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A Wedgewood and marcasite ring, cameo of Diana the Huntress, in silver, size N; a marcasite ring, with central rectangular pierced plaque, in silver, size L; a butterfly wing pendant, depicting three birds on branches, in silver; a butterfly wing and cameo brooch, in silver; three further brooches; a micro mosaic bracelet; and a pair of dragonfly earrings with matching pendant (11)
An Edwardian silver hat pin, Charles Horner, Chester, with crystal paste terminal; a paste eternity ring; a pair of sterling silver imitation opal earrings; a paste-set locket, of heart-shaped form; a pair of cameo stud earrings; a silver crucifix, on a sterling silver chain; a coral necklace; etc
A George V silver open-faced pocket watch, Kay's Triumph, Birmingham, 1922, the white enamelled dial with black Roman numerals, subsidiary dial for seconds, the case with engine-turned decoration and vacant cartouche, with key; a sterling silver brooch, with blue enamelled petals, 2.1g; an Edwardian turquoise and seed pearl ring, two stones lacking, in 15ct rose gold, size P; a silver and gilt filigree bracelet, centred with a shell cameo, 10.6g; a sterling silver and cameo ring; a silver bracelet, composed of two rope-twist strands and a snake-link strand, clasp lacking; a sterling silver and hardstone crucifix pendant, on a metal chain; a white metal bangle; and a metal vesta case, etc (11)
An emerald and diamond ring, centred with a round brilliant-cut diamond, within a surround of round mixed-cut emeralds, one lacking, in 9ct gold, 1.3g; two 9ct gold rings, set with paste, 7g in total; a marcasite ring, in silver; five costume brooches; eleven various wristwatches; etc
A Victorian style brooch, centred with three purple stones, gold-plated; a swivel seal pendant; an eternity ring, channel-set with imitation rubies, in silver; five sterling silver clasps, three set with marcasite; a Victorian style bar brooch, highlighted with a bee motif; a jadeite brooch; five strands of faux pearls; etc
A silver toddy ladle, apparently unmarked, twisted horn handle, 41g all in; a Continental silver compact, 800 standard, the square body flat-chased with throughout with scrolling leaves, 94.5g; and a Canadian silver-plate ring holder, of tapering cylindrical form, on a spreading foot, loaded, the hinged cover applied with letters (3)
A yellowish brown diamond and diamond circular cluster ring:, the central yellowish brown diamond (not tested for natural colour) approximately 8mm x 5.0mm, estimated to weigh 2.10cts in rub-over setting within a surround of smaller diamonds, on a shank with expanding hinged mechanism, ring size M when closed.
Winterhalter & Hoffmeier, an oak cased mantel clock with pedestal: the eight-day duration movement with 'ting-tang' quarter-strike on two gongs, the backplate stamped W&H, Sch., the eight-inch arched brass dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute numerals and fleur-de-lys half-hour markings, the arch with two subsidiary dials for 'strike/silent' and 'regulation', with a matted dial centre and gothic blued steel hands, the oak case carved with various decorative features including a tiled roof to the pagoda top, floral decoration to the front pillars, inset panels to the sides, with brass mounts and male-head masks and surmounted with turned wooden and brass finials, standing on a matching floor pediment with splayed bracket feet, height 217cm.
An 18th century brass lantern clock with alarm: the weight-driven thirty-hour bird-cage movement having a verge escapement with bob pendulum and subsidiary alarm train sounding on a bell set below the brass straps, surmounted by a brass finial, with matching finials to the four corners and turned brass pillars, the brass five-inch break-arch having a raised chapter ring engraved with black Roman numerals and half-hour markings, with a matted dial centre, cast brass female-head spandrels, and engraved boss to the arch and an subsidiary alarm setting disc to the centre, with a single steel hand, height 17.5cm.
Thos Baker, Falmouth, a mahogany longcase clock with rocking ship: the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, the centre having a subsidiary seconds dial, date aperture and engraved with a scene depicting a cottage and ruins on a river bank, with cast-brass urn spandrels to the four corners, the arch having a silvered rocking-ship automata with a lithograph scene set behind depicting boats at anchor, the top of the arch engraved with the maker's name Thos. Baker, Falmouth, the mahogany flat-top case with fretwork to the hood, a break-arch moulding to the top of the trunk door and a plain base, height 227cms. * Thomas Baker is recorded as working in Falmouth from before 1810.
Coates, Hamilton, an oak longcase clock: the eight-day duration movement striking the hours on a bell, with an unusual heavy, pinned date ring, the thirteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute markings, the matted centre with subsidiary seconds dial and date aperture, with cast brass female-head spandrels to the corners and blued steel hands, the arch having a round silvered boss engraved with the maker's name Coates, Hamilton, with cast dolphin spandrels, the oak case having a swan-neck pediment with brass paterae and wood fretwork and having three-quarter fluted columns with brass capitals repeated to the trunk and with a plain base standing on bracket feet, height 217cm. * Biography There are a number of clockmakers recorded working in Hamilton, Lanarkshire with the name Coates, including Robert from 1857 who was admitted as a Burgess in 1761; his son John who was apprenticed to Robert in 1774 and Thomas who was apprenticed to him for four years from November 1768.
A Regency mahogany, crossbanded and inlaid drop flap work table:, bordered with boxwood lines, the rosewood crossbanded hinged top with rounded corners, containing two short drawers with ring turned and spirally reeded tapered legs, terminating in brass cappings and castors, the top 48cm (1ft 7in) x 90.5cm (2ft 11 3/4in) extended.
A Regency mahogany and inlaid chiffonier:, bordered with ebony lines, the shelved and panelled superstructure with a brass three quarter gallery on ring turned uprights, fitted with a single long frieze drawer and cupboard below, enclosed by a pair of panel doors flanked by projecting scroll stiles, with stylised foliate ornament, on short tapered feet, 102cm (3ft 4in) wide.

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1087795 item(s)/page