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Bloomfield Auctions
Lot 464

9CT WHITE GOLD RING WITH CITRINE CENTRE

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Bloomfield Auctions
Lot 466A

9 CARAT GOLD 5 STONE DIAMOND RING

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Adams
Lot 160

A DIAMOND ETERNITY RINGDesigned as a continuous row of alternating square and step-cut diamonds, mounted in gold, diamonds approximately 3.50cts total, ring size I

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Lot 163

A DIAMOND TWIST HALF ETERNITY RINGThe continuous line of round brilliant-cut diamonds twisting in a wave pattern, with a second short line of diamonds forming shoulders on either side, mounted in platinum, diamonds approximately 0.30ct, ring size J

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Lot 167

A CORAL AND DIAMOND CLUSTER RINGThe oval-shaped cabochon coral corallium rubrum, within a frame of round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.50ct total, ring size M½** Please note that this lot contains coral and is subject to CITES regulations when exporting outside of the EU. This lot will also be subject to USA Fish and Wildlife regulations if it is to be imported into the USA.

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Lot 169

A FINE TANZANITE AND DIAMOND RINGThe rectangular step-cut tanzanite weighing 10.08cts within a four-claw setting, between a line of round brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.16ct total, maker's mark, French import mark, ring size N

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Lot 176

A DIAMOND SINGLE-STONE RINGThe round brilliant-cut diamond weighing approximately 1.80cts, within an eight-claw setting, to a scrolling motif mount, mounted in platinum, French assay mark, ring size L

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Lot 177

A MOONSTONE AND DIAMOND RINGThe continuous row of fancy-shaped polished moonstones, each within a surround of round brilliant-cut diamonds, mounted in 18K gold, ring size O

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Lot 183

A CULTURED PEARL AND DIAMOND RINGThe cultured pearl of cream tint measuring approximately 10.07x9.37mm between round brilliant-cut diamond shoulders, ring size L

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Lot 184

A SAPPHIRE AND DIAMOND CLUSTER RINGThe oval-shaped sapphire within a collet setting and surrounded by a border of round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.96ct, ring size L

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Lot 185

A DIAMOND CLUSTER RINGDesigned as a cluster of round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, ring size I (adjustable)

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Lot 189

A SAPPHIRE AND DIAMOND RINGThe rectangular step-cut sapphire within collet setting, weighing approximately 4.00cts, between trillion-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.00ct total, ring size JPlease note that the sapphire was verbally tested at GCS laboratory in London in October 2018, stating that the sapphire is natural, basaltic origin with no indications of heat treatment.

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Lot 198

A DIAMOND ETERNITY RING The continuous row of round brilliant-cut diamond, mounted in 18K gold, diamonds approximately 2.80cts total, ring size M½

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Lot 20

A DIAMOND SINGLE-STONE RINGThe peruzzi-shaped diamond weighing approximately 1.20cts, to a scrolling openwork gallery and plain hoop, mounted in 18K gold, ring size LThe Peruzzi-cut diamond originates from the late 17th century. It is named after its creator Vincent Peruzzi, a Venetian polisher who increased the number of facets cut in the crown of the stone from 17 to 33. Most diamonds from this period tend to be rose-cut, consisting of a much lower number of triangular facets arranged in a symmetrical radiating pattern, and with the bottom of the stone left flat. Thus, the Peruzzi-cut was revolutionary in its time. Today it can be considered as the ancestor of the modern brilliant cut diamond which has 58 facets.

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Lot 200

A PADPARADSCHA SAPPHIRE AND DIAMOND RINGThe cushion-shaped padparadscha sapphire weighing 2.08cts, between rectangular-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.80ct total, ring size MAccompanied by a report from GRS laboratory in Switzerland stating that the orange-pink sapphire is a natural 'padparadscha', with no indications of heat treatment. Report number GRS2007-062941, dated June 27th 2007The padparadscha sapphire although unfamiliar to most people is one of the world's rarest and most collectible gemstones. While no two stones are exactly the same time, they can be recognised for their beautiful salmon colour which can vary from pink to orange. Named from the aquatic lotus blossom, the word comes from the Sinhalese language, that of an ethnic group native to the island of Sri Lanka and making up about 75% of the Sri Lankan population. Unsurprisingly, the padparadscha sapphire is most commonly found and mined in Sri Lanka, although it can also be found in Madagascar and Tanzania. However, the Sri Lankan padparadscha sapphires are undoubtedly the finest.The beautiful gemstone received a lot of media attention earlier this year when Princess Eugenie announced her engagement to Jack Brooksbank in January. Her engagement ring featured an oval-shaped coral-coloured padparadscha sapphire within a diamond cluster surround. It has been compared to the style of her mother, Sarah Ferguson’s engagement ring which featured a Burmese ruby in a similar setting. Princess Eugenie and Jack Brooksbank were married at Windor Castle in October this year.

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Lot 202

A SINGLE-STONE DIAMOND RINGThe round brilliant-cut diamond weighing approximately 4.90cts, between round brilliant-cut diamond shoulders on bombé reeded mount, mounted in 18K gold, remaining diamonds approximately 0.40ct total, ring size N½

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Lot 205

A LAPIS LAZULI RINGThe oval-shaped cabochon lapis lazuli within collet and reeded mount, mounted in 18K gold, ring size P½

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Lot 223

A SINGLE-STONE DIAMOND RINGThe round brilliant-cut diamond weighing 1.00ct, within a multiple-claw setting and between round brilliant-cut diamond shoulders, mounted in 18K gold, remaining diamonds approximately 0.20ct total, ring size P½Accompanied by a report from DPL laboratory in Germany, stating that the diamond weighing 1.00ct is F colour, VVS2 clarity. Report number TO671, dated October 22nd 2018

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Lot 224

A DIAMOND RINGThe single row of graduated baguette-cut diamonds to the front, within a surround of graduated round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, ring size S¼

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Lot 227

A RUBY AND DIAMOND RINGThe oval-shaped ruby within a surround of round brilliant-cut diamonds to a plain thick hoop, mounted in 18K gold, ring size K

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Lot 228

A RUBY ETERNITY RINGThe square-cut rubies within channel setting throughout, mounted in 14K gold, ring size P

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Lot 230

A CULTURED PEARL AND DIAMOND RINGThe cultured South Sea Pearl of cream tint measuring approximately 16.15x14.72mm, supported by a cluster of round brilliant-cut diamonds, to further square-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.30cts, French import mark, ring size N

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Lot 231

A SAPPHIRE, DIAMOND AND EMERALD CLUSTER RINGThe round brilliant-cut sapphire in collet-setting, within a surround of round brilliant-cut diamonds and calibré-cut emerald shoulders, mounted in 18K gold, diamonds approximately 2.00cts total, ring size N

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Lot 235

AN EMERALD AND DIAMOND DRESS RINGOf marquise shape panel, set to the centre with three oval-shaped emeralds within a border of old single-cut diamonds, mounted in 18K gold, diamonds approximately 0.50ct total, ring size R½

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Lot 244

A DIAMOND DRESS RINGSet to the front with a central row of oval-shaped diamonds between frames of similarly-cut diamonds, mounted in 18K gold, diamonds approximately 2.40cts total, ring size M

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Lot 249

AN EMERALD AND DIAMOND DRESS RINGThe octagonal-shaped emerald weighing approximately 5.00cts, within a triple four-claw setting, to a marquise and single-cut diamond frame, mounted in gold, diamonds approximately 1.20cts, ring size M

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Lot 256

A DIAMOND FLOWER COCKTAIL RING/PENDANT/BROOCHDesigned as a camellia rose flowerhead, the petals set with circular-cut diamonds of cognac tint throughout, mounted in 18K gold, diamonds approximately 3.50cts, ring size O Please note that the ring hoop can be taken off to permit the flower to be worn as either a pendant or a brooch

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Lot 259

A TRIO OF DIAMOND AND ENAMEL RINGSEach square-shaped ring pavé-set with round brilliant-cut diamonds and with coloured enamelled inside hoop, mounted in 18K rose, yellow and white gold, enamelled in red, yellow and grey respectively, diamonds approximately 0.80ct, ring sizes M½, N½, O respectively

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Lot 260

A DIAMOND RINGThe wide band set to the front with baguette and round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 2.00cts total, ring size L

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Lot 264

A DIAMOND SINGLE-STONE RINGThe round brilliant-cut diamond weighing approximately 1.70cts to a single and baguette-cut diamond swirl, mounted in 18K gold, diamonds approximately 0.30ct total, ring size L

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Lot 265

A DIAMOND HALF-ETERNITY RINGSet with alternating baguette and round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.30cts total, ring size P¾

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Lot 273

A SAPPHIRE AND DIAMOND CLUSTER RINGThe cushion-shaped sapphire weighing 4.01cts, within a round brilliant-cut diamond surround, mounted in 18K gold, diamonds approximately 0.70ct total, ring size L½Accompanied by a report from the Gem & Pearl Laboratory in London, stating that the sapphire weighing 4.01cts is of Sri Lankan origin, with no indications of heat treatment. Report number 16382, dated October 20th 2018

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Lot 276

A SAPPHIRE AND RUBY RING WITH REVERSO DIAMOND BORDERThe continuous row of square-cut sapphires giving way to a continuous row of square-cut rubies, two diamond-set reverso demi-hoops forming a border of continuous round single-cut diamonds, mounted in gold, diamonds approximately 0.50ct, ring size N

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Lot 279

A GENTLEMAN'S DIAMOND 'ATLAS' RING, BY TIFFANY & CO.The openwork ring with a continuous series of Roman numerals, the front set with a trio of round brilliant-cut diamonds, mounted in 18K gold, signed Tiffany & Co., 2003, ring size 'X'

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Lot 4

AN EMERALD ETERNITY RING, BY CARTIER The continuous row of circular-cut emeralds, each within four-claw setting, with maker's mark 'C', ring size J½

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Lot 47

A CITRINE AND GOLD RETRO RING, CIRCA 1940The rectangular-cut citrine within a raised swing-boat setting mounted aloft of the demi-ribbed 'c'-scroll ring, mounted in 18K gold, ring size L

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Lot 55

A CORAL, DIAMOND AND EMERALD RING, BY VAN CLEEF & ARPELS, CIRCA 1965Designed as two opposing carved corallium rubrum duck heads, each with a diamond-set beak, circular-cut emerald eyes and circular and single-cut diamond collars, signed VCA, numbered, maker's mark, French assay marks, ring size K½** Please note that this lot contains coral and is subject to CITES regulations when exporting outside of the EU. This lot will also be subject to USA Fish and Wildlife regulations if it is to be imported into the USA.

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Lot 67

A DIAMOND FLOWER DRESS RING, CIRCA 1960Modelled as a rose in bloom, the round brilliant-cut diamond pistils set at the centre, the woven mesh petals highlighted with a line of single-cut diamonds, to a plain gold hoop, mounted in 18K gold, diamonds approximately 0.50ct total, French assay marks, ring size K (adjustable)

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Lot 75

A DIAMOND RINGSet with a trio of baguette-cut diamonds to the front, within a frame of round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.50ct total, ring size R½

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Lot 77

A DIAMOND CROSS-OVER RINGThe two brilliant-cut diamonds between rose-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.60ct total, ring size O

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Lot 8

A GENTLEMAN'S DIAMOND AND BLACK CERAMIC 'LOVE' RING, BY CARTIERDecorated with black ceramic screwhead motifs and pavé-set throughout with round brilliant-cut diamonds, mounted in 18K gold, diamonds 1.18cts total, signed Cartier, numbered, maker's mark, ring size Y

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Lot 86

A DIAMOND AND COLOURED DIAMOND DRESS RINGOf bombé mount set with twisted rows of round brilliant-cut diamonds between similarly-cut yellow diamonds, mounted in 18K gold, diamonds approximately 1.50cts total, French assay mark, maker's mark 'JB', ring size O½

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Lot 87

A DIAMOND CLUSTER RINGThe central round brilliant-cut diamond within a surround of similarly-cut diamonds, mounted in gold, diamonds approximately 1.20cts total, ring size I¼

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Lot 92

A THREE-STONE EMERALD AND DIAMOND RINGThe central square-cut emerald between old brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.70cts total, ring size N¼

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Lot 105

A GOLD AND CERAMIC 'ULTRA' DRESS RING, BY CHANEL, CIRCA 2009Of alternating polished white ceramic and white gold polished links, mounted in 18K gold, signed Chanel, numbered, with maker's case, ring size L½

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Lot 108

A 'HAPPY DIAMOND' RING, BY CHOPARDThe glazed heart-shaped compartment revealing three collet-set 'floating' diamonds, between bifurcated shoulders, mounted in 18K gold, signed Chopard & LUC, numbered, ring size LAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

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Lot 11

A DIAMOND FIVE-STONE RINGSet with a graduated row of old brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.50ct total, ring size I½

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Lot 116

AN IMPORTANT DIAMOND NECKLACE, BY GRAFFComposed of articulated links set with round brilliant-cut diamonds throughout weighing approximately 25-30cts, mounted in 18K gold, signed Graff, French import marks, length approximately 42.5cmThe story of Graff is one of a young man who fell in love with diamonds and stopped at nothing to ensure his success. Laurence Graff was apprenticed to a jeweller in London’s Hatton Garden at just 15. It was the start of a passion that would last a lifetime. ‘I have always been fascinated by diamonds,’ he says; ‘I remember looking at them, studying them closely to understand their purity, and the way they had been cut. It was an inherent feeling that has turned in to a lifelong passion.’His first venture was a partnership with another more experienced jeweller repairing Victorian jewellery. During this time, he created his first unique ring using thirty-three small diamonds originally intended for use in individual rings. ‘Instead of making 33 individual rings,’ Graff remembers, ‘I placed them all on one ring, creating a big flash of diamonds. I sold the ring to a jeweller in the north of England, who called me immediately after my return to London to say he had sold the ring and wanted to order another.’The ring triggered a chain reaction of creativity in the young jeweller and Graff Diamonds was established in 1960, opening its first two stores in 1962. Graff became widely known for his unconventional, adventurous pieces which challenged the establishment and channelled the spirit of the 60s. Although the brand was widely acclaimed internationally, it was not until 2000 that Graff opened its first store outside of the UK, beginning with the Hotel de Paris in Monaco. Today the House of Graff has more than fifty stores around the world and remains a family business with Laurence Graff at its head. Of his work he says: ‘I have the same passion and desire for diamonds as I did when I first established Graff. I truly believe I am the luckiest man in the world because I see diamonds every day.’

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Lot 118

A STAR SAPPHIRE AND DIAMOND RINGThe oval-shaped cabochon star sapphire weighing approximately 5.00cts, between round brilliant-cut diamond shoulders, mounted in 14K gold, diamonds approximately 0.10ct total, ring size I½

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Lot 12

A VICTORIAN DIAMOND RINGModelled as a snake, the head decorated with an old round-shaped diamond, mounted in 14K gold, diamond approximately 0.13ct, ring size H

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Lot 123

AN AQUAMARINE AND DIAMOND COCKTAIL RINGThe rectangular-cut aquamarine weighing approximately 14cts, between round brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.50ct total, ring size M½

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Lot 131

A DIAMOND HALF-HOOP ETERNITY RINGChannel-set to the front with a row of round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.80ct total, ring size M½

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Lot 139

A DIAMOND ETERNITY RINGThe continuous row of round brilliant-cut diamonds, each within a four-claw setting, mounted in 18K rose gold, diamonds approximately 2.40cts total, Italian assay mark, ring size M½

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Lot 147

A DIAMOND DRESS RINGSet with series of briolette-cut diamonds to the front, mounted in 18K gold, diamonds approximately 5.00cts total, ring size L (slightly adjustable)

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Lot 148

A SAPPHIRE AND DIAMOND SUITE, BY LEPAGEComposed of a necklace, earrings and ring, the fancy link necklace set alternately with circular-cut sapphires and diamonds within a rope-twist mount, the earrings each set with a collet-set oval-shaped sapphire within a border of round brilliant-cut diamonds and surmounting a quilted hoop also set with similarly-cut diamonds, the ring with a row of six calibré-cut cabochon sapphires between a border of brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts, necklace length 43cm, earring length 2cm, ring size M, within maker's fitted caseIn 1922, Gaston Lepage, the son of a watchmaker opened a small workshop in Le Havre. His brother Raoul worked for some time in the town of Domfront before moving to settle in Rouen. On September 1st 1939, the day of the German invasion of Poland which signalled the beginning of the Second World War, Raoul opened his own shop in Rouen. The city was badly bombed during the War, reducing almost everywhere to rubble. Its famous cathedral survived however and so too did the small jewellery store of Raoul Lepage.It seems it was destiny that the robust Lepage family would prevail and continue to spread across France. Today the House of Lepage is run by the fifth-generation of the family and has stores in Le Havre, Rouen and Lille. Jean-Pierre Lepage describes the firm as both buyers and manufacturers. As well as pieces by Lepage, they carry a wide range of high jewellery and watch brands. Their long-standing relationship of trust with their clients places them in the perfect position to act as an intermediary for larger brands who cannot necessarily provide the same level of attention to individual clients.Lepage’s skilled workshops in Rouen and Lille create unique and custom-order jewellery and watches under the Lepage name from diamonds and gemstones bought directly from Antwerp. Jean-Pierre also notes the importance of recognising the history, quality and precision of French craft and jewellery manufacture. In the field of jewellery, it seems that Lepage’s rich history allows the company to combine tradition and creativity with superior quality and intimate personalised service.

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Lot 155

A DIAMOND DRESS RING, BY ENIGMADesigned as a stylised lip, the upper lip pavé-set with round brilliant-cut diamonds, mounted in 18K rose gold, diamonds 0.29ct total, signed Enigma, Italian assay mark, ring size O¾Gianni Bulgari was born in 1935, the eldest son of Giorgio Bulgari and grandson of the founder, Sotirio. Together with his cousin Marina Bulgari (Marina B, lot 142), he led the family company as co-CEO for a number of years before taking over the full title until 1985.He left Bulgari after selling his stake to his brothers, Nicola and Paolo in 1987 and spent the next ten years as chairman of the Italian sportswear brand Fila. At the same time, Gianni was also working on another project of his own making. He established GB-Enigma, a luxury watch-making company, in 1989 but it was not until 2002 that he began to solely focus on the brand.Together with his son, Giorgio, he opened the first GB-Enigma store in Rome in 2005, and another in Geneva in 2006. The brand later extended into fine jewellery creating lines that are immediately recognisable and individual. Citing the decorative arts and specifically Art Deco and Bauhaus of the 1920s and 30s as inspirations, he injected new and challenging energy into the high jewellery market. With a focus on precious metals and superior craftsmanship, GB-Enigma reintroduced lesser used materials such as jet and silver with a bang, working them into bold eye-catching designs. It is very much a brand of its time, designed to complement the personality of the wearer.

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