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An unusual early 20th century oak occasional table, trefoil shaped top with fall leaves, outswept ring turned legs congregated by an urnular spire finial; a Country Kitchen elm side chair; two jardiniere stands; an oak dropleaf side table, of small proportions (5)
Kenneth Maclennan, London. A late 18thC mahogany and flame mahogany longcase clock, the shaped hood with a blind fret flanked by orb finials, above partially gilt highlighted columns and an arched long flame mahogany trunk door, above a further flame mahogany panel, on bracket feet, the 29cm W arched dial with raised spandrels, signed, 26cm Dia. silvered Roman numeric and Arabic chapter ring, subsidiary minute hand, date aperture and strike/silent feature, 8-day movement, 223cm H.
J L Kemp Broadway. An 18thC oak longcase clock, with carved square hood, with fluted columns above a long trunk door, carved with a repeat geometric floral pattern, on a block base, the 25cm square dial signed, with raised spandrels with silvered Roman numeric and Arabic chapter ring and date aperture, fronting an 8-day movement, case later, 201cm H.
Sam Bycroft, Alford. A 19thC oak longcase clock, the swan neck pedimented hood surmounted by three orb finials, above a long arched trunk door, on a block base, the 29cm W painted arched dial signed with Roman numeric and Arabic chapter ring, subsidiary second hand and date aperture, 8-day movement, 202cm H.
John Higdon Wells. A 18thC oak Masonic longcase clock, the swan neck pedimented hood raised above a long arch trunk door, on a plain block base, with cylindrical brass headed columns, the 29cm W arched dial, signed and set with compass and set square with silvered Roman numeric and Arabic chapter ring, stencilled centre, date aperture and subsidiary second hand, with raised spandrels, 8-day movement, 215cm H.
Thomas Hughes London (active 1742-1785). An 18thC bracket clock, in ebonised caddy case with swing handle, with four part glass sections, on bracket feet, the arched dial with raised spandrels and 16cm Dia. silvered chapter ring, with Roman numeric and Arabic numerals, signed Thos Hughes, London, with date aperture, strike silent feature subsidiary second dial, and repeat feature with pull cord, double fusee movement, striking on main gong and six small bells, with an etched back plate, 45cm H.
A 20thC oak cased granddaughter clock, the arched dial raised above a glazed door, on bracket feet, with an arched 17cm Dia dial with silvered Roman numeric and Arabic chapter ring, titled Tempus Fugit, with raised scroll spandrels, three weight chiming movement, striking on the quarter, with strike and silent feature, 152cm H.
A 9ct rose gold modern dress ring, of star design, set with six pointed central stone in claw setting, the shoulders set with three tiny white stones, on a rose gold metal band, fully hallmarked for 9ct British standard, but also stamped 10K, maker C 417, ring size S, 3.3g all in.
Various silver and effects, to include a George V silver napkin ring, engine turned, Birmingham 1929, 5cm Dia. 1oz, a tea strainer heavily repoussé decorated with pierced centre, two knife rests, silver topped glass jar, pocket lighter, early 19thC Crown Derby cup and a two sectional shoe ornament.
A 9ct gold modern dress ring, of three stone design, set with rectangular cut central stone in claw setting, flanked by two tiny white stones, on a white metal band, fully hallmarked for 9ct British standard, but also stamped 10K, maker TGGC 417, ring size S, 2.4g all in.
A 9ct gold modern dress ring, of cluster design, set with oval cut central stone in claw setting, flanked by bands set with four tiny white stones, on a white metal band, fully hallmarked for 9ct British standard, but also stamped 10K, maker TGGC 417, ring size S, 2.7g all in.
A Regency partridgewood tea caddy, of sarcophagus shape, with a twin lidded interior with bone handles, with brass ring handles, together with two other mahogany sarcophagus shape caddies, 20.2cm wide (max). (3) Provenance: 'A Lifetime of Collecting'-The property of a gentleman.
A George III oak longcase clock with automaton by George Hewett of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched twelve inch dial with a silvered chapter ring and centre, with Roman and Arabic numerals, the centre with subsidiary seconds dial and date aperture and engraved with a church, figures, trees and buildings, signed 'George Hewett MARLBORO', the arch with a 'TEMPUS FUGIT' automaton figure with a painted landscape, with a gilt dolphin and shell Rococo spandrels, the arched hood with brass ball and eagle finials, on bracket feet, 227cm high. Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime.
An early 19th century mahogany watch stand, inlaid with stringing and brass mounts, the triple arched top above baluster ring turned supports, later mounted with a 1920's car clock by Watford, inscribed 'NORTH & SONS LTD. WATFORD & LONDON', 20.9cm high. 20cm wide. Provenance: 'A Lifetime of Collecting'-The property of a gentleman.
A Charles I oak joint stool, the seat with a triple moulded edge, above moulded and twin bicuspid rails, on slender ring turned legs united by moulded peripheral stretchers, 53.5cm high, 48.7cm wide, 29.5cm deep. Provenance: 'A Lifetime of Collecting'-The property of a gentleman.
A George III mahogany repeating bracket clock by John Taylor of London, the eight day brass movement with a verge escapement and striking on a bell, with a pull-repeat, the backplate engraved with Rococo scrolls and leaves, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals and with an inner date ring, with a matted centre and a recessed panel, inscribed 'John Taylor London', with Rococo spandrels and a conforming strike / silent dial, the bell top case with a brass handle and cone finials, the sides with pierced gilt brass panels decorated with terms, cherubs and foliage, 47cm high.
A late 19th century French pink marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped 'MADE IN FRANCE 31911', with a painted enamel dial with Roman and Arabic numerals and swags of flowers, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic four-light candelabra with satyr masks, 46.7cm high (max). (3)
A late 19th century French white marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped 'FRANCE 43423', with a painted enamel dial with Arabic numerals, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic three-light candelabra with satyr masks, 36cm high (max). (3)
An early 19th century French Palais-Royal mother of pearl and gilt brass scent and ring stand, the back painted with a battle scene, with four ring hooks and a removable cut-glass scent bottle and stopper, above a drawer, together with a shagreen obelisk watch stand, 22.7cm high (max). (2)

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1087795 item(s)/page