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Jaeger Le Coultre An 'Atmos' Classic V clock the perpetual gilt brass movement of caliber type 528-8 with circular chapter ring having Arabic chapters the whole within glazed brass framed case of rectangular form with canted angles raised on a plinth with adjustable feet and spirit level the front pane with countersprung opening facility 24cm high
Matthew Lyon Lanark A George III mahogany 8-day longcase clock the twin train movement with anchor escapement the arched brass dial with silvered chapter ring and cast spandrels with subsidiary seconds dial and date aperture the hood with blind fretwork decoration above spirally fluted columns the trunk with spirally fluted quarter columns with Corinthian capitals above plain base on plinth 210cm high
A 19th century French provincial 8-day oak longcase clock the twin train movement with anchor escapement striking on a bell the arched brass dial with silvered chapter ring cast spandrels arched hood with moulded cornice and canted angles similar panelled case carved with C-scrolls and ribbon tied floral sprays and husk drops turned feet 226cm high
A Regency tortoiseshell and ivory strung tea caddy of casket form with silver plate leaf cast ring handles and bracket feet the hinged pagoda lid with pewter stringing enclosing later lined two division interior with pair of associated Sheffield plate lidded caddies and brass spoons bearing initials JB 18cm wide
A plated boson's whistle on a leather wrist strap, a silver cased and handled brush, hallmarked for 'Birmingham 1927', an oval gilt metal pill box with enamel and engine turned lid, a glass faceted scent bottle of cylindrical form with screw top with enamel and engine turned decoration to the top, an opaque glass tear-drop shaped scent bottle with gilt metal hinge lid and ring hanger along with an interior painted Chinese scent bottle (6)
An oak crossbanded mahogany 30-hour longcase clock, early 19th century, the 13" painted arched dial signed 'J N Hordern, Leamington' with ring of arabic numerals, centre date aperture, florally painted spandrels depicting a cottage to the arch, the hood with swan neck pediment over fluted tapering front corner hood pilasters flanking an arch glazed hood door over a conche shell inlaid trunk door on a crossbanded box base, (lacking feet), 79" high
A brass repeating carriage alarm clock, late 19th century, the rectangular white dial with ring of roman numerals over a subsidiary alarm dial, the key wound movement striking on a blued coiled gong, the case with shaped loop handle over an oval bevelled inspection top with four bevelled glass surround on a cut out plinth base, 5" high, 3.5" wide, 3" deep
A Victorian mahogany mother o' pearl inlaid single fusee drop dial wall time piece, circa 1850, the 9" white dial with ring of Roman numerals, the octagonal surround with quarter beaded edge over a bowed pendulum trunk with glass inspection window flanked by leaf carved corner brackets, 20" high
A Victorian mahogany eight-day longcase clock, circa 1840, the 14" arched enamel dial signed 'J & R Rogers, Dudley' with outer ring of Roman numerals centred second and date dial under a rolling moon, the spandrels painted with figures in classical dress, the movement striking on a single bell, the hood with rosewood cross banding, swan neck pediment over turned and tapering leaf carved front corner pilasters above a Gothic arch trunk door flanked by matching pilasters over a crossbanded box base with canted corners, 89" high
A George III oak 30-hour longcase clock, the 11" square brass dial signed 'Plimer Ellardine' with urn moulded pierced corner spandrels, a chapter ring of roman numerals and centred date aperture striking on a single bell, the hood with swan neck pediment over fluted front corner hood pilasters flanking a square glazed hood door over a long crossbanded trunk door on a high box base and later plinth, 79" high
n oak crossbanded mahogany 30-hour longcase clock, early 19th century, the 12" painted dial signed Thomas Morris, Albrighton, with ring of roman numerals, centre date aperture, the spandrels painted with windmills and a cottage by a bridge, the movement striking on a single bell, the hood with swan neck pediment over barsda turned and tapering front corner hood pilasters flanking the square glazed door over a short arched trunk door on a box base with inlaid central lozenge motif on short bracket feet, 79" high
A French Portico clock circa 1860, the 5" white convex dial with ring of arabic numerals and centred alarm ring behind a convex glass hinged door striking on a single bell in a brass drum case under an urn and fruit central finial flanked by gilt spelter liar finials on alabaster columns with cameo-style mounts on heavy claw feet the white alabaster base with leaf and floral moulded gilt spelter panels raised on ball-shaped gilt metal front feet, 21" high
A French Louis XVI-style white marble and gilt spelter portico mantle garniture, the 4" diameter white dial with ring of arabic numerals and two winding holes, signed 'Mouillard le Man', the movement striking on a single bell in a drum case with urn finial on front corner fluted tapering pilasters flanked by back shaped supports with gilt spelter mounts depicting the arts on a shaped flat platform and four adjustable turned brass feet flanked by a pair of two branch gilt spelter and white marble candelabrum, 17" high
A set of six ash Lancashire ladder-back dining chairs, 19th century, with five graduated shaped ladders between plain-turned back supports over a rush seat with dust traps (some chairs lacking rushing and dust traps) on turned and tapering front legs terminating in pad feet united by a baluster and ring-turned front stretcher (6)
An ash Lancashire wavy ladder-back carver dining chair, 19th century, the six graduated ladders between plain-turned back supports flanked by open arms on baluster and pear supports over a woven seat (at fault) on ring-turned and tapering front legs terminating in a pad foot, united by a double baluster turned front stretcher
An early Victorian simulated rosewood serpentine four-tier what-not, circa 1840, the shelves supported on double baluster and ring-turned corner supports over a short base drawer fitted with turned wooden handles raised on turned and tapering short legs terminating in brass castors (lacking gallery back to the top shelf), 20" wide, 51" high, 15" deep
A late Victorian oak two drawer side table by Gillow & Co, Lancaster, circa 1880, the rectangular top over two line moulded drawers fitted with brass ring handles on four ring turned tapering supports united by a plain H stretcher on four short turned legs terminating in brass casters, 54" wide, 38.5" high, 24" deep

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1087811 item(s)/page