A BEAD NECKLACE, BALTIC, 11TH CENTURY OR LATER, A NECKLACE WITH GLASS AND AMBER BEADS, BALTIC, 9TH TO 12TH CENTURY, AND SEVEN FURTHER PIECES OF EARLY JEWELLERY the bead necklace with five bronze cross pendants and two silver disc-shaped 'shield' pendants with punched decoration, bronze spiral beads and tubes, the tubes with gold leaf decoration, and glass beads; the necklace with glass and amber beads including some with gold leaf; together with three further necklaces from the Baltic region dating from the 9th to 12th Centuries, four axe pendants, and four loose beads; one necklace with glass and bronze beads, cowrie shells and a bear-tooth pendant, another with glass beads and cowrie shells, and the third with small beads; two axe pendants of silver and two of bronze, one with ring and dot and the other with punched decoration (all necklaces re-strung but stated to be as-found) (9 plus 4 beads)
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EIGHT SPIRAL ARM RINGS, SILVER AND BRONZE, BALTIC, 9TH TO 12TH CENTURY, AND A SILVER NECK RING two of silver, plain lozenge-sectioned, together with a silver neck ring, en suite; the other six of bronze, with punched and incised decoration, two with fin-shaped terminals, the smallest probably made for a child the tallest: 12.7 cm; 5 in high (9)
TEN PLAITED SILVER AND BRONZE FINGER RINGS, BALTIC, 11TH TO 13TH CENTURY AND SEVEN OTHER RINGS four of silver (one with lattice-work decoration) and six of bronze (two with twisted copper wire); together with three silver spiral rings (one with incised decoration) and two bronze spiral rings (one with twisted wire), one Roman key-type ring and one plain bronze ring (17)
A WHITE METAL DOUBLE-HEADED HORSE PENDANT, 11TH/12TH CENTURY AND SIX OTHER PENDANTS of Finno-Ugrian type, with decorated body and five bells, together with a bronze horse pendant with punched circular decoration, on a ring with two bells, 11th/12th Century; a decorated Slavic silver crescent pendant, 9th/10th Century; two bear tooth pendants on chains, Viking or Medieval; a Baltic type bronze ring with two attachment plates and a bronze claw pendant, 9th to 12th Century; and a bronze bird pendant on a fragment of chain, 11th to 12th Century the first: 5.5 cm; 2 1/8 in (7) There is a very similar object to the double-headed horse pendant from Norway in the British Museum
THIRTEEN PENANNULAR BROOCHES, BALTIC, 8TH TO 13TH CENTURY eleven with ribbed or twisted hoops and two with plain hoops, with a variety of terminals including dragon-heads, polygonal, poppy-heads and scrolled, one with a pair of wooden pins attached via a trace of fabric, together with a medieval ring brooch and a loose pair of wooden pins the largest: 8.3 cm; 3 1/2 in wide (16)
AN ENGLISH RAPIER, CIRCA 1630 with tapering blade formed in two stages, the upper portion of flattened diamond-section and the lower fullered and with a portrait medallion (rubbed), chiselled iron hilt (one small early repair) comprising a pair of straight quillons with bud-shaped finials, knuckle-guard interrupted by a central moulding en suite with the quillons, a scrolling frontal bar joined to the outer ring-guard, the latter decorated with a central bouquet in an urn, urn-shaped pommel with further flowers, decorated throughout with fruit, scrolls and delicate fluting (worn, grip missing) 86.8 cm; 34 1/4 in blade
A PAINTED LANCE, 18TH/EARLY 19TH CENTURY, PROBABLY FOR THE CAROUSEL with robust tapering conical iron spike formed with a pair of short straps, on its black-painted turned wooden haft with weighted base, decorated in polychrome with linear ornament and numbered '15' 161.5 cm; 63 5/8 in overall Similar lances were used in the Swedish Royal tournament held by Gustav III at Ekolsund in 1776. Carousels were not a solely male pursuit, in 1671 an event was held in Copenhagen at which the ladies of the Royal family tilted at the ring. The North European Courts developed a specific form of carousel for women, often taking place in fantastically carved sleighs formed as fabulous beasts or mussel shells, racing on the snow and tilting at the ring. Though these were favoured in the North where they were best suited to the climate, they did take place elsewhere. In 1721 Augustus the Strong had two thousand carts of snow delivered to Dresden for a Court Sleigh Carousel. See Rangstrøm (ed.) 1992, pp. 424 - 442, cat. nos. 274, 275 and 276 and p. 418 and Krause 2017, p. 295.
A SILVER-HILTED LIGHT CAVALRY SWORD FOR A PRIVATEER based on the 1788 pattern, with curved blade double-edged at the point, formed with a broad near full length fuller, a further slender short fuller and stamped 'Wooley & Co' on the back-edge, silver stirrup hilt with down curled quillon, rounded back-strap and cap pommel, and the grip covered with brown leather bound with plaited silver wire, in its leather-covered wooden scabbard with large silver chape, middle-band and locket, the latter two each with a large silver ring for suspension and applied with a pasted on paper label with an early inscription 89.8 cm; 35 3/8 in blade The inscription reads: 'This sword was.....[proffered].....up by Colonel Le Ferie passenger on the French barque 'le Paris' [300 tons] which barque was taken as a prize in Falmouth Bay by Captain William Snow of the Miranda a Privateer of 50 tons during the French War 1800-1801'.
‡˜A SILVER-MOUNTED MAMELUKE-HILTED PRESENTATION SWORD TO MAJOR GENERAL SIR N.R.STEWART, FROM THE OFFICERS WHO SERVED UNDER HIS COMMAND IN THE INDIAN ARMY 1897, NO. 34932, LONDON, 1897, MARK OF JOHN FRANCIS LATHAM FOR THE WILKINSON SWORD COMPANY with curved single-edged blade etched with the presentation inscription, foliage, and strapwork on one face and further strapwork, foliage and the maker's details on the other, silver-gilt hilt comprising a pair of langets decorated with a central bouquet, quillons with foliate terminals and one struck with silver marks, back-strap decorated with a running pattern of olive foliage, and a pair of ivory grip-scales retained by rivets with gilt flowerhead caps, complete with its bullion knot, in its silver scabbard with large gilt locket, chape and middle band, all cast and chased with openwork designs of foliage within beadwork frames, the locket mouth decorated with a border of plaited silver gilt, the middle band and locket each decorated with the owner's crested coat-of-arms and motto and with the presentation inscription, each fitted with a plaited silver gilt ring for suspension, and in very good to fine condition throughout, in its lined and fitted mahogany case, the lid later fitted with glass for display purposes 80.5 cm; 31 3/4 in blade Major General Sir Norman Stewart was the second and only surviving son of Field Marshall Donald Stewart who was at the siege of Lucknow and later served with distinction in the Abyssinian and Afghan campaigns. His mother was Marina Catherine, daughter of Commander T.Dabine R.N.. He was born in India, entered the army in 1871, served in the Afghan war of 1876-80, was present at the engagements at Ahmed Kheyl and Urzu near Ghuzni, being mentioned in dispatches and receiving a brevet and clasp to the medal. In the Nile Expedition of 1884-5 he was with the Indian Contingent, being present at the engagements at Hasheen and the Tofrek zariba and at the destruction of Tamai. For these services he was again mentioned in dispatches and received his brevet to Lieutenant Colonel with two clasps to the medal and the Khedive's star. In the China expeditionary force in 1900 he commanded the first infantry brigade and was again mentioned and created CB. On the death of his father in 1900 he succeeded to the Baronetcy and in 1909 he published 'My Service Days', a book of reminiscences. He died in Ealing, London aged 75. Abridged from 'The Times', 11th November 1926. John Francis Latham is recorded trading as The Wilkinson Sword Company Limited from 1897 and was appointed sword cutler to Queen Victoria. See Southwick 2001, pp. 257-258.
A PRESENTATION CAVALRY OFFICER'S SWORD TO MAJOR GENERAL DANIEL SEDDON, BY OSBORN, DATED 1803 of regulation type, with curved fullered blade of etched and gilt with the owner's crested arms and motto, trophies-of-arms and presentation inscription including ".....for the defence of their country 25th October 1803 and foliage on one face and with further designs including the maker's details and the crowned Royal arms on the other (areas of staining, light pitting, decoration and inscription obscured in places), gilt-brass stirrup hilt with short scrolling quillon, a pair of lion mask langets, and the back-strap and pommel formed as a finely detailed maned bridled horsehead, and finely chequered ivory grip (one small chip and age cracks), in its leather-covered wooden scabbard (worn, now in two pieces), with large gilt-brass mounts comprising chape, middle-band and locket, the latter two with a ring for suspension 74.5 cm; 29 3/8 in blade Lieutenant General Daniel Seddon began his military career as a lieutenant in the Lancashire Militia in 1778. He served in the 96th and 100th regiments of foot and was posted to India in 1781 serving in the Second Anglo-Mysore War. There he was wounded, captured, and became a prisoner-of-war until 1784 when he returned to Britain on half pay returning to India in 1788. Subsequently he served in Ireland as an officer in the 22nd Dragoons where he was again wounded. Seddon then served in Egypt in 1801 and 1802. Seddon was Inspecting Field Officer for the large Militia and volunteer forces raised to repel the threat of a French Invasion under Napoleon in 1803. When the latter invaded the Peninsular in 1808 Seddon was asked by the Duke of Wellington to join him as Brigadier commanding the Portuguese cavalry. Seddon was promoted to the rank of Major General in the British Army in 1813 and Lieutenant General in 1825.
A MAMELUKE-HILTED OFFICER'S SWORD RETAILED BY GILL, PRINCE'S STREET, SOHO, LONDON, EARLY 19TH CENTURY with pipe-backed blade formed with a spear point, etched on one face 'Gill's warranted' within an oval, gilt-brass hilt decorated with a finely punched ground, comprising a pair of flat langets swelling towards the terminals, back-strap, and a pair of horn grip-scales retained by three pairs of gilt-brass rivets with circular washers (one missing) and the pommel pierced for a knot, in its gilt-brass scabbard with two large mounts formed as expanded flower heads, each fitted with a ring for suspension, signed on the locket, and with some early gilding throughout 85.5 cm; 33 5/8 in blade
‡FOUR VARIOUS BULLET MOULDS AND A FLINT KNAPPER, LATE 18TH/EARLY 19TH CENTURIES the first for 20 bore ball, with a spru-cutter; the second for approximately 80 bore ball, with spru-cutter and one arm with a barrel ring-wrench; the third approximately 54 bore, with block-shaped barrel key on one arm; the fourth similar, polished bright and also incorporating a turnscrew, and the knapper of 'hammer' form the first: 13.2 cm; 5 1/4 in (5)
‡A RARE 80 BORE CASED GLOBE RESERVOIR AIRGUN BY H.W.MORTIMER & CO., GUNMAKER TO HIS MAJESTY, CIRCA 1799-1806 with take-down barrel formed in two stages, the forward section round, sighted, fitting within the rear portion, sleeved in rifled brass and secured by a vertical bolt ahead of the trigger-guard, octagonal breech fitted with back-sight of two folding leaves, inscribed 'Gunmaker to his Majesty' on a gold scroll (rubbed), and inlaid with a gold line, finely engraved tang decorated with flowers and trophies-of-arms, bevelled lock signed on a gold scroll, engraved with trophies-of arms beneath and on the tail, fitted with dummy flintlock cock decorated en suite, highly figured walnut half-stock, chequered grip, the butt with raised cheek-piece, finely engraved iron mounts comprising trigger-guard and butt-plate each decorated with a trophy-of-arms, the former extending to a ring-moulding decorated with foliage and forming the threaded aperture for the globe reservoir, vacant silver shield-shaped escutcheon, engraved silver fore-end cap decorated with a sunburst, silver barrel bolt escutcheons, a pair of iron ramrod-pipes, and original brass-and iron-tipped ramrod: in its original wedge-shaped fitted mahogany case lined in green baize (lining with expert restorations), the lid with flush-fitting brass carrying handle on the outside, complete with accessories including two reservoirs, pump struck with the maker's mark for Ezekiel Baker on the handle, bullet mould and spanner 88.5 cm; 34 7/8 in barrel Provenance Christie's, London: 1990, lot 139 Literature H. Lee Munson, The Mortimer Gunmakers 1753-1923, Rhode Island 1992, pp. 241-2, plates 394-5.
‡AN EXCEPTIONAL PAIR OF 120 BORE FLINTLOCK BOX-LOCK POCKET PISTOLS WITH SILVER BARRELS, ACTIONS AND MOUNTS, SIGNED MORTIMER, LONDON, TOWER PRIVATE PROOF MARKS, BIRMINGHAM SILVER HALLMARKS FOR 1774, MARK OF CHARLES FREETH with turn-off cannon barrels formed in two stages divided by raised mouldings, engraved with a band of foliage at the breeches and one numbered '1' beneath, engraved actions decorated with border ornament, signed 'Mortimer' on a scroll carried by a ground of rococo scrolls on the left and inscribed 'London' on a scroll carried by trophies-of-arms and rococo designs on the right, fitted with border-engraved iron steels and ring-neck cocks, engraved tangs decorated with rococo flowers, highly figured rounded walnut butts profusely inlaid with silver wire and engraved silver plaques forming a design of scrolling tendrils, flowers and rococo shells within a wrigglework frame enriched with minute silver pellets (small pieces of wire lifting), silver mounts comprising, sliding trigger-guard safety-catches with moulded borders and each engraved with a diamond-shaped panel on the bow, vacant silver escutcheons, and grotesque mask butt-caps with engraved borders 3.5 cm; 1 3/8 in barrels (2) Provenance Clay P. Bedford Collection (inv. no. 1512), one pistol Christie's, London, 18th July 2002, lot 339, one pistol Bonhams, London, 30th November 2011, lot 391, the pair Exhibited Early Firearms of Great Britain and Ireland from the Collection of Clay P. Bedford, The Metropolitan Museum of Art, New York, 1971, cat. no. 197 Literature Clay P. Bedford and Stephen V. Grancsay, Early Firearms of Great Britain and Ireland from the Collection of Clay P. Bedford, exhibition catalogue, The Metropolitan Museum of Art, New York, 1971, pp. 174 and 177 H. Lee Munson, The Mortimer Gunmakers 1753-1923, 1992, pp. 151-152, pl. 234. This pair of pistols are probably unique and, as Munson states, are amongst the earliest known examples of H.W. Mortimer's work.
AN 80 BORE BELGIAN MARIETTE PATENT SIX-SHOT PERCUSSION PEPPERBOX REVOLVER, LIÈGE PROOF, MID-19TH CENTURY with turn-off barrels, scroll-engraved action with engraved ring trigger, iron back-strap struck Mariette Bréveté, carved ebony grip decorated with a panel of scrollwork on each side, and engraved blued butt-cap 7.2 cm; 2 ¾ in barrels
AN EDO PERIOD WAKIZASHI Sugata (configuration): Shobu-zukuri and tori-zori but badly scratched; Kitae (forging pattern): Not visible due to condition; Hamon (tempering pattern): Gunome-midare but no details available; Boshi (tip) Not clearly visible; Nakago (tang): Three mekugi-ana (one filled) and is mumei; Nagasa : 34.3 cm; Saki-haba (width at the yokote): 1.9 cm; Moto-haba (width at the machi): 2.4 cm; Koshirae : In a black lacquered saya with a large ring replacing the kurikata, a gilt koi-guchi. The tsuka is decorated with brass fuchi-kashira, as are the menuki. The round tsuba is in shakudo-nanako depicting a country scene on a moonlit night
TWO NEPALESE SILVER-MOUNTED DAGGERS (KUKRI), LATE 19TH/EARLY 20TH CENTURY the first with angular single-edged blade, silver-mounted horn grip, in its leather-covered wooden scabbard with large silver locket and chape pierced and chased with designs of foliage including a rampant lion, the locket fitted with a chased gold panel set with turquoise and red coloured stones, with silver plaited suspension strap retained by a ring fitted with an exotic bird plaque; the second with heavy broad curved blade, carved horn grip, in its leather-covered wooden scabbard with large silver mounts chased with foliage in high relief, including a tiger and a hunter on the locket and both sides of the chape, the former fitted with a silver ring on the outer face the first: 30.8 cm; 12 1/8in blade (2)
A 'George III' oak occasional table, rounded rectangular top, ring turned column, triform base, scroll feet, 70cm high; A Louis XVI design mahogany occasional table, moulded eliptical top, tapered fluted cylindrical legs, shaped X-stretcher, 83cm wide; An Edwardian inspired two tier jardiniere stand; a George III style wine table, of small proportions; a similar occasional table; ; an early 20th century mahogany folding cake stand, with Persian style three brass mounted tiers
Metalware - a single silver hexagonal napkin ring, Birmingham 1930s; an Art Deco EPNS tea pot; a Sheffield plate single candlestick; bud vases; milk and sugars; posy vases; candlesticks; pewter mugs; tankards; toast racks; cake baskets and stands; chamber sticks; qty (silver napkin ring is on view in the bijouterie cabinet)
A ruby and diamond ring, the white mount stamped '18ct & Plat' , the cushion shaped ruby measuring aprroximately 5.3mm by 4.7mm by 3.3mm deep, flanked either side by a square cut, with a trio of brilliant cuts above and below, the six diamonds totalling approximately 0.3 carats, finger size O, 3.3g gross
FILM POSTERS: a group of eleven posters, loose sheets, including 'Time Bandits', Embassy Pictures, (1981), UK One Sheet, 104cm x 69cm: and ten UK Quad posters including ' Heavens Gate' United Artists, (1980): 'Young Winston', Coumbia-Warner, (1972): 'The Great Waldo Pepper', Universal Pictures, (1975): 'Melody', British Lion Films, (1971): 'Tom Sawyer', United Artists, (1973): 'Shipwreck', Columbia / Warner / EMI, (1978): a double bill poster 'Huckleberry Finn' / 'Hercules Against Kung Fu', United Artists, (1973): 'Ring of Bright Water', Rank Film Distributors, (1969) printed Leonard Ripley & Co. London: 'Flight of The Doves', Columbia Pictures, (1971) and one other double bill poster, mostly all 76cm x 101cm. (11)
A single stone diamond ring claw set with a single old round-cut diamond, to a plain yellow metal shank, unmarked (Dimensions: Ring size: O, estimated total diamond weight: 0.70cts)(Ring size: O, estimated total diamond weight: 0.70cts)Condition report: Very good condition Shank is quite thin to base Very light wear to shank Some minor wear to claws Gemstone appears secure Estimated diamond clarity: VS1/2- some abrasion to kite facet near claw ** Estimated diamond colour: I/L** Nice bright stone Gross weight:3.8g Please note that gemstones and diamonds cannot be accurately measured and graded when mounted in jewellery
A sapphire and diamond set ring claw set with an oval-cut sapphire, flanked to either side by a round brilliant-cut diamond, to a plain shank; together with an 18ct gold wedding band (2) (Dimensions: Ring size: P)(Ring size: P)Condition report: Good overall condition, some surface marks and wear. Shank to the sapphire ring is hallmarked, but marks are worn. Estimated sapphire weight: 1.08cts (7 x 5.19 x 3.85mm) Estimated total diamond weight: 0.40cts Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
A 18ct gold tourmaline and diamond set ring, Fabergé claw set with an oval-cut tourmaline, in a border of small round brilliant-cut diamonds, with green and gold guilloche enamel detail to the shoulders, in a Fabergé presentation box (Dimensions: Ring size: Q/R)(Ring size: Q/R)
A 19th century Napoleon III portrait signet ring the hinged locket engraved with 'N' within a laurel wreath, opening to reveal a struck portrait of Napoleon III, plain shank is unmarked (Dimensions: Ring size: L)(Ring size: L)Footnote: By family repute, this ring was gifted by Rachael Felix (mistress to Napoleon III) to the wife of General Stopford, military attaché at the British Embassy. Thence by decent through that family, until it was purchased in the 1990s by the current vendors father.
An antique gem set ring possibly 17th century, the plain satin finish gold mount set with a single rectangular faceted gem stone in rub-over setting, unmarked (Dimensions: Ring size: L)(Ring size: L)Condition report: Stone of deep green colour, enclosed setting, the stone is somewhat abraded overall, but a nice example
A set of two gem set stacking rings the first collet set with an oval-cut pink tourmaline, the shoulders each gypsy set with three round-cut diamonds, to an 18ct yellow gold shank; together with a similar collet set with a fancy cut pear-shaped peridot (2) (Dimensions: Ring size: N & N)(Ring size: N & N)
A collection of paste set rings to include a 9ct yellow gold paste and red gem set cluster ring; a paste set eternity ring, indistinctly marked; a 9ct gold emerald-cut paste set ring, and another similar marked 14k (4) (Dimensions: Ring size: P, R/S, K/L & N)(Ring size: P, R/S, K/L & N)
A diamond set ring claw set with an old round-cut diamond, in a fanned border of four eight-cut diamonds to each side (one lacking), to a plain white metal shank (Dimensions: Ring size: P, estimated principle diamond weight: 0.50cts)(Ring size: P, estimated principle diamond weight: 0.50cts)Condition report: Generally good condition One eight cut diamond missing to side as claws are rubbed Claws to principle diamond in good condition Some light surface wear to metalwork Please note that gemstones and diamonds cannot be accurately graded or measured when mounted in jewellery
A fire opal and diamond set ring claw set with a large oval-cut fire-opal, flanked to either side by a princess-cut diamond, to a plain 18ct gold shank (Dimensions: Ring size: P, estimated fire opal weight: 6.35cts)(Ring size: P, estimated fire opal weight: 6.35cts)Condition report: In good overall condition, only very minimal surface marks and wear to metalwork and settings. Shank is fully hallmarked, also signed Iliana. Fire opal: approx15.42 x 12.58 x 8.10mm Estimated diamond weight: 0.20cts (each) Gross weight: 9.2g Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
A contemporary aquamarine and sapphire set ring collet set in a swivelling mount with an aquamarine cabochon, each shoulder set with a sapphire cabochon, to a plain 18ct yellow gold mount (Dimensions: Ring size: L/M)(Ring size: L/M)Condition report: An attractive piece in very good condition. Fully hallmarked.
A natural pearl necklace composed of a single strand of one hundred and nineteen graduated natural pearls, to a plain bolt-ring clasp; with alternative cluster clasp, collet set with a round cut-ruby in a single border of rose-cut diamonds; with accompanying report by The Gem & Pearl Laboratory, dated 11.10.19, numbered 17886, stating that the pearls are of natural saltwater variety (Dimensions: Overall length: 40cm)(Overall length: 40cm)
An emerald and diamond set cluster ring claw set with a central round brilliant-cut diamond, in a double border of round brilliant-cut diamonds and emeralds, to a plain shank (Dimensions: Ring size: M, estimated diamond weight: 4.50cts)(Ring size: M, estimated diamond weight: 4.50cts)Condition report: Good overall condition, some minor surface wear. Marks to inside of the shank are obscured by applied sizing squares Diamonds are overall SI2/P clarity. Emeralds are generally well matched. Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
An emerald and diamond set three stone ring claw set with an oval-cut emerald, flanked to either side by a round brilliant-cut diamond, to a plain shank, stamped 18CT (Dimensions: Ring size: L/M, estimated total gem weights: emerald 0.49cts, diamonds 1.12cts)(Ring size: L/M, estimated total gem weights: emerald 0.49cts, diamonds 1.12cts)Condition report: All stones are present and appear to be secure in their settings. Metalwork is not hallmarked, stamped 18ct. Emerald with some abrasion to crown facet edges. Estiamted emerald weight: 0.49cts (6.75 x 5.59 x 2.45mm) Estiamted diamond weights: 0.58cts & 0.54cts Estiamted diamond clarity: SI Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
An emerald set ring claw set with a rectangular polished emerald slice, to a plain yellow metal shank with indistinct marks (Dimensions: Ring size: N)(Ring size: N)Condition report: Very good condition Heavily included Appears secure in setting Emerald: 16.5 x 13.32 x 3.3mm approx, Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
A peridot and diamond set cocktail ring claw set with a pear-shaped peridot in a border of round brilliant-cut diamonds, an 18ct gold shank (Dimensions: Ring size: N/O)(Ring size: N/O)Condition report: In good overall condition. All gemstones are present and appear to be secure. Peridot is vibrant. Fully hallmarked. Peridot: 6.07cts(approx. 14.18 x 9.52 x 6.78mm) Estimated total diamond weight: very approx. 0.50cts Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
A coral and diamond set ring and brooch the ring composed of nine coral cabochons, and eight-cut diamond details, to an unmarked yellow metal shank; together with a coral and diamond set floral spray brooch, stamped 750 (2) (Dimensions: Ring size: N, length of brooch: 78mm)(Ring size: N, length of brooch: 78mm)Condition report: Both with light surface wear. Neither pieces with hallmarks.
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1087795 item(s)/page