Edwardian mahogany satinwood crossbanded and marquetry inlaid longcase clock, the broken arch hood with swan neck pediment above an arched and bevelled glass door and conforming plinth base. The gilded brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and chime silent selector in the arch. The three train movement with anchor escapement striking and chiming on gongs
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A Worcester Small Butter Boat of Leaf Outline, press-moulded with leaf tips to the exterior and painted in underglaze blue with a rose spray to the centre and leafy subsidiary sprays to the border, indistinct workman's mark, {7.5cm} (one small flake to the rim and discolouration to lower handle and foot ring). See lot 160 for illustration.
An English Delft Circular Dish, the central circular reserve naively painted with sprays of flowers and bamboo issuing from amongst rocks, within a blue parallel line frame, having four stylised foliate motifs to the borders, {31.5cm diameter}, the foot ring pierced for suspension, (rim chips). See lot 189 for illustration.
A Doccia Tulipano Pattern Soup Bowl, late 18th Century, of bracket circular outline with grooved rim, with central enamelled spray of tulips and other flowers in vivid colours, the border with six repeat foliate motifs heightened in gilt, unmarked, painter's number 14 in red on the inner foot ring, {24cm diameter} .
An Early 18th Century Meissen Tea Cup and Saucer, in imitation of Chinese blanc de chine, the tea cup with wishbone shape handle with shell and overlapped scale detail, applied in high relief with three prunus sprigs, the underside of the circular saucer similarly decorated, crossed swords mark in underglaze blue, pressnumer 64 and 65 (both with small chips); A Meissen White Porcelain Tea Bowl, externally applied with three fruiting vine stocks, {8.3cm diameter} (rim chips); Two Chinese Kangxi Blanc de Chine Cups (both cracked); and A Bow Porcelain "Libation" Cup, in imitation of the Chinese, moulded with prunus and with an openwork foot ring, {9cm} (badly cracked) (5).
A Silver Trinket Holder, with a mother-of-pearl shell upon two wheels drawn by an ostrich with pin cushion back, {maker's mark not clear, Birmingham, 1908}; Another Pincushion, as a chick, with ovoid body, {by Cohen & Charles Chester, 1909}; Another, as a duck, {by Skinner & Co, Birmingham, 1906}; and A Ring Stand, modelled as a parrot with pincushion back upon a perch, {Birmingham, 1915} (4) . See lot 555 for illustration.
A Silver Archery Medallion, circular with engraved armorial with archer crossed arrows and deer, "in Media Palma" the reverse with an arrow and stag "Non Effugiet", {by Phipps & Robinson, circa 1790}, with a ring bow 5cm, in original sharkskin case. See lot 574 for illustration.
A Swiss Musical Bird Cage, the gilt metal domed rectangular cage surmounted by a ring handle, and containing three birds with coloured plumage, the gilt wood and composition canted rectangular base moulded with flowers and foliage and containing the key wind mechanism, 20th Century, {61cm}
A French Late 19th Century Garniture, comprising a lyre clock with florally decorated enamel dial and pierced gilt hands, with paste set surrounding pendulum ring in a white marble case with applied ormolu mounts upon oval base, {35.5cm}, and the matching candelabra with floral sprays springing from paste set vases with satyr's masks, {29. 5cm}
A George IV Mahogany Reverse Breakfront Sideboard, the apex pediment surmounted by baluster finials, the projecting base with deep crossbanding, long drawer to the frieze over shaped napery drawer, flanked by two cellarette drawers, all with brass lion mask and ring handles, on six ring turned and tapering legs terminating in spool feet, {186cm}
A Regency Mahogany Small Writing Table, in the Gillows style, the rectangular top with reeded edge, two drawers to the frieze with brass loop handles and elliptical back plates stamped with thistles, flanked by ring turned panels, melon fluted baluster turned and tapering legs terminating in brass caps and castors, {115.5cm}
An Early 19th Century Rosewood Sutherland Table, the rounded rectangular top crossbanded in satin wood and strung with box, with two drop flaps, raised upon ring turned fly leg supports and fixed double pillar end standards extending down to out-splayed legs terminating in brass caps and castors, {66cm}

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