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A sapphire and diamond three-stone ring and matching band Claw-set with an oval-cut sapphire, weighing approximately 3.00cts, and two round brilliant-cut diamonds, modelled in 18ct gold; together with a fitted diamond half-eternity ring, modelled in 18ct goldDimensions:Ring sizes: M/N
A diamond single-stone ring Claw-set with a round brilliant-cut diamond, modelled in platinumAccompanied by a GIA report no. 2207481927, dated 22nd July 2015, stating that the round brilliant-cut diamond, weighing 1.00cts, is E colour, VS2 clarity, with no fluorescence. Dimensions:Ring size: M
An Arts and Crafts style rush-seated oak armchairAfter a design by E.G. Punnett and likely made by William Birch, with arched broad splat and button finial surmounted tapering and multiple ring-turned uprights, the rush seat raised on conforming ring-turned legs, joined by multiple turned stretchers.62cm wide x 60cm deep x 105cm high, seat height 45cm
An oval sapphire and diamond cluster ring, designed as a central oval mixed cut sapphire claw set within a border of twelve brilliant cut diamonds, all claw set in white metal to white metal shank, stamped '750', ring size K 1/2, weight approx 3.8gCondition:Sapphire does not have a lab certificate but catalogued as natural, some areas of colour zoning, small fingerprint inclusions and some mineral inclusions, sapphire measures approx 8.3mm x 6.2mm x 3.5mm deep, diamonds each weigh approx 0.04cts, total diamond weight estimated 0.48cts, diamond clarity range estimated approx VS2-SI1, colour range estimated approx G/H, general wear but no obvious significant visible damage, refer to images
An 18ct gold three stone sapphire and diamond ring, designed as a central round mixed cut sapphire flanked to each side by a brilliant cut diamond, all claw set in white gold to yellow gold shank, ring size L, weight approx 3.2gCondition:Sapphire measures approx 7mm x 6mm x 3.5mm deep, facet edges quire abraded, medium blue colour with good saturation, diamonds each weigh approx 0.20cts, clarity estimated approx VS2-SI1, colour estimated approx G/H, some thinning to shank, general wear, refer to images
A tanzanite and diamond cluster ring, designed as a large central rectangular faceted tanzanite measuring approx 13mm x 10mm x 6mm deep, claw set within a border of graduated brilliant cut diamonds and baguette cut diamond set shoulders, the white metal shank not stamped, ring size O 1/2, weight approx 10.9gCondition:Tanzanite measures approx 13.3mm x 10mm x 6mm deep, some slight abrasion to the facet edges, total diamond weight estimated approx 1.30cts, diamond clarity range estimated approx VS1-SI1, colour range estimated approx G/H, general wear, refer to images
A late 19th century diamond and blue enamel oval locket, the blue enamel locket set with central old cut diamond, the interior with glazed compartment housing lock of hair, all suspended from yellow metal chain, the bolt ring clasp stamped '9ct', pendant measures approx 16mm, chain measures approx 48cm, total weight approx 14.1gCondition:Locket is hinged and opens to reveal glazed interior, no obvious damage to the enamel, largish chip to the diamond to one side and some chips to the girdle, clarity estimated approx I2, size estimated approx 0.25cts, colour estimated approx H/I, refer to images
H&R Daniel - A 'C'-scroll porcelain trio of a coffee cup, teacup and saucer, circa 1827-28, pattern 4369, 'Shrewsbury' green ground with reserves of enamelled floral sprays in panels and to the centre, the cups raised on three 'Daisy-wheel' feet, numbered in gilt, saucer 14.5cm diameter (3)Condition:Teacup - hairline extending sideways from the rim of the teacup. The teacup handle has been cleanly broken and restuck. All pieces are crazed. The handles and interiors of the cups are lightly stained. There is some discolouration around the green ground near the handles. Some minor gilt wear to the interiors of the cups, one cartouche on the teacup and also to the inner ring on the saucer.
A fine and rare early 18th century ebonised quarter repeating double basket top bracket clockJames Markwick, LondonSurmounted by a handle of twin figures over a double basket top, the upper and lower sections inset with neoclassical busts within diaper panels, the four corners set with moulded urn finials over a moulded cornice, further mounted with repousse sound frets to the quadrants of the front door and strips to the front and back doors, the side sound frets later replaced with glass, on a plinth base, the 6.75 inch brass dial with shallow arch with strike/silent ring with gunmetal centre flanked by cherubs bearing torches to the spandrels, the silvered Roman and Arabic chapter ring engraved with fleur de lys half hour, lozenge quarter hour and arrow head hour marks, signed 'Markwick London', finely cut and blued steel hands, the finely matted centre with mock pendulum aperture, plain winding squares and chamfered date aperture, the twin gut fusee movement secured by two brass flat-sided circular cams, with verge escapement striking the hours on a bell and repeating the quarters on a nest of six bells, the backplate engraved with symmetrical foliate scrolls.53cm (20.75ins) high, with key and winder.Provenance:Acquired from Saxton House Gallery, Chipping Campden, in 1986 for £4,500, thence by descent to the vendor.Footnote:James Markwick (act. 1692-1730), was the son of James Markwick, following his father as a member of the London Clockmaker's Company in 1692, becoming a master of the company in 1720. A similar clock by the same maker can be found in the collection of the Philadelphia Museum of Art, accession no. 1988-68-17.Condition:The case is in generally good order with only minor signs of age and use, the metalwork retaining most of its gilding, the basket top with slightly more rubbing to the gilt. The front door lock receiver is missing. Hand collet missing. The sides would originally have had gilt metal fretwork sound apertures but these have latterly been replaced with glass panels. The movement winds, sets, runs and strikes, the repeater pull with turned metal bob does function.
An early 20th century diamond set snake ring, designed as a yellow metal stylised entwined snake with old cut diamond set head, the yellow metal shank stamped '18ct', ring size M 1/2, weight approx 3.7gCondition:Diamond diameter approx 4mm- depth not obtainable, carat weight estimated approx 0.40cts, clarity estimated approx SI1, colour estimated approx G/H, general wear in keeping with age, refer to images
An opal and diamond pendant on chain, designed as an oval cabochon opal collet set in yellow metal to knife edge bar mounted with single old cut diamond, all suspended from attached yellow metal chain with bolt ring clasp, indistinctly stamped, chain measures approx 39cm long, weight approx 4.7g
A diamond eternity band, the brilliant cut diamonds claw set in white metal to bright cut engraved band, ring size U, weight approx 5.3gCondition:Diamonds each weigh approx 0.07cts, twenty-five diamonds in total, total diamond weight estimated approx 1.75cts, clarity range estimated approx VS2-SI2, colour range estimated approx G/H/I, wear to claws commensurate with age, in need of a good clean, band stamped '18ct', general wear, refer to images
A yellow metal seed pearl set chain, the yellow metal wrythen links set throughout with single seed pearls, with two bolt ring clasps, one stamped '9ct', 105cm long, weight approx 12.9gCondition:Some wear and blistering to the pearls, one pearl split in half, other than this just general wear but no significant visible damage, refer to images
An extremely rare and probably unique John Dennison of Leeds (British) counter-top clockwork Penny in Slot fortune telling machine circa 1890, fortune telling lady seated on sofa with crystal ball on table, two rotating stands reveal twin babies and a wedding ring, in wooden case, clockwork mechanism working with 1d, maker’s stamped name in three places, holds and dispenses sixty small cards (scene refurbished by Dennison’s daughters) —28 3/4in. (73cm.) high x 21 1/4in. (54cm.) wide x 15 1/4in. (39cm.) deep - originally in Blackpool Tower arcade; for reference see ‘Penny in the Slot automata and the Working Model’ by Darren Heskith and ‘Automatic Pleasures’ by N. Costa
Doll’s or small size decanters and glassware, pair of two-ring neck mould blown miniature bottles with stoppers —4 1/4in. (10.5cm.) high (stoppers not matching); a pair of possibly 18th century slender flasks and faceted stoppers; a three ring neck mallet shaped decanter and stopper and others
A rare late 19th century large professional Punch & Judy booth, with fold-up wooden proscenium with cast-metal Mr Punch, decorative brass lion head ring handles to each side, painted teal, red, blue and old, carpeted front stage, black velvet pelmet with scarab beetle wing and gold thread decoration, red and white striped tent with chintz trim, green and red painted wooden frame forming a triangular booth, the interior with puppet hooks to the left and front, zipped peep hole, large prop pocket at front, two painted canvas village scene backdrops and two painted wooden fold out buildings —94in. (239cm.) high x 50in. (127cm.) wide x 51in. (129cm.) deep (some wear and tears) - believed to be used on East coast of Scotland; purchased many years ago from an antique market, where the dealer had just sold the original puppets separately!
Vic Taylor of Hayling rare original family professional British carved wooden Punch & Judy set, possibly late 19th century, carved and painted wood heads, hands and feet, comprising Mr Punch —21in. (53.5cm.) high, Judy, crocodile, two boxers with boxing ring front, Chinaman, ghost, Joey the Clown, ‘Jim Crow, policeman with carved helmet, hangman and baby, old clothing and paint finish, but this would have been improved and restored through the years (cloth now with some moth damage and in need of conservation) - Vic Taylor was born in 1900, the son of a travelling magician, during the 1st World War, his father built a Punch & Judy, he learnt the business and travelled the South of England end up at Hayling Island, where he passed his act onto Bill Norman, the card labels attached are by Bill.
Tarot and Fortune Telling cards, a W Foulsham Co. The Gypsy Bijou Fortune Telling Cards; a David Palladini for Morgan Press Inc Aquarian Tarot; and Grimaud (French) Tarrot, in original boxes; and Dutch edition Lenormand French cartomancy deck - The Ring, The Book, The Letter, The Gentleman, published by Dondorf (some wear)
A yellow metal pink sapphire ring with engraved detail to the shoulders, size P, approx 4.3g.Condition Report: The stone has been removed from something else to fit this ring and it is badly damaged, it is chipped and has an irregular shape. The ring has been resized at some stage, there are no hallmarks remaining.
An 18ct yellow gold sapphire and diamond boat shaped ring centred with three sapphires within a framework of twenty-two diamonds, size S, approx 5g.N.B. Length of ring setting approx 23mm. Condition Report: The ring dates to the first half of the 20 th century. Sapphires are a good rich colour and the diamonds are well matched. Overall the ring is in very good condition.

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1087795 item(s)/page