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A Fine 18th Century Musical Bracket Clock, the arched brass and silvered dial signed Benj Barber LONDON, in a cartouche in the arch, flanked by subsidiary dials for "CHIME/not CHIME", and "A JIG/Country Dance", the chapter ring with Roman numerals and central sweep calendar hand, the substantial three train triple fusee musical movement playing a choice of two tunes on a nest of graduated small bells, verge escapement, fully engraved back plate, and repeat cord at the side, in a bell top chinoisserie decorated case, having pineapple and crescent finials, glazed windows to the sides, two carrying handles, gilt metal mounts decorated flowers musical instruments etc to the fronts, on ogee bracket feet, 61 cm
Vincent & Co A LARGE 19TH-CENTURY FRENCH MANTEL CLOCK having a humped surmount with central cast brass panel of two opposed putti holding a trophy, the black slate chapter ring with incised gilt Roman numerals framing a partially-exposed half-hour striking movement (chiming on a coiled gong) to the flower-decorated centre,between cast female terms and side handles, the movement stamped 4294 over 74, "VINCENT & Cie /MEDALLIE D'ARGENT 1855", 49cm x 16cm x 51.5cm high, (19.3in x 6.3in x 20.3in) (with pendulum and key)
Jos. Kirk, Skegby, (unrecorded Baillie) AN OAK-CASED 8-DAY LONG-CASE CLOCK having a dentil "broken" architectural pediment with central brass ball-and-spire ornament, the associated square glazed door between columns with brass capitals, on a shaped trunk door, plain base and bracket feet, the hour-striking movement having a silvered chapter ring with Roman hours and Arabic minutes, inscribed "Jos.Kirk, Skegby", framing a silvered seconds ring and a calendar aperture (present but loose) to the matted centre, the spandrels cast with opposing cherubs holding coronets, 203cm, (80in) high (sold with two weights, pendulum and key)
A 20TH-CENTURY OAK-CASED "GRANDMOTHER" CLOCK having a humped top on an arch-glazed door, plain trunk and base with block feet, the brass dial having a silvered "Tempus Fugit" medallion above a silvered chapter ring with Roman hours and Arabic minutes, framing a matted centre, the three-train quarter- striking movement, chiming on six gongs, stamped "MALLER A.S./FOREIGN" and numbered 295444, 166.5cm, (65.5in) high
A MID-VICTORIAN AESTHETIC STYLE AMBOYNA AND EBONISED OVAL WORK TABLE having a quartered top with incised designs enclosing three compartments with well-pierced covers, the central compartment with workbox beneath, flanking various smaller compartments, on four ring-turned ebonised ring turned legs and incised cruciform stretcher, on castors, 66cm x 45cm x 70cm, (26in x 17.7in x 27.5in)
Seven Wedgwood Water Lily pattern plates and dishes, of Darwin service type, with botanical narrow interlacing ring border, printed in sepia and enamelled in pink and green with maroon edging, comprising four dinner plates, two small oval dishes, 26.4cm long, and one larger dish, 36.2cm long, impressed marks, circa 1810 (damage, restoration and wear) (see sample illustration)
A George IV mahogany and caned library chair, the reeded frame with leather upholstered arms and brass recesses for a reading rest, with baluster supports, on ring turned tapering legs with brass terminals and casters, 91 high x 62.5cm wide, (the canework and leather damaged)
A late George III mahogany bowfronted sideboard, the boxwood strung top above two frieze drawers with double drawer fronts, flanking a central drawer with later brass ring handles above a recess, on square tapering legs with spade feet, 94 high x 66 deep x 137cm wide
An Artificers Guild silver napkin ring, made for Spencer's business partner, Gertrude Spink, having a ropework band and a relief medallion with GS monogram and three arrows, makers marks for London 193, and another napkin ring made for Mary Firth and dated 1911.
An unusual glass scent bottle with enamelled gold mounts, English or French, circa 1830, of faceted drop form, the glass simulating cocoa brown banded agate, the mounts pierced, chased and enamelled in bright colours with clusters of flowers, later gold stopper, on ring with enamelled chain height 10cm, 4in
A George I silver cruet with later fittings, William Spring, London, 1710, Britannia standard, one bottle mount Thomas Heming, circa 1750, other bottle mounts circa 1750, conjoined ring frame on pilaster supports and with leaf capped scroll handle, scratch weight all 54=16 55=3, two larger and one other cut-glass covered pots with lion rampant crest below earl's coronet and two small pots 21cm, 8in long, 1100gr, 35oz 7dwt

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1087795 item(s)/page