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Early 20th century turquoise and diamond triple cluster ring, three round turquoise within a border of eight cut diamonds, stamped 18ct, total diamond weight approx 0.50 carat Condition Report:Approx 3.9gm, size P1/2, max depth 8mm, good overall condition with light discolouration to the turquoise and one diamond loose
Victorian and later jewellery including 10ct rose gold foiled back garnet and seed pearl brooch, 18ct gold wedding band, Birmingham 1919, 18ct gold shank, 18ct and 9ct gold buckle ring, gilt jewellery including agate brooch, chalcedony brooch and a curb link bracelet and a 9ct gold wedding band, Birmingham 1934Condition Report:10ct approx 6gm, length = 22mm, 18ct approx 4.15gm, band size M-N, buckle ring approx 1.95gm (shank tested 9ct, buckle 18ct), chalcedony brooch slight cracks, 9ct band approx 1.8gm, size I-J
Gold and silver jewellery including two silver charm bracelets, silver stone set jewellery including brooches, necklace, earrings, pair of 9ct gold earrings, 9ct gold oddments and a 16ct gold signet ringCondition Report:9ct non stone set approx 13.25gm, 9ct stone set approx 8.2gm, 16ct approx 3.5gm, non stone set silver 140gm
18ct white old oval sapphire, round brilliant cut and baguette cut diamond cluster ring, stamped 750, sapphire 2.93 carat, total diamond weight 1.07 carat, with World Gemological Institute ReportCondition Report:Approx 4.5gm, size N-O, good condition, overall head = 14.5mm x 16.5mm
Early - mid 20th century platinum oval cut sapphire and old cut diamond cluster ring, stamped Plat, sapphire approx 1.80 carat, total diamond weight approx 0.70 caratCondition Report:Approx 5.55gm, size N, overall head = 16mm x 12mm, sapphire = 10.38mm x 6.15mm x depth 3.5mm, each diamond approx 2.3mm - 2.5mm diameter, sapphire very good colour, internal flaw / fracture to sapphire and very slight nibbles around edges and facet edges, diamonds bright with some light inclusions under 10x loop, stones appear secure in setting
Platinum single stone round brilliant cut diamond ring, with diamond set shoulders and diamond set gallery, principal diamond approx 1.00 caratCondition Report:Approx 3.15gm, tested platinum, size H 3/4, diamond very good colour approx G, eye clean, approx SI1 clarity
Ocean Liner.- Two photograph albums of the Greek Line T.S.S.Olympia, 86 gelatin silver prints, c.220 x 290mm. or vice versa, each stamped W.Wralston, Glasgow on verso with negative number in pencil, mounted on 43 blank leaves with corner mounts, captions in black ink below, a couple of corner mounts missing, contemporary cloth faux snakeskin ring-binders titled in black on upper cover, rubbed, a few leaves loose, oblong folio, [Glasgow], 1953.⁂ Fascinating record of the luxurious and ultramodern interiors of the Clyde-built passenger ship T.S.S. Olympia in the year of its maiden voyage, with upholstery designed by Tibor Reich and the interior design by Emmanuel Lazaridis. Unpopulated by either passengers or staff, the precision of the large black & white photographs complements the bold post-war contrasts and angles, such as in the jazzy 'Mycenaean' and 'Derby' rooms. Vibrant upholstery and geometry in the 'Bookworm' reading room and 'The Scribe' writing room are balanced against a classic wood-panelled library and card room. Other photographs record the gymnasium, children's play areas 'Wonderland' and 'Neverland', cabins, and even a First Class 'stateroom toilet'. Having changed hands and been renamed several times, the ship was finally broken up in early 2010.
Bible, English. The Holy Bible: Containing the Old Testament and the New..., General and New Testament titles within heart-shaped woodcut borders, 2A1-2B8 & 2Q1-5 loose, others working loose, bound with The Book of Common Prayer, John Bill, 1639 at beginning and The Whole Booke of Psalmes, 1639 at end, browned throughout, blank f. bound after NT with ink notes of the Ring family in 18th & 19th centuries, a few other ink notes in margins, bound in contemporary calf with all over gilt pattern of circular floral sprays powdered with gilt sacred hearts, gilt initials "EA" on both covers, rubbed, slightly faded, remains of brass clasps, spine creased and dulled, many edges creased, 8vo, [Herbert 542], Robert Barker, 1639.
HOSCHEDE MONET ALICE: (1844-1911) French artists' model, wife of the art collector Ernest Hoschede and later of the Impressionist painter Claude Monet. A.L.S., Alice, three pages, 8vo, n.p. (Poissy), n.d., to a friend, in French. Hoschede Monet announces 'Nous t'avions attendu hier toute la journee et j'ai ete bien etonne de vous que tu etais passe a Poissy sans t'arreter. J'espere que tu ne manqueras pas de venir avec qui tu le dis a la fin de la semaine car je crois que M. Monet doit revenir lundi ou Mardi' (Translation: 'We had been waiting for you all day yesterday and I was very surprised that you passed by Poissy without stopping. I hope you won't fail to come with whomever you say at the end of the week because I believe that Mr. Monet must return on Monday or Tuesday') and continues 'Je souhaite que toute tes belles esperances se realisent, mais n'ose y croire beaucoup! Marthe va mieux je crois elle a bien souffert tous ces jours......tous les enfants ne cessent de te demander et hier a chaque coup de sonnette ils se precipitaient esperant toujours te voir arriver. Enfin j'espere que cette fois tu ne manqueras par de venir pour moi.....Je ne puis aller a Paris etant absolument sans argent pour le moment' (Translation: 'I wish that all your beautiful hopes come true, but dare not believe it much! Marthe is better, I think she suffered a lot these days…..all the children keep asking for you and yesterday at each ring of the doorbell they rushed in, still hoping to see you arrive. Anyway, I hope that this time you won't fail to come for me…..I can't go to Paris, being absolutely without money for the moment'). Some very light, extremely minor age wear, VGAlice Hoschede Monet had six children by her marriage to Ernest Hoschede; Blanche (who married Claude Monet's son, Jean Monet, in 1897), Germaine, Suzanne, Marthe, Jean-Pierre and Jacques.
COCTEAU JEAN: (1889-1963) French poet, playwright, novelist, artist, filmmaker and critic. A good original bold pencil drawing signed by Cocteau, executed on an 8vo sheet of heavy tracing paper, n.p., 1950. The image is a line-drawing depicting a hand, pointing upwards, with the index finger extended, the middle finger half folded, and the ring finger and little finger folded against the palm. Signed by Cocteau in pencil, adding his familiar star beneath his signature. Irregularly trimmed to one edge, otherwise VG The drawing was originally created by Cocteau and sent to Pierre Beres in order to illustrate an article by Rene Etiemble which appeared in Art de France (1962). Pierre Beres (1913-2008) Russian-born French bookseller, antiquarian book collector, publisher and art collector. Rene Etiemble (1909-2002) French essayist, scholar and novelist.
DE KEYSER NICAISE: (1813-1887) Belgian painter. An illustrated A.L.S., N De Keyser, three pages, 8vo, Antwerp, 8th September 1879, to a friend, on black bordered mourning stationery, in French. De Keyser states that he did not attend the Royal visit to the Salon and therefore does not have precise details ‘mais S.M. a du admirer les oeuvres de Rosa Bonheur comme tout le monde’ (Translation: ‘but H.M. must have admired the works of Rosa Bonheur like everyone else’), continuing ‘Quant a l'objet de votre desir soyez persuade qu'on fera tout son possible pour atteindre le but propose. Je verrai demain mon beau fils et lui soumettrai vos reflexions au sujet de votre communique et la note dont il est fait mention dans votre lettre’ (Translation: ‘As for the object of your desire, be convinced that we will do everything possible to achieve the proposed goal. I will see my son-in-law tomorrow and submit to him your thoughts on the subject of your press release and the note mentioned in your letter’). The painter also makes a request of his friend, ‘J'espere que ces lignes vous trouvent encore a Madrid. J'en serais d'autant plus charme que je vous prierai de me rendre un service. Voici en quoi il consiste: vous adresser chez le photographe Laurent, ou un autre, et m'envoyer sous enveloppe une photographie pliee du cirque des taureaux une vue interieure avec la loge Royale si possible. Quelques types de jolies femmes & costumes Espagnols. Vous connaissez le motif de cette demande, il me serait agreable de recevoir ces renseignements le plus tot possible. Si vous allez en Andalousie a Seville ou Grenade, un chapeau, une vielille veste en velours (vert ou bleu) avec manches brodees boutons......faire de cela un petit paquet et me l'envoyer, vous seriez comme toujours le plus aimable & le plus devoue des amis’ (Translation: ‘I hope these lines still find you in Madrid. I will be all the more delighted if I ask you to do me a favour. This is what it consists of: contact the photographer Laurent, or another, and send me in an envelope a photograph of the Bull ring, an interior view with the Royal box if possible. Some types of pretty Spanish women & costumes. You know the reason for this request, it would be nice for me to receive this information as soon as possible. If you go to Andalusia, to Seville or Granada, a hat, an old velvet jacket (green or blue) with embroidered button sleeves……make a small package of this and send it to me, you would be as always the kindest & most devoted of friends’). At this stage in the letter De Keyser has drawn a small sketch of a half-length profile study of a man wearing a jacket and hat. The artist adds that he will keep his friend informed of any developments and in a postscript also asks to be sent photographs of King Alfonso XII and the late Queen Mercedes. Some light age wear and a couple of neat splits to the edges of folds, otherwise about VGBelgian painter. An illustrated A.L.S., N De Keyser, three pages, 8vo, Antwerp, 8th September 1879, to a friend, on black bordered mourning stationery, in French. De Keyser states that he did not attend the Royal visit to the Salon and therefore does not have precise details ‘mais S.M. a du admirer les oeuvres de Rosa Bonheur comme tout le monde’ (Translation: ‘but H.M. must have admired the works of Rosa Bonheur like everyone else’), continuing ‘Quant a l'objet de votre desir soyez persuade qu'on fera tout son possible pour atteindre le but propose. Je verrai demain mon beau fils et lui soumettrai vos reflexions au sujet de votre communique et la note dont il est fait mention dans votre lettre’ (Translation: ‘As for the object of your desire, be convinced that we will do everything possible to achieve the proposed goal. I will see my son-in-law tomorrow and submit to him your thoughts on the subject of your press release and the note mentioned in your letter’). The painter also makes a request of his friend, ‘J'espere que ces lignes vous trouvent encore a Madrid. J'en serais d'autant plus charme que je vous prierai de me rendre un service. Voici en quoi il consiste: vous adresser chez le photographe Laurent, ou un autre, et m'envoyer sous enveloppe une photographie pliee du cirque des taureaux une vue interieure avec la loge Royale si possible. Quelques types de jolies femmes & costumes Espagnols. Vous connaissez le motif de cette demande, il me serait agreable de recevoir ces renseignements le plus tot possible. Si vous allez en Andalousie a Seville ou Grenade, un chapeau, une vielille veste en velours (vert ou bleu) avec manches brodees boutons......faire de cela un petit paquet et me l'envoyer, vous seriez comme toujours le plus aimable & le plus devoue des amis’ (Translation: ‘I hope these lines still find you in Madrid. I will be all the more delighted if I ask you to do me a favour. This is what it consists of: contact the photographer Laurent, or another, and send me in an envelope a photograph of the Bull ring, an interior view with the Royal box if possible. Some types of pretty Spanish women & costumes. You know the reason for this request, it would be nice for me to receive this information as soon as possible. If you go to Andalusia, to Seville or Granada, a hat, an old velvet jacket (green or blue) with embroidered button sleeves……make a small package of this and send it to me, you would be as always the kindest & most devoted of friends’). At this stage in the letter De Keyser has drawn a small sketch of a half-length profile study of a man wearing a jacket and hat. The artist adds that he will keep his friend informed of any developments and in a postscript also asks to be sent photographs of King Alfonso XII and the late Queen Mercedes. Some light age wear and a couple of neat splits to the edges of folds, otherwise about VG
A yellow sapphire and diamond cocktail dress ring The oval shaped mixed cut yellow sapphire of good colour within an Art Deco style surround of brilliant and tapered baguette diamonds Mounted in 18 carat white gold Weight: (Sapphire) 5.40 carats (estimated weight) Approximately 6 grams
A MID 17TH CENTURY JOINED OAK LIVERY CUPBOARD the moulded cornice over a recessed upper cupboard, with moulded panel doors flanking a centre panel, below a canopy on baluster turned side supports, two cupboards beneath with geometrically panelled doors, the base with a single cupboard on iron strap hinged flanked by side panels, on ring turned baluster legs joined by a planked base shelf, 151cm high x 137cm wide x 64cm deepProvenance: Purchased from Wilkinson's, 3rd December 2017, Lot 609.The residual contents of Claveys Farmhouse, Mells Green, Somerset.
A PAIR OF LARGE AND UNUSUAL NEAR EASTERN BRASS PRICKET CANDLESTICKS early 20th century, with circular sconces, panelled baluster and knopped stems, on ebonised hardwood ring turned bases, 116cm high x 18cm diameterNote: Purchased from Wilkinson's, Period Oak, Country Furniture & Effects, 24/06/18, lot 513, for £260.The residual contents of Claveys Farmhouse, Mells Green, Somerset.

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1087811 item(s)/page