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Artist: Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). Title: "Chinese Painting II". Medium: Original vintage photogravure. Date: Composed c1962. Printed 1969. Dimensions: Image size: 13 x 10 1/16 in. (330 x 256 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Multiple negative process used. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [25440-3-225]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Cave Interior, Frijoles Canyon". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 6 13/16 in. (216 x 173 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image for inclusion in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29546-1-300]

Artist: Paul Strand (American, 1890 - 1976). Title: "Calvario, Patzcuaro [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 10 1/16 x 7 13/16 in. (256 x 198 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6534-3-150]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athlete: Running [from The Human Figure in Motion: Plate 11]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29376-2-225]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athlete: Batting at Cricket [from The Human Figure in Motion: Plate 27]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 5/16 in. (241 x 287 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29378-2-225]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Mountain Sheep & Koshare". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 5 1/16 x 7 in. (129 x 178 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image based on a pictograph found in a cave in Frijoles Canyon, New Mexico, and included it in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29544-1-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #07 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker, lower left. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(c); cf. Feldman/Schellmann II.139. Comment(s): This from the first edition of the Mick Jagger announcement set, scarcer than the second edition and unlike the second not signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29013-1-400]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Dancing Indian Girls". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 7 1/16 in. (216 x 179 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image based on a pictograph found in a cave in Frijoles Canyon, New Mexico, and included it in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29543-1-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas Card: Star of Fruit". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 5 1/16 x 6 7/16 in. (129 x 164 mm).Lot Note(s): Signed in black marker, left margin. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12c; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28735-1-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas Card: Ornamented Christmas Tree". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12e; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28733-1-600]

Artist: Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). Title: "Chinese Painting I". Medium: Original vintage photogravure. Date: Composed c1963. Printed 1969. Dimensions: Image size: 7 1/8 x 5 9/16 in. (181 x 141 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Multiple negative process used. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [25439-2-300]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Charles the First". Medium: Color offset lithograph. Date: Composed 1982. Printed 1984. Dimensions: Overall size: 8 3/4 x 7 9/16 in. (222 x 192 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Museum Boijmans Van Beuningen (the exhibition ran from February 9th to March 31st, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. “Charles the First” was the title of this image at the exhibition; it is now sometimes titled “Most Young Kings Get Thier (sic) Heads Cut Off.” Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28993-1-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Beatles #1". Medium: Original color offset lithograph. Date: Composed 1980. Dimensions: Overall size: 12 1/4 x 36 in. (311 x 914 mm). Image size: 12 1/4 x 36 in. (311 x 914 mm).Lot Note(s): Signed in black marker, center left; signed in the plate. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; folds as issued. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIB.5. Comment(s): We have not found a signed impression of this print at auction. The auction record for an unsigned impression is $5,437 at Artcurial-Briest, Poulain, F. Tajan (Paris), 6/25/2013, lot #206. Issued as an additional dustjacket, without title/text/banner, for initial copies of the first edition of the book 'The Beatles' by Geoffrey Stokes (Rolling Stone Press/Times Books) in 1980. Warhol created the image based on photographs by Dezo Hofmann, London. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28516-6-1200]

Model Railway H0 00 issue comprising Bachmann No. 39-500K Br MK1 SLF Coach Sleeping Car First Class Royal Claret. Limited Edition Set. Excellent in Box. Enhanced Condition Reports: We are more than happy to provide further images of any lot. Please contact us by email or via the catalogue listing.

Artist: Paul Strand (American, 1890 - 1976). Title: "Near Saltillo [Mexico]". Medium: Original photogravure. Date: Composed 1932. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 4 7/8 x 6 1/4 in. (124 x 159 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29319-3-225]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger Suite (first edition) [the complete "first edition" set of 10 (unsigned) announcement cards in the original printed folder - a "mini portfolio" - Marechal, Section 7c, no.33A]". Medium: Color offset lithographs. Date: Composed 1975. Dimensions: Overall size: 6 1/16 x 4 in. (154 x 102 mm).Lot Note(s): Neither signed in the plate nor in marker. Edition limited, quantity unknown, possibly c.800. Cream smooth wove paper. The full sheets. Strong, bright colors. Fine condition; each card numbered consecutively from one to ten, verso. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A; cf. Feldman/Schellmann II.138-147. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Our example, the first edition, is much scarcer than the second. As to value, an unsigned example of the second edition sold for $17,156 (€12,500) at Ketterer Kunst, Munich, 12/7/2013, lot #849. The first edition is neither signed nor numbered in the plate and is 1/16" shorter in height than the second. The second is signed in the plate both by Warhol and Jagger and is numbered in the plate 2/250. Regarding the first edition, apparently the Castelli staff took photographs of the screenprints before Warhol and Jagger signed them and sent them to the printer. Realizing the mistake, the print run was halted and the portfolios never released to the public. The second edition was printed later after the actual screenprints had been signed, the photographs taken by Warhol himself. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Images copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28957-1-1600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #01 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(i); cf. Feldman/Schellmann II.138. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger nor numbered in the plate. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29433-1-400]

Artist: Paul Strand (American, 1890 - 1976). Title: "Men of Santa Anna, Michoacan [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29318-3-800]

Artist: Paul Strand (American, 1890 - 1976). Title: "Man, Tenancingo [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 5 in. (160 x 127 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29317-3-500]

Artist: Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). Title: "Feuilles de bambou". Medium: Original vintage photogravure. Date: Composed c1935. Printed 1935. Dimensions: Image size: 11 3/4 x 9 1/8 in. (298 x 232 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [23916-2-300]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Cliff Wall, Frijoles Canyon". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 6 13/16 in. (216 x 173 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image for inclusion in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29540-1-500]

Artist: Paul Strand (American, 1890 - 1976). Title: "Church, Coapiaxtla [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29312-3-225]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Tree of Treats". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12a; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28734-1-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Star of Wonder". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 5 1/16 x 6 7/16 in. (129 x 164 mm).Lot Note(s): Signed in black marker, right margin. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12b; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, 2004, pg.71. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28736-1-600]

Artist: Paul Strand (American, 1890 - 1976). Title: "Boy, Uruapan [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 10 1/16 x 7 15/16 in. (256 x 202 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29311-3-400]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athletes: Fencing [from The Human Figure in Motion: Plate 31]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29379-2-225]

Artist: E. I. Couse (American, 1866 - 1936). Title: "Twilight, Taos Pueblo". Medium: Original color chromolithograph. Date: Composed c1913. Dimensions: Overall size: 21 x 17 in. (533 x 432 mm). Image size: 16 9/16 x 13 7/8 in. (421 x 352 mm).Lot Note(s): Signed in the plate and with the blindstamp of Campbell Prints, N.Y., lower right. Edition unknown, presumed small. Fine impression. The print in very good condition; the (apparently original) frame with some losses, lower left. Comment(s): Couse's chromolithographs are rare. Eanger Irving Couse was a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. His house and studio in Taos have been preserved as the Eanger Irving Couse House and Studio—Joseph Henry Sharp Studios, which is listed on the National Register of Historic Places and the New Mexico Register of Cultural Properties. [28179-10-1200]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athlete: Ascending an Incline [from The Human Figure in Motion: Plate 05]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 3/8 in. (241 x 289 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29375-2-225]

Artist: Beulah Tomlinson (American, 1898-1987). Title: "Anchor (State II)". Medium: White line color woodcut. Date: Composed 1957. Dimensions: Overall size: 12 11/16 x 10 in. (322 x 254 mm). Image size: 11 3/8 x 8 5/8 in. (289 x 219 mm).Lot Note(s): Signed and dated in ballpoint pen, lower left. Edition unknown, presumed extremely small. Cream wove paper. Wide margins. Fine, strong impression. Very good condition with no issues save for very minor staining in the margins and a few tack holes, upper margin. Comment(s): Woodcuts by Tomlinson are very scarce and highly sought after. In the first state (dated 3/5/57) the triangular area in the left arm of the anchor is grey, in the second (dated 3/24/57) it is blue; in the first state the right side of the left arm is brown, in the second state it is mottled black and copper with flecks of white. She was a resident of Provincetown, a New England town located at the extreme tip of Cape Cod in Barnstable County, Massachusetts. It is famed for its "White Line Color Woodcut" artists, of which she was one. Tomlinson was active from at least the early 1950s to the mid 1970s. Image copyright © The Estate of Beulah Tomlinson. [27958-2-1200]

Artist: Beulah Tomlinson (American, 1898-1987). Title: "Anchor (State I)". Medium: White line color woodcut. Date: Composed 1957. Dimensions: Overall size: 13 1/16 x 10 1/4 in. (332 x 260 mm). Image size: 11 7/16 x 8 5/8 in. (291 x 219 mm).Lot Note(s): Signed and dated in pencil, lower left. Edition unknown, presumed extremely small. Cream wove paper. Wide margins; deckle edges two sides. Fine, strong impression. Good condition with no issues save for minor foxing in the margins and a few tack holes and foxing into the image, upper margin. Comment(s): Woodcuts by Tomlinson are very scarce and highly sought after. In the first state (dated 3/5/57) the triangular area in the left arm of the anchor is grey, in the second (dated 3/24/57) it is blue; in the first state the right side of the left arm is brown, in the second state it is mottled black and copper with flecks of white. She was a resident of Provincetown, a New England town located at the extreme tip of Cape Cod in Barnstable County, Massachusetts. It is famed for its "White Line Color Woodcut" artists, of which she was one. Tomlinson was active from at least the early 1950s to the mid 1970s. Image copyright © The Estate of Beulah Tomlinson. [27957-2-1200]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Trotting Horse with Sulky [from Animal Locomotion: Plate 671]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 13/16 x 13 in. (148 x 330 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25347-3-225]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "The Offs: First Record [first edition, first printing]". Medium: Original offset lithograph record jacket & record. Date: Composed 1984. Dimensions: Overall size: 12 3/16 x 12 5/16 in. (310 x 313 mm). Image size: 12 3/16 x 12 5/16 in. (310 x 313 mm).Lot Note(s): Signed in black marker, upper center verso. Small edition. Stiff album cover stock paper. Fine printing quality. Good to very good condition. Literature/catalogue raisonne: See articles by Glenn O'Brien in "Interview Magazine" May, 1985, Angela Holm in "NY Arts Magazine" March/April, 2008, and Angela Holm & Wu Ziru in "Art Today" February, 2008. Provenance: Estate of a private collector, Manhattan. Comment(s): Please note that our example is from the original first edition, first printing/pressing produced during Basquiat's lifetime. The album was later reprinted after his death in a large edition. The most recent auction sale we could find was for $1,397 at Wright, Chicago, July 13, 2013, lot #144 (an unsigned example). The auction record for an unsigned example of this album cover appears to be $2,914 (€1,850) at Kapandji Morhange, Paris, April 15, 2008, Lot 102. The mixed media drawing of this image sold at Sotheby's, New York, 11/10/2011, for $302,500. Our example is the black vinyl (also issued with clear and white vinyl) with the original liner and accompanied by a "C.D. Presents form", originally included with each impression. The cover was a part of the exhibitions "LP Show" 2003, New York, NY - MOMA / Exit Art; "Vinyl - Records and Covers by Artists" in 2005 in Bremen, Germany at Neues Museum Weserburg; in 2006 in Barcelona, Spain, and 2007 in Porto, Portugal. Pressing by Bill Smith Custom Records, El Segundo, California. Published by David Ferguson, C.D. Presents. Includes vinyl record. Image copyright © Artists Rights Society (ARS), New York. [26505-3-1400]

Artist: Paul Strand (American, 1890 - 1976). Title: "Woman, Patzcuaro [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 3/8 x 4 15/16 in. (162 x 125 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6528-3-300]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Woman Throwing a Shawl on Her Shoulders [from Animal Locomotion: Plate 410]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 9/16 x 13 5/16 in. (141 x 338 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25350-3-400]

Artist: Paul Strand (American, 1890 - 1976). Title: "Woman and Baby, Hidalgo [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 4 15/16 x 6 3/16 in. (125 x 157 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29322-3-300]

Two portfolios of OS maps of Norfolk, first and second edition, 110 approx.

RICHARD EARLOM (1743-1822), after CLAUDE LORRAINE (1600-1682) LIBER VERITATIS (pls. 161, 162, 163, 165, 168, 174, 175, 178, 179, 180) Ten, etchings with mezzotint, printed in sepia, from the first edition, published by John Boydell, 1776, unframed Each 21 x 26cm. (10) ++ Some handling marks and other blemishes; some pale water stains; pl.163 with a tear in margin

Two Elizabeth II silver goblets, the first by Barker Ellis Silver Co., Birmingham, 1972, with tapering bowl and baluster stem, 12.3cm high, the second by E. H. Parkin and Co., Sheffield, 1977, applied with fleur-de-lys and engraved to commemorate the Silver Jubilee, 10.8cm high together with an Elizabeth II silver-mounted jasperware snuff box, by Josiah Wedgwood and Sons Ltd., London, 1977, number 620 from a limited edition of 1000, 3.8cm diameter, weighable silver 9oz 19dwt (3)

Barry Flanagan, R.A. (British, 1941-2009)Acrobats 1988 incised with the artist's monogram, stamped with the foundry mark AA and numbered 4/5 bronze303.8 by 88.9 by 69.9 cm.119 5/8 by 35 by 27 1/2 in.This work was executed in 1988, and is from an edition of five numbered versions and 3 artist's casts.Footnotes:ProvenanceJohn Berggruen Gallery, San FranciscoAcquired directly from the above by the present owner in 1992ExhibitedLondon, Waddington Galleries and The Economist Plaza, 1990, p. 19, no. 8, another example illustrated in colour New York, The Pace Gallery, Barry Flanagan, 1990, np., no. 8, another example illustrated in colourBerlin, Haus am Waldsee, Animalia: Stellvertreter, 1990, p. 50, another example illustrated in colourFréjus, Musée Temporaire, Foundation Daniel Templon: La Sculpture Contemporaine après 1970, 1991, p. 89, another example illustrated in colourNew York, Paul Kasmin Gallery, Barry Flanagan: Sculptures, 2004, another example exhibitedLiteratureRichard Dorment, 'First catch your hare' in: The Daily Telegraph, 29 May 1990, another example illustratedTowering at nearly 10 feet tall, Barry Flanagan's Acrobats is undoubtably one of the late Welsh artist's most significant works. First appearing in 1979, the figure of the hare dominated Flanagan's practice ever since, and is represented in institutional collections and beloved public sculptures around the world. When asked about this particular choice of subject, Flanagan stated: 'I find that the hare is a rich and expressive form that can carry the conventions of the cartoon and the attributes of the human into the animal world. So I use the hare as a surrogate or as a vehicle to entertain in a way. The abstract realm that sculpture somehow demands is a very awkward way to work, so I abstract myself from the human figure, choosing the hare to behave as a human occasionally.' (the artist in: Barry Flanagan: Sculpture 1965-2005, exh. cat., Irish Museum of Modern Art, Dublin, 2006, p. 65)In the 1970s, Flanagan moved away from his earlier conceptual work towards a more figurative practice. He started modelling the human form and a range of different animals in bronze, but the motif of the hare is really the one that stuck in the collective mind and came to symbolise his practice. Allegedly inspired by both a hare he watched hopping happily across the English countryside in the late 1970s, and by George Ewart Evans' book The Leaping Hare published in 1972, Flanagan first represented the animal in his now-seminal work Leaping Hare from 1979. A study of the hare's significance around the world in folklore, poetry, mythology and art throughout history, George Ewart Evans' delightfully light-hearted book fuelled Flanagan's interest for the remainder of his artistic practice. The subject of the present work, two anthropomorphised hares balanced on top of each other, first appeared in a smaller format in 1981 which was shown in the very first exhibition of Flanagan's bronzes at Waddington Galleries in London that same year. A resounding success, the exhibition of Flanagan's sculptures truly propelled his career, and he represented Britain at the Venice Biennale in 1982.Flanagan's most iconic sculptures, of which Acrobats is a quintessential example, all succeed in conveying a sense of movement and physical tension whilst remaining wonderfully playful. One can't help but smile at the comical representation of humanlike hares engaging in sporting activities, such as boxing or acrobatics, which unlocks childhood memories of absolute freedom and whimsy. As author Paul Levy puts it, 'nothing is more free, vital, spontaneous and alive – from Aesop's hare outrun by the tortoise to Bugs Bunny – than a capering hare. In France and most of Central Europe, it is the hare that lays eggs at Easter and so promises renewal. In fact, Flanagan's hares do not carry much of this historic symbolic freight; they simply frolic freely and expressively. They don't symbolise life, they live it.' (Paul Levy, Barry Flanagan: Linear Sculptures in Bronze and Stone Carvings, exh. cat., Waddington Galleries, London, 2004)The present work was acquired over 25 years ago by prominent American collector and philanthropist Gerard L. Cafesjian, and remained in his Estate's collection until now. Born in 1925 in Brooklyn to Armenian immigrant parents, Mr. Cafesjian became a highly successful editor at West Publishing - a firm specialising in legal materials - and spearheaded the launch of the annual 'Art and the Law' exhibition, for which he received the prestigious Business in the Arts Award. Mr. Cafesjian's passion for collecting began with a childhood fascination with geology and gemstones, which later branched into fine art. Over the years, he patroned and developed personal relationships with world-renowned sculptors and ultimately assembled an impressive collection of both lapidary and fine works of art.Upon his retirement, Mr. Cafesjian committed his time to art and charity, as he founded the Cafesijan Family Foundation to support mostly Armenian causes. He founded the Scottsdale Museum of Contemporary Art in Arizona in 1999, and, in the early 2000s, he set his sights on an enormous, unfinished and crumbling Soviet structure in Armenia's capital city as the site for a private museum. The building's ambitious renovation and expansion resulted in the creation of the Cafesjian Center for the Arts, which, upon its inauguration in 2009, was touted by the New York Times as being a modern-day 'Hanging Gardens of Armenia' and is best known for its world-class sculpture garden.This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

John Atkinson Grimshaw (British, 1836-1893)Swan-egg Plums signed and dated 'J.A.Grimshaw./1862' (lower left); signed with initials (lower left); signed and inscribed 'Swan-egg Plums-/Atkinson Grimshaw +' (on the reverse)oil on board, framed as oval11 x 15.2cm (4 5/16 x 6in).Footnotes:We are grateful to Alexander Robertson for confirming the attribution to John Atkinson Grimshaw on the basis of photographs.This new edition to the known oeuvre of Grimshaw is a typical work from the early part of his career when the artist favoured a gothic script for his signature. Painted in 1862, the first year that Grimshaw was to exhibit his paintings, having resigned from his position as a clerk for The Great Northern Railway, this beautiful but modest study of Swan-Egg plums shows his keen interest in the work of the Pre-Raphaelites who had taken up John Ruskin's plea to 'go to Nature, rejecting nothing, selecting nothing and scorning nothing'. Alexander Robertson comments 'This study was useful as a subject for observation when the artist was starting out; plums, apples and grapes together with birds' nests were handy subjects.'For further information on this lot please visit Bonhams.com

England.- Carter (John) Views of Ancient Buildings in England, 6 vol., first edition, 119 etched plates including title to vol. 1 only (as issued), additional titles in manuscript, tissue-guards, previous owner's ink inscription to front free endpaper (vol. 1), occasional faint spotting, contemporary calf, rubbed and worn, vol. 1 expertly rebacked with original spine laid down, 18mo, [1786-93].

Sussex.- Horsfield (Thomas Walker) The History, Antiquities, and Topography of the County of Sussex, 2 vol., first edition, engraved frontispieces, 2 engraved folding maps, crudely outlined in colour, illustrations and plates, some foxing and spotting especially to plates, occasional offsetting, contemporary morocco-backed boards, rubbed, spine ends chipped, spines faded, Lewes, Baxter, 1835 § [Dunvan (Paul)] Ancient and Modern History of Lewes and Brighthemston..., list of subscribers, some foxing, contemporary morocco, rebacked, light scuffing to extremities, Lewes, printed for W. Lee, 1795 § Parry (J.D.) An Historical and Descriptive Account of the Coast of Sussex, engraved map and plates, title laid down, occasional light spotting, modern half calf, 1833; and a quantity of others, Sussex, v.s. (small qty)

NO RESERVE Biblia Sacrosancta Testamenti Veteris & Nouvi, lacking general title and first few leaves, facsimile copies loosely inserted, title to Apocrypha and New Testament present, occasional early manuscript notes and signatures, new front free endpaper, occasional faint staining, later calf rebacked, lower cover modern calf, rubbed and worn, 8vo, Tiguri [Zurich], Christoph. Froschouerus, 1544; sold not subject to return⁂ The first 8vo edition of the Surich Latin Bible.

Aristotle.- Barbaro (Ermolao) Compendium scientiae naturalis ex Aristotele, first edition, lacking final probably blank f., a few ff. with small marginal hole, [Adams B173; EDIT 16 CNCE 4137], Venice, Comin da Trino, 1545 bound with Barbaro (Ermolao) Compendium Ethicorum librorum, first edition, [EDIT 16 CNCE 4136], Venice, Comin da Trino, 1544, woodcut printer's device to title, woodcut historiated initials, first title stained and with a few small wormholes, some staining to both works, occasional spotting, modern binding of vellum-backed limp boards using old vellum, lightly stained, 8vo

Antiquity.- Ruscelli (Girolamo) Indice degl'vomini illustri, first edition, title with woodcut printer's device, woodcut head-pieces and decorative initials, some water-staining and foxing, lightly browned, contemporary limp vellum, chipped, spine repaired, stained, [Not in Adams; EDIT 16 CNCE 24804], small 4to, Venice, Comin da Trino, 1572.⁂ First edition of this biographical dictionary of antiquity.

Caro (Annibale) Rime, title with woodcut printer's device, woodcut head-piece and decorative initials, water-stained, new endpapers, 19th century half calf, spine gilt and with black morocco label, corners worn, chipped, rubbed, [Adams C748; EDIT 16 CNCE 9656], small 4to, Venice, Bernardo Giunta & Brothers, 1584.⁂ Copying the 1569 first edition of the Aldine press.

Graziani (Graziano) Scielta de concetti, first edition, title with woodcut printer's device, woodcut decorative initials, lacking final blank, occasional spotting, mostly to title, a little light staining, recased in contemporary limp vellum from another work, foot of upper cover worn, lightly stained, [Not in Adams; EDIT 16 CNCE 21669], rare in commerce, 8vo, Venice, Felice Valgrisi, 1592.

NO RESERVE Food & drink.- Boulenger (Jules-César) De Conviviis Libri Quatuor, first edition, title with woodcut printer's device, woodcut head-pieces and decorative initials, [Cagle 93; Simon BG 231; Vicaire 131], Lyon, Heirs of Rouillé for Ludovic Prost, 1627; bound with his De Ludis Privatis, 1627 and De Pictura, plastice, Statuaria Libri Duo, 1627, together 3 works in 1 vol., occasional spotting, some foxing, lightly browned, 18th century calf, gilt spine in compartments, upper cover detached, spine ends and corners worn, rubbed, Earls of Macclesfield copy with bookplate and blind-stamps, 8vo

NO RESERVE Catullus (Gaius Valerius) Catullus et in eum Isaaci Vossii observationes, edited by Isaac Vossius, title in red and black and with woodcut ornament, woodcut decorative initials, errata f. at end, some spotting, lightly browned, 19th century blind-stamped panelled calf, upper cover all but detached, rubbed at extremities, [Wing C1526], small 4to, [Leiden], Isaac Littlebury, 1684.⁂ The Leiden printed first edition edited by Issac Vossius, this being the issue intended for sale in London with a new title-page. Scarce in commerce.

[Bunyan (John)] [Shen Lu Jing Cheng Zhèng bian]... [Pilgrim's Progress], woodcut portrait of Bunhyan, stitched in original Chinese wrappers, slightly creased, 8vo, [Ningpo, Kai ming shan Chapel], [Printed in the the 9th year of the emperor Tongzhi], [1870].⁂ Rare. First edition of this translation. A Mandarin translation of the first part of the Pilgrim's Progress made by Rev. Thomas Hall Hudson (1800-1876) of the General Baptist Missionary Society of England, and was printed at Ningpo in northeastern China. A second volume was printed containing the separate Second Part of the Pilgrim's progress. This was only the second translation of the Pilgrim's Progress into Mandarin.

NO RESERVE Bonnaffé (Edmond) Inventaire de la Duchesse de Valentinois Charlotte d'Albret, number 11 of 15 copies on Whatman paper with plates in 2 states, from an edition limited to 300, 2 etchings by H.Valentin, each in 2 states, ink stamp of Bibliotheque de San Donato, contemporary calf-backed boards, uncut, spine rubbed and faded, Paris, 1878 § Molière (J.B.Poquelin de) Oeuvres, illustrations by Tony Johannot, some foxing, modern cloth preserving original gilt pictorial cloth, 1845 § Paustovsky (Konstantin) Story of a Life, 6 vol., vol.1 second impression, the rest first editions, original boards, dust-jackets, slightly rubbed and soiled, small tear to foot of one spine, 1965-74 § Read (Piers Paul) The Dreyfus Affair, 2012 § Frieda (Leonie) Catherine de Medici, 2003, the last two original boards with dust-jackets; and a quantity of others, continental literature and history, 8vo & 4to (c.100)

Bindings.- Leoni (Giovanni Battista) Vita di Francesco Maria di Montefeltro della Rovere IIII Duca D'Urbino, engraved portrait frontispiece, vignette title, lacking final leaf (?blank), occasional marginal corrections, tiny marginal hole (2B1), occasional faint staining, previous owner's ink signature, later morocco-backed boards, lower cover detached, rubbed and worn, Venice, 1605 § Morgan (Lady) Absenteeism, publisher's advertisements at end, faint spotting to endpapers, contemporary half-calf, a little rubbed, 1825 § The History and Antiquities of the Cathedral Church of Rochester, first edition, browning and spotting, new endpapers, near contemporary calf, rebacked, a little rubbed, 1717; and others, v.s. (c.65)

Cudworth (Ralph) A Discourse Concerning the True Notion of the Lord's Supper, second edition, small hole (P4), [Wing C7467], by J. Flesher for R. Royston, 1670, bound with, Stephens (Thos.) Ad Magistratum. Three Sermons preached before the Justices of Assize ..., small holes to first 4 leaves, neatly repaired, [Wing S5456], Cambridge, John Field, 1661, and, Thorndike (Herbert) The Due Way of Composing the differences on Foot, preserving the Church, [Wing T1048], A. Warren for John Martin, James Allestry, and Thomas Dicas, 1660, and, [Tillotson (John)] A Sermon Lately Preached, on I Cornith. 3. 15, lacking initial blank, [Wing T1223], 1673; together 4 works bound as 1, manuscript notes to blanks, marginal notes and copious underlining, occasional faint spotting, later calf, rubbed, slight bumping to corners and extremities, 8vo.

Religion.- Cave (William) Primitive Christianity: or, The religion of the ancient Christians in the first ages of the Gospel, 2 parts in 1, second edition, initial imprimatur f., engraved additional pictorial title, with final two blanks, O1 small hole within text, affecting a few letters, but without loss of sense, occasional spotting or light staining, contemporary calf, gilt spine in compartments, spine repaired, corners worn, rubbed, [Wing C1599], Printed by J.M. for Richard Chiswell at the Rose and Crown in S. Paul's Church yard, 1675; and 2 others, 17th century Religion, 8vo (3)

Meriton (George) A Guide for Constables..., contemporary ink ownership inscription to front free endpaper, initials to title, occasional light staining or browning, some leaves chipped, contemporary calf, worn, crudely rebacked, printed by the assigns of Richard and Edwin Atkins, 1685 § Hooker (Richard) The Works, engraved additional title page, title in red & black, endpapers browned, ex-library copy with usual stamps and markings, lacking covers, 1723 § An Exact Collection of the Debates of the House of Commons held at Westminster..., contemporary ink signature and light marginal toning to title, some damp staining or foxing, contemporary calf, lacking upper cover, for R. Clavel etc., 1689; and 2 others, 17th century, 4to & 8vo (5)⁂ The first is a rare edition of Meriton's most popular work (one of a dozen which he wrote while a Yorkshire attorney) designed to supplement and correct Lambarde and Sheppard.

Novel of 18 century India.- [Gibbes (Phebe)] Hartly House, Calcutta, first Dublin edition, half-title, woodcut device on title, B1 small piece torn away in margin, slightly foxed and browned, ink signature on B1, without free endpapers, contemporary calf, joints splitting, spine gilt with morocco label, rubbed, tail of spine chipped, [cf. Garside, Raven and Schowerling 1789:41; Summers p. 348 (first editions)], Dublin, 12mo, for William Jones, No. 86, Dame-Street, 1789.⁂ A rare epistolary novel set in Calcutta, written at the time of Warren Hastings' trial.

Costume.- Strutt (Joseph) A Complete View of the Dress and Habits of the People of England, 2 vol., first edition, engraved frontispieces and 151 plates, occasional faint off-setting, scattered spotting, occasional marginal dampstaining (vol. 1), contemporary calf, rebacked, 1796-99; Horda Angel-cynnan: or a Compleat View of the Manners, Customs, Arms, Habits, &c. of the Inhabitants of England, 3 vol. bound in 2, 158 engraved plates, illustrations, occasional spotting, bookplates, later straight-grain morocco, a little rubbed, slight bumping to corners and extremities, Benjamin White, 1775-76; and 2 others, costume, 4to & 8vo (6)

Scott (Sir Walter) Waverley, 3 vol., fourth edition, 1814; The Antiquary, 3 vol., 1816; The Abbott, 3 vol., 1820; The Monastery, 3 vol., 1820; Peveril of the Peak, 4 vol., 1822; The Pirate, 3 vol., 1822; Woodstock, 3 vol., 1826; Anne of Geiersteinm, 1829, most first editions, some foxing, contemporary calf, gilt, uniform but for some sets slightly larger, a little rubbed, uniformly rebacked with gilt spines and black roan labels, Edinburgh; and 29 others, mostly bindings, including an 1816 set of Johnson, 8vo et infra (54)

Binding.- Tennyson (Alfred, Lord) In Memoriam, first edition, half title, contemporary crushed dark green morocco, by Alfred Matthews, elaborately ruled and tooled in gilt with central lozenge, spine gilt in compartments, inner dentelles, joints very lightly rubbed to upper cover, else a very attractive copy, 8vo, 1850.

NO RESERVE Austen (Jane) Sense and Sensibility, 2 vol. in one, title repaired, occasional light spotting, H.G. Clarke & Co., 1844; Fragment of a Novel, Oxford, the Calredon Press, 1925, modern half calf, spines gilt, the second uncut, excellent copies, 8vo & 12mo (2)⁂ The first mentioned is the first stand-alone edition to appear after the copyright expired in 1839