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A walnut longcase clock in early 18th Century style, with barley twist columns and pierced fret frieze to the hood ,the 11 inch dial and movement by Thomas Bradford, London, c.1700 , with silvered chapter ring and calendar aperture and with ringed winding squares, the eight day movement with a count wheel strike.
A World War I period 18lb shell and associated shell case, the shell with detonator timer ring and copper friction band, the brass shell case with engraved floral and geometric decoration, height 58cm, also a similar 18lb shell and shell case, height 74cm and a brass shell case, this lot includes some brass fittings from the top of a shell (illustrated)
A 14ct yellow gold tanzanite and diamond ring, the central square tanzanite measuring 7.8x5.8x2.8mm, cushion cut with two lines of brilliant cut diamonds in the shoulders, approx. 0.6ct total diamond weight, stamped 14k, with insurance certificate from 1997 (illustrated)
Three silver items: a short two handled bowl by `M & L` assayed in Birmingham 1923, a napkin ring by `M & L` assayed in Birmingham 1901 with pierced foliate decoration, and a sauce boat assayed in London 1876 by `J D & S`; together with a stainless steel `Bonzer` spirit measure. Total weight of silver 223g.
Erskine Nicol RSA ARA (1825-1904) COUPLE RESTING BY A GRASSEY KNOLL, 1852 oil on board signed and dated lower right; with framer`s details stamped on reverse 24.13 by 37.465cm., 9.5 by 14.75in. L This work was executed the same year as a comparable work in oil now in the collection of the Tate entitled Wayside Prayer, 1852, presented by Sir Henry Tate in 1894 (Tate reference, N01537). The female character wears the same dress and headscarf in both works and the setting, gravely path and rickety fence all bear a striking resemblance to the Tate`s example. It is possible that the woman in this work is also praying, having perhaps had some sustenance from the jug in the left foreground. However, the animated face of the man, his gaze directed towards her, suggests a more light-hearted flirtatious ambience. His left hand appears to be touching the ring finger of his right, indicating perhaps their relationship either present or anticipated.
1920s ladies` gold (9ct) wristwatch with white enamel circular dial, Arabic numerals and applied gold pointers to outer second ring on later bi-metal expandable bracelet, together with a 1930s ladies` yellow gold wristwatch with Swiss fifteen jewel movement, rectangular dial and on a leather strap

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