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Lot 133

AN AQUAMARINE AND DIAMOND DRESS RINGThe rectangular-cut aquamarine weighing approximately 8.50cts between single-cut diamond shoulders, mounted in 18K gold, ring size ICondition Report: Aquamarine: approx. 8.50cts, of blue hue, medium tone, good transparency, minor pits visible under a bright light sourceDiamonds: too small to assess colour or clarity, bright and well matchedStamped 18CT inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 6.40g

Lot 147

A KUNZITE, SAPPHIRE AND DIAMOND COCKTAIL RING, BY FANNY BLANCHELANDEThe large rectangular-cut kunzite weighing approximately 27.00cts within a brilliant-cut diamond four-claw setting, the gallery pavé-set with similarly-cut diamonds between heart-shaped sapphire and further brilliant-cut diamond shoulders, mounted in 18K gold, with maker's mark for Fanny Blanchelande, sapphires approximately 4.00cts total, diamonds approximately 0.70ct total, ring size K¾It was in Monaco, the tiny city in the French Riviera home to a host of luxury jewellery boutiques and shopfronts, that first provided jewellery designer Fanny Blanchelande with an introduction into the world of jewellery. Born to a French father and Argentinian mother, Fanny’s daily walk to school in Monaco followed a route of jewellery stores whose glittering interiors grabbed the attention of the young schoolgirl, sparking a lifelong passion for gemstones and jewellery design. The only member of her family to show an interest in the field, Fanny felt sure she could make a career in jewellery following an insightful encounter with a renowned jeweller in Nice. As a present on her fifteenth birthday, she was given the chance learn the ropes of jewellery design with a leading jeweller in the area. The experience left her with no doubt that she wanted to turn her passion for jewellery into a full-time profession.In 1995, Blanchelande completed the prestigious GIA in Los Angeles, opening up a flurry of job offers from collaborators in Geneva, London and Place Vendme in Paris, all hoping to work with her. Twenty-five years later, and now a mother of two, Blanchelande has built for herself a wealth of experience and expertise in the jewellery industry, back home in Monaco, where her love of jewellery began. Since 1998 Blanchelande offered her services by appointment only, creating an air of confidentiality and exclusivity, which allows clients to commission bespoke pieces in a private setting, embodying the subtlety of her practice. Recently however, the jeweller has launched her first public collection, sold in a choice selection of retail shops, which has brought an undeniable element of fun and creativity to the world of Haute Joaillerie. Condition Report: Kunzite: approx. 27.00cts, of purplish-pink hue, light tone, good transparencySapphires: approx. 4.00cts total, of cornflower blue hue, medium tone, good transparency, both well matched in colourDiamonds: approx. 0.70ct total, too small to assess colour or clarity - overall bright and well matchedMinor signs of wear, overall in good conditionTotal gross weight approx. 14.10g

Lot 158

A DIAMOND DRESS RING, BY BUCCELLATIComposed of three 'modellato' textured gold flowerheads embellished with brilliant-cut diamonds, with lustrous 'rigato' gallery, mounted in 18K gold, signed M. Buccellati, with Italian registry mark for Mario Buccellati, ring size M½Condition Report: Diamonds: approx. 0.90ct total, estimated colour G/H, estimated clarity VS/SIItalian registry mark for Mario Bucellati: 15MINormal signs of wear, overall in good conditionTotal gross weight approx. 5.2g

Lot 160

A DIAMOND DRESS RING, BY BUCCELLATIThe rose lustrous 'rigato' band highlighted with six white 'modellato' flowerhead motifs accented with brilliant-cut diamonds, mounted in 18K rose and white gold, signed M. Buccellati, with Italian registry mark for Mario Buccellati, ring size M½Condition Report: Diamonds: unable to assess colour due to rose gold, estimated clarity VSWith Italian registry mark for Mario Buccellati: 15MINormal signs of wear, overall in good conditionTotal gross weight approx. 9.1g

Lot 164

A GEM-SET AND ENAMEL DRESS RINGOf domed design, set with brilliant-cut diamonds and circular-cut emeralds within frosty rock crystal and blue enamel frame, to a plain gold hoop with flat bottom, mounted in 18K gold, maker's mark 'k', ring size M½Condition Report: Rock crystal: minor wear, in good conditionEmeralds: Refractive index tested, difficult to get an RI - managed to get an 1.58 after a few attempts, of bluish-green hue, very good saturation, well matched in colourDiamonds: bright and well matchedThe hoop was bought with flat bottom - a design to avoid the ring to turn.Stamped 750 for 18K goldNormal signs of wear, overall in good condition

Lot 179

A COLOURED SAPPHIRE AND DIAMOND DRESS RINGThe cushion-shaped yellow sapphire weighing 4.07cts within a four-claw setting and between half-moon shaped diamond shoulders, mounted in 18K gold, diamonds approximately 0.80ct total, ring size LAccompanied with a report from GCS laboratory in London stating that the yellow sapphire is natural, of Sri Lankan origin with no indication of heating. Report number 57821446, dated March 31st 2022Condition Report: Yellow sapphire: of orangy-yellow hue, medium tone, good transparency, facets are smoothDiamonds: unable to assess colour due to yellow mount, estimated clarity VSStamped 750 for 18K gold with London hallmarks stamped inside hoopSuperficial signs of wear, overall in good condition

Lot 184

A SAPPHIRE ETERNITY RINGComposed of a continuous row of French-cut sapphires, mounted in 18K rose gold, ring size MCondition Report: Weight engraved to be 3.37ctsSuperficial signs of wear, overall in good conditionTotal gross weight approx. 2.9g

Lot 19

A MID-20TH CENTURY NATURAL PEARL AND DIAMOND CLUSTER RINGSet with a button-shaped natural pearl at the centre within a surround of old cushion and brilliant-cut diamonds and similarly-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.80ct total, French import mark, with case, ring size J½Accompanied by a laboratory report from The Gem & Pearl Laboratory in London, stating that the button-shaped pearl, measuring approximately 6.9x5.0mm, is natural, Saltwater. Report number 09644 dated March 29th 2014Condition Report: Pearl: of white/cream tint, very good lustre with pink overtones, a couple of minor blemishes visible under a bright light sourceDiamonds: approx. 1.80ct total, unable to assess colour due to yellow mount, estimated clarity VS-SI (one shoulder diamond with chip visible with naked eye)Owl mark on outside hoop for 18K gold imported in FranceNormal signs of wear, overall in good conditionTotal gross weight approx. 6.3g

Lot 191

THREE GEM-SET AND DIAMOND RINGSEach frontispiece set with a line of square-cut yellow diamonds or sapphires or rubies, between similarly-cut diamonds, each mounted in 18K gold, all stackable, ring size M-M½Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 12.8g

Lot 195

A DIAMOND SINGLE-STONE RINGThe rectangular-cut diamond weighing 2.22cts, within a four-claw setting to a plain hoop, mounted in 18K gold, ring size M¼Accompanied by a report from GCS laboratory in London, stating that the diamond weighing 2.22cts is H colour, SI1 clarity. Report number 78127-78, dated November 22nd 2017Accompanied by a report from HRD laboratory in Antwerp, stating that the diamond weighing 2.21cts is G colour, SI1 clarity. Report number 991168601, dated July 20th 1999Condition Report: Normal signs of wearOverall in good condition

Lot 199

A SAPPHIRE AND DIAMOND RINGThe central cushion-shaped sapphire between a single-cut diamond trip, within raised collet-setting, mounted in 18K gold, ring size N½Condition Report: Sapphire: of blue hue, medium tone, good transparencyDiamonds: bright and well matchedStamped 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 8.3g

Lot 206

AN AQUAMARINE AND DIAMOND COCKTAIL RING, BY MARGHERITA BURGENERSet with an oval-shaped aquamarine weighing 11.22cts within a radiating surround of brilliant-cut diamonds within collet and claw-setting, to similarly-cut diamond shoulders within claw-setting, mounted in 18K gold, diamonds 1.21ct total, signed Margherita Burgener, with maker's mark 'MB', Italian assay mark, with maker's case, ring size M½ Condition Report: Aquamarine: weight inscribed inside hoop: 11.22ctsm if blue hue, light to medium tone, good transparency, facets are smoothDiamonds: Total weight inscribed inside hoop: 1.21ct, estimated colour G/H, estimated clarity VSSuperficial signs of wear, overall in good conditionTotal gross weight approx. 11.50g

Lot 214

AN YELLOW BERYL AND DIAMOND DRESS RING, BY CHATILAThe central mixed-cut oval-shaped yellow beryl heliodor within a brilliant-cut diamond two-claw setting and between similarly-cut diamond shoulders, mounted in 18K gold, signed Chatila, ring size RWhen George Chatila founded his jewellery house in Beirut in 1860, he could not have foreseen his name would be synonymous with fine jewellery for the next one hundred and sixty odd years. After growing successfully in Lebanon for over a century, in 1983 the house moved to Switzerland. This moved marked the explosion of the brand in Europe and abroad, with two flagship boutiques opening in Bond Street, London, and Rue de Rhône, Geneva, within the decade.During this time, Chatila became known for its magnificent, coloured diamonds, pioneering the popularity they hold in the jewellery market today. Indeed, one of the few red diamonds to exist, ‘The Flame of Argyle’, was sold by them, solidifying their reputation as the purveyor of the finest diamonds, not least the 76-carat D flawless Archduke Joseph Diamond, which sold at auction in Geneva in 2012 for a record-breaking $21.5 million.Chatila is still a family-run business to this day, with the third and fourth generation of Chatilas in charge. No gemstone passes through their workshop without first undergoing the discerning eyes of Nicholas Chatila and his sons, Marwan, Edward, and Carlos. Although Geneva, London, and New York remain their primary locations, their jewellery is mostly designed in France and Italy. The boldness of their stones are offset by the delicate and intricate designs they are set in, creating a dazzling display on the person lucky enough to wear a piece.Condition Report: Of greenish-yellow hue, medium tone, good transparency, facets are smoothDiamonds: bright and well matchedNormal signs of wear, overall in good condition

Lot 215

AN OPAL, COLOURED SAPPHIRE AND DIAMOND COCKTAIL RINGComposed of a central circular cabochon opal weighing approximately 26.00cts total, within a surround of brilliant-cut diamonds and fancy-cut pinkish-purple and greenish-yellow sapphires, the shoulders pavé-set with further brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 3.00cts total, ring size OCondition Report: Opal: White with good play-of-colour with orange, green and blue flashes, colours well spread out, cabochon is smoothDiamonds: approx. 3.00cts, main diamond's estimated colour G/H, estimated clarity VS with a minority of good SIRemaining pavé-set diamonds: overall bright and well matchedSapphires: overall medium tone and good transparencyStamped 750 for 18K goldSuperficial signs of wear, overall in good conditionTotal gross weight approx. 18.4g

Lot 216

A DIAMOND SINGLE-STONE RINGComposed of a European-cut diamond weighing approximately 2.20cts within a eight-claw setting, to a plain hoop, mounted in platinum, ring size N¼Condition Report: Diamond: approx. 2.20cts total, estimated colour G/H, estimated clarity SI (nick located on the girdle) and large colourless feather located on the near the girdle) visible under a bright light sourceWhite metal unmarked - tested by the jewellery department to be platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 4.5g

Lot 218

A ZIRCON AND DIAMOND RINGThe rectangular-cut blue zircon weighing approximately 5.80cts within a four-claw setting and between tapered baguette-cut diamond shoulders, mounted in platinum, ring size K½ Condition Report: Minor signs of wear, overall in good conditionStamped 950 for platinum

Lot 221

A RUBY AND DIAMOND 'TOI ET MOI' DRESS RING, BY A. E. KÖCHERTOf crossover design, set with a pear-shaped ruby and a pear-shaped diamond, between tapered baguette-cut diamonds, mounted in 18K gold, principal diamond weighing approximately 0.90ct, remaining diamonds weighing approximately 0.50ct total, signed Köchert, with maker mark, ring size JThe House of Köchert actually begins with a man named Emanuel Pioté, a French goldsmith who opened a workshop in Vienna in 1814, where his deft skill quickly earned him a reputation among the city’s upper classes for quality work. In 1819, Heinrich Köchert, Pioté’s new brother-in-law, would join him in this venture as an associate. The reputation of the jewellers began to grow and in 1831 they were declared the personal jewellers of the Austrian Emperor, a position Köchert would hold until the dissolution of the empire in 1918. Pioté would retire in 1948, thus solidifying the house under Köchert’s name.Köchert was responsible for some of the most iconic pieces worn by Empress Elisabeth, or ‘Sisi’, herself a fashion icon of the age, including the diamond and pearl studded star-shaped hair ornaments that appear in her official 1865 portrait by Xaver Winterhalter now known as ‘Sisi Stars’. Köchert would continue to enjoy success throughout the 1800s by creating sumptuous pieces for European royalty, including overseeing the adding of pearls as part of the restoration of the Austro-Hungarian Imperial Crown. The outbreak of WWI would see this distinguished clientèle vanish, but the house survived by adapting with the times and embracing the Art Deco trends. Now in the hands of Erich and Wilfried Köchert, the painter Erwin Lang is taken on to design new jewellery for a new age. Lang’s stone rings quickly became popular and remain a staple of the brand to this day.Surviving both WWII and the rise of the Iron Curtain, Köchert would continue to innovate through collaboration, including with renowned architect Hans Hollein, who in 1986 released a collection with the jewellery house. Today, the sixth generation of Köchert’s are in command at house’s flagship boutique in Vienna and, if their history tells us anything, there they will be for a long, long while. Condition Report: Principal diamond: approx. 0.90 (approx. weight due to mount), estimated colour G/H, estimated clarity VSRemaining diamonds: approx. 0.50ct total, bright and well matchedRuby: Of purplish-red hue, medium tone, good saturation, good transparencySignature and maker's mark located inside hoop as well as 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.2g

Lot 224

A DIAMOND RING, BY MISANIOf crossover design, the frontispiece set with square-cut diamonds, mounted in 18K gold, diamonds approximately 1.30ct total, signed Misani, Italian assay mark, ring size K¾Misani Milano burst onto the scene in 1965 with the vision that their jewellery would be a ‘contemporary interpretation of the Italian tradition’. Utilising a diverse selection of materials, ranging from precious metals, to plastic, to leather, the brand still keeps its artistry at the forefront of its practice today, in keeping with the legacy of its founder Ivo Misani with every piece made by hand.Misani revels in both the asymmetry of natural forms and bold colours, making their pieces instantly recognisable throughout the decades.Condition Report: Diamonds: approx. 1.30ct total, unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 8.6g

Lot 225

A GOLD BRACELET WITH MATCHING RING, CIRCA 1970Of openwork abstract design with textured gold baguettes throughout, in 18K gold, length 18.2cm, together with matching ring, in 18K gold, with Italian registry mark '237AL' for Gavarelli, ring size M½Condition Report: Bracelet: minor signs of wear - unmarked, tested by the jewellery department to be 18K goldRing: Minor signs of wear, marked '237AL' for Gavarelli, 750 for 18K gold and Italy, all located inside hoopTotal gross weight approx: bracelet: 43.7g and ring 9.1g

Lot 226

A MID-20TH CENTURY PEARL AND DIAMOND DRESS RINGThe central cultured pearl measuring approximately 8.41mm within a surround of old brilliant-cut diamonds and similarly-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.00ct total, French assay mark, ring size OCondition Report: Pearl: of cream tint, high lustre with pink and green overtones, minor blemishes visible under a bright light sourceDiamonds: approx. 1.00ct total, estimated colour I/J, estimated clarity VS-SIEagle's head mark for French 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.9gPlease note that the pearl was verbally tested in March 2022 at GCS laboratory in London, it is found to be cultured, saltwater.

Lot 227

A DIAMOND ETERNITY RINGComposed of a continuous row of oval-shaped diamonds with claw-setting, mounted in 18K gold, diamonds approximately 2.70cts total, numbered, ring size M½Condition Report: Diamonds: approx. 2.70cts total, estimated colour G/H, estimated clarity VS with some SIStamped 750 inside hoop for 18K goldSuperficial signs of wear, overall in good conditionTotal gross weight approx. 2.4g

Lot 232

AN AGATE AND GARNET COCKTAIL RINGSet with a cushion-shaped rhodolite garnet at the centre within a gold collet-setting, to a banded agate hoop, ring size MCondition Report: Rhodolite: of orangy-red hue, medium to dark tone, good transparency, facets are smoothBanded agate: in good conditionSuperficial signs of wear, overall in good conditionTotal gross weight approx. 18.8g

Lot 238

A TANZANITE, ONYX AND DIAMOND COCKTAIL RINGOf bombé design, the central cushion-shaped tanzanite weighing approximately 6.50cts, framed within alternating onyx and brilliant-cut diamond halos and between square and baguette-cut diamond shoulders, mounted in 18K gold, diamonds approximately 2.70cts total, ring size NCondition Report: Tanzanite: of purplish-blue hue, medium to dark tone, good transparency, facets are smoothDiamonds: approx. 2.70cts total, bright and well matchedStamped 18KT for 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 15.8g

Lot 239

A DIAMOND SEVEN-STONE RINGSet with seven princess-cut diamonds with claw-setting, to a plain hoop, mounted in 14K gold, diamonds approximately 1.20cts total, ring size M¼Condition Report: Diamonds: approx. 1.20cts total, estimated colour G/H, estimated clarity VSMinor signs of wear, overall in good conditionTotal gross weight approx. 3.6g

Lot 241

AN AMETHYST AND DIAMOND CLUSTER RINGThe circular mixed-cut amethyst weighing approximately 6.00cts within a surround of brilliant-cut diamonds, mounted in gold, diamonds approximately 1.40ct total, ring size ICondition Report: Amethyst: purple hue, medium to dark tone, good transparency, facets are smoothDiamonds: approx. 1.40ct total, estimated colour H/I, estimated clarity VSWhite metal unmarked, tested by the jewellery department to be gold, possibly 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 13.20g

Lot 243

A DIAMOND SINGLE-STONE RINGThe brilliant-cut diamond weighing approximately 1.25ct within a four-claw setting, to a plain hoop, mounted in 18K gold, Italian assay mark, ring size M¾Condition Report: Diamond: approx. 1.25ct, estimated colour J/K, estimated clarity VS (potentially VVS)Minor signs of wear, overall in good condition

Lot 244

A SAPPHIRE AND DIAMOND CLUSTER RINGThe oval-shaped sapphire weighing approximately 5.80cts within a surround of brilliant-cut diamonds and two marquise-shaped diamond shoulders, mounted in platinum, diamonds approximately 1.50cts total, ring size L½Condition Report: Sapphire: of blue hue, dark tone, colour banding visible under a bright light source, some broken silk visible under 10x magnification and bright light source, facets are smooth, a minor pit near the gridle visible under 10x magnificationDiamonds: approx. 1.50cts total, estimated colour G/H (with a I/J), estimated clarity some VS and some SIStamped PT950 for platinum, weights inscribed in hoop: sapphire 8.88 & diamond 1.55Normal signs of wear, overall in good conditionTotal gross weight approx. 9.3g

Lot 246

A SAPPHIRE AND DIAMOND DRESS RINGThe oval-shaped sapphire weighing approximately 1.80ct within a four-claw setting and between trillion-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.60ct total, ring size NCondition Report: Sapphire: approx. 1.80ct, of blue hue, dark tone, good transparency, inclusions visible under 10x magnification and under a bright light sourceDiamonds: approx. 0.60ct total, estimated colour G/H, estimated clarity one VS, one SI1Stamped 750 for 18K goldMinor signs of wear, overall in good condition

Lot 261

A STAINLESS STEEL AUTOMATIC CALENDAR CHRONOGRAPH WITH WORLD TIME 'MASTER COMPRESSOR EXTREME WORLD CHRONOGRAPH' WRISTWATCH, BY JAEGER-LECOULTREJewelled automatic movement, black dial, luminous baton hour markers, Arabic numeral at 6 and 12, raised black outer ring with the names of 24 cities, inner silvered and white ring for 24-hour indication, subsidiary dials at 3 and 9 for 30 minute and 12 hour recording, fan-form sector for continuous seconds at 6, date aperture between 4 and 5, polished baton hands with luminous inserts, white centre chronograph hand, burshed and polished three part case, polished bezel, integrated lugs, world time adjusting crown at 10, signed crown flanked by twin buttons, case no. 0712, black rubber Jaeger-LeCoultre bracelet, steel buckle with JL logo, case and dial signed, case: 46mm Condition Report: Glass: no scratches observedCase: Normal signs of wear - some scratches due to wear - nothing major - can probably be repolishedFitted rubber bracelet: minor signs of wearThis watch was not opened, unable to report the inside movementIn running condition at the time of inspection

Lot 27

A GOLD CHAIN NECKLACEOf elongated cable links, one terminal with spring-ring clasp, the other with Albert-swivel clasp, in 18K gold, French assay marks, length 39cm, total gross weight approx. 15.8gCondition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 15.8g

Lot 3

A GOLD 'B ZERO' RING, BY BULGARIThe polished segmented band signed 'Bvlgari' on both rims, in 18K gold, signed Bvlgari, Italian assay mark, with maker's case and outer box, ring size L½ (53) Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 10.6g

Lot 33

AN EARLY 20TH CENTURY DIAMOND AND RUBY DRESS RING, CIRCA 1925The octagonal plaque centring an old pear and oval-shaped diamond, within a surround of old cushion and brilliant-cut diamonds, accented by a calibré-cut ruby frame, mounted in platinum, diamonds approximately 2.00cts total, French import mark, ring size L¼Condition Report: Principal diamonds: estimated colour I/J, estimated clarity one VS2/SI1 and one SI2Remaining diamonds: similar colour and clarity estimated SI1Rubies: of purplish-red hue, dark tone, overall well matchedFrench import mark for platinumNormal signs of wear

Lot 37

AN ART DECO DIAMOND DRESS RING, CIRCA 1940Of odeonesque design, the arched front section set with a principal European-cut diamond weighing approximately 1.00ct, accented with European, single and baguette-cut diamonds, mounted in platinum, remaining diamonds approximately 1.80ct total, ring size HCondition Report: Principal diamond: approx. 1.00ct, estimated colour H/I, estimated clarity SI1Remaining diamonds: approx. 1.80ct total, estimated colour VS/good SIWhite metal unmarked, tested by the jewellery department to be platinum 850Normal signs of wear, overall in good conditionTotal gross weight approx. 7.6g

Lot 6

A 'HAPPY EMOTIONS' DIAMOND RING, BY CHOPARD, CIRCA 2019Designed as a glazed circular plaque enclosing three 'floating' brilliant-cut diamonds within collet-setting, within a swirl circular mount on a plain gold hoop, mounted in 18K gold, signed Chopard, numbered, Swiss assay mark for Geneva, International convention mark, with maker's case, outer box and booklet, ring size L (52)Accompanied with its certificate of authenticity from Chopard, dated July 2019 Condition Report: Superficial signs of wear, overall in good conditionA very similar ring found on their website retails for CHF2,840 (approx. €2,800)

Lot 60

A CORAL AND DIAMOND COCKTAIL RING, BY CARTIER, CIRCA 1955The oval-shaped corallium rubrum cabochon coral within an openwork mount of textured wire, highlighted with brilliant-cut diamonds, mounted in 18K gold and platinum, diamonds approximately 1.50ct total, signed Cartier Paris, numbered, with maker's mark 'P&Fils' for Péry & Fils, French assay marks, with maker's case, ring size KPlease note that this lot contains coral and might be subject to CITES regulations when exporting outside the EUMaison Péry was established in 1875 by Lucien Péry, whose elegant gold chains attracted the attention of the jewellers housed in the place Vendome. The company was run by four generations of Péry's, from Lucien’s son Albert to his grandson Bernard who was the father of the great Brigitte Péry who went on to manage the business for four decades.Albert's work at during the first half of the 20th century was prolific, producing new designs almost every week. However, when the WWII broke out, Albert was taken prisoner and the workshop was closed for six years. Once the conflict ended, the production started again slowly, increasing in the 1950s, during which time Péry created some of Van Cleef & Arpels’s most iconic pieces, including the Domino jewellery sets and Ludo bracelets.Bernard Péry began to make connections with other jewellery houses and started collaborations, first with Paolo Bulgari, which lasted for two decades, followed by Cartier, Boucheron, Mauboussin, Templier and Tiffany. Indeed, it seems there is no major jewellery house of the 20th century the Péry workshops did not produce for.Bernard’s daughter Brigitte was of similar business acumen and when she took over, she continued to pursue this strategy. Amongst her collaborators were Graff, Dior, Fabergé and Mikimoto. In 2008 she launched a large-scale training program for the workshops in order to promote innovation and modernise the production techniques of the company. Adopting new design processes ensured versatility and allowed Maison Péry to compete on an international stage. In 2011, she finally decided to sell her family's company to the then President of the Richemont Group, Stanislas de Quercize, thus officially combing Maison Péry into the fold of Van Cleef & Arpels.‘Jewellery always makes you dream,’ Brigitte explained in an interview with Olivier Bachet for IAJA, ‘To dream of those who wear them, what a pleasure and what a chance to be able to do so. And to dream of those who always make them with real passion.’Condition Report: Diamonds: approx. 1.50cts total, unable to assess colour due to yellow mount, estimated clarity: a majority of VS and a couple of SINumbered: (Difficult to identify the number): possibly: 0 (or 9) 18185 and signature Cartier Paris, located on the reverse of the galleryFrench assay marks: dog's head for French platinum and eagle's head for French 18K gold, both located on the outside of the hoopMaker's mark for Pery & Fils located on the outside of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 18.5g

Lot 62

A GEM-SET AND ENAMEL NOVELTY BROOCH, BY FRASCAROLO, CIRCA 1965The whimsical duck, with textured gold body and wings, oval-shaped ruby eye accented with brilliant-cut diamond eyebrows, embellished with orange enamel beak, black enamel feet and yellow enamel belly, mounted in 18K gold, with maker's mark 'FC' for Frascarolo, length 6.8cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 32.60g

Lot 63

A GEM-SET AND ENAMEL BRACELET, BY FRASCAROLO, CIRCA 1965Designed as a horse, applied with variously coloured enamel and ruby eyes, the muzzle and tail set with single-cut diamonds, mounted in 18K gold, with maker's mark for Frascarolo, Italian assay mark, inner diameter 5.4cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Enamel: some normal wear, overall in good conditionSecurity clasp: does not click properly - advisable to have this tightenedNormal signs of wear, overall in good conditionTotal gross weight approx. 142g

Lot 64

From the private collection of a continental ladyAN ENAMEL AND GEM-SET NOVELTY BROOCH, BY FRASCAROLO, CIRCA 1970Designed as a whimsical basset hound with blue enamel body to onyx nose, green agate for eyes and single-cut diamond snout et eyebrows, mounted in 18K gold, maker's mark 'FC' (near indistinct) for Frascarolo, French assay mark, length 4.3cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Enamel: some enamel missing near tummy of the dog, ears and near the tail (contact jewellery dpt for additional images)Diamonds: bright and well matchedMaker's Mark: visible when tilting with 10x magnification and bright light source - due to repolishing - on regular horizontal plaquette on the reverseOwl for 18K gold located on the reverse of a pawSome signs of wear but considered overall in good condition given the ageTotal gross weight approx. 24.30g

Lot 65

From the private collection of a continental ladyAN ENAMEL, EMERALD AND DIAMOND LION RING, BY FRASCAROLO, CIRCA 1965Decorated with red and black enamel, single-cut diamonds and circular-cut emerald for eyes, mounted in 18K gold, maker's mark 'FC' for Frascarolo, ring size I¾Pierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand. Condition Report: Red enamel: some, minor enamel discrepancy located near the nose (please ask the department for additional images)Diamonds: bright and well matchedMaker's mark FC + made in Italy inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 21.9gSome minor enamel damage on nose.

Lot 69

From the private collection of a continental ladyA DIAMOND RING, BY CARLO ILLARIO FOR FASANOComposed of wavy lines of brilliant-cut diamonds interspersed by further wavy lines of polished gold, mounted in 18K gold, signed Fasano, with maker's mark for Carlo Illario, ring size MBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Diamonds: approx. 0.28ct total, unable to assess colour due to yellow mount, estimated clarity VS-SIStamped 750 for 18K gold located inside hoop as well signature and maker's markNormal signs of wear, overall in good conditionTotal gross weight approx. 10.3g

Lot 70

From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANOThe central cushion-shaped ruby within collet-setting, between calibré-cut ruby shoulders, between calibré-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, signed Fasano, Italian registry mark '26AL' for Carlo Illario, ring size Q½Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Central ruby: please note the weight to be very approximate due to collet setting, approx. 2.10cts, of purplish-red hue, good transparency, medium to dark tone, facets are smoothRemaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 2.50cts total, unable to assess colour due to yellow mount, estimated clarity VSSignature and Italian assay mark located inside the hoop, 750 for 18K gold located inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 8.6g* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022. It was found to be natural, Thai origin with indications of heating with minor residue in healed fissures.

Lot 71

From the private collection of a continental ladyAN ENAMEL PENDANT, BY CARLO ILLARIO FOR FASANOThe white oval plaque with enamel baronial family coat of arms depicting three bull’s heads on a red shield crowned by a coronet and knights helmet, the textured and foliate gold frame with similar bale, mounted in 18K gold, signed Fasano, Italian registry mark ‘26AL’ for Carlo Illario,, length (including bale): 7.2cm, width 4.8cmIllario's workshop was able to confirm that this ring was a unique piece made in the 1970s for Fasano.Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Minor signs of wearSignature and maker's mark located on loopMinor signs of wear, overall in good conditionTotal gross weight approx. 35.4g

Lot 72

From the private collection of a continental ladyA MAGNIFICENT AQUAMARINE, SAPPHIRE AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANO, CIRCA 1970The rectangular-cut aquamarine weighing 13.30cts within a double four-claw setting, between calibré-cut sapphire and brilliant-cut diamond shoulders, mounted in 18K gold, signed Fasano, partial Italian registry mark for Carlo Illario, with document, with maker’s case, ring size L½Illario’s workshop was able to confirm that this ring was a unique piece made in the 1970s for FasanoAccompanied by a document from a Instituti Analisi Gemmelogiche in Valenza (Italy) stating that the aquamarine is weighing 13.304cts and is natural. Report number VKX181091Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Aquamarine: of blue hue, medium tone, good transparency, facets are smoothSapphires: of blue hue, medium tone, good transparency, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSItalian assay mark for Illario.Minor signs of wear, overall in good conditionTotal gross weight approx. 13.8g

Lot 74

From the private collection of a continental ladyA SAPPHIRE, COLOURED SAPPHIRE AND DIAMOND COCKTAIL RINGOf flowerhead design, set with oval-shaped sapphire petals centring a brilliant-cut diamond of yellow tint, between oval and cushion-shaped yellow and pink sapphire shoulders, mounted in gold, ring size O½Condition Report: Sapphires: of blue cornflower blue, approx. 9.00cts total (very approximate due to mount), good transparency, medium tone, some natural inclusions visible under a bright light source, facets are smooth, overall well matched in colourDiamond: approx. 0.60ct, of yellow tint, estimated clarity SI12 sapphires: of pink hue, medium tone, good transparency, well matched in colour2 sapphires: of orangy yellow hue, medium tone, good transparency, well matched in colourYellow metal unmarked, tested by the jewellery department to be 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 9.4g

Lot 75

From the private collection of a continental ladyA DIAMOND SINGLE-STONE RING, BY CARLO ILLARIO FOR FASANOComposed of a cut-cornered step-cut diamond weighing approximately 2.50cts within collet-setting, to a plain hoop, signed Fasano, with Italian registry mark for Carlo Illario, ring size LBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Principal diamond: please note that the diamond was gauged within collet-setting, approx. 2.50cts, unable to assess colour due to yellow mount, estimated clarity VS2-VS1Superficial signs of wear, overall in good conditionTotal gross weight approx. 9.4g

Lot 76

From the private collection of a continental ladyA DIAMOND AND STEEL DRESS RINGThe central trillion-cut diamond within collet-setting between baguette and tapered baguette-cut diamond, mounted in 18K gold and steel, ring size L½Condition Report: Central diamond: measurements (approx. due to collet setting): 13.18x7.98x3.26mm, estimated colour (approximate due to yellow mount) H/I, estimated clarity SI1-VS2 (due to two minor colourless needles)Remaining diamonds: approx. 0.90ct total, similar colour and clarity than main stoneUnmarked, unsignedNormal signs of wear, overall in good conditionTotal gross weight approx. 8.2g

Lot 78

From the private collection of a continental ladyA DIAMOND FOUR-STONE RINGSet with four brilliant-cut diamonds to the front within claw-setting, on a plain hoop, mounted in gold, diamonds approximately 2.60cts total, ring size N½Condition Report: Diamonds: approx. 2.60cts total (approx. 0.62-0.66 each), estimated colour F/G, estimated clarity VSWhite metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g

Lot 80

From the private collection of a continental ladyA DIAMOND SINGLE-STONE RINGThe central brilliant-cut diamond weighing approximately 2.10cts within a six-claw setting, between tapered baguette-cut diamond shoulders, remaining diamonds approximately 0.20ct total, ring size N¾Condition Report: Principal diamond: approx. 2.10ct (gauged mounted, also weight inscribed inside hoop to be 2.12), estimated colour I/J, estimated clarity VSWhite metal unmarked and untested - either 18K gold or platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 4.6g

Lot 84

From the private collection of a continental ladyAN EMERALD AND DIAMOND DRESS RING, BY VAN CLEEF & ARPELSOf stylised buckle design, the frontispiece set with a central row of graduated calibré-cut emeralds between borders of brilliant-cut diamonds, mounted in 18K gold, signed Van Cleef & Arpels, numbered, with maker's mark 'Sté E' for Successeurs d'Ehret, French assay mark, ring size L½Successor to Robert Ehret in 1969, they are located 49 rue Saint Roch in the 1st district of Paris and have worked for Van Cleef & Arpels, Sterlé, M. Gérard or Boivin amongst many others.Condition Report: Emeralds: of bluish-green hue, good transparency, a couple show obvious natural inclusions with the naked eye, medium tone with good saturation overall, one small emerald has a minor chip visible under 10x magnificationDiamonds: unable to assess colour due to yellow mount, overall bright and well matchedSignature and 750 located under the gallery, numbered M36895With maker's mark 'Sté E' for Successeurs d'Ehret, Successor to Robert Ehret in 1969, they are located 49 rue Saint Roch in the 1st district of Paris and have worked for Van Cleef & Arpels, Sterlé, M. Gérard or Boivin amongst many others.Minor to normal wear - overall in good conditionTotal gross weight approx. 10g

Lot 86

From the private collection of a continental ladyA SAPPHIRE AND DIAMOND DRESS RING, BY VAN CLEEF & ARPELSThe cushion-shaped sapphire weighing approximately 3.80cts within a double four-claw setting, between calibré-cut sapphire and brilliant-cut diamond shoulders, mounted in 18K gold, signed Van Cleef & Arpels, numbered, with maker's mark 'Sté E' for Successeurs d'Ehret, French assay mark, ring size L½Successor to Robert Ehret in 1969, they are located 49 rue Saint Roch in the 1st district of Paris and have worked for Van Cleef & Arpels, Sterlé, M. Gérard or Boivin amongst many others.Condition Report: Sapphire: of royal blue hue, medium to dark tone, good transparency, facets are smoothRemaining sapphires: medium to dark tone, overall well matched in colour, facets are smoothDiamonds: approx. 0.60ct total, unable to assess colour due to yellow mount, estimated clarity VSSignature, 750 and number (M36684) located beneath the galleryMaker's mark: horizontal lozenge with 'Sté (snowflake) E' for Successeurs d'Ehret & eagle's head for French 18K gold - both located on the outside of the hoopMinor/Normal signs of wear, overall in good condition* Please note that the sapphire was verbally tested by GCS laboratory in London in February 2022 and was found to be natural, Madagascar origin with indications of heating.Total gross weight approx. 9.3g.

Lot 88

From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RINGThe oval-shaped ruby weighing approximately 2.30cts within collet-setting, to a stylised dome gallery set with half-moon and fan-shaped rubies accented with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.40ct total, maker's mark 'Sté HV' for Abysse Hamard-Vitau, French assay mark, ring size LAbysse Hamard-Vitau was registered in 1982, located 62, rue Lafayette in the 9th district of Paris. They have worked for Van Cleef & Arpels, Mellerio and Fred amongst others.Condition Report: Ruby: Of purplish-red hue, medium tone, good transparency, facets are smoothRamaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 1.40ct total, unable to assess colour due to yellow mount, estimated clarity VSEagle's head for French 18K gold located on the outside hoop with the maker's mark: horizontal lozenge with 'Sté H (diamond) V)Normal to minor signs of wear, overall in good conditionTotal gross weight approx. 11.30g.* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022 and was found to be natural, of Thai origin, with indications of heat treatment with minor residue in healed fissures.

Lot 88A

From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIOThe central cushion-shaped ruby within a calibré-cut ruby surround and between baguette and tapered baguette-cut diamond shoulders with gold reeded detailing, mounted in 18K gold, diamonds approximately 0.50ct total, Italian registry mark '26AL' for Carlo Illario, ring size M½Brothers Carlo, Vincenzo and Luigi Illario were a family of goldsmiths from Valenza. They established a jewellery firm in 1920, with each brother taking on their own position. Carlo, who was trained in Paris, headed the production, Vincenzo was a stone setter who also selected the precious gems, and Luigi was head of administration.The brothers worked under their own name, as well as for bigger firms, and were involved with several different jewellery companies. Some of the most renowned goldsmiths in Valenza practised in their workshop, guaranteeing that each product was crafted with exceptional quality.The company brand from 1935 had been 26AL and the business name was under Carlo Illario e Filli. Traditionally, ownership was handed down from father to son and, in 1953, even Luigi's sons, Giovanni and Vittorio, became a part of the family business. From the end of the 1900s, Vittorio and his sons, Pier Luigi and Edoardo, carried on as owners of the company with the 'Illario 1920' logo.In 1996, Giovanni Illario, along with his sons Carlo and Gian Luca, agreed with Vittorio and his sons to set up a new company that would allow them to be more active in the foreign market. This led to a split in Societa Carlo Illario and to the creation of the new Societa Carlo Luca della Quercia which pursues the traditions and spirit of the original company.Their skilled craftsmanship, reputation of excellence and use of innovative goldsmith techniques caught the attention of well-established retailers. Throughout the 20th century, Casa Illario created unique pieces of haute joaillerie for the most famous Italian maisons: Bvlgari, Cusi, Faraone, Fasano, Fecarotta, Settepassi, Ventrella and others. The company's partnership with Bvlgariwas particularly long standing, running from the 1950s through until the 1970s.In this time, Illario made many pieces for Bvlgari, including the now iconic Serpenti watch bracelet. Elizabeth Taylor was a consistent patron, whose personal style and love of dramatic jewels found its home in Illario's creations.Alongside manufacturing for other brands, Illario produced a vibrant assortment of jewellery under their own name. They were known for their fine gemstones and unusual materials, such as polychrome enamel, tortoiseshell and mother of pearl. Striving to stand out, Illario used new techniques in its pieces, such as black rhodium plating to create a contrasted look. The quality of the craftsmanship is clear in all jewels that bear the Illario name, making them highly desirable.Condition Report: Ruby: of purplish-red hue, medium to dark tone, good transparencyCalibré-cut rubies: of medium to dark tone, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 14.2g

Lot 9

A GOLD 'BAMBOO' RING, BY CARTIER, CIRCA 1995Designed as a tapered row of polished textured bamboo stem, in 18K gold, signed Cartier, numbered, maker's mark 'Sté GAB', French assay mark, with maker's case, ring size K (51)Accompanied by its certificate of authenticity from Cartier in Tokyo, dated October 29th 1996Condition Report: Minor signs of wear, overall in good conditionMaker's mark: horizontal lozenge 'Sté GAB' - located on the outside of the hoopEagle's head for French 18K gold, also located on the outside of the hoopTotal gross weight: 6.3g

Lot 90

A DIAMOND ETERNITY RING, BY CARTIERThe continuous line of brilliant-cut diamonds within claw-setting, mounted in platinum, signed Cartier Paris, with maker's mark (indistinct), French assay mark, ring size PCondition Report: Diamonds: approx. 0.84ct total, estimated colour F/G, estimated clarity VS (some facet abrasions visible under 10x magnification with bright light source)Signature: Cartier Paris, located on the side of the hoop (starting to rub away)Dog's head for French platinum located on the side of the hoopMaker's mark, indistinct, also located on the side of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g

Lot 74007

A Tiffany & Co. Olympian Pattern Silver Water Pitcher, New York, 1902-1907Marks: TIFFANY & CO., 5066 MAKERS 2344, STERLING SILVER, 925-1000, C, 5-1/2 PINTS8-1/2 x 6-3/4 x 8 inches (21.6 x 17.1 x 20.3 cm)1310 grams The pitcher of bulbous-form with elongated neck and everted spout, die cast swirled foliate garland band to neck collar, and to belly allegorical frieze, C-form handle terminating in finely detailed wave at base and rim, set on ring foot. Property from the Collection of Connie McNally, Rancho Santa Fe, California HID12701242017

Lot 74036

A Wang Hing Chinese Export Silver Covered Centerpiece, Hong Kong , circa 1900Marks: WANG HING, 90, (two character Jida mark)24 x 20 x 9 inches (61.0 x 50.8 x 22.9 cm)5164 grams The monumental figural centerpiece having cover surmounted by cast finial figure holding a dragon upon ground of clouds and dragons, large winged dragon-form handles to globular body depicting battle scene, supported atop tiered base adorned with dragon heads each holding a ring and three winged cats on curved flange supported by domed foot, decorated rural scene; with hand-hammered liner to interior. HID12701242017

Lot 74057

A Richard Cook Silver Hot Water Urn, London, 1804Marks: RC, (lion passant), (crowned leopard), I, (duty mark)19 x 8-3/4 x 8-3/4 inches (48.3 x 22.2 x 22.2 cm)5458 grams The urn-shaped body surmounted by a fluted domed cover with a gadrooned banding to edge and ovoid finial, gadrooned banding to shoulder of upper lip to body, figural lion head mounts underneath hinged ring handles to both sides, fluting to lower half of body, four fluted legs ending in paw feet, raised on a squared plinth with four foliate feet, holding a fluted urn-form burner with cover. HID12701242017

Lot 116

A 19th century Scottish Aesthetic style walnut and parcel gilt three tier table by John Taylor & Son, Edinburgh The rectangular top with canted angles, on ring turned supports, the lowest tier with spindle filled galleries to either end, on angular outswept feet and castors, 81cm wide, 55cm deep, 75.5cm high.

Lot 2505

A white metal moonstone bracelet, with fourteen oval cabochon cut moonstones, in bezel settings with bolt ring clasp, moonstone dimensions each approx 7.7 x 5.5 x 3.5mm, total weight estimated as 13.7 carats, length 200mm, gross weight 11.8g, stamped and tested as sterling silverIn excellent condition, no apparent faults.

Lot 2512

A yellow metal, sapphire and diamond two stone ring, featuring an oval faceted sapphire with a round brilliant cut diamond, all in claw settings, sapphire dimensions approx 5 x 3.8 x 1.95mm, weight estimated as 0.35 carats, diamond dia. approx 1.5mm, weight estimated as 0.01 carats, size P½, gross weight 1g, stamped and tested as 14ct

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