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Click here to subscribeA GEORGE II WALNUT LONGCASE CLOCK, the 11" dial with silvered chapter ring and subsidiary seconds dial and date aperture, with pierced and cast spandrels, with an eight-day movement striking on a bell, the flat topped hood with turned columns, with a quarter-veneered door and a conforming base, 74" high.
A 19TH CENTURY FRENCH CARRIAGE CLOCK with chapter ring inscribed "New Bond Street and Palais Royale Palace", with Arabic numerals, within gilt filigree panels of birds amongst foliage, with Corinthian column corners, with a two-train movement winding from the base, striking on a coiled gong, 8" high.
A pair of late Victorian bright cut engraved and beaded silver napkin rings. Maker Henry Archer. Sheffield, 1897. Cased. Together with a plain pair of napkin rings. Birmingham, 1895. cased; and another embossed Edwardian silver napkin ring. Chester hallmark. 5oz. (154g.). (5).
A Victorian silver childs mug, the bell shape body engraved ferns and a presentation inscription, a beaded border and beaded moulded Etruscan scroll handle, on a spreading foot. Maker George Angell. London, 1874. 5oz. (164g.). Together with a set of four late Victorian silver napkin rings, with gadroon borders. Makers William Hutton and Sons. London, 1898. Together with an oval silver H-division toast rack, with ring handle and claw and ball feet. Makers S and Co. Birmingham, 1913 and a late Victorian silver ogee cream jug, with leaf capped scroll handle. Maker CS and E.B. Birmingham, 1897. 12oz. (382g.). (7).
A late Victorian novelty thimble spirit measure Just a thimble full. Maker Collins and Cook. Birmingham, 1900; a Regency silver snuff box. Maker John Shaw. Birmingham, 1819. 2.25in. (5.5cm.); and an Edwardian silver heart shaped ring box, inset tortoiseshell, on three legs. Birmingham, 1910. 1.75in. (4.5cm.). (3).
A small early 19th century mantel clock, the 8-day twin fussee movement striking and repeating on a bell, the back plate inscribed Viner and Co. 233 Regent Street. London and also inscribed on the circular white enamel dial, with a gilt engine turned brass quadrant surround, the ebonized mahogany case inlaid brass marquetry and stringing, the sloping plinth top centred a cast gilt brass flaming finial, the sides with foliage gilt brass applique ring handles above red fabric backed pierced brass frets, a pull cord for the repeat, the plinth base with a brass moulding, on turned feet. 12.75in. (32.5cm.) high.
* Caricatures. Rowlandson (Thomas), A Mad Dog in a Coffee House, 20 March, 1809,. hand coloured etching, plate dimensions 280 x 395 mm, together with Bunbury (Henry, 1750-1811), 'Coxheath Ho!', published 3rd July, 1779, uncoloured etching, plate dimensions 235 x 305 mm, together with Symptoms of Rearing, pub. 23 Jan, 1783, uncoloured etching after Bunbury, margins trimmed, plate dimensions approx. 260 x 370 mm, and Brocas (William), Company shocked at a Lady getting up yo Ring the Bell, pub. J.Sidebotham, c.1820s, uncoloured etching after Gillray, image size 232 x 360 mm, plus others similar after Bunbury, etc. (12)
A part eight day Longcase Clock Movement and Dial, (associated), the dial signed ‘William Draper, Maldon, with silvered and engraved decoration, to a painted ship automaton, titled ‘The Royal George’, over an engraved Roman and Arabic chapter ring, with subsidiary seconds and date sector, to an associated movement with four knopped pillars and anchor escapement, with pendulum bob and single weight
An early 19th Century mahogany Toilet Mirror, with boxwood stringing throughout, the shield shaped mirror back raised on scrolled supports and terminating in a serpentined base, fitted with three drawers, the two front corners applied with ring turned columns, and fitted with peg feet throughout, 24” wide
A 19th Century rosewood Centre Table, with a gilt tooled burgundy writing inset, the frieze fitted on either side with two drawers and two dummy drawers, raised on plain rectangular columns, joined by a ring turned spindle stretcher and splayed supports with compressed bun feet, 38 ½” wide
A late 18th/early 19th Century mahogany/oak Throne Chair, swept back and slightly splayed arms terminating in foliate scrolls, raised on ring turned tulip baluster uprights, terminating in similar supports with paw front feet, joined by grotesque mask and foliate moulded front stretcher and further plain ring turned ‘H’ stretcher below, (some worm damage throughout)
An Art Deco period pale blue tinted glass Dressing Table Set, comprising: An oval Tray, well etched with mermaids, one playing a flute, the other clutching a wreath of scales; Together with Candlestick; Three covered Pots and a Ring Stand, (one pot and candlestick repaired)
A mixed lot comprising: An Elizabeth II two handled Quaich, of plain circular form, with cast and applied handles, and raised on a spreading circular base with presentation inscription, Birmingham 1963; Together with a Napkin Ring, of heavy gauge oval form, initialled 1962, (2)
A mixed lot comprising: A Victorian silver Napkin Ring, of square form, with canted corners; Together with a white metal mounted Cigar Cutter; Silver Napkin Ring; White metal and paste set Nurse’s Buckle; A part silver Buckle and a Perfume Funnel, various dates and makers, (6)
An unusual late 19th Century French lacquered brass Carriage Alarm Clock, with pin escapement and strike on a bell, to a Roman and Arabic chapter ring, (hairlines), with blued steel hands and centre seconds, over an alarm subsidiary, in a cornice case with presentation inscription, height 7”; Together with its original outer travel case
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