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ENGLISH SCHOOL (Late 18th Century), A Naval Officer, head and shoulders, oval on ivory, unsigned, 2 3/4" x 2 1/4", gold frame (unmarked) (Est. plus 21% premium inc. VAT) Non transferable standard ivory exemption declaration number ZC2Z6T2HPortrait good, damage to top of frame where hanging ring has been removed, glass detached also
A chair clock, Friesland, early 19th century. Polychrome decorated wooden chair with sawn out cheeks. Hood lead with, among other things, putti, style lead with rubies and attic lead with coat of arms, polychrome decorated dial with fantasy landscape in the arch. The dial ring with Roman and Arabic numerals indicates the hours, minutes and alarm status, h 75 cm
A Frisian model tail clock, 19th century. Oak case, the double hood is crowned with Atlas and trumpet-blowing angels, pilasters with brass Corinthian capital and base as styles, polychrome decorated dial, arch with fantasy landscape and ship mechanism, dial ring with Roman and Arabic numerals indicates the hours, minutes and alarm position , the movement with going, alarm and striking mechanism on the full, half and quarter hours, h 148 cm.
A Delft blue pottery albarello apothecary jar with brass lid, Holland 18th century. Decor of cartouche crowned with peacocks and a flower basket, numbered 'No 4', under angel's head flanked by bouquets of apples, h 30 cm, tot. 2x (hairlines, stand ring damaged) (Provenance: owned by Zuidema pharmacy from ca. 1800 and then three generations of Brandt pharmacy in Groningen).
A chair clock, Friesland, early 19th century. Polychrome decorated wooden chair with cut-out cheeks. Hood with, among other things, putti, style lead with rubies and attic lead with coat of arms, polychrome decorated dial with fantasy landscape in the arch. The dial ring with Roman and Arabic numerals indicates the hours, minutes and the alarm mode, h 72 cm (damage)
A double hooded tail clock with curved tympanum crown of Atlas and trumpet-blowing angels, 1st half 19th century. Oak case, ebonised pilasters with brass Corinthian capital and base as styles, polychrome decorated dial with a fantasy landscape at the top, dial ring with Roman and Arabic numerals indicates the hours and minutes, the movement with alarm and striking mechanism on the whole and half hours, l 165 cm (repairs).
A Delft blue pottery albarello apothecary jar with brass lid, Holland 18th century. Decor of cartouche crowned with peacocks and a flower basket, numbered 'No 5', under angel's head flanked by bouquets of apples, h 30 cm, tot. 2x (hairlines, flakes of foot ring) (Provenance: owned by Zuidema pharmacy from around 1800 and then three generations of Brandt pharmacy in Groningen).
A secrétaire en abattant, Northern Netherlands, ca. 1830. Oak, profiled hood, in the frieze a drawer, underneath a straight flap with profile panel with nest with drawers behind it, the base cabinet three drawers with brass ring fittings, round styles with brass Corinthian capital and base , front resting on conical legs, h 156 x w 101 x d 50 cm.
An Amsterdam grandfather clock with moon and date, Holland, Louis XIV, address: Koenraat Heck, Amsterdam, early 18th century. Walnut veneered case with intarisa of flora and flower basket, volute hood with crown of Atlas and angels, brass dial ring with Roman numerals, indicates hours and minutes, h 220 cm.
A two-door cabinet, Northern Netherlands, early 19th century. Oak, curved profiled hood with carving in the motif of a vase on a foot, surrounded by acanthus leaf, columns with brass capital and base as uprights, contoured doors, base cabinet three drawers with brass ring fittings, resting on conical fluted legs, h 255 x w 160 x d 50 cm.
A SAPPHIRE AND DIAMOND RING, BY CHARLES DE TEMPLE, 1979The textured gold hoop with two circular-cut sapphire and three brilliant-cut diamond accents, mounted in 18K gold, signed CdeT for Charles de Temple, with London hallmarks for 1979, ring size IBorn in Mexico in 1929, the drama of Charles de Temple’s jewellery designs can no doubt be traced to his childhood, the stuff of storybooks. The illegitimate son of American actor Tom Mix, De Temple grew up in the famous Ringling Brothers Circus, with whom he toured across the Northern America.De Temple began his jewellery career in 1950s while living in Massachusetts, but a move to London in 1957 would propel him on the path to become one of the most important jewellery designers of the 1960s. Alongside contemporaries such as Andrew Grima, De Temple would become a pioneer in the field, pushing jewellery design to strange and new places, making wearable works of art that often more closely resembled sculptures more than necklaces or bracelets. Noted for his technical skill as well as his radical designs, De Temple became known for his gold work, expertly manipulating the soft metal into abstract, textured designs that drew inspiration from the swinging sixties during which he lived, a time of massive social upheaval, where beauty was no longer confined to traditional forms.With this newfound fame came several notable commissions. Perhaps his most famous work, De Temple created the titular ‘Goldfinger’ ring as worn by Honour Blackman in the iconic 1964 James Bond film. This would be followed by the wedding ring featured in the 1969 James Bond film ‘On Her Majesty’s Secret Service’ for the on-screen nuptials of Agent 007 and Contessa Teresa “Tracy” di Vicenzo.De Temple’s work would remain highly influential well into the 1970s. Running a workshop in London at this time, he also created standalone sculptures in gold and created several pieces for the British Royal family, including a white gold, sapphire and diamond brooch gifted by Queen Elizabeth to her younger sister Princess Margaret in 1970, sweetly inscribed with “To my dearest sister, love Lilibet”.The explosion of popularity in this era of jewellery in the last few years has seen Charles de Temple’s work once more come to the spotlight, where it belongs.Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 9.1g
A TURQUOISE DRESS RING, ITALIAN, CIRCA 1960The oval-shaped cabochon turquoise at the centre within a multiple claw-setting and beading detailing, mounted in 18K gold, Italian Registry mark between 1944-1968, ring size JCondition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 10g
A RUBY AND DIAMOND DRESS RINGThe central oval-shaped ruby cabochon within collet-setting, to an articulated curb-link shank with brilliant-cut diamond shoulders, mounted in 18K gold, ring size OCondition Report: Ruby: of purplish-red hue, translucent, medium toneDiamonds: bright and livelyWhite and yellow metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 12g
A RUBY DRESS RING, BY VERNEYOf quilted design, set throughout with square-cut rubies within articulations, mounted in 18K gold, signed Verney, numbered R265, ring size HFounded in the 1980 and located in the world-renowned Place Vendome, Verney Paris boasts some of the finest pedigree in the world of fine jewellery. The maison’s creator, owner and designer, the eminent Michel Emerlin, has been called one of the founders of the “joaillerie Classique” style in French jewellery, which draws inspiration from renowned jewellers of the early-to-mid twentieth century, such as Belperron and Boivin, and adapted the forms for contemporary living. Emerlin has always maintained his philosophy that jewellery designers should introduce new trends, not follow them, which can be seen in his pioneering use of black gold in his iconic Triage ring. The intention of the black gold was to make the setting seem to disappear in order to best bring out the colour of the gem.“My design intention and the sole purpose of each piece is to generate an emotion,” Michael explained in an interview with Solitaire Magazine Hong Kong.Today, Verney Paris holds its place in the world of fine jewellery through its persistent, if not always pronounced, influence on design.Condition Report: Rubies: of red hue, medium tone, good transparencyNormal signs of wear, overall in good conditionTotal gross weight approx. 24.50g
A DIAMOND CLUSTER RING, CIRCA 1960The central brilliant-cut diamond weighing approximately 1.15ct within a six-claw setting and a similarly-cut diamond surround, to a trifurcated polished hoop, mounted in gold, remaining diamonds approximately 0.60ct total, ring size K¾Condition Report: Principal diamond: approx. 1.15ct, estimated colour I/J, estimated clarity SI1Remaining diamonds: approx. 0.60ct total, estimated colour I/J, estimated clarity VSWhite metal: unmarked - tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.10g
A DIAMOND 'TUBOGAS SERPENTI' RING, BY BULGARIComposed of a gold sprung gas-pipe link hoop, terminating in a collet-set pear-shaped diamond, mounted in 18K gold, signed Bvlgari, Italian registry mark, French import mark, ring size 'adjustable'Condition Report: Unable to assess diamond due to yellow gold, estimated clarity VSMinor signs of wear, overall in good conditionTotal gross weight approx. 18.6g
A DIAMOND AND SAPPHIRE SNAKE RINGDesigned as a coiled serpent embellished with a brilliant-cut diamond crown and marquise-shaped sapphire eyes, mounted in three colour 18K gold, ring size approximately K½Condition Report: Principal diamond: approx. 0.45ct, unable to assess colour due to yellow mount, estimated clarity VSSapphire eyes: of blue hue, dark tone, both well matched in size and colourThree colour metal unmarked - tested by the jewellery department to be 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 13.10g
A RUBY AND DIAMOND DRESS RING, BY WEMPESet with an oval-shaped ruby at the centre within a surround of square-cut diamonds, between calibré-cut ruby shoulders, mounted in 18K gold, signed Wempe, numbered 4260, French import mark, ring size L½Condition Report: Ruby: of purplish-red hue, medium tone, good transparency, good saturation, facets are smoothDiamonds: unable to assess colour due to yellow mount, estimated clarity VSRemaining rubies: overall well matchedNormal signs of wear, overall in good conditionTotal gross weight approx. 10g

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1087811 item(s)/page