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Late Victorian lady's mahogany writing table, the rectangular top with boxwood and ebony chequer line inlays opening to reveal a pull out writing surface with pigeonholes, over a long drawer to the front with brass ring handles, raised on square section legs, width 66cm, depth 38.5cm, height 79.5cm
Unusual late Victorian collector's display cabinet, in the Sheraton Revival style, circa 1890, the cabinet top with twin glazed doors surmounted with a scrolled pediment and opening to a single shelf, over a two drawer chest base with bow front and profusely inlaid with a floral basket suspended from ribbons and acanthus fronds, the drawers similarly inlaid with garlands in a variety of woods, with metal ring handles, raised on tapered square section legs, width 69cm, height 149cm, depth 40cm
Oak eight day longcase clock, having a carved case, the hood initialled and dated 1898, brass 11 1/2'' dial signed Hampson, Wrexham, and numbered 1430, with engraved matted centre, silvered chapter ring, the movement striking on a bell, the trunk and base carved and raised on bracket feet, height 212cmPlease note our special conditions regarding clocks and watches
Victorian silver circular box and cover, by William Comyns, London 1889, gadrooned decoration, 9cm diameter, weight 115g (3.7 troy ozs); also a silver mounted cut glass heart shaped ring box, Birmingham 1902, 4.5cm; and a silver mounted cut glass scent bottle, London 1902, 10.5cm (3)
A Gone With the Wind shooting script belonging to casting director Fred SchuesslerMGM, 1939. Mimeographed manuscript, 251 pp, dated February 27, 1939 (with dates up to May 18 notated in pencil) and marked 'Shooting Script' to cover, with 'Schuessler' ownership signature to cover, with light annotations and pink, yellow, blue, and green revision pages inserted (a 'rainbow' script), housed in two black 3-ring binders which are the originals used by Schuessler during production; together with a carbon copy of Schuessler's agreement with Selznick International Pictures engaging him as the casting director of the film. Fred Schuessler, an experienced casting executive, was previously the casting director at RKO and, prior to joining David O. Selznick, was the casting director at Paramount. At the end of production, to protect the secrecy of the film, Selznick ordered all the shooting scripts collected and destroyed; this is one of the few that survived and is a rare example of a complete working shooting script by Sidney Howard. Provenance: the collection of Tom Heyes. Each binder: 10.75 x 11.5 x 2.5 in.
A High Anxiety screenplayTwentieth Century-Fox, 1977. Mimeographed manuscript, screenplay by Mel Brooks, Ron Clark, Rudy De Luca, and Barry Levinson, 121 pp, dated April 5, 1977, housed in a blue 3-ring binder. This is choreographer Alan Johnson's personal script. Mel Brooks' tribute to director Alfred Hitchcock spoofs most of Hitchcock's classics such as Vertigo (1958) and The Birds (1963) as Brooks plays a psychiatrist with more phobias than his patients. Provenance: the estate of Alan Johnson. 10.25 x 11.75 x 2 in.
SMALL SILVER - a quantity with an Art Deco plated stand to include a three piece condiment set, Chester 1938, a 10cms H helmet shape cream jug, Birmingham 1910, a Walker and Hall urn shape vase, Sheffield 1913 along with two pairs of sugar tongs, a salt spoon, sugar sifter spoon and napkin ring, various assay marks and dates, 13.2 troy ozs weighable
Limited Patrons Copy, 50 Copies Only& With An Original WatercolourSex (Susan) & Sayers (B.) Ireland's Wild Orchids, lg. Atlas folio, Patrons Copy 39 (50) Signed by Both, 35 full page plts. & numerous cold. illus. hf, mor. cloth, gilt lettered label, cloth slipcase; together with the Portfolio of cold. plts. loose, 39 (50) Ltd. Patrons Set; in a similar design cover case; also Ireland's Wild Orchids, a Field Guide, 8vo ring binder; and An Original Watercolour by Susan Sex of a Bluebell, used by An Post" for 65 pence stamp, a wonderful collection. (4)
'Fifty Years of Love'Jack and Cottie Yeats, their wedding and anniversary Memorabilia. A wonderful collection including-A pair of white satin lady's dress shoes with silk bows, pigskin lined, by family tradition worn by Cottie White for her wedding to Jack Yeats, 1894;-An artificial flower, probably worn by Cottie on her wedding day, in a silver mounted jar (hallmarked);-A pale leather lady's handbag with elaborate embossed design,carried by Cottie on her wedding day, now somewhat soiled;-A gold locket with lapis lazuli and seed pearl decoration, mounted with a chain, engraved 'J.B. YEATS / M.C. YEATS / Aug. 23rd 1894 - Aug. 23rd 1944', and within the locket a folded paper oval inscribed 'From Jack to Cottie with 50 years love', in a Stokes & Son Jeweller's box, Dublin;-A pair of gold wedding rings, Jack's and Cottie's, hallmarked, one inscribed 'Christ alone made us two one', the other 'Heart content cannot repent'.-A gold Claddagh ring, hallmarked, probably Cottie's.-A gold mounted friendship bracelet with the word 'L'Amitie' [Friendship], set within an oval of seed pearls; with a matching oval inscribed 'Souvenir' [Memory] with damaged mount, Cottie's and/or Jack's.Jack Yeats met Mary Cottenham White, from an old and distinguished English family, when both were students at art schools in London. It was a love match from the start, and Jack settled down to work ten hours a day in an unheated room, drawing cartoons for 'Punch' and other outlets,to earn enough money to make marriage a possibility. They lived for some 20 years in a cottage in Devon, before moving to Greystones and later to Dublin. 'Cottie', as she was known since childhood, was herself a promising artist in an 'art-nouveau' style, but chose not to compete with her husband, and devoted her life to making a home for Jack. They were not blessed with children; otherwise it appears to have been a marriage made in Heaven - as testified by Jack's hand-written anniversary gift, 'with 50 years love'. Cottie died three years later, in 1947.As a collection, w.a.f.Provenance: Yeats family, estate of Anne Yeats, from a trunk owned by Jack Yeats and held in a bank vault.
White Family. A collection of items relating to the family of Cottie (White) Yeats, including:-A gold locket enclosing a portrait of a moustachioed gentleman, Victorian, middle-aged, evidently John Philip White, Cottie's father (see envelope);-Four various rings, hallmarked;-An envelope inscribed in Cottie's hand, 'Mamma & Father / John Philip White / Georgina White', containing an oval miniature portrait of a Victorian lady, presumably Georgina; also death notice of Georgina White wrapped in mourning paper;-An envelope inscribed in Cottie's hand, 'Georgina White / Mamma's wedding ring etc., old letters of mine to her as a child - announcement of death - 1934', containing three childish letters from Cottie to Mama, circa 1874-5. As a collection, w.a.f. (1)Provenance: Yeats family, from Jack Yeats' Bank Deposit Trunk.

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