brass side frets are replacements (probably dating to the 19th century), the lower right hand side moulding has lifted a little and now binds against the lower edge of the front door when it is opened, otherwise sides are in good condition. The rear has a small veneer chip beneath the lower left hand corner of the door otherwise is in very good condition. The superstructure is missing a length of moulding at the base of the caddy; the top finial pedestal has evidence of once being fitted with fretwork decoration to each side which is now no longer present. Faults to the case are otherwise limited to shrinkage (mostly to caddy and base joints), a few bumps, scuffs and other age related blemishes.Clock has a winder but no case key. Condition Report Disclaimer
Lot 163
A George III mahogany eight-day longcase clockJohn Tombs, London, circa 1770The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with pierced steel hands and twin bird and urns cast spandrels to angles beneath arch centred with a silvered boss signed John Tombs, LONDON over S/N strike/silent selection switch flanked by conforming mounts, in a mahogany pagoda-top case incorporating later applied parcel-gilt gesso elements with shaped scroll pierced fret to the husk and urn decorated superstructure and break-arch cavetto cornice over brass stop fluted columns flanking the glazed dial aperture, the sides with break-arch windows and quarter columns applied to bargeboards at the rear, the trunk with acanthus decorated throat and flame figured break-arch over plinth base with fluted top moulding and fronted with conforming raised panel over moulded double skirt incorporating scroll decorated squat bracket feet, 245cm (96.5ins) high. John Tombs is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1761.Condition Report: Movement is in relatively clean working condition with no evidence of alterration. Dial is in fine clean condition with original hands and fine quality matting. The seatboard appears original and the cheek uprights are free of packing so movement and dial are most likely original to the case.The case is in good overall condition with faults primary limited to relatively small bumps, scuffs bruising and minor shrinkage. The gesso decoration is present with faults limited to some elements detached from a finial with possibly one or two very small pieces missing. The structure is sound with no problematic worm damage etc.; the hood door glass is cracked.Clock has brass cased weights, pendulum and case key but no winder.Condition Report Disclaimer
Lot 166
An impressive George III eight-day musical longcase clock with moonphaseRichard Bullock, Ellesmere, circa 1775The substantial seven pillar triple-train bell striking movement with T-shaped plates, anchor escapement regulated by seconds pendulum and playing a choice of seven tunes every three hours on a graduated nest of ten bells with twenty hammers via a 11.25 inch pinned cylinder mounted transversely across the upper edge of the backplate, the 13 inch brass break-arch dial with subsidiary tune selection dial annotated EASTER HYMN/MARCH IN PTOLOMY/BANK OF FLOWERS/BEILLISLE MARCH/ROAST BEEF/NANCY DAWSON/HARVEST HOME to the symmetrical foliate scroll engraved dial centre incorporating oval reserve signed Rich'd Bullock, Elles mere, No. 539 around the calendar aperture to lower margin, within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll pierced blued steel hands and crested female mask and scroll cast spandrels to lower angles opposing subsidiary STRIKE/NOT STRIKE and CHIME/NOT selection dials to the upper, beneath arch with rolling moonphase incorporating conforming mask-centred mounts to lunettes and unusual Classical capriccio landscape painted decoration opposing starry sky with a comet to the concentric age-of-the-moon annotated lunar disc, in a case possibly by Gillows of Lancaster with carved lobed finials over dentil cavetto moulded swan-neck pediment incorporating leafy pendant scroll and blind-fretwork infill over ogee bolection moulded break-arch glazed hinged dial aperture enclosing gilt leaf carved mask around the dial, flanked by free-standing Gothic cluster columns and the sides with rectangular sound frets and conforming columns set against bargeboards at the rear, the trunk with dentil cavetto throat and blind fretwork frieze over ogee lancet triple arch-topped flame-figured door flanked by cluster columns to angles, the plinth base with stepped ogee top mouldings over shaped chevron-line panel bordered fascia flanked by moulded canted angles over ogee bracket feet, 241cm (95ins) high excluding top finial; 254cm (100ins) high overall. Provenance: The beneficiary of the Estate of a private collector, East Midlands. Research undertaken by Brian Loomes places the earliest record of the Bullock family of clockmakers in Ellesmere, Shropshire through the Baptism of Sarah Bullock daughter of Edmund Bullock, clockmaker on 8th July 1708. Loomes further notes a baptism of an Edmund Bullock at nearby Wrockwardine in 1686, which most likely records the year of his birth. Of Edmunds work several turret clocks are known (including an example made for Chirk in 1712), numerous longcase clocks many of which are numbered, a sundial dated 1726 and at least one table clock. Edmund Bullock's son, Richard, was born in 1718/19 along with his twin sister, Hannah. Richard followed his father in becoming a clockmaker, although his exact dates appear to be unrecorded it can be safely assumed that he was working, probably alongside his father, by around 1740. Richard also numbered his clocks and maybe continued the series first established by his Edmund although there are no records to confirm this. The current lot is a particularly impressive example and would have been a very expensive commission most likely placed by a very wealthy local land owner. The mechanism is rare in that it has survived unaltered, which is unusual for a musical clock of this complexity. The quality of the case certainly befits that of the movement and exhibits details which may support an attribution to Gillows of Lancaster; namely the ogee-moulded frame to the hood door, fine quality carving to the pediment and sparing/restrained use of parquetry stringing. Condition Report: Movement is complete and appears all original with no visible alterations or missing items and replacement limited to some historic re-pinioning (undertaken at time of past servicing to counter wear in the relevant pinions). The hammers and bells generally sound cleanly on the bells and testing through manual operation of the mechanism suggests that the pin/hammer tail engagement is generally very good. The tune selection feature is present and functional however the return spring that holds the lateral position to the barrel is a bit weak for its purpose. Although the trains will run/operate the mechanism is generally in dirty/neglected condition so will need a gentle clean/service before putting to use.The dial is generally in good original condition albeit with some discolouration, tarnishing and wear to the finishes. All functions (calendar, strike/time selection, moonphase, tune selection and seconds) are operational. The moon disc has some slight flaking to the painted decoration otherwise is in very good original condition.The movement retains its original seatboard. The seatboard however does not stretch to the full width of the cheeks hence much of the support is reliant on blocks applied to the inside of the cheek uprights; such blocks are present but appear fairly recent. The upper surface of the cheeks however appear undisturbed. Due to the seatboard appearing a little narrow for the case we cannot offer any assurances that the movement and dial are original to the case.The case is generally in good condition with faults mainly limited to age related bumps, scuffs, wear, a few very small repairs and slight shrinkage. The finish is a little flat hence case would benefit from a good polish. The hood has carved gilded wood dial surround applied to the inside edge of the mask. This is an unusual (and visually striking) detail may not be original which adds weight to the probability that the movement and dial are not original to the case (as this detail serves to 'adjust' the dimensions of the mask to accommodate the current movement and dial). Notable other faults to the case include a length of slender dentil moulding missing from the throat to the left hand side, a vertical shrinkage crack to the left hand side of the trunk. The moulded skirt and ogee bracket feet are replacements probably dating to the early 20th century.Clock is complete with pendulum, three weights, case key and winder. Condition Report Disclaimer
Lot 167
A George III gilt brass mounted musical table clockMerlin, London, circa 1765-75The substantial six pillar triple fusee movement with verge escapement regulated by short bob pendulum and playing a choice of two tunes on a graduated nest of eight bells with sixteen hammers every hour prior to sounding the hour on a further larger bell, the backplate finely engraved with asymmetric foliate scrolls and with external fly for the music train, the 8 inch brass break-arch dial applied with circular convex white enamel disc signed MERLIN, LONDON to centre within Roman hour chapters and Arabic five minutes beyond the minute ring, with scroll-pierced steel hands, moulded brass bezel surround and fine chased leafy scroll cast spandrels to angles, the arch with central conforming enamel calendar dial flanked by further SONNE/NON SONNE and MENUET/ALLEMANDE selection dials within conforming applied foliate pierced and chased infill, the bell-top case with hinged brass carrying handle and top plate to the gilt fillet-bordered superstructure flanked by pineapple finials over twin cavetto top mouldings and brass fillet inset glazed dial aperture to the front door incorporating fine engraved foliate scroll pierced brass quadrant frets to upper angles, flanked by canted angles applied with gilt female terms over floral trails, the sides with brass fillet-bordered circular over concave-topped scroll-pieced sound frets, the rear matching the front including fine engraved frets to the upper quadrants, on cavetto moulded skirt base faced in brass over ogee bracket feet, 52cm (20.5ins) high excluding handle. John Joseph Merlin was born in Huys, near Maastricht, Belgium in 1753. It is believed that he was of Huguenot extraction and his family were probably mechanically minded. Very little is known regarding Merlin's apprenticeships or training prior to his arrival in Paris in around 1754 (possibly under the encouragement of Academie des Sciences) where he made his mark in mechanical circles before travelling to London (within the entourage of the Comte de Fuentes, the Spanish Ambassador Extraordinary) In 1760. Such was Merlin's skill that by 1763 he was noted as being involved in the finishing of a large barrel organ for the Prince of Wales at Carlton House and subsequently became involved with James Cox during the lead-up to the creation of Cox's Museum in Spring Gardens in 1772/3. In 1773 Merlin is noted as working from 42 Queen Anne Street East and filed a patent for a Dutch Oven; with another submitted the following year for a compound-harpsichord. He worked principally as a 'mechanic', and maker of engines, mathematical instruments, clocks and watches and became successful in his trade. Notwithstanding this Merlin encountered difficulties selling his design of compound-harpsichord which he puts down to the lack of willingness from tutors in music to recommend it without a bribe(!). None the less when moved to 11 Princes Street, Hanover Square in 1783 he was no longer interested in pursuing patents but was content to trust instead in his 'own superior ingenuity and to his exertions in the line of mechanism' and established his own 'Merlin's Museum' to showcase his abilities.By 1788-89 Merlin's Museum had become one of the 'shows' of late eighteenth century London and through his unrelenting energy and fertile mind continued to expand until his health started to wane during the 1790's with him finally succumbing to his ailments in 1801. Despite the instruction in his Will for the museum to be sold-off on his death Merlin's Museum appeared to remain open in some form or other until around 1808 when it was dispersed with works such as the unfinished 'silver lady' automaton being acquired by Thomas Weeks for his own Museum. Of Merlin's horological work it is thought that he may have had an input in the design and execution of James Cox's famous 'Perpetual Clock' (now in the collection of the Victoria & Albert Museum item number O297335). In addition to this several watches signed by him are known as well as fine wall regulator with fired enamel dial, centre seconds and further enamel fine regulation adjustment dial to the pendulum bob; and a series of unusual skeleton clocks of multi-plane design incorporating rotating 'band' chapter rings - an example of which resides at Kenwood House, Middlesex. The current lot was probably supplied by Merlin to one of his Parisian clients/contacts soon after his arrival in London hence the French annotations to the dial coupled with the style of the enamelling to the central hour disc which also has a distinct French feel.Condition Report: Movement is in good relatively clean fully working condition with no visible evidence of alteration or noticeable significant replacements. The escapement appears original as does the pin-barrel and music work. The music will play as intended however some of the bells are touching and one or two of the hammers need adjustment so would benefit from general tweaking to obtain the best sound. The movement generally would generally benefit from a gentle clean/service if putting into long tern use.The dial is generally in fine condition with no visible faults of any significance; the winding holes have some very slight wear and on very close examination may have seen some very well executed restoration in the past. The spandrel mounts are finely finished and appear to retain original finish albeit now a little muted/mellow in colour. The minute hand may be a replacement.The case may have originally been ebonised (the interior is finished black). The veneers to the superstructure appear to be padouk (or a similar timber) the rest appear to be a mixture of fruitwood and other timbers all stained to match; consequently it is likely that many of these veneers are replacements applied at the time the finish of the clock was changed from being ebonised. The side frets are generally very good with only one or two small losses, the brass quadrant frets to the front and rear doors are finely executed and are appear undamaged. The mounts are somewhat dirty/discoloured but seem to retain original gilding. Visible faults to the rest of the case are otherwise very much limited to minor bumps, scuffs, slight shrinkage and wear commensurate with age and use.Clock has winder and a case key. Condition Report Disclaimer
Lot 168
A George I walnut eight-day longcase clockThomas Martin, London, circa 1720The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary second dial, calendar aperture and shaped silvered nameplate signed Tho:s Martin, Cloake Lane, LONDON to the finely matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll pierced steel hands and with applied twin bird and urn cast spandrels to angles beneath arch with subsidiary Strike/Silent selection dial flanked by dolphin cast mounts, in a case with moulded cornice over break-arch hinged glazed dial aperture applied with three-quarter columns to angles the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with cavetto cornice over break-arch door edged with crossgrain mouldings over crossbanded plinth base with ogee top mouldings and moulded skirt, 217cm (85.5cm) high. Provenance: Private Collection, Berkshire, previously sold in these rooms, 12th September 1984, (lot 225) for £1,500. Thomas Martin is recorded in Loomes Clockmakers of Britain 1286-1700 as born around 1678, he was apprenticed to Jeremiah Martin in from 1692 until 1699 but appeared not to have gained his freedom of the Clockmakers' Company. In 1723 his shop on Fleet Street (presumably his Cloake Lane premises) was robbed of a number of watches; the culprits were duly apprehended and sentenced to transportation.Condition Report: Case with marks, knocks, scratches, abrasions consistent with age and useChips and losses to some veneers and elements of moulding, also some old repairs and restorations. Some later elements of timber to the interior of the trunk and to elements of the case behind the hood. also some later timber to the cheeks. A cork has been applied to the rear to hold the clock in position. There are old splits and cracks The plinth base appears to have been cut down and shortened previously,Dirt and discolouration to gilt metal areas, Dirt and surface deposits to the glassThe clock movement is untested and Dreweatts cannot make any guarantees it is in working order or give any comments as to accuracy of time keeping. We recommend getting the clock appraised and cleaned/overhauled by a professional restorer prior to use. There are three winding keys, weights, and a pendulum - the three keys are all associated - they all fit the winding squares, one of traditional form (but a later make) the others are 20th century. The escutcheon to the trunk door is missing Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 169
A rare George II small black japanned thirty-hour longcase clock with 8.25 inch dialJohn Worsfold, Dorking, circa 1735The posted countwheel bell striking movement with anchor escapement regulated by seconds pendulum and rectangular section corner uprights riveted to both the top and bottom plates fitted with 8.25 inch square brass dial with matted centre and pierced steel hand within applied Roman numeral chapter ring with fleur-de-lys half hour markers and unusual mask and scroll cast spandrels to angles, the black japanned case with generous ogee cornice and plain frieze over gilt floral trail decorated hinged glazed dial aperture flanked by three quarter columns and further large foliate sprays to sides with conforming quarter columns set against bargeboards to the rear, the trunk with trellis panel painted concave throat over caddy moulded door faintly decorated in raised gilt with pagodas within an Oriental garden landscape bordered by further trellis panels to the surround, the sides with large scale foliate trails, over conforming decorated plinth base incorporating tall moulded skirt, 189cm (74.5ins) high. John Worsfold is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born in 1704; Loomes records him in Volume 2 as working in Dorking in 1728. The current lot is appears to be a particularly rare survivor with its relatively fragile pine case and original decoration being largely intact; its small proportions are also noteworthy.
Lot 170
An oak cased thirty-hour longcase clockThe movement and dial by Charles Gretton, London, circa 1697, the case early to mid 18th centuryThe four finned pillar outside countwheel bell striking two-handed movement with anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with 'triple crown' motif engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring fleur-de-lys half markers minute outer track and signed Charles Gretton, London fecit to lower margin, with fine scroll pierced steel hands and winged cherub mask and scroll cast spandrels to angles, now in a case with ogee moulded cornice and scroll pieced frieze over glazed dial aperture flanked by three quarter columns, the sides with quarter columns set against bargeboards at the rear, the trunk with concave throat over moulded rectangular door, on plinth base with moulded two-tier skirt, 201cm (79ins) high. The life and work of Charles Gretton is thoroughly documented in Radage, Dennis; Warner, Meinen and Radage, Laila CHARLES GRETTON, THROUGH THE GOLDEN AGE in which the current lot is recorded and comprehensively illustrated as 'LC32' 0n pages 178-81. Charles Gretton was born in Clayplole, Lincolnshire in 1648 and by 1662 he had moved to London entering into an eight year apprenticeship under Humphrey Downing on the 30th June of that year (turned over from Lionell Wythe). Humphrey Downing died in 1666 but it is thought that Gretton continued his apprenticeship under his widow, Cordelia, gaining his freedom of the Clockmakers Company in 1672 and se-up business in Fleet Street. In 1677 Gretton married Mary Phillips and established himself at the sign of the 'The Ship' in Fleet Street (either number 174 or 175 next to Fetter Lane). Gretton was appointed an Assistant of the Clockmaker's Company in 1889 and then Warden in 1697; the same year he signed the 'oath of allegiance'. In 1700 Charles Gretton served as Master as well marrying his second wife Lucy Uffman (his first wife Mary died in 1694). In 1701 he put £50 forward to the Clockmakers' Company in order to establish a trust to assist the orphans of deceased members and was nominated to serve again as Master in 1705/06. Lucy, his second wife died before 1711 as this is the year that Charles Gretton married his third wife, Dorethea Wilson shortly after which he moved to his newly acquired second premises at two Chancery Lane. At this time his premises at 'The Ship', Fleet Street was passed onto the management of his nephew, Thomas Moore who paid taxes on the building until 1723. In 1716 Charles and Dorothea moved again to Chancery Lane where they remained until Dorothea's death in 1727. By this time Charles Gretton had retired from active clockmaking and went to go and live with his daughter, Ann, in Milk Street where he remained until his death in 1731.During his carreer Charles Gretton He took on many apprentices including Henry Sully (Freed April 1705) and Joseph Antram (Freed October 1706) both of whom went on to become famous clockmakers in their own right. By the time of his death and internment at St. Dunstan's in the West Gretton had become a wealthy and highly respected figure within the City of London as well as the clockmaking community. His Will mentions no less than nine properties as well as £1,300 deposited in the Bank of England contributing the £2,600 monetary component of his legacy.
Lot 172
A fine silver pair-cased verge pocket watch The movement by Daniel Quare, London, circa 1700, the dial and case circa 1818The gilt full plate single fusee verge movement with four Egyptian pillars pinned through the backplate, scroll-pierced stop-iron block and sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetrical foliate strapwork scroll pierced and engraved balance cock with herringbone bordered rim and conforming pierced broad foot flanked by silvered regulation disc with adjacent applied scroll pierced infill opposing signature D. Quare, London and serial number 2672, the pillar-plate now fitted with a convex white enamel dial with vertical Arabic numerals and gilt spade hands, in plain silver inner case with suspension post and ring at twelve o'clock and conforming outer case each marked for London 1818 maker IR (for James Richards), the pillar plate 4cm (1.065ins approx.) diameter; the outer case 5cm (2ins) diameter. Daniel Quare is an important maker who is recorded on Loomes, Brian The Clockmakers of Great Britain 1286-1700 as born in Somerset circa 1647/8; by 1671 he had moved to London as he was admitted as a Free Brother to the Clockmakers' Company in April of that year. Quare initially worked in St. Martin's Le Grand, London (where he married in 1776) later moving to Allhallows, Lombard Street in 1681, before finally relocating to Exchange Alley where he is believed to have taken-on the former premises of Robert Seignior in around 1686. Quare was selected as a member of the Court of Assistants in 1698 later becoming Master in 1708. In 1709 he is believed to have taken his former apprentice, Stephen Horseman, into partnership which presumably lasted until Quare's death in 1724. Daniel Quare was a fine and inventive maker who supplied clocks and barometers to significant European Royal and aristocratic clients. As a committed Quaker he refused to sign the Oath of Allegiance in 1697, however as a much respected maker, he was still able to discreetly supply the court of William III. In around 1680 Quare made repeating watches to his own design which eventually lead him to dispute a conflicting patent filed by Edward Barlow in 1686; the resulting exchange two years to resolve.Condition Report: The movement is in fine clean working condition with no visible alteration or significant replacements. The gilding is strong with minimal wear or scratching and the quality is as to be expected from a standard watch movement by Quare. As catalogued the dial is a later replacement/update. The enamel has hairline cracks through the centre and a repaired chip to the edge near 5 o'clock. As catalogued the case is also later. The inner has some marks to the circumference where it has rubbed against the outer over the years otherwise is in good condition with minimal wear/denting. The outer is in similar condition however the button for the clasp button in now solder (rather than silver).Watch does not have a key. Condition Report Disclaimer
Lot 173
An interesting George III silver triple-cased small verge pocket watchEdward East, London, second half of the 18th centuryThe gilt full plate single fusee verge movement with four square section baluster pillars pinned through the backplate, scroll-pierced stop-iron block and sprung three-arm steel balance with Tompion type regulation, the backplate with asymmetric foliate scroll pierced and engraved balance cock with geometric bordered rim and leafy trail engraved matted foot flanked by silvered regulation disc within conforming engraved infill opposing signature Edw. East, LONDON and serial number 3966, the pillar-plate fitted with circular silver champleve dial with relief-chased ribbon banners engraved EAST, LONDON to the finely matted centre, within Roman numeral chapter ring with Arabic cartouche five minute numerals to outer track, with blued steel beetle and poker hands and in plain silver inner case with suspension post and ring at twelve o'clock, the second case with fine moulded detail to the bezel edge and outer rim, the outer case matching but with brass shells and overlaid with pinned morocco leather, inner case with indistinct date marks possibly for London 1776 and makers mark R.P for Richard Palmer I, the dial 33mm diameter; the inner case 38mm diameter; the outer case 53mm (2.125ins) diameter. The current lot would appear to almost certainly have been made by the maker of this name who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1736 and gaining his freedom of the Clockmakers' Company in 1743. It is not known whether this Edward East was directly descended from his esteemed 'Golden Age' namesake (who died in 1696), however Loomes notes (in The Early Clockmakers of Britain 1286-1700) that a son of the same name perhaps followed in his footsteps in becoming a clockmaker, and was the father to Edmund East who is recorded by Baillie as working from 1696.Notwithstanding the uncertainties regarding the exact origins of the maker of the current lot it is an interesting example. The maker's mark of the case (which appears original to the movement and dial) is still fairly clear and confirms that it was made by Richard Palmer I who was apparently registered this stamp in 1769. The movement also has some details which would confirm a date of around this time, most notable the matting to the balance cock foot and the geometric border around the rim of the cock itself. However there are many of the features which are particularly archaic for a watch of this date, in particular the champlevé dial, which by this time was very rarely used in favour of white enamel dials, the style of the engraved signature to the backplate also perhaps appears a little old-fashioned. With these observations in mind it may perhaps be appropriate to speculate that the maker of the current lot perhaps sought to capture the feel of examples emulating from his earlier esteemed namesake in order to set his work aside from his competitors.
Lot 174
A fine Charles II eight-day longcase clock movement Edward East, London circa 1675-80The six finned and latched pillar movement with plates measuring approximately 7.75 by 5 inches enclosing fine delicate wheel-work, the going train with bolt-and-shutter maintaining power and anchor escapement for regulation by seconds pendulum and the strike train with external countwheel striking on a domed bell mounted above the plates, with a 9.5 inch square gilt brass dial with slender subsidiary seconds dial and calendar aperture to the matted centre within applied narrow silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with fine pierced and sculpted steel hands and winged cherub head cast spandrels to angles and engraved Edwardus East Londini to lower margin. Edward East was born in Southill Bedfordshire in 1602 and was apprenticed in 1618 to Richard Rogers until 1626, gaining his freedom of the Goldsmith's Company the following year. He was appointed as one of the first Assistants of the Clockmakers Company (a year after the charter was granted by Charles I in 1631) later becoming Master twice in 1645 and 1653. He worked first from Pall Mall, London subsequently moving to the Fleet Street/Temple Bar area by the 1640's, in November 1660 he was appointed chief clockmaker to King Charles II. Edward East certainly had the longest and perhaps one of the most distinguished careers in English clockmaking during the 'Golden Period' taking on eight apprentices between 1643 and 1676 (including Henry Jones from 1654 to 1663). East was the only original Assistant surviving when the Grant of Arms was awarded to the Clockmakers' Company in 1671. Edward East drafted his Will in 1688 and on his death in 1696 he was clearly a wealthy man leaving property to his four children including a residence in Hampton, Middlesex and a coaching Inn called 'The Swan with Two Necks' which was bequeathed to his daughter, Anne Saunders. The current movement can be compared to an example offered at Bonhams in their sale of Fine Clocks held on 10th December 2014 (lot 85) which sold for £116,500. In particular the positioning of the movement pillars and layout of the wheel trains is very similar to that of the current lot as is the script of the signature to the lower edge of the dial. The backcock follows East's unusual practice in having the pendulum suspension block cast separate and sliding into a tapered dovetail slot. This detail is noteworthy as it facilitates the end-float of the pallet arbor to be checked hence allowing the pivot to run more efficiently.Condition Report: The movement has survived in fine original condition with no visible evidence of alteration and with minimal replacements for a mechanism of this age. The third wheel of the going train has probably been re-set/re-mounted on its arbor probably to allow the wheel to engage with a less worn part of the escape wheel pinion. The escapement pallets appear to be 19th century replacements, the escapewheel itself appears original. The strike train appears entirely original with the exception of the warning wheel which has been re-pinioned. The trains generally exhibit evidence of historic moderate pinion wear to the upper wheels of the train with some very slight careful adjustments to ensure that wheels are meshing with lesser worm parts of the pinions. The under-dial work appears complete and all-original with the possible exception of the strike lift detent which being noticeably cleaner than the remaining steelwork may be a replacement. There is one small vacant threaded hole next to the seconds arbor, the purpose of this is not obvious but it is not considered indicative of an alteration having taken place. The movement overall exhibits light pitting to the steelwork and the brass now has medium brown oxidised patination and although is essentially in working condition a very sentitive precautionary service is advised before putting into long-term service.The dial is finely proportioned and well finished but would appear to have had relatively recent work undertaken to restore the gilding and silvered surfaces. The gilding to the plate appears to have either been cleaned or most likely re-done to a high standard hence is now in fine condition exhibiting only a few very light blemishes. The un-gilded section beneath the chapter ring exhibits what appears to be old surface, this coupled with the quality of the signature and the general overall general feel and 'softness' to the angles to the front of the plate would suggest that the dial has age and, as there is no evidence to suggest otherwise, is original to the movement. The rear of the plate has a very slight 'purple' hue to the colour - this would appear to be from a coloured wax applied most likely in an attempt to darken the colour of the plate a little which may have looked a little light in colour compared to the movement after work had been done to the gilding.The spandrels appear are in fine condition; the hands are well made and show old surface to rear however they could be well executed replacements.There is no pendulum, lines or weights present with the clock although there is a crank winding key. Condition Report Disclaimer
Lot 175
A fine and rare William III table clock movement and dial with pull-quarter repeatJohn Knibb, Oxford, circa 1695The five latched baluster turned inside rack and bell striking movement with plates measuring 7.125 by 5.125 inches and verge escapement regulated by short bob pendulum and pull-quarter repeat on a graduated nest of three bells, the backplate finely engraved with tight Ho-Ho bird inhabited repeating foliate scrollwork around a central signature John Knibb, Oxford, the 6.875 inch square brass dial with ringed winding holes and herringbone chamfer engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed John Knibb, Oxford to lower margin, with fine scroll-pierced sculpted steel hands, winged cherub mask spandrels to angles and N/S strike/silent selection lever above twelve o'clock, (unrestored, lacking backcock). John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John, his younger brother, took on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Joseph Knibb retired in 1697 selling up most of his workshop (most likely to his former Oxford-based apprentice Samuel Aldworth) before moving to Hanslop in Buckinghamshire where he made a few clocks prior to his death in 1711. During his career John Knibb became a high profile figure within the City of Oxford being a member if the City Council from 1686, a Bailiff in 1688 and then twice Mayor in 1698 and 1710. He also held positions of Alderman and Keykeeper. On his death in 1722 he was recorded as being of Smith Gate in the Parish of Holywell and was buried in that Parish at St. Cross church. Due to the comparative rarity of clocks signed by John Knibb it has been suggested that his workshop may have generally served to supply Joseph's larger concern in London. The strong similarities between John's best work and those signed by Joseph would certainly support this view. However it is also clear that John was a high profile tradesman in the City off Oxford who trained no less than ten apprentices, therefore it is perhaps more likely that, although the two workshops were connected, they generally worked separately to supply clocks to differing groups of clients. The current lot is a fine example of a 'phase IV' movement and dial belonging the final fully-developed design of table clock produced by John Knibb during the mid to late 1690's. The mechanism itself is particularly well built with typical 'Knibb' baluster pillars, delicate wheelwork and finely executed internal rack striking mechanism. The engraved decoration to the backplate is notable in that the composition of Ho-Ho bird inhabited repeating leafy scrolls around a signature cartouche incorporating a small grotesque mask and basket of fruit at the apex in that it can be directly compared to that of a magnificent silver mounted table clock by Thomas Cattell illustrated in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS... on page 236 (Figure 13.22). Indeed the strong similarities between the engraving of the Thomas Cattell clock and the current lot would suggest that they were executed by the same hand in a style that would have been at the height of fashion at that time. Exploring the engraving further throws-up strong similarities with designs seen on the backplates of a handful of important clocks by Thomas Tompion; most notably that of the celebrated 'Selby Lowndes' grande-sonnerie clock (no. 217 circa 1693) illustrated in Evans, Jeremy; Carter, Jonathan and Wright, Ben THOMAS TOMPION, 300 YEARS on pages 388-91. Interestingly Evans, Carter and Wright attribute this engraving to 'G155' with a suggestion of Bartholemew le Maire being a possible candidate for this work cited on pages 177-78.The dial of the present movement exhibits the increased level of decoration seen on 'phase IV' clocks by John Knibb. These include ring-turned decoration to the winding holes and herringbone engraving to the canted recess of the calendar aperture - a preferred detail often seen of examples of John's work. The design of the hands are unmistakably 'Knibb' and remain essentially unchanged from those seen on clocks made a decade or so earlier. Although essentially in unrestored condition the current lot appears to have survived in particularly good original condition with the escapement appearing essentially unaltered (with the possible exception of the backcock fixings) therefore presents as rare opportunity for restoration. The lack of a case is a shame, however as the form of a Knibb 'phase IV' case is well documented (see Lee, Ronald The Knibb Family, Clockmakers pages 92 and 93 for example) a replica can no doubt be constructed by a suitably skilled cabinet maker enabling this fine clock from the 'Golden Age' of English horology to be 'brought back'.
Lot 176
A fine and rare Charles II walnut thirty-hour striking small hooded wall clock with alarmJohn Knibb, Oxford, circa 1685 The four finned pillar outside countwheel bell striking movement with plates measuring 6 by 3.5 inches and verge escapement regulated by short bob pendulum, the left hand side with transverse alarm mechanism sounding via a verge crown wheel and vertically pivoted yoke-shaped hammer on the inside of the hour bell set above the above the plates, the 5.5 inch square gilt brass dial with rose engraved silvered alarm disc and finely sculpted steel hand to the matted centre within applied silvered narrow Roman numeral chapter ring with typical Knibb type stylised fleur-de-lys half hour markers and quarter hour divided inner track, the angles with small applied winged cherub head spandrels and the lower edge signed John Knibb Oxon Fecit, the case with ogee moulded shallow-arch pediment incorporating foliate scroll pierced fret infill to the tympanum above fixed glazed dial aperture and rectangular side windows to the rising hood, with further cross-grain mouldings to the throat over shaped apron flanked by scroll outline side brackets beneath, the rectangular backboard with tongues for the rising hood, 35cm (13.75ins) high. Provenance: The property of a gentleman collector, purchased in these rooms on Wednesday 17th February 2010 (lot 69) for £37,000 hammer where it was noted that the clock was a recent discovery and believed to have formed part of a connoisseur collection of antiques and works of art compiled during the early 20th century. John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John took on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Joseph Knibb retired in 1697 selling up most of his workshop before moving to Hanslop, Buckinghamshire where he made a few clocks prior to his death in 1711. John Knibb became a high profile figure within the City of Oxford twice becoming Mayor, he continued in business until his death in 1722. Due to the comparative rarity of clocks signed by John Knibb it has been suggested that his workshop may have generally served to supply Joseph's larger concern in London. The strong similarities between John's best work and those signed by Joseph would certainly support this view. However it is also clear that John was a high profile tradesman in the City of Oxford who trained no less than ten apprentices, therefore it is perhaps more likely that, although the two workshops were closely connected, they generally worked separately to supply clocks to differing groups of clients. The current clock belongs to a rare group of probably less than ten surviving examples of small hooded wall clocks from workshops of both John and Joseph Knibb. Although these clocks were generally made for a common purpose, it seems that they do vary in detail and specification to the extent that no two are exactly the same. The majority of the other surviving examples appear have posted movements based on miniature lantern clocks with standard `Knibb` castings (see Lee, Ronald A. The Knibb Family * Clockmakers plate 178). The current lot is perhaps more unusual as it is constructed with a plated movement which can be compared to a simpler alarm timepiece by John Knibb illustrated by Lee (plate 179) as well as Darken, Jeff (ed.) HOROLOGICAL MASTERWORKS page 142. The inclusion of a striking train has necessitated the alarm mechanism to be located on a separate plate transversely mounted on the left hand side of the movement. The dial is particularly attractive with finely worked hand and narrow chapter ring. The case of perfect proportions and can be directly compared to a case housing a miniature lantern clock by Joseph Knibb illustrated by Lee, plate 59.
Lot 178
A fine Charles III olivewood and parquetry inlaid oyster eight-day longcase clock with ten inch dialWilliam Clement, London, circa 1680The five finned and latched pillar bell-striking movement with plates measuring 6.5 by 5 inches and anchor escapement regulated by seconds pendulum, the strike train with external countwheel for sounding the hour on a bell mounted above the plates, the 10 inch square brass dial with finely matted centre within applied silvered Roman numeral chapter ring with stylised two-tier trident half hour markers and Arabic fine minutes within the outer minute track, with sculpted pierced steel hands, gilt winged cherub head cast spandrels to angles and engraved signature William Clement Londini Fecit to lower margin, the case with rising hood fitted with a cherub-mask centred floral carved ebonised swan-neck crest over ogee cornice and foliate scroll pieced frieze fret to the entablature, above fixed glazed dial aperture flanked by ebonised Solomonic columns, the sides with rectangular glazed windows and conforming quarter columns set against bargeboards at the rear, the trunk with convex throat over 40 inch rectangular door inlaid with an oval starburst parquetry panel incorporating inter-looped subsidiaries above the oval lenticle and a matching slightly lobed panel beneath, set into an oyster olivewood ground with conforming quadrant decoration at the angles, line borders and ebonised D-moulded surround, the sides veneered with single panels of further olivewood oysters within crossbanded borders, the plinth base with stepped ogee part-ebonised top moulding over conforming oval and quadrant panel parquetry decoration and standing on ebonised bun feet, 199cm (78.5ins) high. William Clement is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born before 1622, possibly 1621 in St. Albans. He was made a Freeman in the Blacksmiths Company in 1654 and rose to the Livery in 1664. From around 1665 Clement lived in the Parish of St. Saviours, Southwark, possibly to escape the plague from which his two sons William and Francis may have died. In 1659 a William Clement was commissioned as Lt Colonel in the White Regiment of Foot of the Parliamentarian Army. Clement was still alive in 1675 however records from this time onwards become confused with that of his son of the same name.In 1671 William Clement supplied a turret clock for Kings College, Cambridge, this clock was traditionally considered to be the earliest surviving timepiece to be regulated by anchor escapement and long pendulum supporting the possibility that Clement was the inventor. This view was further perhaps fortified by an entry in Smith, John Horological Disquisitions (1694) which states 'Mr William Clement, had at last the good fortune to give it the finishing stroke, he being indeed the real contriver of that curious kind of long pendulum, which is at this day so universally in use among us'. From this it would be fair to interpret Smith as not crediting Clement with the actual invention of the long pendulum, but perhaps is instead indicating that he devised the arrangement subsequently universally adopted which must be the recoil anchor. Two years later William Derham in The-Artificial Clock-Maker puts the case forward for Dr. Robert Hooke, who it is said demonstrated the long pendulum to the Royal Society soon after the Fire of London, however it is not clear whether this was with a form of recoil anchor escapement (although it is generally accepted that Hooke devised the spring pendulum suspension). Another contender for its invention is Joseph Knibb who, in early 1670, supplied a turret clock for Wadham College, Oxford, complete with anchor recoil escapement and long pendulum. But again there is no documentary evidence to support a view that Knibb actually devised this form of regulation. In 1677 William Clement was made a Free Brother of the Clockmakers Company and the following year was appointed Assistant by unanimous consent and approbation and for good reasons and especial esteem. He later served as Warden in 1690 and Master in 1694. In 1697 Clement signed the Oath of Allegiance and was from September of that year excused from attending meetings on account of his age. From April 1704 he received charity payments from the Company until his death in July 1709. The case of the current lot is fine example of a rare type which appear to have only been made in fairly small numbers for the relatively short time span of circa 1680-85. Two comparable cases housing movements and dials by Joseph Knibb are illustrated in Dawson, Percy G.; Drover C.B. and Parkes D.W. Early English Clocks on page 254 (Plate 340) and Lee, Ronald A. The Knibb Family * Clockmakers on page 32 (Plate 23); another this time for a movement and dial by Joseph Windmills, is pictured in Bruton, Eric The Wetherfield Collection of Clocks on page 134 (number 83); and finally a fourth by Tompion can be found in Dawson, Percy G. THE IDEN CLOCK COLLECTION on page 70. The dial of the present clock notable in that there is no subsidiary seconds to the centre, this very much follows the practice of Joseph Knibb, who from about 1680, appeared to more often than not dispense with the provision of a subsidiary seconds dial. From this it would seem that with the current clock Clement was keeping abreast of fashion by supplying an example which emulated that of his prolific rival.
Lot 179
A rare William III ebonised table timepiece with alarmJohn Bushman, London, circa 1695The five finned baluster pillar single fusee movement with verge escapement regulated by disc-bob pendulum and pull-wind alarm mechanism incorporating vertical verge crown wheel and pallets to the cranked hammer arbor for sounding on the bell mounted above the plates, the backplate applied with pierced leafy backcock apron and alarm winding pulley over symmetrical scrolling foliate engraved decoration enveloping a central oval herringbone-bordered cartouche enclosing signature John Bushman, LONDON, the 7 inch square brass dial with ringed winding hole, herringbone border engraved shaped false bob aperture and scroll decorated calendar to the finely matted centre within silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and Arabic five minutes to outer track, with fine sculpted pierced steel hands including another for alarm setting and silvered cast winged cherub head spandrels to angles, the case with foliate bud cast hinged brass carrying handle to the domed caddy superstructure and pair of brass vase finials over complex top mouldings and glazed front door applied with scroll-pierced brass repousse mounts to frame, the sides with rectangular windows and the rear with rectangular glazed door applied with further repousse mounts set within the frame of the case, the base with further complex mouldings to the shallow skirt over block feet, 35cm (13.75ins) high excluding handle. John Bushman (Buschmann) is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as a `High German` watchmaker born in Hagen (Augsburg) circa 1661 and was made brother of the Clockmakers` Company in September 1692. He first married Mary Wyatt in the Parish of St. Margaret, Westminster in December 1690 with whom he had four children; and then Elizabeth Hill at All Hallows, Staining in 1695 with whom he had eight children (most dying in infancy). In 1697 John Buschmann signed the Clockmakers' Company the oath of allegiance; he was subsequently made an Assistant in 1720 and died in 1722. John Buschmann was descended from a celebrated dynasty of clockmakers who worked from Augsburg throughout the 16th and 17th centuries. These roots allowed relatively easy access to the lucrative German market, consequently many of his clocks were made for export. His work tends to be of fine quality and fairly diverse in specification with miniature and month duration table clocks known. Indeed the relatively diverse nature of his output probably reflected the need for him to be flexible in order to satisfy the individual requirements of his wealthy European clients. The backplate of the current lot exhibits particularly fine engraving which closely conforms to that executed on many clocks by Thomas Tompion by engraver G195 as discussed in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass 1660-1800 in Appendix 1 (pages 379-95). In particular, on page 385, Dzik illustrates (Figure 5) the backplates of Tompion numbers 410 and 417 with self-crossing vines and 'fluffy flowers' highlighted; when these are compared to the decoration seen on the present backplate the match is almost exact hence, from this evidence, it would be appropriate to surmise that it was also engraved by Tompion's engraver G195. The current lot is unusual in that it is an alarm timepiece only, this would suggest that it was made exclusively for use in the bedchamber. From this it would be appropriate to speculate the original owner was probably a particularly wealthy individual who could afford a timepiece for this purpose alone rather than having a clock which was designed to also be taken 'downstairs' for use during the day. On closer examination the pendulum of the current lot has been converted from a fixed bob with rod applied directly to the pallet arbor to a disc-bob pendulum with suspension and driven by a crutch (the verge escapement survives in its original configuration). The presence of a silk suspended pendulum would indicate that the present timepiece has spent time on the Continent as this feature is typical of clocks made in near Continental Europe rather than the fixed-bob arrangement favoured by English makers. With this in mind it is likely that the current timepiece was probably made by Buschmann for a client based in Continental Europe, perhaps Germany, hence may well have spent most of its life residing in a bedchamber of a German Schloss.Condition Report: The movement appears to be in fine original condition with no evidence of alteration or noticeable replacements other than the pendulum which has been converted from a fixed bob arrangement to a lenticular bob with silk suspension driven by a crutch. There is no evidence of the clock ever being converted to anchor escapement. The movement is fully operational and reasonably clean however a gentle clean/service is advisable before putting it into service. Overall the mechanism shows little wear indicative of an 'easy life'.The dial is also in good original condition with no visible evidence of alterations or significant replacements with the possible exception of the alarm setting hand which may be non-original. The spandrels are silvered with some wear to high spots and the chapter ring has overall patchy tarnishing to the finish. The dial plate has a good overall slightly mellow colour and appearance.The case is generally in structurally sound condition with faults mainly limited to external bumps, scuffs, bruising, shrinkage, veneer chipping and wear. The repousse mounts to the front door are heavily discoloured with a loss to the right-hand vertical mount and break to lower rail mount. The two rear finials are missing and the front right hand is repaired, both finials and the handle are heavily discoloured. The case retains its original locks and hinges and the internal dial mask is free from losses only having slight cracking/lifting to the veneer overlap to the top right hand corner. The centre of the upper rail above the dial has a hole almost certainly for a turn-tab (to hold the dial tight against the mask in the case) which is no longer present. The rear door has small repousse mounts - the upper and right hand examples are incomplete, the left hand (forming the key escutcheon) is lacking. The block feet are replacements.The surface has an old fairly heavy poorly-applied uneven polish and the interior has old thick wash of black gadding to the overall neglected feel to the case. There is no winder or case key present - the front door is now held with an external pivoted hook catch. Condition Report Disclaimer
Lot 180
A fine Charles II ebonised thirty-hour longcase clock with unusual figural engraved 10 inch dialUnsigned but possibly by John Wise, London, circa 1678The four-finned and latched pillar bell striking movement with plates measuring 6.75 by 4.75 inches and anchor escapement regulated by seconds pendulum, the strike train with double-cut external countwheel and sounding on a large vertically planted bell supported above the plates on a large triangular iron stand screwed to the backplate, the 10 inch square brass dial finely engraved with figures morphing into bold foliate scrolls depicting a Centaur with a bow and arrow challenging a dolphin over a trumpeting putto and incorporating calendar aperture to centre, within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with fine generous scroll-pierced sculpted steel hands and the upper spandrels engraved with reclining naked figures of Chronos to the left opposing a cellist to the right, the lower spandrels with stylised foliate designs within line scribed border to the edge of the dial plate, the case with triangular pediment over generous ogee moulded cornice, plain frieze and Solomonic twist three-quarter columns flanking the fixed dial aperture, the sides with large rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with convex throat moulding over 41 inch rectangular door centred with an oval lenticle and with early type eagle-head cast brass escutcheon mount within D-moulded surround, on plinth base with stepped ogee top moulding and bun feet, 204.5cm (80.5ins) high. The current lot is extensively photographed and described in Darken, Jeff and Hooper, John English 30-Hour Clocks Origin & Development 1600-1800 pages 59-63 and 324. In addition of having the rare feature of a double-cut countwheel (that revolves once rather than twice every twenty-four hours), Darken and Hooper also note that the wheels are mounted directly onto shaped and tapered arbors without the use of collets. The inverted Y-shaped bell support is also highlighted with this feature leading Darken and Hooper to confidently suggest an attribution to John Wise senior (along with the countwheel and general 'feel' of the movement). Finally the cataloguer also notes that the turning of the movement pillars, with the fins being divided from the knops by fluid u-shaped channels, is executed in a manner often seen in movements by the Wise family; an example sharing this detail by Thomas Wise was sold in these rooms 7th September 2010 (lot 112). Indeed the movement is very well built with confident detailing and generous use of materials throughout which certainly befits a maker of Wise's calibre. John Wise senior is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Banbury, Oxfordshire in 1624 and apprenticed to Peter Closon through Thomas Dawson in 1638, gaining his Freedom in October 1646. He apparently lived in Warwick 1653-68 where he repaired the clocks at St. Nicholas and St. Mary`s churches, the latter providing the venue for the baptism of three of his children. He moved back to London in 1669 where he was re-admitted to the Clockmakers` Company by redemption. He took many apprentices including no less than six of his sons; Richard (Free 1679), John (Free 1683), Thomas (Free 1686), Joseph (Free 1687), Peter (Free 1693) and Luke (Free 1694). He worked from 'neer the Popeshead in Moorfields' and was recorded as a recusant in 1682/3. John Wise senior died in 1690 and was buried at St. Andrew's, Holborn.The extraordinary engraved decoration to the dial of the current lot is both very fine in its execution and highly original in its design. Although extremely unusual this particular type of decoration is not unique as one or two other examples are known to exist including a hooded wall clock and a dial from which the upper spandrel decorations were transcribed and used to decorate the cover and frontispiece of W.F. Bruce's 2013 catalogue of EARLY ENGLISH LANTERN CLOCKS 1615-1700.Finally the case being ebonised pine is a notably rare survivor. The hood has the early feature of large side windows and has not been cut for a door at the front. Although retains its original rising channels to the rear inner edges the corresponding tongues to the backboard are no longer present hence it can now be drawn forward rather than having to be drawn upwards to expose the dial. The trunk door is also fitted with a rare form of 'eagle-head' cast brass key escutcheon mount which is only generally seen on early architectural cases.
Lot 181
A William III walnut and floral marquetry longcase clock of one month durationThomas Stubbs, London, circa 1695The six finned pillar bell striking movement with five wheel trains, high position external countwheel and anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with ringed winding holes, conforming calendar aperture and subsidiary seconds dial to the rosette decorated matted centre within applied Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Tho: Stubbs, Londini Fecit to lower edge, with fine pierced and sculpted steel hands and winged cherub mask and scroll cast spandrels to angles within a fine herringbone engraved border, in a case with ebonised ogee moulded cornice and floral trail engraved frieze over fixed glazed dial aperture incorporating conforming marquetry to surround and flanked by Solomonic three-quarter columns to the front angles, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with stylised dolphin and floral trail decorated convex throat moulding over 42 inch rectangular door inlaid with an architectural urn within bird inhabited flowering foliage into an ebonised ground and centred with an oval lenticle, the sides now veneered with twin line-bordered panels over base with stepped ogee top moulding and later floral marquetry to fascia, on moulded skirt, (case with historic repairs/restoration), 220cm (86.5ins) high. Thomas Stubbs is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as apprenticed to John Lyon of Warrington and was made a Free Brother of the Clockmakers' Company in 1685. He did not sign the 1697 oath of allegiance and Loomes notes that there appears to be no record of him after 1698.Condition Report: Movement has survived in good original condition with the only noticeable replacements being the escapewheel and pallets. The mechanism will run and strike however the line for the strike train is currently snapped and the mechanism is in dirty/neglected condition hence a sensitive clean/service will be required before the clock could be put to use. The seatboard is probably original however it rests on blocks approximately 1 inch thick applied to the tops of the cheeks hence we cannot offer any assurances that the movement and dial are original to the case although both are very well suited and are a very good match in both age, quality and proportions. The movement is also secured in position via an iron steady post mounted on the backboard and pinned through the backplate. This detail has significant age but may not be original.The dial has lost its silvering and is a generally somewhat dirty/discoloured but otherwise appears to be in sound original condition retaining original hands and spandrels.The case can be best overall described as being sound but in unrestored 'country house' condition with 19th century restoration/improvement and overall minor shrinkage bumps, scuffs and other faults commensurate with its age and a period of neglect. The top board to the hood is an older replacement with some historic worm damage, the hood was rising and now slides forward - the front has never been cut for a door and the carcass is very sound with relatively minimal movement. Externally the veneers to the sides are 19th century replacements (burr figured) and there are some losses to the chin mouldings most notably to the rear of the left hand side. The trunk has also had the sides and the frame surrounding the door have also been re-veneered in burr figured timber (possibly elm or maple?) most likely during the 19th century but otherwise are in good condition. The trunk door retains original marquetry veneers with some minor lifting towards the upper and lower margins (where the bracing clamps are joined to the main board of the door). Internally the trunk door hinges are 19th century replacements but the lock appears original. The backboard continues into the base but stops probably around 4-5ins short of where the original level of lower edge of the external 'box' of the base would have been. The sides continue down to the same level - it is possible that this is the original length of each (being a 12 inch dial case) or they have lost up to 4-5 inches off their height at the bottom. The exterior 'box' of the base is entirely 19th century (including the top mouldings which abut the lower edge of the door) and have been veneered in the same burr veneers as the sides of the trunk and hood. The front incorporates marquetry which despite a heavy vertical crack down the centre appears essentially complete. The skirting is also a 19th century addition. The clock has a pair of heavily modified brass-cased weights, a pendulum and case key but no winder. Condition Report Disclaimer
Lot 183
A fine and Rare William and Mary small figured walnut eight-day longcase clock Christopher Gould, London, circa 1690The six finned and latched pillar bell-striking movement with plates measuring 7.75 by 5.5 inches and anchor escapement regulated by seconds pendulum, the strike train with external countwheel for sounding the hour on a bell mounted above the plates, the 10.25 inch square brass dial with ringed winding holes to the finely matted and rose engraved centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and Arabic five minutes to the narrow outer track, with scroll pierced sculpted steel hands and winged cherub mask and scroll cast spandrels to angles incorporating leafy trail engraved infill decoration between and signed Chr' Gould, Londini fecit to lower margin, the case with generous projecting ogee cornice and foliate scroll pieced frieze fret to the entablature above hinged glazed dial aperture flanked by Solomonic columns, the sides with rectangular glazed windows and conforming quarter columns set against bargeboards at the rear, the trunk with convex throat over 41 inch rectangular door veneered in burr walnut, with scroll cast brass key escutcheon mount and bordered by crossgrain D-mouldings, the sides with three crossbanded panels, the plinth base with stepped ogee top moulding over crossbanded burr-figured front panel and bun feet, 190cm (74.75ins) high.Although Christopher Gould is generally regarded as one of the leading makers from the 'Golden Period' of English clockmaking relatively little is known about him. He is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as being made Free Brother of the Clockmakers' Company in April 1682 and is believed to have been married to Mary Rand in January 1684. Gould took many apprentices including Andrew Clarke (through Daniel Stevens) in 1682; Thomas Cartwright (through Richard Watts) in 1693 and Charles Gould (son of John Gould of Middlemarsh, Dorset) in 1701. In 1697 Gould signed the Clockmakers' Company oath of allegiance and is thought to have married his second wife, Jane Cosham, in 1702. In 1713 Gould was made a Beadle but had become destitute (was declared bankrupt in 1706) and received a charity pension from the Company until his death in 1718. His widow subsequently received the pension until at least 1720 when it is thought she paid off a debt of £5 19s 4d to the estate of the watch casemaker, William Jacques.Many examples of Gould's work survive and are generally of very high quality in both their construction and design. Most notable are a series of miniature longcase clocks, an example of which is illustrated in Dawson, Percy G.; Drover C.B. and Parkes D.W. Early English Clocks on page 289 (Plate 402). In addition Gould is also known for his miniature hooded wall timepieces (see Early English Clocks pages 491-92, Plates 726-28) as well as at least two surviving magnificent 'mulberry' veneered grande-sonnerie striking longcase clocks with cases supplied by Tompion's casemaker (see Darken, Jeff Ed. Horological Masterworks pages 198-203).The movement of the current clock is finely made with six latched pillars and the case can perhaps be justified in being described as perfect in its proportions. Furthermore the use of fine figured veneers uninterrupted by a lenticle (or any other form of decoration) exhibits a degree of restrained sophistication that places it amongst the best examples of the period. Indeed it is suggested by Percy Dawson in Early English Clocks (on page 267) that the generous use of fine tightly figured walnut arguably reached it height during the 1690's, with two cases, both dating to around 1690 and housing movements by Tompion and East, being subsequently pictured on page 279 (Plates 379-80) to illustrate his observations. The case of the present lot would certainly sit alongside the two illustrated by Dawson and also benefits from having particularly fine mellow colour and patination.Condition Report:Condition reports for this lot are available from the Clocks Department upon request (clocks@dreweatts.com).Condition Report Disclaimer
Lot 184
A Queen Anne walnut eight-day longcase clock with moonphaseSimon DeCharmes, London, circa 1710The five finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with ringed winding holes, subsidiary seconds dial and calendar aperture to the matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with steel hands and mask and scroll cast spandrels to angles beneath shallow-profile arch centred with a subsidiary 'penny-moon' dial incorporating engraved lunar disc to verso and ring engraved for the age of the lunar month to circumference flanked by unusual winged cherub inhabited scroll cast gilt mounts, the case now with generous break-arch cornice over hinged glazed dial aperture and rectangular side windows to hood, the trunk with 41 inch quarter-veneered rectangular door and sides incorporating veneered panels within crossbanded front and rear margins, on conforming plinth base with generous cavetto skirt, (case with alterations), 217cm (85.5ins) high. Simon DeCharmes was a French Huguenot immigrant clockmaker who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working from circa 1688, he became a free brother of the Clockmaker's Company in 1691 and is thought to have been working in London until around 1730 before possibly returning to Paris.
Lot 185
A figured walnut eight-day longcase clock with moonphaseThe dial signed for John Hodges, London, circa 1730 and laterNow with purpose made four pillar rack and bell striking movement incorporating anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and Ho-Ho bird decorated calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced steel hands and female mask and scroll cast spandrels to angles within a herringbone engraved border now incorporating Strike/Silent switch at 9 o'clock, the arch with rolling moonphase featuring aperture revealing age of the moon at the apex flanked by herringbone engraved infill over scroll engraved lunettes and with applied silvered plate engraved JOHN HODGES, ST CLEMENTS LANE, LONDON to upper margin, in a case with ogee cornice and scroll-pierced quadrant sound frets over hinged break-arch glazed dial aperture flanked by columns and rectangular side windows with conforming quarter columns set against bargeboards to the rear, the trunk with concave throat over triple-line strung break-arch door with fine crossgrain mouldings over conforming plinth base with later moulded skirt incorporating shaped apron, 231cm (91ins) high. A John Hodges is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born around 1700 and apprenticed to Francis Chapman in 1714. He gained his freedom of the Clockmakers' Company in 1722. These records are believed to relate to the maker of the same name who is known to have been working from St. Clements Lane, London in 1729 and Exchange Alley in 1738.The movement of the current lot has been renewed most likely in the mid 19th century with the original substituted by a well-executed mechanism made to fit the original dial without alteration to the latter.Condition Report: As catalogued the movement is a 19th century replacement purpose made for the movement and dial hence all functions are connected and there is no awkward 'adaptations' to the dial to make the movement fit. The mechanism is working order but requires a clean/service before putting to use. The dial is in sound but dirty/discoloured condition. The left hand margin has a strike/silent lever which is probably and addition including the engraved text to the chapter ring. The hands are 19th century replacements.The dial is probably original to the case however as the movement is a replacement no categorical assurances can be given. The case is generally in good original unrestored condition. The hood may have originally had a caddy superstructure and the frets have some lifting/distortion as well as one or two small losses. The right hand throat moulding has a horizontal crack. The trunk door has relatively light horizontal shrinkage cracking to the base of the arch and just up from the lower edge; the frame around the door also has a couple of cracks. The plinth has some edge chipping and wear to the veneers otherwise appears in sound condition, the skirting is a later addition. Faults are otherwise generally limited to relatively light age related bumps, scuffs, shrinkage and wear commensurate with age.Clock has two weights, pendulum, case key but no winder. Condition Report Disclaimer
Lot 186
A George III mahogany table clockStephen Hale, London, circa 1785The five pillar twin fusee bell-striking movement with verge escapement regulated by short bob pendulum, trip hour repeat and backplate engraved with asymmetric rococo scrolls, the 7 inch brass break-arch dial with calendar aperture and arched silvered nameplate signed Stephen Hale, Highgate to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to the outer track, with pierced steel hands and rococo scroll cast spandrels to angles beneath arch centred with a subsidiary STRIKE/SILENT selection dial flanked by conforming mounts, the bell-top case with hinged brass carrying handle and pineapple finials to superstructure over double-cavetto top mouldings and front door incorporating raised mouldings to the break-arch glazed dial aperture and foliate scroll pierced upper quadrant frets, the sides with circular over concave-topped rectangular windows, the rear with rectangular break-arch glazed door set within the frame of the case, on cavetto moulded skirt base with cast brass ogee bracket feet, 46cm (18 ins) approx. high excluding handle; with a mahogany wall bracket, with cavetto-edged platform over single down-curved tapered square section support incorporating complex top mouldings at the junction with the platform, 15cm (6ins) high; the clock on wall bracket 61cm (24ins) approx. high excluding handle. Stephen Hale is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Highgate, London from before 1772 until 1808.
Lot 187
A George III brass mounted mahogany table clockBenjamin Sidey, London, circa 1785The five pillar twin fusee bell striking movement with chinoiserie backplate engraved with a pagoda framed by a trellis and pair of pilasters issuing stylised palm leaves within a geometric border, the 7 inch brass break-arch dial with calendar and false bob apertures and silvered nameplate signed Benj Sidey, London to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to the outer track, with pierced steel hands and rococo scroll cast spandrels to angles beneath arch centred with a subsidiary Strike/Silent dial flanked by conforming mounts, the triple-pad top break-arch case with hinged brass carrying handle to brass fillet-bordered top panel over complex arch mouldings and hinged front door inset with conforming brass fillet surround to the glazed aperture, the sides with arched brass fishscale sound frets and the rear with break-arch glazed door set within the frame of the case, on cavetto moulded skirt base, 38cm (15ins) high excluding handle. Benjamin Sidey Jnr is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed (presumably to his father of the same name) in 1731 and gaining his freedom of the Clockmaker's Company in 1738. He subsequently worked from Moorfields, London until 1795.Condition Report: The movement has been converted from short bob pendulum regulated verge escapement to anchor escapement. This has been done with minimal intervention to the plates although the backcock is a replacement. The clock therefore has potential for reconversion (if so desired) back to verge which could be done leaving little to no visible evidence of having ever been anchor. Otherwise movement has no visible evidence of alteration or significant replacements. The movement is in working condition although a gentle clean/service is advised before putting it into service.The dial is in good original condition retaining attractive old surface exhibiting some discolouration to the silvered areas. The hands appear all-original.The movement and dial appear original to the case and retains the original seatboard which now has some metal plates to ensure sound support for the movement. The securing bolt for the base pillar is present but is snapped; there is evidence in the rear side uprights of the case of movement of simple movement securing brackets being fitted at sometime with one matching a corresponding hole on the movement backplate, these brackets are no longer present and in our opinion do not indicate/confirm that a different movement was fitted to the case at some time.The case is generally in presentable condition with faults mainly limited to relatively minor shrinkage, bumps, scuffs, bruising and wear commensurate with age and use as well as a few historic veneer patch repairs. The front door is missing vertical brass strips to the front edges and there is evidence of feet being fitted which are no longer present.Clock has pendulum, winder and two case keys. Condition Report Disclaimer
Lot 188
A fine George III ormolu mounted ebonised quarter-chiming table clock with pull-trip repeat Ellicott, London, circa 1765 The substantial six pillar triple chain fusee movement chiming the quarters on a graduated nest of six bells and sounding the hours on a further larger bell, the backplate engraved with scrolling foliage around a central rococo cartouche containing a pedestal surmounted with a Classical urn, the 7 inch brass break-arch dial with calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and signed Ellicott, London to lower edge, with pierced steel hands and rococo scroll cast spandrels to angles beneath arch centred with a subsidiary STRIKE/SILENT selection dial flanked by conforming mounts, the bell-top case with brass flambeau finial set on a raised plinth flanked by scroll-pierced brass fret ornaments over rococo scroll cast mounts to each side of the superstructure bordered with brass fillet mouldings to lower edge and flanked by further flambeau finials, over double cavetto top mouldings and rectangular front door inset with brass half-round brass fillet mouldings to the break-arch glazed aperture and upper quadrant panels flanked by female term and scroll decorated canted angles, the sides with heavy hinged brass carrying handles over concave-topped brass bordered rectangular glazed apertures, the rear matching the front on brass bound cavetto moulded skirt base with substantial foliate scroll cast bracket feet, 56cm (22ins) high excluding top finial; 65cm (25.5ins) high overall. John Ellicott F.R.S. is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1706 to John Ellicott senior, a Cornish clockmaker who had gained his Freedom of the Clockmaker's Company in 1696 and died 1733. John junior worked from Swithin's Alley, Royal Exchange, London and was elected member of the Royal Society in 1738. He published works on horology in 1739 and 1753 and is particularly noted for the development of the cylinder escapement and a form of compensated pendulum; he also maintained a private observatory at his home in Hackney. John Ellicott was later appointed as Clockmaker to George III, and took his son, Edward into partnership in 1760 which lasted until his death in 1772. The current lot is a 'textbook' example from a series of quarter chiming and grande-sonnerie table clocks made by the Ellicott workshop during the third quarter of the 18th century. A very closely related example signed for John Ellicott was sold at Bonhams, London sale of Fine Clocks, Wednesday 20th June 2012 (lot 121) realising £20,000 whilst another, this time with fired enamel dial inserts, is currently being offered by Dorset Clocks for £32,500.Condition Report: Movement is in relatively clean working condition; the escapement is a 19th century conversion to anchor which has been done with fairly minimal intervention to the plates hence reconversion back to verge with short pendulum should be fairly straightforward (if desired). The mechanism otherwise is free of any visible alteration with repairs limited to minor rebushing. The dial is in fine original condition although the slivering is now a little worn/discoloured and is generally a little dirty with some localised tarnishing to the brass; the hands appear original and are undamaged. The case is generally in fine original condition with notable faults limited to the top finial being detached (the socket into which it screws is worn) and the front right foot being detached due both the case fixing tabs positioned to the rear of the casting having broken-off (they are both present and screwed to the case). The front left hand style of the case (onto which the female caryatid mount is attached) is a little loose in its joints. The case otherwise is in fine condition with hardly any blemishes or wear hence would have appeared to have had an easy life!Clock is complete with pendulum, case key and winder. Condition Report Disclaimer
Lot 190
A George III brass mounted mahogany musical table clock with fired enamel dialsHare, London, late 18th centuryThe compact five pillar triple chain fusee movement with plates measuring 5.5 by 4.5 inches fitted with transverse arrangement of 3.25 inch pinned barrel and twelve hammers for playing a choice of six tunes on a graduated nest of nine bells after the hour has sounded on a further separate bell, with verge escapement regulated by short bob pendulum and signed Hare, London within a delicate floral engraved cartouche to backplate, the 5.75 inch circular convex white fired enamel Roman numeral dial signed HARE, LONDON to centre, with Arabic five minutes to outer track and pierced gilt brass hands beneath separate small 1.5 inch circular enamel subsidiary tune selection dial radially inscribed BELLISLEDON, MILL MILLONE, ANONYMOUS, WHITE COCKADE, CORN GIGS and TWEED SIDE, in a brass mounted mahogany break-arch 'triple pad top' case with hinged brass carrying handle and fillet edged raised panels to top over cavetto moulded arch and full-height front door fitted with separate cast brass moulded convex-glazed bezels for both the dial and subsidiary above within an arrangement of scroll pierced brass blind fret infill panels and flanked by moulded brass inserts to angles, the sides with brass arcade-bordered arched apertures and the rear with full-width door inset with brass fillet bordered fishcale frets and flanked by moulded inserts to angles, on brass ans mahogany stepped ogee mounded skirt base with ogee bracket feet, (case with probable alterations and adaptations), 37cm (14.5ins) high excluding handle. The current lot is most likely by Alexander Hare who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1776 and working in London 1781-1824.Condition Report: The movement appears complete and is in relatively clean working condition with no noticeable evidence of alteration or significant replacements. Although the musical mechanism is operational the alignment of many of the hammers with regards to the tails engaging with the barrel pins and the heads striking the bells requires attention causing the tunes to have 'gaps'.The dial has repaired enamel chips to the edge between the I and II numerals, at nine o'clock and at six-o'clock as well as some touched-in wear to much of the edges of the enamel. The lower part of the dial has a series of light hairline cracks and there are also a few more beyond the minute ring at 2 o'clock. The winding holes also have some light edge chipping. The tune selection dial appears free form visible damage.The case presents in good decorative order however exhibits details in its construction and detailing which are unusual. The top mouldings are as finely cut as the base mouldings hence are most likely all later replacements. Indeed the dovetail joints of the case can just be seen below the lower edge of these mouldings at the sides suggesting that the original mouldings would have been taller. The form of the set-mask around the dial is unusual as is the way in which it is fitted in the case, this may cause some to suspect that the case has been adapted to take the movement and dial however we cannot see any direct evidence to confirm that this has happened. There is no evidence of the dials having brass bezels fitted to close the gap where they project forward from the mask. The front door is of fairly heavy construction but does not appear to be an obvious replacement. Many of the veneers show very little figuring hence may well be fruitwood stained and polished to resemble mahogany, therefore it is most probable that when made the clock was most likely ebonised; if this is the case then the veneers which are mahogany will replacements. The lower section of the skirt (between the bottom brass moulding and the feet) is a replacement. With the above in mind we have catalogued the clock cautiously as we cannot rule-out the possibility of the case being adapted to take the movement and dial. On this basis we would recommend that prospective purchasers satisfy themselves as to the likely originality of the case or bid in the knowledge that no assurances have been made.Clock does not have a case key or winder. Condition Report Disclaimer
Lot 192
A Regency brass inlaid mahogany bracket clockThe dial signed for William Turner, London, circa 1825The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum and geometric border engraved backplate, the 8 inch circular white Roman numeral dial inscribed W'M TURNER, Fenchurch Steet, LONDON to centre and with pierced blued steel spade hands set behind convex glazed hinged cast brass bezel, the case with brass acorn finial and pyramid upstand over brass trident motif decorated triangular tympanum, the front with stylised leafy spray upper quadrant decoration over shaped line-bordered panel enclosing further brass motifs beneath dial flanked by slender baton-and-dot decorated uprights, the sides with generous rosette cast brass ring handles over rectangular fishscale sound frets, the rear with rectangular glazed door, on shallow skirt base with brass ogee bracket feet, 52cm (20.5ins) high. A William Turner is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a maker of watches and marine chronometers working from Fenchurch Street, London, circa 1825-40.Condition Report: Movement is in clean working condition with no visible alteration or replacements however the backplate is lacking its pendulum holdfast bracket and screw. The dial has been restored to a high standard hence is in fine condition. Case is also in good cosmetically restored condition with faults limited to filled shrinkage crack to the front panel beneath the dial and a few very light bumps, scuffs etc. The bezel may benefit from some adjustment to the hinge as it is currently closing a bit loose.Clock is complete with case key and winder. Condition Report Disclaimer
Lot 28
A Victorian 18ct gold keyless half-hunter pocket watchDent, London, 1895/6The circular frosted gilt three-quarter plate movement with lever escapement regulated by sprung bimetallic balance incorporating ruby cabochon endstone and F/S regulation lever to backcock, the backplate centred with triangular DENT trademark over Watchmaker to the Queen., 61, Strand & 4, Royal Exchange, London, N'r 48816, the white enamel Roman numeral dial with subsidiary seconds and further inscribed DENT, 61 STRAND 7, 4 ROYAL EXCHANGE, LONDON, 48816 to centre and with blued steel spade hands, the three-piece consular case with blue enamel Roman numeral chapter ring and small convex glass to front cover, knurled winding crown to suspension post and monogrammed A.P.P. beneath stag head crest to rear cover, case marked for London 1895, makers mark J.W., 5.1cm (2ins) diameter; with original blue velvet and silk lined tooled morocco leather covered presentation case applied with DENT service label inscribed A.P. Parkes to verso. The highly renowned clock and watch making business Dent was established by the talented horologist Edward John Dent, who at the age of 17, transferred his apprenticeship from the trade of tallow chandler to watchmaking under the charge of Edward Gaudin in 1807. By 1817 he had become well known as a watch and clockmaker receiving commissions from the Admiralty for a 'Standard Astronomical Clock' and pocket chronometers for the Colonial Office Africa Expedition. In 1830 Dent went into partnership with the renowned watch and chronometer maker John Roger Arnold which continued until 1840 when he left and set up business alone as E.J. Dent at 82 Strand, London, primarily making marine chronometers, watches and precision clocks. In 1843 the firm expanded taking on a second premises at 33 Cocksur Street, with the Strand premises moving down the road to number 61 by 1851. In 1852 Edward Dent successfully tendered to make the 'great clock' to be housed in Stephen's tower at the New Palace of Westminster. The clock was completed by 1859, apparently at a financial loss to the firm, however it ensured that Dent became a household name synonymous with fine clockmaking. Unfortunately Edward John Dent did not live to see the installation of the 'great clock' as he died in 1853. He was succeeded by his stepson Frederick Rippon Dent, who, in partnership with his brother Richard, continued to expand the business. By 1862 the firm had added 34 Cockspur Street and 34 & 35 Royal Exchange to their list of addresses and, although having seen natural passage of ownership over the intervening years, the business still continues to trade today as Dent & Co.Condition Report: Movement appears complete and original, is wound but currently not running; the escapement appears undamaged so probably only requires a clean/relubrication. The hand setting function is operational. The dial has light hairline cracks through the centre and there is no inner glass or bezel fitted (no obvious evidence of one being fitted). The case is in good condition with the only notable gault being delamination/significant losses to the gold covering the brass base metal knurled winding crown. The box is in good original condition.Gross weight of watch 106.7 grammes. Condition Report Disclaimer
Lot 29
A Regency 18ct gold open-faced lever pocket watchS. Nickisson, London, 1823The circular four columnar pillar frosted gilt full-plate single fusee movement with English lever escapement incorporating diamond pallets and jewelled pivots for both the escape wheel and pallet arbors and regulated by sprung three-arm gold monometallic balance, the backplate with faceted diamond endstone and FAST/SLOW regulation to the fine foliate scroll engraved backcock and signed S. NICKISSON, LONDON, No. 4306 to the mainspring barrel pivot plate, with gilt brass dust cover, cream Roman numeral dial with subsidiary seconds and gilt spade hands, the three-piece consular case with oval section suspension ring post and engine-turned decoration to rear cover and bezel, case marked for Sheffield 1823, 5.1cm (2ins) diameter. Simon Nickisson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1808-40.Condition Report: Movement is in clean working condition with no visible alteration or replacements. There is an inner dust cover which is in good condition. The dial has a fairly large crudely filled chip to the edge between the III and IIII numerals, a hairline crack through the centre and a very small edge chip at six o'clock. The seconds hand is missing. Case has noticeable wear to the engine turning of the rear cover as well as numerous small dents/rippling towards the edges otherwise is intact and in sound original condition.Gross weight including key and coin fob 143.6 grammes. Condition Report Disclaimer
Lot 3
A rare Regency mercury balloonist's stick barometerCox, London, early 19th centuryWith brass suspension ring above hinged long rectangular door enclosing canted silvered Vernier register plates calibrated from 20 to 31 inches divided into tenths and annotated with the usual observations to the upper left section over signature Cox, London, the inside of the door now applied with mercury Centigrade and Fahrenheit scale thermometer, the rectangular section trunk with slightly bowed sides above stepped moulded ebonised cylindrical cistern cover, 91.5cm (36ins) high; with a brass wall mounted suspension hook. The current lot was almost certainly made by James Cox who is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as an optician, mathematical and philosophical instrument maker working in the Parish of St. Giles, Cripplegate, London from 1810. He is subsequently noted as working from 3 Beach Street, Barbican from 1816 and several addresses including 5 Barbican, 51 Banner Street (St. Lukes) and 85 Lombard Street from 1822 until 1855. A related instrument (also by Cox) was sold at Bonhams, London Fine Clocks 17th June 2008 (lot 13) for £3,600. The scale ranging down to 20 inches would allow the balloonist to take readings up to just over 10,000 feet in altitude. Condition Report: Tube is filled with mercury with no air locks. The silvered scale is in good condition with only a few very light/small belmishes. The thermometer is probably later in good condition with the silvering matching that of the register plate. The case is in fine condition with no visible significant faults other than probable attention to the areas around the hinges for the front cover. Condition Report Disclaimer
Lot 48
A William and Mary eight-day longcase clock movement with 10 inch dialUnsigned, circa 1690 and laterThe outside countwheel bell striking movement with four (formerly six) finned pillars pinned through the backplate and anchor escapement for regulation by seconds pendulum, the 10 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre within applied narrow Roman numeral chapter ring now reversed with the rear engraved with feathered cruciform half hour markers and small Arabic fine minutes within the slender minute ring, now with rococo scroll cast spandrels to angles, (the trains with significant historic reworking and replacements, no pendulum or weights). Although the current movement has seen a significant degree of reworking and replacements to the trains several interesting details survive. Perhaps the most notable are the movement pillars which are unusually pinned through the backplate. This detail is very rarely seen on London made examples but appears in the work of John London of Bristol in particular a movement illustrated in Darken, Jeff (ed.) TIME & PLACE English Country Clocks 1600-1840. In addition to being pinned through the backplate the present mechanism was also originally made with six (perhaps even seven) pillars which again mirrors the example by John London. The dial is also noteworthy in the plate is particularly thick at the centre (in excess of one eighth of an inch) but thins down to less than half of this thickness at the edges. This feature has been observed on early examples from the workshop of Joseph Knibb in particular during his time in Oxford and is suggestive of a high quality approach by a regional maker. The chapter ring has been reversed but retains its original engraving to the reverse side. This engraving is fairly distinctive with very tight and heavily 'feathered' cruciform half hour markers which at first glance can be mistaken for asterisk markers - a design favoured by early West Country makers. The chapter ring is also fairly narrow measuring only 1.375 inches which is suggestive of an early date.The movement has clearly seen alterations mostly to the strike train. Evidence in the plates indicates that the pivots were positioned further towards the centre and form an inwards arc. This allowed for a seventh pillar to be positioned towards the right hand margin to match the one on the left. It would also appear that original escape wheel was of smaller diameter and the pallets were positioned lower down. From this it is maybe appropriate to speculate that the subsequent provision of a larger diameter escape wheel required the repositioning of the strike train due to lack of space. In all the current lot is very much an interesting relic which could either serve as a study-piece or be restored as a functioning relatively early movement with a 10 inch dial.
Lot 49
A George III eight-day longcase clock movement and dialBenjamin Gray and Justin Vulliamy, London, circa 1770The five pillar rack and bell striking movement with anchor escapement incorporating delicate inverted Y-shaped pallets regulated by a wood-rod seconds pendulum with large brass-faced lenticular bob, the 12 inch square brass dial with large diameter subsidiary seconds ring over applied shaped nameplate engraved Benj'n: Gray, Just: Vulliamy, London and calendar aperture to the finely matted centre within an applied Roman numeral chapter ring with Arabic five minutes to outer track, with scroll-pierced steel hands and twin bird and urn cast brass spandrels to angles (no weights). Very little is known about Benjamin Gray however in 1738 he was working from 'Ye Sun Dyall in Thatched House Court', St. James' Street West with these premises, along with others, previously being Lord Shelburn's house, which was demolished. In 1742 he became watchmaker to King George II. Justin Vulliamy was born in Pay de Vaud, the watchmaking heartland of Switzerland, in 1712. He initially trained and moved to Paris to make watches there, but when George Graham invented the cylinder escapement he came to London (in around 1730), to familiarise himself with it. It was around this that time he met Benjamin Gray with whom he subsequently formed a partnership. In 1746 Vulliamy married Benjamin's daughter, Mary and they subsequently had four children, Jane, Benjamin, Lewis and Mary. Justin Vulliamy was proud of his roots, and took the lead in permanently establishing the Swiss Church in London in 1762. Whilst Vulliamy was in partnership with Gray their work was signed with both names. After the death of Gray in 1764 Vulliamy signed with either his full name or the shortened version 'Just. Vulliamy'. In around 1780 Justin's son, Benjamin, joined his father in partnership and the workshop subsequently adopted the practice of signing their work with the family surname 'Vulliamy' alone. Justin Vulliamy died in 1797 leaving the business in the hands of his son, Benjamin, who in turn passed it on to his son, Benjamin Lewis, who worked from 52 Pall Mall, served as Warden of the Clockmakers' Company 1821-5 and was appointed Master five times. All three generations of the Vulliamy clockmaking family benefitted from Royal patronage. Condition Report: The movement is complete and appears all-original with no evidence of alteration or noticeable replacements. The mechanism is in working condition but is a little dusty from storage so a gentle service is advised. The crutch appears original but is bent. The dial has lost its silvering to the chapter ring, seconds dial and signature plate otherwise retains old (perhaps original) finishes in good condition albeit now somewhat a little muted/mellow in color. The hands and spandrels appear original and undamaged; the hands have been black painted. There is s mall slot to the edge of the plate at 9 o'clock suggesting that a strike/silent selection lever was once fitted but is no longer present.The movement retains securing bolts to the lower pillars, has a wood rod pendulum, lines but no seatboard, pulleys or weights. Condition Report Disclaimer
Lot 52
A rare weight driven small 'diamond' dial wall timepiece movement with alarmUnsigned but with similarities to the work of the Knibb family, late 17th centuryThe four distinctive baluster pillar turned movement with slender plates measuring 7 by 2.75 inches enclosing three wheel train incorporating verge escapement regulated by short bob pendulum, the frontplate with the top corners cut to follow the profile of the dial and the right hand side applied with a transverse alarm mechanism sounding on a small bell mounted above the plates, the 6 inch square brass dial orientated 45 degrees to form a diamond and with starburst engraved alarm setting disc to the matted centre within applied silvered Roman numeral chapter ring with unusual pendant half hour markers, with pierced steel hand and winged cherub mask spandrels to angles. Diamond dial wall timepieces are an unusual and rare variant which appeared to gain some popularity during the latter quarter of the 17th century as an alternative to lantern or hooded alarum timepieces. Such timepieces are discussed by Bill Linnard in his three articles entitled Diamonds are Forever?, More Diamond Dials and Diamonds Galore published in the May 2005, April 2006 and April 2007 issues of the Horological Journal respectively. Linnard surveys thirteen other examples which he dates between circa 1670 and 1740. The earliest example he describes is a thirty-hour single-handed spring driven timepiece by John Wise of London which he dates to around 1670, with the next being the circa 1680 weight-driven alarm timepiece by Joseph Knibb illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks on page 530 (plates 781-3). Other examples by Leading London makers such as Tompion (now cased as a table clock) and Samuel Watson are also discussed. More recently diamond dial wall timepieces have featured in articles published in Antiquarian Horology by Jonathan Betts (Showtime at Oxnead: The timekeepers depicted in 'The Paston Treasure; Vol XXXIX June 2018, pages 215-24) and Martyn Pettifer (Another Diamond; Vol IVI June 2020, pages 209-13).It would appear that the vast majority of diamond dial wall timepieces were constructed with one of the movement plates formed with the top and bottom sections angled by ninety degrees to create integral top and bottom plates to which the other plate is joined by pinned tenons. This type of 'box frame' construction can be seen on an example by John Knibb, Oxford (ex Shapiro collection) sold in these rooms on Tuesday 11th March 2014 (lot 144) as well as the timepiece discussed by Martyn Pettifer in his article. The construction of the current lot however is more akin to that of traditional longcase or table clocks with plates united by separate turned pillars, hence can be compared to the relatively early example by Joseph Knibb illustrated in Early English Clocks on page 530 (plates 781-3). In addition to the general basic layout of the movements both the current lot and the example signed by Joseph Knibb have related baluster-shaped pillars; with the castings seen on the present example being of the pattern often seen on table clocks by both the brothers John and Joseph Knibb. In addition to the presence of the distinctive pillar castings the wheelwork of the present movement is also notably fine incorporating concentric line detailing to the rims and a greatwheel of 96 teeth. The movement plates are also reasonably thin/delicate which when considered alongside these other factors would support the idea that the mechanism was perhaps made in the workshops of either John or Joseph Knibb and then supplied to another maker for finishing. Condition Report: The movement has at one point been converted to anchor escapement hence the current escapement is a re-conversion. The backplate has spare holes form the anchor backcock as well as a filled aperture for the previous anchor pallet arbor and another threaded hole most likely from an alternative previous location of the bell stand as well as one lower down for a pendulum hook. The frontplate has a spare hole from the previous anchor pallet front pivot otherwise appears to be in original condition. The alarm mechanism is a restoration. The movement is in working condition. The dial is in good original condition except for the lower spandrel which has now been substituted for section of engraved brass fret and the chapter ring is no longer silvered. The seatboard is most likely later and there are no weights, pulleys or lines present with the timepiece.The overall design would suggest that the mechanism rested in a seatboard into a case that was essentially either of relatively standard rectangular design but with diamond dial aperture, or a case of diamond form (matching the dial) but with a fairly large frame to enclose the movement and allow for a narrow seatboard. Condition Report Disclaimer
Lot 53
A rare William III small 'diamond' dial wall timepiece case and dialSigned for Cornelius Herbert, London, circa 1695Now fitted with a later French circular eight-day timepiece movement incorporating platform lever escapement, the 4.75 inch square brass dial orientated 45 degrees to form a diamond and signed Cor: Herbert, London Bridge to the foliate scroll engraved centre within applied silvered Roman numeral chapter ring with lozenge half hour markers and Arabic five minutes to outer track, with winged cherub mask spandrels to angles, the case with slightly canted sides incorporating rope line exit holes to the base and applied with projecting scroll pierced cast brass mounts to the centre of each side section, overall width 21cm (8.5ins). Cornelius Herbert (Harbert) is recorded in Loomes, Brian Clockmakers I Britain 1286-1700 as apprenticed to Davis Mell in 1659 then almost immediately William Grout after Mell's death. He gained hid freedom of the Clockmaker's Company in 1667/8 and took his son of the same name as an apprentice in 1690/1. He signed the Clockmakers' Company oath of allegiance in 1697. His son gained his freedom in 1700/1 hence most likely made clocks alongside his father until the latter's death in 1709/10. Diamond dial wall timepieces are an unusual and rare variant which appeared to gain some popularity during the latter quarter of the 17th century as an alternative to lantern or hooded alarum timepieces. Such timepieces are discussed by Bill Linnard in his three articles entitled Diamonds are Forever?, More Diamond Dials and Diamonds Galore published in the May 2005, April 2006 and April 2007 issues of the Horological Journal respectively. Linnard surveys thirteen other examples which he dates between circa 1670 and 1740. The earliest example he describes is a thirty-hour single-handed spring driven timepiece by John Wise of London which he dates to around 1670, with the next being the circa 1680 weight-driven alarm timepiece by Joseph Knibb illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks on page 530 (plates 781-3). Other examples by Leading London makers such as Tompion (now cased as a table clock) and Samuel Watson are also discussed. More recently diamond dial wall timepieces have featured in articles published in Antiquarian Horology by Jonathan Betts (Showtime at Oxnead: The timekeepers depicted in 'The Paston Treasure; Vol XXXIX June 2018, pages 215-24) and Martyn Pettifer (Another Diamond; Vol IVI June 2020, pages 209-13).
Lot 54
An unusual oak earth-driven electromagnetic longcase timepiece with moonphaseL. Allen, Southport, 20th centuryThe four pillar movement with X-shaped plates incorporating ratchet escape wheel advanced and checked by an arrangement of levers fitted to the upper section of the one-and-a-quarter seconds wood-rod pendulum incorporating a brass-cased electromagnetic coil passing around a fixed horizontal iron bar over the cylindrical brass bob, with impulse field activated by electrical contacts and circuitry fitted at the base of the movement and with suspension from a brass post fitted to the case backboard, the 10 inch square brass dial with foliate scroll engraved centre signed L. Allen, Southport incorporating recessed revolving moon and concentric silvered Arabic calendar ring within applied Roman numeral chapter ring, with scroll pierced blued steel hands, brass calendar pointer and scroll cast spandrels to angles, the eighteenth century style oak case with scroll-pierced crest to front and sides over ogee cornice, plain frieze and three-quarter columns flanking the fixed glazed dial aperture, the trunk with ogee throat over slender caddy-moulded lift-out panel flanked by quarter columns, the plinth base with cavetto top moulding over lenticle-centred lift-out front panel flanked by canted angles, on ogee bracket feet, 198cm (78ins) high. Provenance: The property of a private collector, Hertfordshire; purchased at Bonhams, London sale of Fine Clocks 9th July 2013 (lot 92) for £3,000. The current lot appears to be a well-made one-off design which would seem to operate in a manner similar to that devised by Percival Arthur Bentley in 1910.Condition Report: Timepiece is in sound original unrestored condition and is in working condition (was running when removed from the vendors house). It will require a power supply and a precautionary gentle service is advised before putting it into long term service. The dial is in god original unrestored condition with some minor age related patches of discolouration in places. The case also is in good original unrestored condition however some of the joints in the base have now become loose hence will require re-gluing. The finish has a few bumps, scuffs and scratches commensurate with age and use and would generally benefit from a good wax. Condition Report Disclaimer
Lot 55
An electro-magnetic 'Jubilee' longcase regulator timepieceJohn Wilding, Petworth, 1992Built to a design by E.T. Wesbury with Scott's notched escapewheel shunted by a detent attached to the shaft of the seconds pendulum incorporating heavy cylindrical iron bob and T-bar suspension and impulsed by a second detent driven by a twin coil solenoid activated by electrical contacts opened and closed by the escapement, the mechanism applied to a shaped cast iron backplate incorporating wide-jaw pendulum suspension bracket and posts to support the brass plates for the dial motionwork driven by worm take-off from the escapement, with skeletonised Roman numeral chapter ring signed John Wilding, Petworth 1992 to inner margin and brass hands, the case with moulded cornice above tall rectangular glazed front door and conforming windows to sides, on plinth base with moulded skirt, 163cm (64.25ins) high. Provenance: The property of a private collector, Hertfordshire; purchased from a selection of clocks consigned by John Wilding offered at Bonhams Knightsbridge, London in their sale of Clocks and Watches 24th May 2011 (lot 279) for £660. John Wilding initially worked as an agricultural engineer after WWII whilst making clocks from articles published in Model Engineer in his spare time. This led to him devising horological projects which became the subject of instructional articles in the same periodical as well as the Horological Journal. For a short period John Wilding worked in a London horological workshop managed by Ron Rose and as a wheel cutter which provided him with the additional skills and knowledge to publish no less than 29 books on either individual clock making projects or horological techniques. For his contribution to the field he was made a fellow of the British Horological Institute in 1986 and was awarded the Institute's Barrett Silver Medal in 1998.The current lot is built to the design originally published as a series in Model Engineer during 1958 and latterly in his book entitled The Construction of the M. E. Jubilee Clock. In the Bonhams catalogue description for the current lot John Wilding notes:This timepiece was originally designed by E.T.Westbury for the Jubilee issue of Model Engineer. It employs the Scott's notched tooth count wheel. There were one or two difficulties with the design and I rectified these. It has become a very popular clock.Condition Report: Timepiece is in sound original condition and is in working condition (was running when removed from the vendors house). The battery has been substituted by a mains operated DC power supply which is present with the lot. The dial is in god original unrestored condition with one or two very minor age related patches of discolouration in places; the chapter ring is very slightly bowed but can be very easily straightened. The case also is in good condition with a few minor bumps and scuffs only. The timepiece is complete with pendulum and two case keys. Condition Report Disclaimer
Lot 57
A gilt brass 'Atmos' timepiece Jaeger-LeCoultre, model 540, late 20th century The single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement and numbered 699554 to suspension platform, the teardrop shaped plates inscribed ATMOS, JAEGER LECOUTRE, THIRTEEN JEWELS, 540 to centre within circular Roman numeral chapter ring, with blued steel moon hands, the rectangular five-glass case with rounded angles and lift-out front glass incorporating repeat signature to lower right corner over plinth base incorporating bubble level and three screw adjusting feet to underside, 23cm (9.ins) high. Provenance: The property of a private collector, Hertfordshire.Condition Report: Movement has been put on test for 24 hours, after this time the mechanism was still running and giving correct time. The finish to the case is in very fine condition with only a few areas of the slightest rubbing to the high polish lacquer finish visible on close examination. The lift-out front glass has a very small chip to the lower left hand corner (only visible on close examination when glass is in position). Condition Report Disclaimer
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