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Click here to subscribeA late Georgian mahogany secretaire bookcase, the flared cornice above a pair of astragal doors enclosing adjustable shelves, the dummy drawer fall flap opening to reveal fitted interior of pigeon holes, short drawers and a cupboard decorated with birds-eye maple and an inlaid motif to the small panel door, three long graduated drawers below fitted brass ring handles and raised on splayed bracket feet, 45in. x 88in. high.
FINE VICTORIAN INLAID ROSEWOOD CHIFFONIER, with urn-topped broken-pedimented crest above a three-tier shelved mirror-backed superstructure over a rectangular top above a frieze drawer over glazed doors flanking a recess, raised on ring-turned tapering legs joined by a shelf stretcher. 214cm by 123cm
Georgian mahogany knife box, the sloping hinged cover with silvered ring handle opening to reveal fitted and inlaid interior, the shaped front with pierced silvered escutcheon, damages, the sides with ring handles on pierced silvered backplates, one ring missing, all raised on three bracket feet, the base boards and lower sections bearing old woodworm holes, 15in (38cm) high
Victorian oak longcase clock, the hood with acanthus and shell carved pediment and stepped and carved cornice over brass face by Samuel Bycroft, the strike/silent ring over dial with Roman numerals in black and with seconds dial and date ring between floral carved details over trunk and door with deeply carved bows and floral swags, the base with carved grotesque and further ornament, 95 1/2in (242.6cm) tall
Victorian mahogany longcase clock, the rectangular hood with concave cornice over painted face with upper scene of Burns at the plough and the four seasons to each spandrel, the white dial with Roman numerals in black and with seconds dial and thirty one day date ring, the bow front door with upper and lower carved crests, 81in (205.8cm) tall
A 19th century Scottish mahogany longcase clock, the pillared trunk and domed hood enclosing arched dial painted with a ploughing scene and the spandrelswith. farm cottages, the dial with Roman numerals and subsidiary seconds and date dials, the ring turned four-pillar movement with 8-day bell-strike, by J. Adam & Son., Lanark, 222cm high.
Mozley (Charles b.1915). Collection of twenty?nine original preparatory book illustrations, c.1960's, pen & ink, pencil & charcoal drawings on paper, some heightened with white, majority laid down on card, includes images of Vulcan, Athena, Hercules, Isis & Horus, Perseus, Poseidon, Cupid & Psyche etc., dimensions approx. 120 x 140mm to 215 x 140mm, contained in modern plastic ring binder Charles Mozley was born in Sheffield. He studied at Sheffield School of Art and at the Royal College of Art (1933?37). He taught anatomy and life drawing at Camberwell School of Art (1938?39) before army service in WWII. He illustrated many books, dust jackets, theatre & film posters. He was also responsible for several murals for the Festival of Britain in 1951. (1)
Severin (Mark, 1906?87). A collection of 106 ex?libris, copper and wood engs., incl. many female nudes and erotic subjects, contained in modern ring binder Each bookplate numbered in pencil to lower right corner with catalogue number established by Antoine Rousseau, from 1?257. (1)
Severin (Mark, 1906?87). A collection of 60 ex?libris, mostly copper engs., and sev. wood engs., incl. many female nudes and erotic subjects, contained in modern ring binder Each bookplate numbered in pencil to lower right corner with catalogue number established by Antoine Rousseau, from 401?492. (1)
Severin (Mark, 1906?87). A collection of 82 ex?libris, all copper engs., mostly female nudes and erotic subjects, contained in modern ring binder Each bookplate numbered in pencil to lower right corner with catalogue number established by Antoine Rousseau, from 262?400. (1)
Fleming (Ian). You Only Live Twice, 1st ed., 1964, orig. cloth, d.j. sl. frayed to extrems., together with Fraser (George MacDonald), Flash for Freedom!, 1st ed., 1971, signed in ink by owner to endpaper, orig. cloth in VG d.j., and Tolkien (J.R.R.), The Fellowship of the Ring, 7th impression, 1957, orig. cloth, d.j. chipped to head and foot of spine, plus other modern first editions by Iris Murdoch, William Trevor, Fleming, Hornby, etc. (38)
Wodehouse (P.G.). The Clicking of Cuthbert, 1st ed., Jenkins, 1922, tear to half?title without loss, orig. cloth, together with Something Fresh, Methuen, 1st cheap ed., 1919, some toning to text, orig. cloth, fraying at extrems., together Full Moon, 1st ed., 1947, Ring for Jeeves, 1st ed., 1953, Jeeves and the Feudal Spirit, 1st ed., 1954, A Few Quick Ones, 1st ed., 1959, and Jeeves in the Offing, 1st ed., 1960, all orig. cloth in VG d.j's, plus six others (13)
A pair of Canton vases, each of the waisted necks painted with two reserves of ladies and attendants on green and red cash diaper grounds, the shoulders with mask and ring handles above the rounded and tapering cylindrical bodies painted with two baskets of flowers interspacing reserves of dignitaries being paid court to, 60.5cm high (2)
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