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Lot 178

M. de Reaumur. The Art of hatching and bringing up Domestick Fowls of all kinds, at any time of year, first edition in English, half-title, 15 folding engraved plates, engraved headpiece vignettes, modern half morocco, 8vo, London: C. Davis, 1750. ** Somewhat browned and spotted, a few leaves with fore-edge repaired.

Lot 101

G. W. Wilson. Photographs of English and Scottish Scenery. Gloucester Cathedral, first edition,12 mounted albumen photographs, original cloth, 8vo, Aberdeen: Privately Published, 1866 Gersheim 309. ** Light spotting, extremities rubbed, some minor splits to hinges of spine.

Lot 27

Walter Gedde. A Booke of Sundry Draughts, principally serving for Glasiers..., first edition, 103 (of 113) wood-engraved plates, contemporary calf, worn, boards detached, 4to, 1615. PROVENANCE: Ex-libris Patrick Reyntiens. ** Imperfect. Sold with all faults.

Lot 212

Victoria, Queen of England. The Early Years of His Royal Highness the Prince Consort... by Lieut.-General the Hon. C. Grey, fourth edition, PRESENTATION COPY, inscribed on fly-leaf, 'To Mrs Thurston. In recollection of former happy days + of her long + faithful services to our Children from Victoria R. Windsor Castle, Dec: 14. 1869' engraved frontispiece, guard, original cloth gilt, 8vo, London: Smith, Elder and Co., 1867; together with a The Form of Solemnization of Matrimony, full vellum, blocked on upper cover 'Windsor Castle, July 5th 1866', 8vo (2) Mary Ann Thurston (1810-1896) was the Nanny to Queen Victoria's children. She was first appointed in Spring 1845 aged 35, from Suffolk, widowed with a daughter. She was Housekeeper at Windsor Castle in 1865 and died at Kensington Palace in September 1896. ** (i) spotted, frontispiece detached, joints split, shaken, spine with slight loss (ii) vellum soiled.

Lot 92

Jean François Bourgoing. Voyage du ci-devant duc du Chatelet, en Portugal, où se trouvent des détails intéressans sur les colonies, 2 volumes bound in one, first edition, folding engraved frontispiece, folding engraved map, contemporary polished calf, bookplate of Merthyr Guest, 8vo, Paris: F. Buisson, 1798. ** Light spotting, spine slightly faded.

Lot 108

P. H. Emerson. On English Lagoons: Being An Account of Two Amateur Wherryman on the Norfolk and Suffolk Rivers and Broads, first edition, half-title, original cloth, 8vo, London: David Nutt, 1893; and 3 others, similar (4). ** (i) Upper joint slightly split, spine cocked (ii) mixed condition.

Lot 174

J. Ham. The Manufacture of Cider and Perry, reduced to Rules, first edition, engraved plate, original wrappers, printed label, 8vo, Sherborne: Harker and Penny, 1827 RARE. ** Stained throughout, original wrappers soiled, spine chipped at head, some loss to label.

Lot 14

Atlee B. Ayres. Mexican Architecture, first edition, plates, original cloth, folio, New York: William Helburn, 1926; Italo William Riccuti. New Orleans and its Environs, first edition, plates, original cloth, 4to, New York, William Helburn, 1938 (2). PROVENANCE: Ex-libris Patrick Reyntiens. ** (i) Upper fore-edge corner bumped (ii) extremities slightly rubbed.

Lot 287

Smith, Albert. A Hand-Book to the Grand Moving Diorama of Constantinople, Now Exhibiting at the Egyptian Hall, Piccadilly, engraved frontispiece and text illustrations, original printed wrappers, 8vo., [London] To be had in the Room, at the Box Office"..., #1854. A Hand-Book of Mr. Albert Smith's Ascent of Mont Blanc, fifth edition, illustrated by William Beverley, original printed wrappers small oblong 8vo., n.d. With 3 others by the same (5). Provenance: By descent from Albert Smith's sister Laura Eady. ** First two with folded corners, light spotting and slightly grubby, last three defective.

Lot 21

John Lewis. John Nash. The Painter as Illustrator, first edition, illustrations, original cloth, dust-jacket, 4to, Loxhill: Pendomer Press, 1978; Douglas Percy Bliss. Edward Bawden, first edition, illustrations, original cloth, dust-jacket, 4to, Loxhill: Pendomer Press, n.d. (2). ** (i) Dust-jacket chipped at extremities, some light spotting (ii) Light spotting to fore-edge.

Lot 124

Noributro Hadrava. Ragguagli di varii scavi e scoverte di antichita fatte nell'isola di Capri, first edition, engraved title vignette, 7 engraved tail-pieces, engraved map and 8 engraved plates, contemporary half calf, bookplate of Merthyr Guest, 8vo, Dresden: Walther Brothers, 1794. ** Occasional light browning.

Lot 52

Brian Griffin. The Water People, first edition, signed by the artist, plates, original boards, dust-jacket, 4to, Reykjavik: Island Books, 2006; Floris Neususs and Peter Cardoff. ULOs wunderbar. Unidentifiable Lying Object, first edition, signed by the author, one of 12 copies with an original photogram included, signed by the artist, original boards, dust-jacket, 4to, Dusseldorf: Parerga, 2000; Lewis Baltz. Park City, first edition, plates, original cloth, dust-jacket, 4to, Alberquerque: Aperture, 1980; and 3 others, art reference (6). ** Mixed condition.

Lot 54

Paul Graham. In Umbra Res, first edition, number 115 of 300, signed by the artist, plates, original cloth, acetate wrapper, folio, Manchester: National Museum of Photography, 1990; Martin Parr. Parking Spaces, limited edition, plates, original box, unopened, 4to, Privately Printed, 2007; Brian Griffin. Face to Face: A Retrospective, signed, wrappers, folio, 2010; and 3 others (6). ** Mixed condition.

Lot 30

J. M. W. Turner and others. An Antiquarian and Picturesque Tour Round the Southern Coast of England, first edition, engraved frontispiece and 48 engraved plates, tissue guards, numerous engravings in text on India paper, contemporary half morocco gilt, all edges gilt, 4to, London: M. A. Nattali, 1849. ** Occasional light spotting, joints slightly cracked.

Lot 280

Smith, Albert. To China and Back: Being a Diary Kept, Out and Home, first edition, hand coloured engraved frontispiece, adverts at end, partly coloured original wrappers, spine slightly defective, 8vo.,London, Published for the Author"...at the Egyptian Hall #1859; leaflet advertising Mr. Albert Smith's China, "Will Open for the Season on Saturday evening November 5, 1859", original green wrappers with gilt decoration, in original envelope addressed to Miss Laura Eady, Chertsey (2) Provenance: By descent from Albert Smith's sister Laura Eady. ** Spine defective, slight discoloration throughout. Second in envelope which is slightly scuffed and torn.

Lot 102

Henry Algernon George Percy. Highlands of Asiatic Turkey, first edition, half-title, photogravure frontispiece, tissue guard, 8 plates and 31 illustrations in text, original publisher's red cloth gilt, 8vo, London: Edward Arnold, 1901. ** Spine slightly faded.

Lot 232

James Leon Williams. The Homes and Haunts of Shakespeare, first edition, 15 tipped-in chromolithographed plates, 45 photogravure plates, tissue guards, illustrations in text, contemporary crimson half morocco gilt, all edges gilt, folio, London: Sampson, Low, Marston and Company, 1892. ** Spotted throughout, slight weakening to joints.

Lot 71

Emil and Paul Stille. Ouro Preto e Marianna. Minas Geraes E. F. C. B. As antigas cidades das minas de ouro. Documentacao photographica da architectura dos seculos XVII e XVIII no Brasil, ?first edition, 29 printed photograph leaves, with place name and name of building written in ink within margins, roan boards with inset photograph, 4to, Rio de Janiero, c. 1910. ** Leaves curled, boards slightly warped and worn.

Lot 251

Eric Gill Art-Nonsense and Other Essays, first edition, original buckram, untrimmed, 8vo, London: Cassell and Co., 1929: The Devil's Devices, illustrations by Eric Gill, original cloth-backed boards, 8vo, Hammersmith: Hammersmith House Workshops, 1915, and 6 others, Eric Gill related, 8vo (8) PROVENANCE: Ex-libris Patrick Reyntiens. ** Minor dust-marks.

Lot 20

Nicholas Moore. The Glass Tower, first edition, illustrations by Lucien Freud, original cloth-backed boards, 8vo, London: Nicholson and Watson, 1944. ** Extremities chipped.

Lot 227

George Cruikshank and Daniel Defoe. The Life and Surprising Adventures of Robinson Crusoe.. Illustrated with Numerous Engravings from Drawings by George Cruikshank, 2 volumes, first edition, 2 engraved frontispieces, tissue guards, numerous wood-engraved illustrations in text, contemporary half calf, all edges gilt, 8vo, London: W. Nicol for John Major, 1831. ** Occasional light spotting, boards with extremities rubbed, heads of spines slightly chipped.

Lot 182

William Annesley. A New System of Naval Architecture, first edition, half-title, 11 folding plates, modern half calf gilt, 4to, London: G. and W. Nichol,, 1822 There are two plates numbered IV: A and B respectively. ** A few plates creased, some light spotting.

Lot 131

Kipling, Rudyard. A series of 26 A.LsS, approx 50pp, mostly 8vo., and six correspondence cards, mainly written on both sides, to Captain Edward H. Bayly (or Bayley) including one to Mrs. Bayly at various addresses including Teignmouth, Royal Naval College, Greenwich, H.M.S. Pelorus, H.M.S. Aurora etc., and one from Caroline Kipling to Mrs. Bayly, many from Rock House, Maidencombe, Devon; The Elms, Rottingdean; Batemans, Sussex etc., most with envelopes, 1891 "“ 1904. With one page signed fragment. The series begins with an undated letter, (without envelope) from shortly after their first meeting, pencilled "Recd. today 22 Sept "™91 Simons Town" complaining of "that blessed fever"...kept me in a state of unholy quiet"; he hopes to see Bayly before the Mohawk sails, and "I shall not soon forget the pleasures of meeting with you". The next letter is from Rock House, Maidencombe, Devon, undated but postmarked 17 Sept 1896, "I was enquiring for you in Torquay"...and got home to find your thrice welcome note which I recognised without opening. There isn"™t another man in the service who writes that beautiful lady's hand"...We are fighting our way, room by room, into a furnished house"; December 31 "™96 he sympathises about Mrs. Bayly's illness and operation, with an ALS from Caroline Kipling to Mrs. Bayly;another similar, 28 Jan. "™97; on March 17 "™97 he is delighted that Bayly has command of a ship, [HMS Pelorus] and "you"™ll just have to smuggle me aboard somehow for the campaign or until we go to the bottom."; June 5 #1897 from Rottingdean to where he has brought the entire family from Torquay where "the air was too soft", wondering when Bayly will next be in port; undated to Bayly on HMS Pelorus at Spithead, , postmarked Ju [ne] "™97, "Right you are! I"™ll do myself the honour of boarding you on the lst"...and I"™ll take my chance in the Brighton boat or with the colonials to see the fleet in being." ; undated, postmarked Brighton, July 15, "™97, ""...I want to thank you for is the pleasantest fortnight that I"™ve ever spent "“ for a glimpse of a new and a fascinating world and for all the kindliness and good-fellowship that I met in every hour of my stay."; from Rottingdean July 19 "™97, "My smallest daughter takes kindly to sea-biscuit"...it keeps her quiet. It would smash my teeth."; undated, postmarked Aug 10 "™97, seeking Bayly's opinion of Kipling's rough notes (not present) of "the show" [naval manoeuveres]; Aug. 18 "™97 he thanks Bayly "for your full & luminous pages they were exactly what I wanted"..." and light heartedly begs favour for his son John when "you are an Admiral of the Fleet some fifteen years hence! Also "Hurry up that M.S. If you don"™t mind I"™m going to lick it over again and once more send it to you. I don"™t want any more bloomin"™ errors than I can help."; Aug 22 "™97 Bayly appears to be in some financial difficulty and Kipling offers help, also referring to his son John; Aug 29 "™97 he recommends a doctor for Bayly's wife; Dec 18 /97, the family are going to Cape Town for the winter; Dec 27 "™97, New Year's greetings; June 17 "™98, "Orph! Orph! Orph! And my little heart is broken. I don"™t believe the Welsh coal had anything to do with it: but all the same I am rather wild because I was looking forward to a time with you and the boys . But what about the C.S.'s tour round the coast? Is that coming off or will Goschen countermand it too? I"™d awfully like to come on that if you could take me along." With an incomplete undated letter, in the same envelope, (torn) ""...the Times tells me that this years manoeuveres are going to be "˜highly important"™ and that I had better go look see.";July 9 "™98, "Many thanks. You are a brick.", but unable to accept an invitation [correspondence card]; undated correspondence card, postmarked Aug 4 "˜ 98, "Unless something unforeseen turns up I propose, with your leave, to report myself to you at Milford Haven on the 22nd"..."; Aug 17 "™98, enquiring about an incident when HMS Pelorus was possibly damaged"...Keep me posted about the enquiry if there is one. I may be able to be of use";Aug 24 "™98, correspondence card, evidently referring to the same incident, "Your voyage with a twisted nose and a hospital reads like a parody"... Salaams to all the wardroom";Sept 14 "™98, correspondence card, "I"™ve got a mail about twice the size of a hayrick to catch up with, every dam fool under heaven seems to have fired a letter at me while I"™ve been away"; Sept 16 "˜ 98, he encloses a newspaper cutting about "Mr. Kipling's Trip on H.M.S. Pelorus", "Trust a newspaper to put its fat foot into anything"...I suppose they think the Channel squadron runs about the seas signalling to "˜distinguished guests"™"..."; undated correspondence card postmarked Dec 19 "™98, "You may be interested to know that I have unloaded all my remarks on both cruises in the " Morning Post" under the title of "A Fleet in Being". I tried the second part on Clark (Commander) here and he said it was precisely correct."; undated correspondence card, postmarked Dec 19 "˜ 98, he welcomes Bayly back and sends ""...a copy for you and the wardroom of "The Fleet in Being". You will see that I have added a few notes."; Dec 26 "™98, "You want to know how the Fleet in Being is catching on? Well, when I last heard of it, it was selling 4,000 copies a day"...I hope some day to bring out an illustrated edition. Meanwhile I am sending to you for the ship, a small memento [an oak shield with copper hammered crest of the Pelorus], with 3 press cuttings enclosed; Jan 22 "™99, "I"™m awfully pleased to know you get [command of] the Aurora "“ even though it means China."; undated, postmarked May 6 "™01, he has recently returned from South Africa, "I"™ve got a lot of Cape yarns to swap with you against Chinese ones when you return", and he asks Bayly to buy jade objets of virtue for Mrs. Kipling, "the greener and the clearer the better"; May 11, 1902, he welcomes Bayly's recent letter and notes that the latter has had a hell of a time with the Chinese, "who as you justly remark, differ from Brother Boer"; undated, postmarked May 23 "™02, he reports on the son of his coachman, now in the navy who has served on the Aurora and described Bayly as "a proper old daddy" ; to Mrs. Bayly, July 24, postmarked "™04, "I can"™t tell you how sorry I am to hear that Captain Bayly has been laid off for a while. "Neurasthenia" is a long and rather a vague word"..."; the final undated letter written to say goodbye on his departure for South Africa, "I shall go down to S"™town and write my name in the Admiral's book and tell him I"™m a friend of yours." Included in the lot is a copy of "A Fleet in Being", 8vo., orig. pictorial cloth (spine browned) 1898, with inscription on verso of upper cover, "Written on board H.M.S. Pelorus (Capt. E.H. Bayly) 1897-8" and signature in pencil on flyleaf, L. M. Bayly [Louisa Mary, wife of Capt. Bayly]. With The Lowestoft Boat, 4pp. printed music, the words by Kipling, the music by Edward Elgar. Rudyard Kipling met Captain Edward Henry Bayly (1849 "“ 1904) when they were both travelling to South Africa on the SS Mexican in 1891. They became friends and met again at the naval review for Queen Victoria's Diamond Jubilee when Bayly invited Kipling on board HMS Pelorus for the Review and manoeuvres. This led to Kipling's book on the navy "A Fleet in Being" 1898. Provenance. A descendant of Capt. E. H. Bayly. ** Envlopes tatty in places, sheet music with damage to edge , corners and fold.

Lot 97

Alfred Smith and Henry Warren. Sketches in Norway and Sweden, first edition, tinted lithographed title and 26 tinted lithographed plates, comprising 10 full page and 16 head-pieces, guards, publisher's morocco-backed cloth boards gilt, bookplate of Merthyr Guest, folio, London: Thomas McLean, 1847. ** Spotted, occasionally severely so, some leaves loose, as usual, corners bumped or lightly rubbed, spine faded.

Lot 8

Andre Malraux. Psychologie de L'Art, 3 volumes, first edition, plates, original wrappers, glassine, 4to, Paris: Albert Skira, 1947-1950. PROVENANCE: Ex-libris Patrick Reyntiens. ** Glassine chipped.

Lot 41

Nina Hamnett. Laughing Torso, first edition, original cloth, 8vo, London: Constable and Co., 1932; and 20 others, mostly art of the 1930s-40s (21). ** Mixed condition.

Lot 277

Smith, Albert. The Story of Mont Blanc, first edition, hand coloured frontispiece, text illustrations, original orange cloth, spine gilt, 8vo. London, David Bogue, 1853. Provenance: By descent from Albert Smith's sister Laura Eady. ** Spine and edges slightly grubby, light spotting internally.

Lot 110

Frederick Nash and others. Picturesque Views of the City of Paris and Its Environs, 2 volumes bound in one, first edition, half-title, 60 uncoloured engraved plates on India wove, on 50 sheets, with a further 7 additional engraved plates bound at end, text in English and French, contemporary half morocco, all edges gilt, 4to, London: Longman, Hurst, Rees, Orme and Brown, 1820-1823. ** Some spotting and browning, mostly to plates.

Lot 132

A collection of 25 boxed Exclusive First Edition diecast buses - all good, plastic cover to one split

Lot 62

A collection of 29 Exclusive First Edition buses and coaches - all boxed, one missing internal plastic wrap otherwise good

Lot 96

A collection of 29 boxed exclusive first edition diecast vehicles/sets - all boxed, all good

Lot 133

A collection of boxed 30 exclusive first edition vehicles and 3 0:0 scale Fisherman's Friend vehicles - all boxed, good condition

Lot 54

PALLADIO, Andrew (1518-1580). The Architecture of A. Palladio. London: John Darby for the author, 1721.2 volumes in one, folio (465 x 284 mm). Engraved frontispiece, engraved portrait of Palladio, 230 copper-engraved plates by Bernard Picart, Michael Vandergucht, John Harris and others (most full-page, 5 double-page and a few in text). (Some toning and spotting, a few marginal repairs.) Contemporary calf (rebacked and repaired, some wear).Second edition in English of Palladio's influential architectural treatise, translated by Giacomo Leoni. The two editions form ''a turning point in the history of British Palladianism,'' marking not only the first complete English translation of I Quattro Libri but the first use of ''worthwhile engraved copies of the original woodcuts'' (RIBA). While portions of the original Italian text had been translated into English during the 17th century, the first edition in English in 1715 sparked a Palladian architectural revival in Great Britain and its American colonies. Fowler 224; Berlin Kat. 2598; ESTC T22366; RIBA 2392.This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

Lot 55

CHIPPENDALE, Thomas (1718-1779). The Gentleman and Cabinet-Maker's Director: being a large collection of the most elegant and useful designs of household furniture. London: J. Haberkorn for the author and others, 1755.Folio (439 x 278 mm). Title printed in red and black, engraved dedication, 4pp. list of subscribers, 161 copper-engraved plates (including plate 25 [bis]). (Lacking half-title, some toning and light spotting, a few short marginal short tears.) Contemporary mottled calf gilt, tan morocco lettering-piece gilt, stamp-signed by Riviere (front cover detaching, old repairs to hinges reinforced, some light wear). Provenance: J. Hafford (18th-century signature on titlepage); Granville George Leveson-Gowe, second Earl Granville (1815-1891), Leader of the House of Lords (armorial bookplate, note of his sale 10/3/92); Thomas George Baring, 1st Earl of Northbrook (1826-1904), Viceroy of India (armorial bookplate). Second edition of Chippendale's breakthrough furniture design book. The Director was the most extensive pattern book to be created by a craftsperson and the first to have a wider audience outside tradesmen. The immense popularity of the 1754 first edition and subsequent reissues increased commissions for Chippendale's firm and cemented his position as one of the most premier 18th-century cabinetmakers. ESTC T14876.This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

Lot 162

Costume jewellery to include a Millie Fleurie brooch, a Retro Ingersoll gold tone watch dial fashioned as a pendant, 2 replica base metal stamps of Sir Winston Churchill 1965 First Edition stamps, a 9ct gold plated and engraved bangle, vintage brooches and 2 British one pound bank notes all housed in a 1970's cream jewellery box. Location:R1.2

Lot 110

λ MARC NEWSON (AUSTRALIAN B. 1965)"EVENT HORIZON" TABLEPolished and partially lacquered aluminiumImpressed MARC NEWSON/POD EDITION/POD and numbered 6/10 to the underside; further impressed MARC NEWSON POD EDITION EVENT HORIZON and dated 1992 to tabletop81 x 180 x 97cm (31¾ x 70¾ x 38¼ in.)This example is number 6 from an edition of 10 plus 3 artist's proofs and 1 yellow version, produced by POD Edition, UK. Provenance:Galerie Kreo, ParisSale, Phillips, London, 25 April 2013, lot 229Acquired from the above by the present ownerLiterature:'Tavolo Event Horizon', Domus, Milan, no. 741, September 1992, pp. 67-69Marie La Fonta, 'Alu Surf', Actuel, nos. 31-32, July-August 1993, p. 168Alice Rawsthorn, An Australian in Paris, London, no. 104, February 1994, p. 31Jean Bond Rafferty, Making Waves, Harper's Bazaar, April 1994, p. 140Simon Mills, Watch this Space, The Sunday Times: The Magazine (London), 27 November, 1994, pp. 60, 61, 64marc newson : Bucky, dalla chimica al design, exh. cat., Triennale di Milano, 1995, fig. 10Alexander von Vegesack, et al., eds., 100 Masterpieces from the Vitra Design Museum Collection, exh. cat., Vitra Design Museum, Weil am Rhein, 1996, p. 172Alice Rawsthorn, Marc Newson, London, 1999, pp. 64-69, 213 for a sketch, fabrication images and computer generated rendersthe magazine of the powerhouse museum: Powerline, Sydney, Spring 2001, pp. 6-7Conway Lloyd Morgan, Marc Newson, London, 2002, pp. 150-51, 157, 170-71 for fabrication images and computer generated rendersLouise Neri, ed., Marc Newson, exh. cat., Gagosian Gallery, New York, 2007, p. 64Alison Castle, Marc Newson Works, London, 2012, pp. 58-63In astrophysical terms an Event Horizon is the boundary of a black hole where the properties of space and time are altered. It is the point of no return, where nothing can resist the immense gravitational pull of the black hole. In giving this work such a universal title Newson not only announces this piece as an important fulcrum or pivotal moment in his constantly developing creative process but also reminds us of the importance of exploration and innovation in his work. As a six-year-old boy Newson remembers watching NASA's Apollo moon landings and feeling "a sense of utopia; a sense of optimism pervaded" and he recalled that "it led me to want to create things, to explore things, to be ambitious." By embracing science and technology as both an inspiration and a fundamental basis for his work Newson inspired a new generation of designers to explore industrial advances in materials, to use more traditional ones in innovative applications and incorporate new digital technology in design and production in the creative process itself. Event Horizon is a clear evolution of the Black Hole Table first designed whilst working in Japan in 1988. The beautiful fluidity of this piece was achieved through the use of polyurethane and carbon fibre. In Newson's best-known piece Lockheed Lounge, from the same year, he looked to recreate this plasticity in what he described as a "fluid metallic form, like a giant blob of mercury". However, he was to admit "I never wanted it to be covered in panels. That was the only way I could think of to achieve something close to the effect I visualized." In Event Horizon he realised the effect in metal that he had only previously been able to imagine. The circumstances of how this was achieved were serendipitous but also fitting to Newson's central design tenets. In 1991 Newson was looking to buy his ultimate car; an Aston Martin DB4, manufactured between 1958 and 1963. He went to view one in a car body shop just outside London that specialised in restoring Aston Martins. There he discovered the highly skilled craftsmen creating beautifully fluid car panels. He commented that "What they do is more akin to silversmithing. They work metal as if it were a piece of fabric or plasticene. What you see is this incredibly sensual and refined object." He showed them one of his studies and described what improvements he was looking to achieve. By introducing a small, undetectable degree of positive curvature in the tabletop panel, they were able to give it the strength it needed to withstand the curvature introduced at the edges. A groove was also placed along the top, lending subtle character to the surface and adding enough reinforcement to prevent the top from flexing. Newson wanted the table to be as light as possible while still having inherent strength. The ends of the table are rolled inward for reinforcement, adding a decidedly aerodynamic element reminiscent of the grille of a sports car or the air intake of a jet engine. Painting the inner surface to give it a perfectly lacquered finish was another challenge, requiring the talent of highly specialized auto painting experts. He initially used three colours to celebrate European motorsport; British racing green, Bugatti blue and as in the present work, Ferrari red. He later added orange, yellow and lime green as variations. Event Horizon plays on the dichotomies of mass and space, solid and liquid. Just as an astrophysical Event Horizon alters space and time, the point of no return between reality and theory, Newson has created his own point of departure. A continuous skin like form whose interior volume feels larger than the exterior surface. Its strength appears to come, not from the delicate structure, but from the void below the surface and the hollow funnel legs, which in turn draw you in like black holes. Its fluid sculptural qualities contrast the simple utilitarian nature of the object. From concept, production and realisation this work encapsulates all of Marc Newson's ideologies making it one of his finest masterpieces.Please note: ARR aplies to this lotCondition Report: Please contact the department for all condition report enquiries on pictures@dreweatts.com Condition Report Disclaimer

Lot 269

A first edition. 1944. Hard Back. The Glass Tower by Henry Moore. Drawings by Lucian Freud. Lacking dust cover.

Lot 593

Autographed John Lukic 16 X 12 Edition: A Superbly Produced 16 X 12 Autograph-Edition Depicting Leeds United Goalkeeper John Lukic Holding Aloft The First Division Trophy At Elland Road Prior To The Final Game Of The 1991/92 Season, A 1-0 Victory Over Norwich City, Signed In Gold Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 590

Autographed Derby County 16 X 12 Edition: A Superbly Produced 16 X 12 Autograph-Edition Depicting Derby County Players And Coaching Staff Posing With The First Division Trophy During Celebration Scenes At The Baseball Ground Prior To The Final Game Of The 1974/75 Season, A 0-0 Draw With Carlisle United, Signed By 11 Players Using A Blue Marker - Davies, Newton, Boulton, Mcfarland, Hinton, Lee, Nish, Todd, Thomas, Gemmill, Hector. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 103

Football. Kenneth Wolstenholme Hand signed Book Titled 4-2 by David Thompson. First Edition Hardback book. Spine and Dust jacket in reasonable condition. Inscription of Its All Over, It Is Now an Iconic Quote by Wolstenholme. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 592

Autographed Ray Crawford 16 X 12 Edition: A Superbly Produced 16 X 12 Autograph-Edition Depicting Ipswich Town Centre-Forward Ray Crawford In Full Length Action During A 0-0 Draw With Bolton Wanderers In A First Division Encounter At Burnden Park In 1961, Signed In Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 508

Victorian leather bound set of Encyclopaedia Britannica, 9th edition 1898, twenty four volumes and an index. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Lot 276

Boxed limited edition Royal Crown Derby farmyard cockerel paperweight, 2823/5000 with gold stopper, H: 11 cm, no cracks or chips. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 311

Boxed limited edition Royal Crown Derby, Chatsworth Coot paperweight, 335/1000 with gold stopper, L: 14 cm, no cracks or chips. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 270

Set of four limited edition Beatle character jugs, no 608, H: 12 cm, no cracks or chips. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 239

Boxed limited edition Moorcroft vase by Rachel Bishop, in the Daffodil and Hills pattern, 106/250, H: 21 cm, no cracks or chips. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 254

Boxed limited edition Royal Crown Derby majestic kitten paperweight, 1244/5000 with gold stopper, H: 80 mm, no cracks or chips. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 209

Mixed collectors edition coins, including Danbury Mint US State Quarters, 1973 JFK uncirculated half-dollars, and large QEII and Princess Diana tokens. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 402

Hidden Treasures, Wind In The Willows, enamelled limited edition trinket box with cufflinks, Toad Rage 714/950, H: 10 cm, boxed. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 450

Great Britain part filled Stanley Gibbons 18th edition stamp album. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 30

A collection of Corgi Classics, Corgi The Original Omnibus and Exclusive First Edition model buses, commercial vehicles and military vehicles, the buses mainly in Southdown livery, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 18

Twenty-five Gilbow Exclusive First Edition commercial vehicles, including a tanker, container lorries, flatbed lorries, wagons and tipper lorries, all within window boxes.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 15

Eighty-six Gilbow Exclusive First Edition buses and double deck buses in London Transport livery, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 39

A good collection of Gilbow Exclusive First Edition model buses and coaches, various liveries including Southdown and Hants & Dorset, all within window boxes.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 359

Cased set of official United Nations commemorative medals, First Edition Proof sterling silver with First Day Covers. Five coins. (B.P. 21% + VAT)

Lot 223A

Collection of various watches, to include: 9ct gold faced Omega lady's watch, Buggs Bunny watch, First Sketch Model Sheet Warner Bros Limited Edition, Vintage Benrus red men's watch, Sekonda, USSR Automatix, watch faces and workings etc. (B.P. 21% + VAT)

Lot 923

STENDHAL: (1783-1842) Marie-Henri Beyle. French writer considered one of the early and foremost practitioners of realism, whose works include Le Rouge et le Noir (1830). A.L.S., M. Beyle, one page, 4to, n.p., 10th November 1831, to the publisher Monsieur Levavasseur, in French. Stendhal states that Monsieur Colomb has not received the one hundred francs from Levavasseur and remarks 'Je vous prie de reparer cet oubli et de terminer cette petite affaire par des a compte….' (Translation: 'Please correct this omission and end this little affair with a down payment…..') further informing his correspondent that he purchased an edition of The History of the French Revolution by Thiers at a cost of 35 francs, adding that Monsieur Colomb could return the Paris edition to him, and concluding by sending 'Bien des compliments a l'auteur de Fragoletta' (Translation: 'Many compliments to the author of Fragoletta'). With address panel in Stendahl's hand to the verso and with the small remnants of a red wax seal. Some light uniform age toning and a few minor stains, G Adolphe Thiers (1797-1877) French statesman and historian who served as Prime Minister of France in 1836 and 1840 and later as President of France 1871-73. His celebrated Histoire de la Revolution franciase, the first major history in French of the Revolution, was published in ten volumes from 1823-27 and was highly praised by French critics. Henri de Latouche (1785-1851) French poet and novelist whose novel Fragoletta ou Naples et Paris en 1799 (1829) attained a success of notoriety.

Lot 960

COCTEAU JEAN: (1889-1963) French poet, playwright, novelist, designer, filmmaker, visual artist and critic. Book signed and inscribed, being a soft cover French edition of the three-act play La Machine a ecrire ('The Typewriter'), First Edition published by Gallimard, Paris, 1941, The limited edition copy, on Alfa paper, is numbered 101, the limitations page stating, in part, 'cent dix exemplaires sur Alfa......dont cent exemplaires numerotes de 1 a 100, et dix exemplaires hors commerce numerotes de 101 a 110' (Translation: 'one hundred and ten copies on Alfa….[paper]….including one hundred copies numbered from 1 to 100, and ten private copies numbered from 101 to 110'). Signed and inscribed by Cocteau to the half-title page, 'Mon cher Andre, si profonde si haut, mon Coeur ne vous quitte plus jamais, Jean' (Translation: 'My dear Andre, so profound so high, my heart never leaves you again, Jean'), also adding his familiar small drawing of a star beneath his signature. Some very light, minor age wear, about VG 

Lot 1552

CHURCHILL WINSTON S.: (1874-1965) British Prime Minister 1940-45, 1951-55. Nobel Prize winner for Literature, 1953. Book signed and inscribed, being a folio softcover edition of Winston Churchill - The Greatest Figure of Our Time, edited by Bruce Ingram, First edition published by The Illustrated London News, London, 1954. Issued as an Eightieth Year tribute to Churchill, the volume is profusely illustrated and includes twelve colour plates and four gravure plates and with sections of text devoted to Churchill in Parliament, and in War, Churchill the man, and his place in history. Signed by Churchill in fountain pen ink to the plain recto of the frontispiece illustration, 'To P. G. Oates from Winston S. Churchill', and dated 1954 in his hand. An unusual volume to find signed. Some very light, minor age wear, VG Peter Geoffrey Oates (1919-2007) British civil servant who worked in the Prime Minister's office at 10 Downing Street from 1951, firstly as private secretary to Attlee, and later to Winston S. Churchill.

Lot 995

DODGSON CHARLES LUTWIDGE: (1832-1898) Lewis Carroll. English author, poet and mathematician whose works include Alice's Adventures in Wonderland (1865). A rare signed and inscribed printed leaflet entitled An Easter Greeting to Every Child who Loves Alice, four pages, 12mo, n.p., 11th September 1877. The leaflet takes the form of a letter addressed to Dear Child and was privately printed for the author in Oxford in 1876, the opening text stating 'Please to fancy, if you can, that you are reading a real letter, from a real friend whom you have seen, and whose voice you can seem to yourself to hear wishing you, as I do now with all my heart, a happy Easter'. This first edition first printing is on paper bearing a partial 'E Towgood Fine' watermark and features the word 'My' in Roman type face, instead of italics, at line twelve of the third page. Signed by Carroll with the rarer form of his signature in his characteristic mauve coloured ink to the cover, 'Edith from Lewis Carroll' and dated 11th September 1877 in his hand. A couple of very light, extremely minor creases, otherwise VG Copies of the present leaflet, which have previously been described as 'the rarest of the Carroll items excepting the first issue of Alice', were originally printed with the intention of having them inserted into specially bound presentation copies of The Hunting of the Snark, however Dodgson is also known to have given away individual copies to his young friends, as would appear to have been the case with the present example.

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