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Lot 302
HEANEY, SEAMUS.Finders Keepers: Selected Prose 1971-2000, FIRST USA EDITION, Farrar Strauss & Giroux New York 2002, signed by Seamus Heaney on the title page; together with 2 photographs of Seamus Heaney signing the book at the New Yorker Festival book fair, NY and a leaflet on the event September 27th to 29th 2002.
Lot 303
HEANEY, SEAMUS.Hallaig, Seamus Heaney’s translation of Sumerhairle MacGill Eain, FIRST LIMITED EDITION, 38/200 (first 50 copies only being numbered and signed), signed by Seamus Heaney. Printed at Lateral Line with permission of Carcanet Press, published by Urras Shomhaire The Sorley McClane Trust 2002.
Lot 306
HEANEY, SEAMUS.Room to Rhyme, illustrated by Brigid Collins, FIRST EDITION, University of Dundee 2004, original illustrated boards, ‘Great Minds’ lecture 2003 on the occasion of honorary degree, with an A4 sheet of correspondence between Collins and Heaney ‘you have made the book one of the most desirable in which words of mine appeared….’, with an invitation to the launch of the book and a promotion card; together with Poets and Writers, a pamphlet listing (with photos) all the poets and writers, including Heaney, Longley, Muldoon, Carson, Friel, Kavanagh, MacGahern, McLaverty, McGuinness, McNeice, Montague, O’Brien, O’Connor, Yeats etc., with a foreward by Michael Longley, card issued by BBC Northern Ireland c.2003; together with The Poet and the Piper, a concert programme: Seamus Heaney and Liam O’Flynn and the works of John B. Valley Saturday 10th November 2001, FIRST EDITION, 8vo green printed wrappers, illustrated with photos of Heaney and Flynn and a painting (in colour) by John B. Valley, remarks by Seamus Heaney about musician Liam O’Flynn; together with a CD of ‘The Port and the Piper’ concert. (4)
Lot 309
HEANEY, SEAMUS.The Lift, a broadside of an unpublished poem of 31 lines, FIRST EDITION, Lexington Kentucky King Library Press 2003, one of a small number of copies printed in American uncial and signed, (there were 350 numbered copies in two type fonts mostly unsigned). 10.5 inches x 15.5 inches printed as a keepsake for Helen Vendler lecture at opening of an exhibition Irish literature 1699-1944; together with Extending the Alphabet: on Christopher Marlowe’s hero and Leader, Newfoundland University Memorial Pratt lecture, FIRST EDITION, in wrappers and illustrated. (2)
Lot 316
HEANEY, SEAMUS.Burial at Thebes, FIRST EDITION, paperback edition, Faber 2004 in association with Abbey Theatre Plays, issued from Abbey Theatre Centenary, illustrated cover photo of a girl printed in blue (the poster for the play), signed by Seamus Heaney; together with a postcard ‘out of the deep strata in this old dacha there surfaced the enclosed copy of Burial at Thebes which I remember (with a wince) that you had to replace. I still think you should have it and a couple of other things that happen to be at hand. Hoping that hey constitute what JJ called ‘The rite words in the rote order’ All Good wishes Seamus.'
Lot 317
HEANEY, SEAMUS.The Testament of Cresseid, a re-telling of Robert Henryson’s poem, with original print by Hughie O’Donoghue, FIRST DE-LUXE EDITION, 22/75, bound in dark green, book and print contained in a slipcase, signed by both Heaney and O’Donoghue; together with the original publisher's prospectus and an invitation to the book launch attended by Seamus Heaney and Hughie O’Donoghue on 24 November 2004 in London.
Lot 319
HEANEY, SEAMUS.A Tribute to Michael McLaverty, FIRST SIGNED LIMITED EDITION, 133/250, Linenhall Library, 2005, in marbled wrappers and contained in black labelled envelope (folded). This is the text of a tribute to Michael MacLaverty delivered by Heaney to celebrate the centenary of his birth September 2004 and contains the poem ‘An evening at Killard’ by Heaney 1969.
Lot 330
HEANEY, SEAMUS./IRVINE, W. R. (ED.).From the Small Back Room: A Festschrift for Ciaran Carson, with an introduction by Seamus Heany and a portrait of Carson by Neil Shawcross, LIMITED EDITION, 87/150 (first ten copies reserved for signaturies and publisher), Netherlea Belfast 2008, grey suede with gilt lettering, in splicase, signed by Carson, Shawcross and Heany.
Lot 337
HEANEY, SEAMUS.Beowulf, FIRST EDITION, illustrated by Becca Thorne, Folio Society 2010, bi-lingual, boxed quarter leather, cloth and leather all blocked in gold in slipcase, mint; together with Donoghue, Daniel (ed.)., Beowulf, a verse translation by Seamus Heaney, FIRST USA EDITION, WW Norton & Co 2002 A Norton Critical Study, in wrappers; together with Beowulf, a tape cassette reading by Seamus Heaney, Penguin-Faber 1999, 1st edition. (3)
Lot 359
HEANEY, SEAMUS.Portrait of Seamus Heaney, postcard, National Portrait Gallery, black and white, 6 x 4 inches, signed by Seamus Heaney and also signed on reverse, with a note from Heaney reading 'Signed on both sides - the gloss rejected me somewhat... apologies for the tardy response - Seamus Heaney', dated 3.IX.03; together with Postscript, postcard, FIRST EDITION, with poem and photograph of Seamus Heaney, issued in a set of four for Ireland Poet Laureate by Aer Rianta Dublin at opening of a display at Dublin Aerphort; together with a postcard, with portrait photograph of Seamus Heaney and poem ‘Song’ from Fieldwork. (3)
Lot 360
HEANEY, SEAMUS.An edition of Irish postage stamps issued in Honour of Irish Nobel Prize winners Seamus Heaney, Samuel Beckett, W. B. Yeats and Bernard Shaw, designed by Lars Sjooblum, issued in a four stamp set simultaneously with Sweden, with a first day cover envelope with similar set of Swedish and Irish stamps; together with FDC and two postcards of Heaney etc..
Lot 363
THE ABBEY THEATRE./O'HAODHA, MICHAEL.The Abbey: Then and Now, FIRST EDITION, Abbey Theatre publication 1969, in wrappers; together with Hogan, Robert. and James Kilroy., The Abbey Theatre: Years of Synge 1905 -1909, FIRST EDITION, Dolmen Press 1978; together with The Abbey Theatre., Forty: 40th Anniversary Poetry Celebration 6th June 2010 and The Abbey Theatre 1904/1979. (4)
Lot 368
BANVILLE, JOHN.Possessed of a Past, selected by Raymond Bell, FIRST EDITION, Picador 2012, signed by both John Banville and Raymond Bell. This is thought to be a John Banville hoax as there is nobody called Richard Bell and he is thought to have signed the book twice under both names; together with O'Connor, Joseph., Ghost Light, FIRST EDITION, Harvill Secker London 2010, in d/w, signed by the author; together with O'Connor, Joseph., Ghost Light, FIRST USA EDITION, Farrar Strauss & Giroux. (3)
Lot 370
BARRY, SEBASTIAN (ED.)./BOLGER, DERMOT.The Inherited Boundaries, an anthology, FIRST EDITION, softback, signed by Sebastian Barry and Dermot Bolger, one of the contributors; together with Barry, Sebastian., Our Lady of Sligo, Royal National Theatre Tour, signed by the author; together with Hartnett, Michael., FIRST EDITION, The Dolmen Press 1977; together with National Gallery of London., Metamorphosis: Poems Inspired by Titian; together with Housen, Sevrin (ed.)., Feathers and Bones: Ten Poets of the Irish Earth, 1981, softback. (5)
Lot 372
BARRY, SEBASTIAN.The Secret Scripture, Faber & Faber London 2008, in unclipped d/w, signed and inscribed 'for Tim Vignoles, Sebastian Barry'; together with A Long Way, FIRST EDITION, Faber & Faber London 2005, in wrappers with clear d/w, signed by Sebastian Barry 2005; together with The Pinkerton Boy, SPECIAL LIMITED EDITION, 8/20, New Island Press Dublin 2004, bound in quarter goatskin, signed by Sebastian Barry. (3)
Lot 378
BECKETT, SAMUEL.EH Joe, FIRST EDITION, Faber & Faber London 1967, in unclipped d/w (includes act without words II and film); together with Ends and Odds, Plays and Sketches, FIRST EDITION, Faber & Faber 1977, in unclipped d/w, includes Not I That Time; Footfalls Ghost Trio; But the Clouds; Theatre I; and Radio I and II; together with Collected Poems in English and French, FIRST EDITION, Calder London 1977, in unclipped d/w; together with Waiting for Godot, third edition, Faber & Faber London April 1957. (4)
Lot 379
BECKETT, SAMUEL.A collection of books relating to Samuel Beckett, comprising Young, Jordon R., The Beckett Actor, FIRST EDITION, Moonstone Press 1987, in d/w, with programme for Jack MacGowran in Beginning to End Gaiety Theatre Dublin Theatre Festival 13 March 1972 and reviews Irish Times (3) and photos of J MacGowran; Knowlson, Elizabeth. and James Knowlson (eds.)., Beckett Remembering Beckett, FIRST EDITION, Bloomsbury Publishing 2006; Beckett, Samuel., Stirring Still, illustrated by Louis Le Brocquy, North Starline 1991 New York, wrappers; Stirring Still, FIRST EDITION, Calder Publications 1999, wrappers, with a photograph of John Minihan; Simpson, Alan., Beckett and Behan and a Theatre in Dublin, FIRST EDITION, 1962. (4)
Lot 380
BECKETT, SAMUEL.Poems 1930-1989, FIRST EDITION, Calder Publications London 2002, in unclipped d/w, with previously unpublished poetry and translations; together with Gordon, Lois., The World of Samuel Beckett (1906 to 1946), FIRST EDITION, Yale University Press 1996, with postcard portrait of Samuel Beckett by John Haynes; together with Croall, Jonathan., The Coming of Godot, FIRST EDITION, 2005, softback. (3)
Lot 382
BEHAN, BRENDAN./HURKEY, ROOAN.The Big House, a new play, Irish Writing 37 Autumn 1957; together with Hurkey, Rooan. This was a Pseudonym for Rudi Holzapfel who wrote books and collaborated years ago with Brendan Kennelly. This was his first book - see inscription inside. Romances, LIMITED EDITION, 500 copies, privately printed for the author by Dolmen Press, signed by the author. (2)
Lot 383
BEHAN, BRENDAN.Borstal Boy, FIRST EDITION, Hutchinson London 1958, in d/w, with portrait of Behan by B.S. Bird and with a postcard copy of the proclamation of The Irish Republic 1916 and ‘flyer’ for political rally - IRA National Students Council Dublin June 1959, ‘In proud glorious memory of Republican Martyrs of the Fianna Fail Reign of Terror 1936-1946’; also with Behan 50th anniversary stamp Eire; together with Brendan Behan's Island, FIRST EDITION, illustrated by Paul Hogarth, Hutchinson 1962, in d/w. (2)
Lot 387
DONLEAVY, J. P./RYAN, JOHN./ELLMANN, RICHARD./BOYLAND, PATRICIA.What They Did in Dublin and The Gingerman, FIRST EDITION, McGibbon & Kee 1961; together with Ryan, John., Remembering How We Stood, Lilliput Press 1987, edition signed and inscribed by author to Tim Vignoles; together with Ellmann, Richard., Four Dubliners, 1987 edition; together with Boyland, Patricia., All Cultivated People: History of The United Arts Club Dublin, FIRST EDITION, Colum Smythe 1988, in unclipped d/w. (4)
Lot 390
FANNING, GERARD./THE DUBLINER.Canower Sound, with illustrations by Ann Bourke, LIMITED FIRST EDITION, 500 copies; together with seven copies of The Dubliner, including No.1 Nov/Dec 1961 and others between 1962 to 1963, including writings by Austin Clarke, Seamus Heaney (Poor Mass Death, Summer 1963), Padraic Column etc. (8)
Lot 391
FRIEL, BRIAN.Philadelphia Here I Come!!!, FIRST USA EDITION, Farrar Strauss & Giroux New York 1965, in unclipped d/w, fine condition, with a letter from Donal Donnelly (Irish Lead Actor) from Helen Hayes Theatre stage door address to Tim Vignoles whilst he was appearing in Philadelphia Here I come March 1966 New York; together with Dancing at Lughnasa, FIRST USA EDITION, Faber & Faber 1990, with photos from New York production, in unclipped d/w, mint. (2)
Lot 392
FRIEL, BRIAN.Philadelphia Here I Come, FIRST EDITION, Faber & Faber London 1965, in d/w, signed by actor Donal Donnelly and inscribed ‘To Timmy its greatest admirer love Donal Donnelly’, also inscribed ‘For Tim, its next greatest admirer if Donal insists! Ronald Mason), also inscribed ‘Timmy all our love Donal and Maryanne Christmas 1965’. With a cutting photo of Donal Donnelly in Brian Friel’s translations and a cutting with photo of Donnelly, also a cutting from The New York Times re 'A day in the life of Joe Ess’.
Lot 393
MCGINCHEY, CHARLES/FRIEL, BRIAN.The Last of the Name, with an introduction by Brian Friel, FIRST EDITION, The Blackstaff Press Belfast 1986, hardback in unclipped d/w, signed and inscribed to Donal Donnelly (Irish actor) and his wife Patsy ‘For Dear Donal and Patsy - A Grá- Brian Greencastle September 1986’. With a postcard in the author Brian Friel’s hand on his printed Greencastle addressed card to Donal Donnelly ‘To Donal, It’s unlikely that you will see this in Brentano’s window. It’s a gentle book about times past and I did it (and it took me about 8 months!) out of affection for the material. How are you What’s happening Do please let me know. I’m a bloody grandfather twice over (Paddy and Mary) and feel ancient - Great love Brian’; together with Friel, Brian., Volunteers, The Gallery Press reprint 2002. (2)
Lot 397
GREGORY, LADY.A collection of four books concerning Lady Gregory and her family, comprising Saddlemyer, Ann (ed.)., Some Letters of J.M. Synge to Lady Gregory and W.B. Yeats, LIMITED EDITION, 422/500, Cuala Press Dublin 1971, inserted is the original prospectus from Cuala Press re other items; Kohfeldt, Mary Lou., Lady Gregory: The Woman Behind the Irish Renaissance, FIRST EDITION, Andre Deutsch 1984, in d/w; Smythe, Colin., A Guide to Coole Park Co. Galway, FIRST EDITION, 1983, in unclipped d/w, signed and inscribed ‘For Tim Vignoles with very best wishes the last copy of the HBK in print’ Colin Smythe; and Smythe, Colin (ed.)., Robert Gregory 1881-1918, LIMITED EDITION, 39/50, Colin Smythe Gerrards Cross, in special binding in quarter vellum and boards, signed by Colin Smythe. (4)
Lot 400
IRISH ART/PYE, PATRICK./FALLON, CONOR./O'MALLEY, TONY./FARRELL, MICHAEL.Apples and Angels, designed by Liam Miller, LIMITED EDITION, 687/750, Veritas Publications Dublin 1980, hardback in d/w, signed by Patrick Pye; together with Farrell, David., Michael Farrell, FIRST EDITION, 2006; together with a collection of five Irish art books comprising Michael Scott, Garden 1993; Conor Fallon: Thoughts on Sculpture, Garden 2012; Lines of Vision, National Gallery of Ireland 2014; Harry Clarke: Illustrations for Hans Christian Anderson's Fairy Tales, Fine Art Society 2008; The Idea of Islands, with illustrations by Donald Teskey, 2010; together with a collection of LIMITED EDITION prints (500 sets of 24) by Pauline Bewick, Jack B. Yeats and Tony O'Malley, Denmark 1999. (8)
Lot 401
IRISH ART/KEATING, SEAN./CONOR, WILLIAM./WADDINGTON, VICTOR./PURSER, SARAH.A collection of four books relating to Irish artists comprising O'Connor, Eimear., Sean Keating, Art, Politics and Building the Irish Nation, FIRST LIMITED EDITION, 119/250, Irish Academic Press 2013, hardback cloth, signed by Eimear O’Connor; together with Wilson, Judith C., Conor (1881-1968): Life and Work of an Ulster Artist, FIRST EDITION, Blackstaff Press 1981; together with Waddinton, Theo., Victor Waddington: A Tribute, an exhibition catalogue, 1993; together with O'Grady, John., The Life and Work of Sarah Purser, FIRST EDITION, Four Courts Press 1996. (4)
Lot 404
JOYCE, JAMES.Ulysses, FIRST ENGLISH EDITION PRINTED IN ENGLAND, John Lane, The Bodley Head London 1937, in green cloth with gilt lettering and gold bow on front cover, in fine unclipped original d/w; together with Mozley, Charles., Concerning Ulysses and the Bodley Head, to celebrate the 25th anniversary of the first publication of Ulysses by the Bodley Head, LIMITED EDITION, 69/165, The Stellar Press December 1961, Charles Mozley’s auto lithograph printed in wrappers. (2)
Lot 406
JOYCE, JAMES.A collection of five books concerning James Joyce comprising Joyce, James., Ulysses, facsimile edition of original 1922 version but in hardback, Orchises Washington 1998; Svevo, Italo., Svevo on Joyce, a lecture delivered in Milan by Svevo in 1927, translated by Stanislaus Joyce for James McLaughlin, LIMITED EDITION, 221/1600, Christmas 1950; Beach, Sylvia., Ulysses in Paris, FIRST EDITION, Harcourt Brace & Company New York, in Glassinine d/w. Inserted in book is an envelope of 2 stamps (x4) celebrating the centenary of Ulysses Eire 2002; Ellmann, Richard., James Joyce, revised edition 1982; Bowker, Gordon., FIRST EDITION, 2011. (5)
Lot 407
KENNELLY, BRENDAN.The Boats are Home, FIRST EDITION, Gallery Press 1980, hardback edition with unclipped d/w, inscribed ’To Richard (Murphy) with admiration- Brendan’ and signed Richard Murphy (from his library); together with Salvation the Stranger, Tara Telephone Publication Dublin 1972, wrappers, one of 2000 signed, inscribed ‘For Tim with warm regards, Brendan’. (2)
Lot 409
HARRY KERNOFFPostcard Castle steps, Shop Street DublinSigned by Harry Kernoff with a note in his hand on verso dated November 1st 1949. ‘Regret I have a council meeting at 4pm Friday 4th November of RHA but look in sometime later or another day. Sincerely Harry Kernoff’. Written from 13 Stamer Street Dublin (Kernoff family home); together with O'Connor, Kevin., Harry Kernoff: The Little Genius, FIRST EDITION, The Liffey Press Dublin 2012; together with a signed woodcut 'Third Class', framed with ticket verso. (3)
Lot 422
KINSELLA, THOMAS.A set of three Peppercanister Publications (No.s 11, 12 & 13) by Thomas Kinsella comprising Out of Ireland; St. Catherine's Clock; and One Fond Embrace, each LIMITED EDITION, 350 copies signed by Kinsella with a personal inscription to Tim Vignoles; together with Moralities, Dolmen Chapbook XII, LIMITED FIRST EDITION, 500 copies, 1960. (4)
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106056 item(s)/page