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A five stone diamond and ruby ring having three diamonds, total approx 1ct interspersed by two rubies, total approx 1ct all in a claw set raised mount on an 18ct gold loop, size Q & approx 4.7g, all stones are a nice colour, with one side diamond bearing some inclusions Condition report: Ring is hallmarked London 1976, 750
An 18ct gold emerald and diamond half eternity band, the three old cut diamond interspersed with two emerald cut emeralds, ring size N, 3g Condition report: Nibbling to both emeralds, one also being chipped. Diamonds not evenly set. All stones secure in settings, some wear to the claws. General surface wear to the shank.
A 9ct gold opal and cubic zirconia cluster ring, the marquise cut opal with a cubic zirconia surround and decorative shoulders, along with a 9ct gold imitation turquoise ring, the imitation turquoise cabochon in a four claw setting, ring sizes W and I respectively, 4.5g gross
The Cross of Nazi Concentration Camp Prisoners, Polish People's Republic, 20th century. The award is a Greek cross made of silver-oxidised metal. On the obverse of the cross, in the central part, there is an equilateral triangle, facing downwards, with the letter "P" in the middle. The triangle is covered with red enamel and framed along the perimeter with a narrow silver edging. The letter is silver-plated. On the horizontal arms of the cross, there are dates: 1939 on the left arm and 1945 on the right. On the reverse of the cross, there is an inscription in four lines: "PRL / WI__NIOM / HITLEROWSKICH / OBOZîW KONCENTRACYJNYCH". Dimensions: cross Ñ 42_42 mm. At the top of the cross there is an eye with a ring, with which it is attached to the ribbon. The ribbon of the Cross of Prisoners of Fascist Concentration Camps is silk moire 40 mm wide in the form of alternating longitudinal stripes of blue (6 pieces) and gray (5 pieces) of equal width (the colors of the prisoners' clothing). The Cross of Nazi Concentration Camp Prisoners (Krzy_ O_wi_cimski) was instituted by the State Council of the Polish People's Republic on 14 March 1985. It was awarded to former prisoners of Auschwitz, Majdanek, Treblinka and other concentration camps and prisons located both in occupied Poland and in Western European countries. The cross was awarded to members of the Polish Resistance movement and foreign citizens - former prisoners of Nazi death camps, members of the Polish Resistance movement. A wonderful collector's item in good condition.
WWII Nazi German Silver SS TOTENKOPF Ring. The ring was initially presented to senior officers of the Old Guard (of which there were fewer than 5,000). Each ring had the recipient's name, the award date, and Himmler's signature engraved on the interior. The ring came with a standard letter from Himmler and citation. It was to be worn only on the left hand, on the "ring finger". If an SS member was dismissed or retired from the service, his ring had to be returned. This ring, in addition to the owner's name, has the date 20.4.34.. A wonderful collectible WWII artifact. Good condition
ITEM: RingMATERIAL: SilverCULTURE: RomanPERIOD: 1st Century A.DDIMENSIONS: 19 mm diameterCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired between 1980 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman rings were not only decorative items but also symbols of social status, personal identity, and practical utility within Roman society. Made from materials ranging from simple iron and bronze to more luxurious silver and gold, rings were worn by men and women alike and often carried significant meaning for the wearer. Wealthy individuals favored rings made of precious metals or adorned with gemstones like garnet, amethyst, and carnelian, which showcased their status and taste. Certain rings were inscribed with symbols, personal mottos, or images of gods, providing spiritual protection or conveying a personal connection to the divine. For Roman soldiers and officials, rings also served as indicators of rank and allegiance, reflecting Rome’s social hierarchies and values.Some Roman rings had a practical purpose as well, functioning as signet rings, which were used to imprint wax seals on official documents or private correspondence. These rings, typically engraved with unique designs, family crests, or initials, allowed the wearer to secure and authenticate messages. This practice was crucial for Roman officials, merchants, and anyone involved in legal or administrative tasks. The signet ring thus became a powerful tool that symbolized authority and personal integrity, as it was an extension of the wearer’s identity and their word. Archaeological discoveries of signet rings, sometimes still bearing traces of wax, illustrate their everyday utility and the Roman emphasis on personal security and record-keeping.
ITEM: Ring depicting a cornucopiaMATERIAL: BronzeCULTURE: Greek, Hellenistic periodPERIOD: 3rd - 1st Century B.CDIMENSIONS: 25 mm x 22 mmCONDITION: Good conditionPROVENANCE: Ex Austrian private collection, acquired between 1980 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Greek cornucopia, also known as the "horn of plenty," is a symbol of abundance and nourishment, originating from ancient Greek mythology. The cornucopia is typically depicted as a large, curved goat's horn overflowing with fruits, flowers, grains, and other bountiful produce, representing the prosperity and wealth of nature. According to myth, the cornucopia is associated with the nymph Amalthea, who nourished the infant Zeus with milk from her horn. In gratitude, Zeus endowed the horn with the magical ability to provide an endless supply of food and drink, transforming it into a symbol of unending abundance.In Greek art and culture, the cornucopia appears frequently in various contexts, symbolizing fertility, prosperity, and the blessings of the gods. It is commonly found in depictions of deities associated with agriculture, harvest, and abundance, such as Demeter, the goddess of the harvest, and Dionysus, the god of wine and festivity. The cornucopia also appears in representations of Tyche, the goddess of fortune, emphasizing her role in bestowing prosperity and good fortune upon individuals and cities. In these artistic depictions, the cornucopia serves as a visual shorthand for the themes of wealth, nourishment, and divine favor.During the Hellenistic period (c. 323-31 BCE), the cornucopia became a prevalent motif in both public and private art, reflecting the era's emphasis on wealth and opulence. It was commonly featured in mosaics, frescoes, coins, and sculptures, often as part of decorative schemes in homes and public buildings. The cornucopia's symbolism extended beyond its agricultural roots to encompass general themes of wealth and abundance in various aspects of life.

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