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106046 item(s)/page
![Goldsmith [Lady Annabel], Annabel, signed first edition](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/f000216e-3ca8-4581-9bcb-ab670112b38d/468x382.jpg)
![Attenborough [Richard], Entirely Up To You Darling, signed first edition](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/2eda73fa-2e79-48e1-a362-ab670112b903/468x382.jpg)
![Forster [E.M.], The Hill of Devi, First Edition 1953, published Edward Arnold, with dustwrapper and a Forster Biography](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/4892aec9-ecc2-4d7a-adc9-ab6701128e5c/468x382.jpg)
![McGuigan [Barry], Cyclone: My Story, signed first edition](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/aa05808b-74c6-4077-8333-ab6701127fbd/468x382.jpg)
![Blyton [Enid], Five Go to Mystery Moor, first edition 1954, published by Hodder & Stoughton, with dustwrapper](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/5fb7b8f7-0cbf-4774-bd62-ab670112e1af/468x382.jpg)
![Blyton [Enid], eight 'Famous Five' volumes (some first edition) and Vincent [Bruno] Five on Brexit Island](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/191de0cf-ca21-43f4-b34b-ab670112dad2/468x382.jpg)
![Hemingway [Ernest] The Old Man and The Sea, First Edition 1952, lacking dustwrapper](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/83c0228d-d90e-4823-b87a-ab670112d148/468x382.jpg)
![Ramsay [Gordon], Playing With Fire, signed first edition](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/8cd3183e-5818-47f3-b9cf-ab670112bc86/468x382.jpg)
![Caine [Michael], The Elephant To Hollywood, signed first edition](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/eb703710-a581-468a-bfca-ab6701129cd6/468x382.jpg)
![Enfield [Harry], Harry Enfield And His Humorous Chums, signed first edition](https://cdn.globalauctionplatform.com/685d467d-d006-4c03-babc-ab4b0094f531/7bebbd31-3109-47f2-912b-ab670112a4b5/468x382.jpg)
Lot 635
QUEEN - 7" WITH LP BOX SET. Top collection of 10 x 7" with 1 x limited edition LP box set. Titles are Forever (2015 4 x LP box set, 4719063 - Mint and sealed, light peel to the shrink on the front), We Are The Champions (scarce original UK promo EMI 2708 - Ex/VG), Hammer To Fall (QUEEN 4), First EP (EMI 2623, 2 copies), I Want To Break Free (QUEEN 2), Another One Bites The Dust, A Kind Of Magic, Don't Stop Me Now, I Want It All and Radio Ga Ga. Condition is generally VG+ to Ex+.
Lot 730
Captain Edward Handley-Read (British 1870-1935) - Scenes at Loos showing First World War destruction (pair), signed coloured limited edition prints with Fine Art Trade Guild blind embossed stamps, 28 x 37 cm, two coloured prints showing the Mighty Naval Coronation pageant of King George V & Queen Mary, Spithead, June 24th 1911 and the illuminated fleet on the same night (pair), 46 x 67 cm, together with further pictures and prints including a 19th century coloured engraving of sheep outside a cottage, etc, various sizes, all framed (10)
Lot 457
Gustav Klimt (Austrian 1862-1918) PORTRATSKIZZE: DAME MIT BOA signed in the plate collotype 49 by 32cm PORTRÄTSKIZZE: DAME MIT BOA – GUSTAV KLIMT Klimt was an Austrian symbolist painter and a prominent member of the Vienna Art Nouveau, known as the Seccession Movement. Gustav Klimt’s Porträtskizze: Dame mit Boa translates directly to Portrait Sketch: Woman with Boa, but is also known as Woman in a Boa, Lady Wearing a Boa or simply Woman with Boa. Klimt is known for his representation of women and in Porträtskizze: Dame mit Boa the artist indicates an acknowledgement of the sitter’s femininity with delicate lines. Her hair is piled atop her head in undulating waves and the intricacy of her hairstyle described with a number of parallel pencil strokes. Klimt’s appreciation of his model can be found in her carefully constructed demure gaze, highlighted by her soft eyelashes. The artist shows great restraint in the boa itself, which is constructed from a number of quick, confident marks outlining the abundance of feathers which envelop the young lady, choosing rather to concentrate all of the detail in the sitter’s face and hair. The soft lines indicating the plush material seem to tickle the model’s face pointing to a light eroticism of the female form which is often far more pronounced in Klimt’s oeuvre. The lightest touch of pink emphasises the lips and cheeks ascribing a gentle femininity.This delicate work is a collotype from the suite Fünfundzwanzig Handzeichnungen, a limited collection of twenty-five monochrome and two-colour collotypes after hand drawings by Gustav Klimt. They were published by Gilhofer and Ransechburg in Vienna in 1919, just one year after Klimt’s death. This particular work is plate 5 from the 25 plates in the suite, from an edition of 500 prints. The print includes Klimt’s signature, signed in the lower right of the plate. The original pencil sketch is included in the Lederer Collection in Vienna, along with other original drawings from the suite. The collotype printing process is based on a French discovery patented in 1855 but was used widely by the 1870s. Collotypes were only suitable for short term runs as the plate would print only a few hundred impressions, the process itself proved slower than other printing processes but produced very finely detailed prints. During the process, sensitised gelatin was exposed to light which caused it to harden and become non-absorbent, whereas unexposed portions remained soft and receptive to water. The gelatin then became available as a printing surface. After a thin layer of light-sensitive gelatin had been coated to a glass or metal base, it was left to dry out. The surface of the gelatin then puckered into a network of extremely fine curving cracks. After exposure to light these cracks hardened, enabling them to receive the printer’s ink which was then transmitted to the paper. So it was the gelatin involved in the process that made collotypes the first natural light-sensitive tonal printing surface and allowed for a great delicacy of the final process. The subtlety in tone achieved by collotypes made it an ideal medium for the reproduction of drawings, as seen in Porträtskizze: Dame mit Boa - S.D.Portrait Sketch: Woman with Boa, accessed 8 January, 2020: https://wallector.com/en/modern-art/portrait-sketchwoman-with-boa-100355.html Bamber Gascoigne., How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet, Thames & Hudson, London.1986
Lot 4
Children's. Beatrix Potter. The Tailor of Gloucester. London: Frederick Warne & Co. 1903. 1st edition - dated at foot of title, single page end papers repeated four times. Original state, worn. Contents loose, small loss to head of spine. Lacks 3 plates and accompanying text leaf/blank. A Fair copy.CONDITION REPORT - UNSURE WHICH PLATES ARE MISSING, SPINE DAMAGED TO TOP, FIRST PAGE MARKED
Lot 698
Bradshaw’s Railway Time Tables and Assistant to Railway Travelling book, with illustrative maps and plans, published by Shepherd & Sutton, London, number 3 October 1839. A facsimile published in 1889 to commemorate the 50th anniversary of the first edition. In cloth covered boards size 12 by 7.5 cm. 38 pages of timetables and information for travellers including 8 pages of maps of the railways in Lancashire, the Midlands and the counties near London, 4 double-page city plans.
Lot 197
Milne (A. A.) The House at Pooh Corner, first edition, illustrations and pictorial endpapers by E.H. Shepard, original pictorial cloth, gilt, slight bumping to spine extremities, dust-jacket, lightly browned spine, slight chipping to spine extremities, light rubbing but a near-fine example overall, 8vo, 1928.
Lot 27
Suffolk.- Gage (John) The History and Antiquities of Suffolk: Thingoe Hundred, first edition, hand-coloured engraved map frontispiece, 35 engraved plates and plans, occasional spotting, bookplate, ex-library with label to front pastedown, later half-morocco, rubbed, bumping to corners and extremities, 1838 § Copinger (W. A.) The Manors of Suffolk, 7 vol., plates, occasional marginal ink notes, original cloth, spine covering beginning to split (lower joint, vol. 2), rubbed and bumped, 1905-11, folio (8)
Lot 138
(Cruikshank) George.- Egan (Pierce) Life in London..., first edition, hand-coloured aquatint frontispiece and 35 hand-coloured plates by Cruikshank, wood-engraved vignettes, 3 folding music sheets, lacking advertisements, occasional foxing and spotting, staining, contemporary tree calf, gilt, very minor rubbing to spine ends and marking to upper cover but otherwise a bright, clean copy, 8vo, 1821.
![NO RESERVE Partridge (Eric) Notes on Punctuation, first edition, original paper wrappers, Oxford, [1955]; Comic Alphabets, fi](https://cdn.globalauctionplatform.com/3bb921ea-cc1f-478a-ab95-ab5a00f05541/f46f9963-a9b2-4833-b189-ab5a0101649a/468x382.jpg)
Lot 201
NO RESERVE Partridge (Eric) Notes on Punctuation, first edition, original paper wrappers, Oxford, [1955]; Comic Alphabets, first edition, inscribed "Wilfred from Eric", original cloth, slight bumping to spine extremities, dust-jacket, slight creasing to extremities, 1961; From Sanskrit to Brazil, first edition, original cloth, price-clipped dust-jacket, a little rubbed, slight creasing to spine extremities, 1952; The Shaggy Dog Story, illustrations, faint spotting to first and last few leaves, bookplate, original cloth, slight bumping to spine extremities, dust-jacket, rubbed, slight chipping and creasing to extremities, 1954; and 6 others by the same, 8vo (10)
Lot 49
NO RESERVE Madox (Thomas) Baronia Anglica. An History of the Land-Honors and Baronies ..., first edition, engraved vignette title, engraved initials, short marginal tear (4L2), for Robert Gosling, 1736, bound before, A Compleat Index to Mr. Madox's History of the Exchequer ..., for Francis Gosling, 1741, occasional ink annotations, occasional faint spotting, bookplate, previous owner's manuscript notes loosely inserted, modern half-calf, folio.
Lot 217
Warhol (Andy) The Philosophy of Andy Warhol (From A to B and Back Again), first edition, initialed by author, original cloth backed boards, slight fading to spine foot, dust-jacket, very slight creasing to spine extremities, New York, 1975; Andy Warhol: Transcript of David Bailey's ATV Documentary ..., first edition, illustrations, lightly browned, original paper wrappers, price label to upper cover, lightly rubbed, 1972; Hackett (Pat, editor) The Andy Warhol Diaries, plates, original cloth backed boards, dust-jacket, abrasion mark where label removed, a little rubbed, slight creasing to spine extremities, New York, 1989; v.s. (3)
Lot 188
NO RESERVE Hockney (David).- Stevens (Wallace) The Blue Guitar, first edition, illustrations by David Hockney, original boards, very slight bumping to spine extremities, price-clipped dust-jacket, small tear, rubbing to spine extremities, Petersburg Press, 1977 § Jarman (Derek) Blue, limited edition, original paper wrappers, slight rubbing to extremities, 1993; 4to (2)
Lot 10
NO RESERVE Devon.- Prince (John) Danmonii Orientales Illustres: or, the Worthies of Devon, first edition, title foredge strengthened, small tears expertly repaired, heraldic woodcut illustrations, copious annotations in an early nineteenth century hand, Index in manuscript bound at end, A1 & A2 reinforced at edges, small marginal hole (D2), occasional spotting and off-setting, bookplates, modern half calf retaining original endpapers, folio, Exeter, by Sam. Farley, 1701.
Lot 200
NO RESERVE O'Brien (Edna) The Love Object, first edition, original boards, very slight bumping to spine extremities, dust-jacket, slight creasing and rubbing to edges, 1968; I Hardly Knew You, first American edition, original cloth backed boards, dust-jacket, a little rubbed, slight creasing to spine extremities, New York, 1978; Virginia, first edition, original paper wrappers, lightly faded spine, 1981, signed by author; and another by the same, 8vo (4)
Lot 28
NO RESERVE Suffolk.- Suckling (Rev. Alfred) The History and Antiquities of the County of Suffolk, 2 vol., first edition, chromolithographed frontispieces, 42 lithographs, 1 engraved plate, 1 plan, 1 folding pedigree, illustrations, occasional marginal staining, modern half-morocco, 4to, [Abbey Scenery 321], 1846-48.
Lot 155
Henty (G. A.) With the Allies to Pekin, first edition, bookplate to frontispiece verso, 1904; True to the Old Flag, contemporary ink inscription, n.d; The Young Colonists, bookplate, n.d.; Maori and Settler, cracked upper hinge, 1911, advertisements, some scattered foxing and spotting, original pictorial cloth, stamped in gilt, spine ends and corners bumped but otherwise bright, clean copies; and 65 others, by the same and similar, some first editions, all in original cloth, almost all in pictorial cloth, v.s. (69)
Lot 192
NO RESERVE Libanus Press.- Coatts (Margot) Portable Pleasures: Picnics for all Seasons, limited edition, 'out of series' copy, colour illustrations by Ian Beck, original cloth-backed boards, Marlborough, Libanus Press, 1992 § Type & Typography: Highlights from Matrix, the review for printers and bibliophiles, plates and illustrations, original boards, dust-jackets, a little rubbed, New Jersey, 2003 § Parker (T. Jefferson) Easy Street, first edition, limited edition, 'out of series' copy', signed authors and illustrator, photographic frontispiece, plates, original cloth, Michigan, 2000 § Unsworth (Barry) Sacred Hunger, limited edition numbered 45 of 150, signed by author on title, plate, original cloth, lacking slipcase, Fyfield, Oak Tree Press, 2007; and 8 others similar, v.s. (12)
Lot 189
NO RESERVE Hughes (Ted) The Earth-Owl and other moon people, first edition, signed by author, illustrations by R. A. Brandt, original cloth, price-clipped dust-jacket, a little rubbed, slight chipping to spine extremities, 1963; Moon-Bells and other poems, inscribed and dated to "whoever buys this book" by the author, original cloth, slight fading to top edge, dust-jacket, very slight creasing to top edge, 1986; The Cat and the Cuckoo, limited edition signed and numbered by author & artist, illustrations by J. R. Lloyd, original cloth, dust-jacket, house in original slipcase, 1987; and 6 others, poetry, 8vo & 12mo (9)
Lot 176
NO RESERVE Corso (Gregory) American Express, first edition, previous owner's scored out signature to front free endpaper, original green paper wrappers, very slight bumping to spine extremities, dust-jacket, a little rubbed, slight creasing to spine extremities, 8vo, Paris, Olympia Press, 1961.
Lot 218
NO RESERVE Waugh (Evelyn) Mr. Loveday's Little Outing, first edition, frontispiece, hinge reinforced with white tape, light marginal browning to text, occasional finger soiling, original cloth, 1936 § Greene (Graham) The End of the Affair, first edition, usual browning to half-title, original cloth, light browning to spine, a little marked, 1951; and 17 others, 8vo (19)
Lot 76
NO RESERVE Esswein (Hermann) Alfred Kubin: der Künstler und sein Werk, first edition, portrait frontispiece, 82 plates (3 colour), titles inserted by hand, occasional faint spotting, previous owner's pencil signature, bookplate, original vellum-backed boards, slight bumping to corners and extremities, dust-jacket, browned spine, loss to spine foot (restored), rubbed and worn, 4to, München, 1911.
Lot 61
NO RESERVE Australia.- Dutton (Francis) South Australia and its Mines..., 5 engraved plates, map, lacking large folding map issued with some copies, minor foxing to plates, endpapers lightly browned, original cloth, slightly marked, loss to portions of spine, T. and W. Boone, 1846 § Sherer (John) The Gold-Finder of Australia..., first edition, additional pictorial title, 48 wood-engraved plates, light spotting and finger soiling, original cloth, rubbed, bumping to corners and extremities, rebacked preserving original spine, [1853], 8vo (2)
Lot 50
NO RESERVE Phillips (Charles J.) History of the Sackville Family, 2 vol., first edition, frontispiece, plates and illustrations, occasional spotting, original cloth, dampstaining to lower board (vol. 1), browned spines, faded cloth, [1929] § Canning (George) The Speeches of ..., 6 vol., fourth edition, portrait frontispiece trimmed and laid down, occasional faint spotting, contemporary half-calf, slight bumping to corners, n.d. § Smith (Robert) & John S. Moore, The House of Commons, un-numbered copy from an edition of 500, plates, original morocco, 1996; and 16 others, v.s. (25)
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106046 item(s)/page