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Woolley & Wallis
Lot 1796

A hessonite garnet and diamond ring, the sugarloaf garnet cabochon set within concentric surround of diamonds, with diamond bifurcated shoulders in white gold, inner re-sizing balls, approximately size I 1/2

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Woolley & Wallis
Lot 1797

A diamond-set three-row platinum ring, set with graduated round brilliant-cut diamonds in platinum rubover-mounts, size M

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Woolley & Wallis
Lot 1798

A diamond full-circle eternity ring, the round brilliant-cut diamonds are channel-set in yellow gold, size O

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Woolley & Wallis
Lot 1801

An early 19th century malachite cameo-mounted two-colour gold suite of jewellery, all mounted in fine cannetille gold settings, comprising a necklace, head ornament (also wearable as a corsage), pendant, earrings and a ring, all mounted with graduated carved malachite oval cameos depicting various classical scenes including a woman selling Cupids as love tokens, the scene based on a Pompeian wall painting from Stabiae, which now hangs in the Naples Museum, the kokoshnik-style hair ornamemt 15cm wide, in fitted case by Harvey & Gore

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Woolley & Wallis
Lot 1805

A George III diamond five stone ring, the graduated rose-cut diamonds are set in silver and gold closed-back settings, size M

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Woolley & Wallis
Lot 1806

A diamond five-stone ring, the five graduated cushion-shaped diamonds are set in platinum and gold, size P 1/2

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Woolley & Wallis
Lot 1807

A George III diamond cluster ring, centred with an old oval-shaped diamond within a surround of smaller cushion-shaped diamonds and borders of blue and white enamel in a wide yellow gold mount, size N

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Woolley & Wallis
Lot 1808

A George III giardinetto ring, set with rose-cut diamonds in silver and gold closed-back setting, size K

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Woolley & Wallis
Lot 1812

A George III pearl and turquoise cluster ring, with trifurcated shoulders in closed-back gold mount and carved shank, size M 1/2, with a Regency yellow paste and garnet two row ring, maker's mark CR and Chester hallmarks for 15ct, 1818, size P

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Woolley & Wallis
Lot 1816

A yellow sapphire solitaire ring, the oval-shaped yellow sapphire weighs approximately 7.50cts and is claw set in yellow gold, size M Accompanied by report number 78175-57 dated 29 August 2018 from GCS, London stating that the cushion-cut sapphire is a natural yellow corundum with no indications of heating. Origin: Sri Lanka (Ceylon)

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Woolley & Wallis
Lot 1827

A Russian miniature egg pendant by Fabergé, work master Michael Perchin, the oyster-coloured guilloche enamel decoration surmounted by a scroll pierced gold cap, the suspension ring marked with a Kokoshnik and the loose suspension ring marked with initials Ðœ.П and 56 Zolotnik, 2cm high

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Woolley & Wallis
Lot 1845

A natural pearl and diamond ring, the button-shaped white pearl set with circular and baguette-shaped diamond spray shoulders in white gold, size Q 1/2 Accompanied by report number 08888 dated 8 November 2013 stating that the part-drilled pearl weighs 5.40cts and is natural saltwater

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Woolley & Wallis
Lot 1849

A George III diamond solitaire ring, set with an oval/marquise-shaped diamond within a border of rose-cut diamonds in silver and gold, size L 1/2 Accompanied by report number 78173-78 dated 29 August 2018 from GCS, London stating that the old marquise-cut diamond weighs approximately 0.70cts and is a natural diamond with F-G colour and VS2-SI1 clarity

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Woolley & Wallis
Lot 1850

A late 17th century yellow gold friendship posy ring, the plain yellow gold shank engraved to the inside with "A freind at neede doth gould exceede", late 17th Century, English, size L, with a late 17th century gold posy ring, engraved to the inside with initials MD and later engraved with a heart, English, size Q

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Woolley & Wallis
Lot 1851

A gilt lined silver ring, engraved with black Lombardic script, size W, and a silver iconographic ring depicting Christian figures and swirling decoration to the shoulders, probably 14th century, size P

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Woolley & Wallis
Lot 1853

A late 17th Century yellow gold posy ring, the plain yellow gold shank engraved to the inside with "Let Vertue rule affection", late 17th Century, English, maker's mark TS, size L

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Woolley & Wallis
Lot 1854

A Romantic late 17th century yellow gold posy ring, the plain yellow gold shank engraved to the inside with "In Love abyde till death divide", late 17th Century, English, maker's mark S, size O 1/2

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Woolley & Wallis
Lot 1855

A Religious late 17th century yellow gold posy ring, the smooth yellow gold rounded shank engraved to the inside with "Feare God', Late 17th Century, English, size R Literature: Cf: Joan Evans, English Posies and Posy Rings, 1931, P.55

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Woolley & Wallis
Lot 1856

A Religious late 17th century yellow gold posy ring, the yellow gold plain shank engraved to the inside with "Let our accord bee blest O Lord", late 17th Century, English, maker's mark GS, size S

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Woolley & Wallis
Lot 1857

A late 17th century yellow gold posy ring, the plain yellow gold shank engraved to the inside with "Love for ever", late 17th Century, English, maker's mark RB, Size L

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Woolley & Wallis
Lot 1862

A small oval carved red jasper intaglio-mounted gold ring, possibly Romano-British, 2nd - 3rd century AD and from a Roman legion in Wales, possibly Anglesey, depicting a gryllus carved with a ram's head, and two heads, probably Heracles and Solanus, the intaglio 0.8cm high, 18th century mount, size J, case

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Woolley & Wallis
Lot 1867

An antique gold signet ring, probably 18th century, engraved with full arms and surmounted with a dove crest, the reverse with unidentified double-struck mark, 1.7cm high, size K

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Woolley & Wallis
Lot 1868

A chalcedony intaglio ring, depicting the profile of a woman in the classical manner in white chalcedony, in plain gold rub-over mount, size M 1/2

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Woolley & Wallis
Lot 1869

A late 18th/early 19th century carved two-colour hardstone cameo-mounted ring, the cameo depicting Omphale in profile wearing the Nemean lion skin, gold mount, 2.7cm high, size T The subject is based on the story of Hercules being submitted, by the oracle, to three years of servitude for having killed Iphitos. He was bought as a slave by the Queen of Lydie, Omphale. During this time they became lovers and many amorous paintings were executed by Boucher, Lemoyne and Rubens. Omphale was recorded as mocking her servant to the extent of extreme indignation by wearing his Nemean lion skin and even made Hercules wear women's clothes. The subject of this cameo has been heavily influenced from an original 1st-2nd century AD glass cameo which is housed in the British Museum as exhibit no. 1923,0401.1056. Literature: For a similar cameo, see WALTERS, H. B., Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, (London: BMP: 1926), gem 3805.

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Woolley & Wallis
Lot 1870

A carved hardstone cameo ring, the cameo depicting the head of a satire, in gold mount with foliate and shell engraved shank, engraved to the inside 'a Token of Gratitude', size R

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Woolley & Wallis
Lot 1872

A small carved carnelian intaglio ring, probably 18th century, depicting the profile of a Roman Emperor, later gold mount, size M

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Woolley & Wallis
Lot 1882

A gem-set gold Renaissance gimmel ring, late 16th century and possibly German, the two collets elaborately engraved and with black and white enamel decoration with traces of green and continuing down the shanks, each set with a ruby or emerald (possibly later replacements), opening to reveal foliate scroll white enamel decoration to the collets and engraved with the words, which are highlighted with niello to the upper shanks, * Quod * Deus * Homo * Non *, which continues to the lower shank Conjunxit Separet *, which translates to 'What God has joined, let no one separate', approximate size F-G, case by S J Phillips For a similar ring set with a ruby and aquamarine, and with identical inscription, see British Museum exhibit 1097. Also in the Victoria & Albert Museum, being the betrothal of Sir Thomas Gresham, being of similar design and with the same legend.

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Woolley & Wallis
Lot 1884

A navette-shaped carved carnelian intaglio, probably 18th century, depicting the profile of a youthful man, later mounted as a gold ring, the intaglio 2.7cm high, size K 1/2

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Woolley & Wallis
Lot 1885

A carved dark agate oval intaglio, possibly Babylonian, depicting an infant sitting on a pillar next to a fire and being attending by two bestowing figures, later mounted as a gold ring, the intaglio 2cm wide, size E 1/2

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Woolley & Wallis
Lot 1886

A circular carved carnelian intaglio, possibly Classical, depicting a merman with bifurcated tail, later mounted as a gold ring, size M

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Woolley & Wallis
Lot 1888

A carved mottled hardstone intaglio, probably Classical, the circular intaglio depicting a rampant griffin, 1.3cm wide, mounted later as a gold ring, size M

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Woolley & Wallis
Lot 1906

A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.90cts and is claw-set in white gold, size I

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Woolley & Wallis
Lot 1908

A large sapphire and diamond cluster ring, the oval sapphire is set within a border of stylised leaves and circular-cut diamonds in platinum and gold, size L Accompanied by report number 15759 dated 22 May 2018 from The Gem & Pearl Laboratory stating that the oval-shaped sapphire is a natural corundum with no indications of heat treatment. Origin: Sri Lanka

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Woolley & Wallis
Lot 1909

A yellow sapphire and diamond three-stone ring, the circular-cut yellow sapphire weighs 8.97cts and is set in platinum with a kite-shaped diamond millegrain-set to each shoulder, with Sheffield platinum hallmarks, size L Accompanied by report number 78169-49 dated 12 July 2018 from GCS, London stating that the round-cut yellow sapphire weighs 8.97cts and is a natural yellow corundum with no indications of heat treatment. Origin: Sri Lanka

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Woolley & Wallis
Lot 1910

An emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 6.20cts and set within a surround of sixteen round brilliant-cut diamonds in white gold, size M 1/2 Accompanied by report number 78175-58 dated 29 August 2018 from GCS, London stating that the octagonal-cut emerald weighs approximately 6.20cts and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia

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Woolley & Wallis
Lot 1911

A sapphire and diamond three stone ring, the cushion-shaped sapphire flanked with triangular-shaped diamonds in white gold, size M 1/2

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Woolley & Wallis
Lot 1920

An early 20th century ruby and diamond ring, set with three graduated oval-shaped rubies within a border of circular-cut diamonds in yellow gold oval surround, size N 1/2

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Woolley & Wallis
Lot 1921

A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.??? and is set in platinum, size P

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Woolley & Wallis
Lot 1922

A ruby and diamond cluster ring, the slightly oval-shaped ruby set within a surround of ten round brilliant-cut diamonds in yellow and white gold, size O

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Woolley & Wallis
Lot 1923

A sapphire and diamond ring, the circular sapphire cabochon flanked within baguette-shaped diamond scroll shoulders in platinum, size M 1/2 Accompanied by report number 78169-01 dated 13 July 2018 from GCS, London stating that the cabochon sapphire weighs 15.48cts (as stated by the client) and is a natural corundum with no indications of heat treatment and a significant amount of oil in fissures. Origin: Burma

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Woolley & Wallis
Lot 1924

A sapphire and diamond ring, the cushion-shaped sapphire weighs approximately 8.50cts and is millegrain-set with two rows of five small circular-cut diamonds and a baguette-shaped diamond to each shoulder in platinum, size P 1/2

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Woolley & Wallis
Lot 1925

A sapphire and diamond cluster ring, the oval-shaped sapphire is millegrain-set within two surrounds of circular-cut diamonds in platinum, size O Accompanied by report number 15645 dated 27 April 2018 from The Gem & Pearl Laboratory stating that the rectangular-cushion-shaped sapphire is natural, with no indications of heat treatment

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Woolley & Wallis
Lot 1931

A diamond and sapphire cluster ring, centred with a circular-cut diamond weighing approximately 0.70cts within a surround of long tapered-baguette-shaped sapphires and further border of millegrain-set circular-cut diamonds, with six further shoulder diamonds in white gold, size N

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Woolley & Wallis
Lot 1935

A sapphire and diamond-set ring, the four oval-shaped sapphires set with ten small shoulder diamonds in yellow gold, size N ½

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Woolley & Wallis
Lot 1939

A citrine solitaire ring by Rudolf Heltzel, the circular-shaped citrine is rubover-set in yellow gold, on a plain polished gold mount, with maker's mark and Dublin hallmarks for 1975, size N

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Woolley & Wallis
Lot 1940

A diamond and ruby three-stone ring, set with an oval-shaped and two shoulder circular-cut diamonds in yellow gold, with conjoining borders of calibré-cut rubies, size T

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Woolley & Wallis
Lot 1954

A late 19th century emerald and diamond cluster ring, the pear-shaped emerald is set within a surround of old cushion-shaped diamonds, pierced yellow gold shoulders, London hallmarks for 1888, size Q

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Woolley & Wallis
Lot 1955

A late Victorian five-stone ruby ring, the half-hoop ring set with five graduated cushion-shaped rubies each separated with a pair of circular-cut diamonds in yellow gold, size N ½ Accompanied by report number 15477 dated 27 March 2018 from The Gem & Pearl Laboratory stating that the five rectangular cushion-shaped rubies are natural rubies with no evidence of heat treatmemt. Origin: Burma

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Woolley & Wallis
Lot 1956

A late 19th century diamond three-stone ring, set with graduated old circular-cut diamonds weighing approximately 2.65cts in total, in carved and pierced yellow gold mount, size J 1/2, case

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Woolley & Wallis
Lot 1970

An Art Deco ruby and diamond ring, alternately-set with stepped lines of calibré-cut rubies and circular-cut diamonds in platinum, size O 1/2

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Woolley & Wallis
Lot 1976

A pink spinel ring, the emerald-cut pink spinel weighs 10.10cts (known weight) and flanked with tapered baguette white stone shoulders in iridium and platinum, size L, case Accompanied by report number 78141-63 dated 22 February 2018 from GCS, London stating that the octagonal-cut pink spinel is a natural pink spinel with no indications of heating

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Woolley & Wallis
Lot 1978

An Art Deco coral and diamond ring, the central cushion-shaped coral panel surmounted with a circular-cut diamond with alternately mounted coral and diamond shoulders in platinum, size O

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Woolley & Wallis
Lot 1979

An Edwardian ruby and diamond cluster ring, the centre old circular-cut diamond is millegrain-set within a surround of eight smaller circular-cut diamonds within a shaped border of calibré-cut rubies in platinum, size L

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Woolley & Wallis
Lot 1981

A diamond ring, the cushion-shaped diamond weighs 3.68cts (known weight) and is set between three baguette-shaped and three small circular-cut diamonds to each shoulder in white gold, size N 1/2

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Woolley & Wallis
Lot 1982

A diamond solitaire ring, the old circular-cut diamond weighs 2.32cts (known weight) and is set in platinum, size Q

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Woolley & Wallis
Lot 1983

A diamond three-stone ring, the transitional-cut diamond weighs 1.20cts (known weight), flanked with baguette-shaped diamonds in platinum, size L

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Woolley & Wallis
Lot 1985

A diamond solitaire ring, the cushion-shaped diamond weighs 1.70cts (known weight) and is set in platinum, size N

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Woolley & Wallis
Lot 1994

A sapphire and diamond ring by Cartier, the octagonal step-cut yellow sapphire weighs 13.34cts and is set in yellow gold and platinum, signed Cartier, six round brilliant-cut diamonds to each shoulder, size L, Cartier box Accompanied by report number 101589 dated 14 August 2018 from SSEF stating that the yellow sapphire is natural and with no indications of heat treatment. Origin: Ceylon (Sri Lanka)

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Woolley & Wallis
Lot 1996

A diamond three-stone ring, the centre cushion-shaped diamond weighs 3.38cts (known weight) and is set with two old circular-cut diamonds which weigh approximately 1.50cts total and set in yellow gold with stylised fleur-de-lys shoulders, size M

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Woolley & Wallis
Lot 1997

A diamond solitaire ring, the round brilliant-cut diamond weighs 1.90cts (known weight) and is set in a white gold coronet mount, with maker's mark and Birmingham marks for 1994, size M

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