(1) Flux Paper Events. Berlin, Edition Hundertmark, 1976. First edition artists' book, limited to 500 copies. Staple bound, 21 x 15 cm. A collection of altered sheets of paper that have been variously crumpled, stained, torn, stapled, perforated, glued and folded. Hole-punched in lower right corner, with upper right corned chopped off as issued. Good copy. (2) George F. Maciunas, Kalejdoskop No.3/1979. Lund, Kalejdoskop, 1979. First edition. Printed portfolio, 24 x 16 cm, showing a portrait of Maciunas on the cover, housing a large fold-out poster containing Maciunas' famous 'Diagram of Historical Development of Fluxus and Other 4 Dimentional (sic), Aural, Optic, Olfactory, Epithelial and Tactile Art Forms.(...)', 119 x 44.5 cm unfolded. With three short texts by Mats B. (Mats Birger Rindeskär). Portfolio somewhat soiled, with Kalejdoskop closure sticker, sheet in fine condition. (total 2)
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First edition of this Fluxus-style tribute to John Cage. Cardboard box, 21.5 x 20.5 cm, printed with a map of Chicago meant to be closed with rubberbands in red, yellow and blue referencing the train system of the city. Seven rubberbands are included, but have snapped. The box contains 70 individual sheets with contributions by 45 artists including Allan Kaprow, Jackson Mac Low, Ray Johnson, Christo, Dore Ashton, Laurie Anderson, Jasper Johns, Richard Long, Yoko Ono, Louise Nevelson, Allen Ginsberg, Nam June Paik, Robert Rauschenberg, Joseph Beuys, Alison Knowles, Mieko Shiomi, Shigeko Kubota and others. Features photographs, texts, drawings and graphics. Fine copy.
Stapled booklet with large black X printed on white front cover, 19 x 16.5 cm, 26 pp. Printed on thick white and yellow paper. First edition of 1225. Catalogue for the gallery show presenting artists who worked at Rutgers University: George Brecht, Geoffrey Hendricks, Kaprow, Gary Kuehn, Roy Lichtenstein, Philip Orenstein, George Segal, Steve Vasey, Robert Watts, Robert Whitman, Bruce Whiteman. Ills. of works, exhibition checklist, essay by Allan Kaprow and reproduction of a telegram by Al Hansen. Scarce, very fine condition.
(1) Minimal Art. The Hague, Haags Gemeentemuseum, 1968. Softcover exhibition catalogue, 21 x 21 cm, 82 pp. Ill. in b/w. Text in English and Dutch. First edition. Essays by Enno Develing and Lucy Lippard. Artists include Carl Andre, Ronald Bladen, Dan Flavin, Robert Grosvener, Donald Judd, Sol LeWitt, Robert Morris, Tony Smith, Robert Smithson and Richard Steiner. Includes artists' biographies and exhibition histories. (2) KunstLichtKunst. Eindhoven, Van Abbemuseum, 1966. Softcover, 26 x 23.5 cm, ca. 160 pp. Ills. b/w. Text in Dutch, English, French and German. Includes the Dutch introduction leaflet. Features an exhibition on the use of light in modern art and sculpture, with an amazing cast of international contemporary artists including Fontana, Dan Flavin, Morellet, Peeters, Colombo, Le Parc, Uecker and Piene. Both copies in very good condition. (total 2)
Frankfurt, Galerie Dorothea Loehr, 1967. 30.5 x 21.5 cm, 20 pp. Catalogue of the significant conceptual art show - a two hour group exhibition- conceived by Paul Maenz and Peter Roehr. Documentation of the very first conceptual art show in Germany which included life-events and performances. Includes ephemeral projects by Jan Dibbets (his first 'perspective correction'), Barry Flanagan, Bernhard Höke, John Johnson, Richard Long, Konrad Fischer, C.H. Posenenske, Peter Roehr. Made in an edition of 500, this is a sample copy, as stamped in purple on the front cover. Includes a photocopies promotional sheet for the publication by Maenz. Ref. Lippard, Six Years, p. 30. Fine condition, very scarce.
Works - Concepts - Processes - Situations - Information. Bern, Kunsthalle Bern, 1969. First edition featuring the legendary exhibition of new tendencies in art, organized by Harald Szeemann in cooperation with Wim Beeren’s show 'Op Losse Schroeven' at the Stedelijk Museum in Amsterdam. Printed cardboard portfolio with metal clip binding and alphabetized tabs, ca. 200 pp. Prof. ills. in b/w with texts and documentation of works by 65 artists. Text mostly in English. Featured artists comprise: Andre, Anselmo, Barry, Beuys, Bochner, Boetti, Darboven, Dibbets, Van Elk, Hesse, Kosuth, LeWitt, Long, Nauman, Oppenheim, Panamarenko, Serra, Wegman et al. Scarce item, important source. Cover shows some edge-wear, else in very good condition.
Wrappers with tape spine, 14.5 x 21 cm, 142 pp. Cover printed on clear acetate sheet, texts mostly printed on tracing paper. First edition of the iconic catalogue produced by Gerry Schum in conjunction with a broadcast on German television (April 15 1969) featuring Land Art video works. Texts by Jean Leering and Schum, mostly in German with some English. Featured artists are Long, Flanagan, Oppenheim, Smithson, Boezem, Dibbets, De Maria and Heizer. A solid copy with the fragile acetate cover intact, very rare in this condition.
Exhibition catalogue, first edition. White plastic spine binding, 29 x 21 cm, 54 pp. Text by Catherine Millet, b/w illustrations throughout. Contains mostly text based contributions by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, Victor Burgin, Ian Burn, Alain Kirili, Christine Koslow, Joseph Kosuth, Emilio Prini, Mel Ramsden and Bernard Venet. Rare conceptual art document, in very fine condition.
Softcover, 20 x 20 cm, 80 pp. Exhibition catalogue/artists' book published in conjunction with a show featuring Carl André, Marcel Broodthaers, Daniel Buren, Victor Burgin, Gilbert & George, On Kawara, Richard Long and Gerhard Richter. First edition, artists' contributions including a series of 6 original silkscreened sheets by Daniel Buren (stripes in yellow, orange, red, pink, purple and blue). Near mint copy.
Vienna, Galerie Nächst St. Stephan, 1975. Rare first edition catalogue and symposium booklet. (1) Catalogue. Softcover, 29.7 x 21 cm, 52 pp. Ills. b/w, texts in German. Signed and dated by Valie Export, curator of the encompassing project, on the last page. The exhibition that took place at Galerie nächst St. Stephan in Vienna was intended to provide 'an overview of female sensitivity, imagination, projection, and problems, suggested by a tableau of pictures, objects, photos, lectures, discussions, readings, films, video tapes and actions.' Artists included Hilde Absalon, Renate Bertlmann, Valie Export, Birgit Jürgenssen, Maria Lassnig, Friederike Pezold, Dorothy Iannone, Rebecca Horn, Ulrike Rosenbach and Katharina Sieverding et al. (2) Conference booklet, 23 x 21 cm, 4 pp. Features the four-day program for the 21st International Art Talk (2-5 April 1975), curated by Valie Export. It included discussion groups, lectures and film/video screenings by a wide range of artists and academics such as Gislind Nabakowski, Carolee Schneemann, Agnes Varda, Dr. Erika Runge, Elfriede Jelinek, Kirsten Justesen, Meret Oppenheim, Rose Richter and others. Both the catalogue and conference booklet are pivotal documents, in fine condition. (3) Added is an invitation sheet for a performance 'bevaegelses imaginationer' (Movement Imaginations) held by Valie Export on 11 Dec. 1975 at Tranegarden, Hellerup (Danmark), 29.5 x 21 cm. (total 3)
Padova, Mastrogiacomo Editore, 1978. Curated by Luciano Inga-Pin. First edition of the famous publication. Softcover, 22 x 22 cm, ca. 200 pp. printed on paper of various colours, prof. ill. Text in Italian, with English translation in sleeve. Featured artists include Carole Schneemann, Simone Forti, Gina Pane, Joseph Beuys, Gunter Brus, Hermann Nitsch, Urs Luthi, Ketty La Rocca, Fabio Mauri, Jannis Kounellis, Marina Abramovic, Vito Acconci, James Lee Byars and many others. With inlaid postcard promoting the publication. Slight edge wear to cover and remnant of sticker on back cover, else a fine copy.
Los Angeles, Edward Ruscha, 1966. First edition, first printing, issued in 1000 copies, includes the folding flap on the last half leaf. Housed in the original silver-coloured slipcase. Leporello featuring b/w photos of both sides of the boulevard, 18 x 14.3 cm, total length when unfolded approx. 8 meter. Slipcase with wear along cardboard edges and some loose tape, the silver cover is in fine state. Booklet shows some creasing on spine and soiling along spine edge, the interior leporello is in very good condition. Added is an invoice for the pivotal artists' book which was bought at Art & Project in Amsterdam in 1973. (total 2)
Los Angeles, Self-published, 1967. First edition. Softcover, 25.5 x 20.54 cm, 48 pp. Features 31 b/w photo illustrations of 34 parking lots in Los Angeles, the final photo double-page with a folding flap. Contains the original glassine dust jacket, with some wear along the upper edges. Fine copy.
New York, Seth Siegelaub/Louis Kellner Foundation, 1968. Softcover, 17.8 x 10.2 cm, 64 pp. Weiner's first artists' book, published in an edition of 1000 unnumbered and unsigned copies. Features 24 text based statement pieces (12 General Statements and 12 Specific Statements). First entry in Dieter Schwarz's Catalogue Raisonné 'Lawrence Weiner: Books 1968-1989'. Pronounced rubbing on spine, interior very good.
(1) Douglas Huebler: November 1968. New York, Seth Siegelaub, 1968. First Edition. Softcover, 20.2 x 20.2 cm, 20 pp. Artists' book as exhibition catalogue for a 'show' held only within the book format. 'The existence of each sculpture is documented by its documentation. The documentation takes the form of photographs, maps, drawings and descriptive language'. Iconic Siegelaub/Huebler collaboration, fine copy. (2) Douglas Huebler, Durata Duration. Torino, Sperone Editore, 1970. Hardcover, 17 x 12 cm, 132 pp. Artists' book documenting a fountain located in the Giardino of Sambuy, Italy. 61 photographs made according to 8 different time systems. Paper wrapper with wear along spine and edges, interior very good. (total 2)
Los Angeles, Self-published, 1971. Staple bound, 22.5 x 15 cm, 12 pp. Offset printed b/w. First edition. Artist's book produced in conjunction with Ruppersberg's installation 'Al's Grand Hotel' in which the artist converted a two-floor craftsman house in Hollywood into a functional hotel with seven themed rooms. The 'catalog' lists the items in the various rooms that are for sale, such as a blue neon sign 'Al's Grand Hotel', a wedding cake from the Bridal Suite, 7 life size photo cut-outs of the artists ($ 100 each) and a restaurant booth with plates, menus etc. from the Breakfast room. Covers and interior sheets show age toning (as is usual with this item), small abrasion on back cover. Generally a good copy. Rare.
(1) Lawrence Weiner, 10 works. Paris, Yvon Lambert editeur, 1971. Softcover. 17 x 11 cm, 80 pp. Edition of 1000. Texts in English and French. (2) Lawrence Weiner, Once upon a time. C'era una volta. Milan, Franco Toselli, 1973. Softcover, 17 x 12 cm, 44 pp. First edition of 1000 copies. With photographic images by Giorgio Colombo and texts by Weiner in English and German. (3) Lawrence Weiner, with a touch of pink/mit einem hauch von rosa. Bremerhaven, Kabinett Fur Aktuelle Kunst, 1978. Softcover, 17 x 11 cm, 54 pp. First edition of 1000 copies. Artists' book in English and German back-to-back. All copies in good condition. (total 3)
Amsterdam, Paul Andriesse, 1992. Softcover, staple bound, 24 x 17 cm, 36 pp. Text in English with 29 ills. in duotone. Features scenes from the performance The Boy who fell over Niagara Falls, a 2 week reading of Readers Digest story at Art & Project in 1972. Pristine copy from the first edition of 500 copies.
Los Angeles, Self-published, 1978. Softcover, glossy colour photo-illustrated wrappers, 17.8 x 12.8 cm, ca. 120 pp. First edition of 1000 copies. Features a photo-novella in nine chapters, with b/w photographs by Ed Ruscha, Lawrence Weiner and Susan Haller. Exquisite collaborative artists' book in near mint condition.
Paris, Onestar Press, 2008. Softcover, pink paper dust jacket, 29.7 × 21 cm, 197 pp. Artists' book, featuring an assembling of the first sentence of every letter the artist received between 1965 and 1979. Text in English and Serbian. Edition of 1000. Light toning to pink covers, else a fine copy.
Softcover, 20 x 21 cm, 68 pp. Designed by Sanja Ivekovic. Edition of 500. The artist's first monographical publication, published on occasion of the exhibition and action held at the Gallery of Contemporary Art in Zagreb from Oct 14-22 1974. Text by Davor Maticevic in English and Croatian. Shown are full page b/w images and descriptions of several performances from Abramovic's Rhythm series (1973-1974) in which she tested the mental and physical limitations of her own body. Among the performances are Rhythm 0, in which she offered herself as an object of experimentation for the audience, as well as Rhythm 5, where she lay in the centre of a burning five-point star to the point of losing consciousness. Rare book in near mint condition.
First edition of the first issue of the magazine, edited by Alison Knowles and Anna Lockwood (the second and last issue appeared in poster format in 1978). Saddle-stitched, 21.3 x 20.7 cm, 32 pp. Printed in brown on off-white stock. Featured text-based and instructional performance scores by 25 artists, composers, and choreographers including Beth Anderson, Jacki Apple, Bici Forbes (now known as Nye Ffarrabas), Simone Forti, Françoise Janicot, Alison Knowles, Anna Lockwood, Mary Lucier, Ann Noël (included as Ann Williams), Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi et al. From the collection of Liesbeth Brandt Corstius, with green logo stamp of De Appel on last page. Light age soiling to covers, else in mint condition.
An Account of an Ongoing Personal Discourse and its Manifestations in Dance. Halifax/New York, Press of the Nova Scotia College of Art and Design/New York University Press, 1974. First Edition. Softcover, wrappers in ill. jacket, 22.5 x 17 cm, 143 pp. Artists' book containing texts, drawings, notes and photographs documenting her performances between 1959 and 1974. Fine copy.
New York, Self-published, 1978. Softcover, staple bound, 21.5 x 14 cm, 23 pp. First edition. Artists' book by American dancer and performance artist Simone Forti. Contains text pieces by Forti, and 2 b/w performance photos by Babette Mangolte, cover photo by Peter Van Riper. Light sunning to cover, interior in fine condition. Scarce.
Ottawa, National Gallery of Canada, 1975. A catalogue for Judd's retrospective exhibition at the National Gallery of Canada, Ottawa, 24 May - 6 July 1975, edited by Dudley Del Balso, Brydon Smith and Roberta Smith. First edition. Softcover, orange cover with black lettering, 28 x 22.5 x 4.5 cm, 320 pp. Text in parallel English and French. Profusely illustrated in b/w. The book functions both as exhibition catalogue (listing 51 exhibited works) and catalogue raisonné. It lists 355 paintings, objects, and wood-blocks made between 1 August 1960, when Judd moved into his studio on West 19th Street, and 1 July 1974, with provenance, exhibition history and bibliography. The bookwork is masterfully designed by Eiko Emori. Front cover shows a closed tear (see pictures), the back cover is dog-eared and has one scratch. Age wear and colour fading on spine and rubbing along the cover-edges. The interior sheets and binding are fine. Scarce, sought-after Donald Judd publication.
(1) El Lissitzky (Kunst und Pangeometrie). Bruxelles/Hamburg, Daled/ Yves Gevaert and Hossmann, 1974. Softcover, 31.2 x 23 cm, 84 pp. First edition of 1000 copies. Features diagrams printed in black, red, blue and green. Published on occasion of an exhibition at the Palais des Beaux Arts Brussels. Stamp of Art Information Centre Middelburg on first page. (2) Atta Troll. Luzern/Torino, Kunstmuseum Luzern and Gian Enzo Sperone, 1975. Softcover, 29.5 x 21 cm, 120 pp. Printed b/w. Features facsimile handwritten text by the artist and a short essay by Jean-Christophe Ammann. Text in German. Both copies with sunning and light soiling on covers, interiors fine. (total 2)
Berlin, Edition René Block, 1978. Grey linen hardcover with white spine lettering in matching grey cloth slipcase, 21 x 24 cm x 4 cm. First edition. Artists' book composed of ca. 200 sheets with reproductions of On Kawara's telegrams sent between 1969 and 1977 to friends and acquaintances that read 'I Am Still Alive'. Messages were sent to Sol LeWitt, Germano Celant, Konrad Fischer, Yvon Lambert, Johannes Gachnang, Yutaka Matsuzawa, Michel Claura and many others. This is one of 450 copies from the luxury Serie A, hand numbered 120/450 on last page. In very fine, near mint condition.
Includes: (1) Museum: Der Adler vom Oligozän bis heute. Marcel Broodthaers zeigt eine experimentelle Ausstellung seines Musée d'art moderne, Département des aigles, Section des figures. Dusseldorf, Städtische Kunsthalle Düsseldorf, 1972. First edition. Two volumes, softcovers, 21 x 15 cm, each 64 pp. Exhibition catalogue/artists’ book, profusely ill. in b/w and colour, text in German. (2) Marcel Broodthaers: Editionen (1964 - 1975). München, Galerie Heiner Friedrich, 1978. Softcover, 18 x 13 cm, 36 pp., edition of 1500. (3) Musee D'Art Moderne. Section Financiere Departement des Aigles, Dusseldorf, Konrad Fischer, 1987. Exhibition catalogue, softcover, 22 x 22 cm, 16 pp. Features Broodthaers project 'Concerning the Sale of a Kilogram of Fine Gold in the Ingot,' conceived in 1971 and published in 1987 by his estate. Texts in French, English and German. (4) Broodthaers: L'Artiste et L'Amateur (The Artist and the Amateur). Antwerpen, Ronny Van de Velde, 1992. A three-part set housed between 2 printed boards, 31 x 22 cm, tied with black ribbon. Contains 2 facsimile (note)books titled 'L'Artiste et L'Amateur' from 1965 and a large fold-out exhibition poster. (5) Catalogue des Monnaies (Collection privée) - Service financier. Antwerpen, Ronny Van de Velde, 1992. Black faux leather hardcover, with title in gold, 21.5 x 21.5 cm, 24 pp. Limited edition of 300, this one numbered 120. All books in very good condition. (total 6)
(1) From along a Riverbank. Amsterdam, Art & Project, 1971. Softcover, staple bound, 21 x 10 cm, 20 pp. First printing August 1971. Edition of 300. B/w images of leaves found along a riverbank. Very good copy. (2) From Around a Lake. Amsterdam, Art & Project, 1973. Second printing March 1975 edition of 500. Softcover, staple bound, 21 x 10 cm, 20 pp. Colour images of leaves found around a lake. Upper right corner dented, with small tear at top of rear wrapper. (total 2)
(1) Hollow Lane. London, Situation Publications, 1971. Card covers, 21 x 30 cm, 40 pp. Edition of 1000. Fulton's very first artists' book containing 20 full page b/w reproductions of photographs. Pages are mostly loose from the binding, light bumps to corners, else fine. (2) Hamish Fulton: 10 Views of Brockmans Mount. A naturally formed hill near Hythe Kent, England. Amsterdam, Stedelijk Museum, 1973. Catalogue 542. Softcover, 14 x 21 cm, 22 pp. Light dent on rear cover, generally a fine clean copy. (2) Nepal, 1975. Eindhoven, van Abbemuseum, 1977. Softcover, 21 x 29 cm, 20 pp. Edition of 1000. Light sunning on cover, else very good. (total 3)
(1) Punktar (Periods). Reykjavik/Amsterdam, Silver Press, 1972. Softcover, 18 x 15 cm, 12 pp. Edition of 300 numbered and signed copies, this one 276 signed in pen on last page. Features 3 enlarged periods found in poems by Halldor Laxness, selected and augmented by Kristján Gudmundsson. Captivating self-published artists' book in very good state. (2) OR. Devon, Beau Geste Press, 1973. Staple bound, 14 x 10.5 cm, 12 pp. Published in an edition of 100 numbered copies, this one signed and numbered 68/100 on the first page. The booklet is dedicated in print to Matthias and Yael, the children of Felipe Ehrenberg and Martha Hellion who ran Beau Geste Press in Devon, UK. Letterpress, with original pencil scribbling, a fold (as issued) and a punched hole. Near mint. (total 2)
Een onleesbaar Kwadraat-blad. Hilversum, Steendrukkerij de Jong en Co, 1964. Original wrappers containing red and white sheets cut into geometrical compositions. Housed in the original diagonally cut envelope, printed with green text in eight languages, 25 x 25 cm. First edition of 2000 unnumbered copies. Very good copy with light corner wear, as usual with this fragile publication.
New York, Vehicle Editions, 1979. Red cloth hardcover, 28.6 x 25.8 cm, 110 pp. From the first edition of 1500 copies, of which 500 were hardcovers. Artists' book by American poet and painter Christopher Knowles featuring stunning typescript works. In 1976 (when he was only 17) Knowles' poetry was used by Robert Wilson in Phillip Glass's minimalist opera, Einstein on the Beach. The book is divided in two chapters, opening with the chapter 'Poems' which contains material mostly used as lyrics for Einstein on the Beach. The second chapter 'Other Typings' consists of concrete poetry printed in black, green and red. Sunning on cover and spine, interior in fine condition.
Milanino sul Garda/Brescia, Amodulo, 1971. Staplebound, 19.8 x 19.8 cm, 8 sheets. Artists' book featuring black printed rectangles moving in changing constellations along the pages. First edition of 1000, this copy signed in pencil at the interior of the backcover and with a small blue stamp of a rabbit. In very good condition.
Series of 3 colour postcards, 10.5 x 14.8 cm. Mail art project made in an edition of 30, this set sent to Frans Haks, numbered 3/30. Vintage postcards with handwritten text on the image, verso features handwritten title, signature, edition and sequence number, as well as address information and the sending date, Gstadt 29-7-72. The first card also mentions the work number (V72-73) and has a purple artists' stamp. Titles comprise 'The king as king', 'The island as island', and 'The castle as castle'. Catalogue Raisonné: hdv 1972.083.2.
Grey cardboard portfolio, 27 x 21 x 2.5 cm, bound with cloth ribbon. Houses 9 thick grey boards, 21 × 26 cm. First board titled 'niggenkop-serie' in black ink, signed 'herman de vries' and minutely dated '27-9-1975: 14:46 u 8 x om de 5 sec.'. Followed by 8 boards with mounted colour photographs, each 11.5 × 18 cm. The pictures were shot every 5 seconds starting at 14:46 on September 27 1975, documenting a piece of sky above the Vorarlberg mountains in Brand, Austria. The catalogue raisonné mentions the work being an edition of 25 numbered copies, but this copy is unnumbered. Catalogue Raisonné: hdv 1975.091.6.
Original collage, dried vegetation on paper, 21 x 29.7 cm, titled, signed and dated on the front in pencil. Framed, 22.5 x 31 cm. The work is part of the deluxe version of the catalogue made in conjunction with the exhibition 'herman de vries. werken 1954-1980' at the Groninger Museum, September 7 - October 13, 1980. It was published in an edition of 1000 copies, with 24 signed and numbered copies to which a collage (all different) was added. This lot includes the catalogue signed by the artist and numbered 19/24 on the first sheet in pencil. Both the publication and collage are in very good condition. Catalogue Raisonné: hdv 1979.042.10a-z. (total 2)
Lawndale, CA, SST Publications, 1983. First edition. Illustrated stapled wraps, 21.6 x 14 cm, 28 pp. Hand-numbered 268 on the front cover in red ink. From an edition of 500 of which, supposedly, 400 were destroyed. Some mild toning to spine, else near fine. Scarce artists' book from the artist mostly associated with the American punk rock scene. Pettibon's brother Greg Ginn (guitarist for the band Black Flag) ran SST Records, under whose auspices most of Pettibon's early books were published and distributed. As they didn't sell well, he destroyed most of the remaining copies, keeping only a hundred or so copies of each issue. Ref: Aarons and Roth pp. 394-403.
London, AX, 1992. 1850 typewritten names on 470 pages. Compiled January 1992, typeset in Courier, published in an edition of 100 copies. The sheets are contained in a white cardboard box with printed publisher's information, 30.5 x 21.5 x 6.5 cm. Signed, dated and numbered on first sheet ‘Douglas Gordon '92 A/P’. Scottish artist Douglas Gordon (1966) often addresses the functioning and disfunctioning of memory through images and language. List of Names (1990-present) is an ongoing project to document everyone the artist remembers. The lists are contained in boxed editions but also installed as wall pieces, debuting in 1990 at the show Self Conscious State at Third Eye Center, Glasgow. This boxed set is the third iteration, the first appeared in August 1990 (1440 names typed in Frutiger 66), the second in August 1991 (1705 names typeset in American Typewriter). The box has wear along margins and corners, the interior work is in very good condition.
Zurich/London, Steidl/ Hauser and Wirth, 2008. Hardcover with printed linen bound wrapper, 28.5 x 40 cm, 48 pp. First edition. Reprint of the portfolio Nothing to Remember set No.3 of 6 sets made between 2004 and 2006, originally published by Osiris and designed by Louise Bourgeois. Limited edition of 1000 copies. Comprises 22 coloured facsimile prints on hand-drawn music paper created between 2004 and 2006 by Louise Bourgeois (1911-2010). Very good copy.
11 BOTTLES SINGLE MALT AND 1 BLENDED WHISKEY/WHISKYVard Berg Born Norwegian (50cl); Golani Distillery Unicask Single Cask Edition; St Kilian Signature Edition Twelve (50cl); Adnams Distiller's Choice First Fill Port Cask; Freud Whisky Distillers Cut; Yerushalmi Distillery Burnt Offering Small Batch; Agitator Argument: Kastanj and Sauternes; Flóki Icelandic; Stonewood Woaz Amarone One; Glan Master Master's Reserve; M+H Distillery Apex Small Batch Pomegranate Wine Cask
First Gear - Peterbilt - World Of Concrete - 2 x boxed die-cast model trucks in 1:34 scale - Lot includes a Fist Gear Peterbilt Model 367 dump tuck wrapped in original tissue. A limited edition Mack Granite Standard Mixer with revolution drum. Both models are presented in inner postage boxes. Die-cast models appear in excellent condition. Outer boxes appear in good condition with slight storage wear. (This does not constitute a guarantee) (M)
Pokemon - Approximately 205 individual cards including 9 x earlier versions from 1996 with Japanese writing, several first edition cards including Neo Genesis set Mantine, Jungle set Kabuto, Base set Machamp Holo and others. Also a rare Base set Charizard Holo card but in poor condition. Most appear Fair to Good. (This does not constitute a guarantee) [ba]
![[MISCELLANEOUS] A collection of 17th century and later books, some part sets, to include; Campbell, Dr John, Lives of the Bri](https://cdn.globalauctionplatform.com/347bd317-0590-4207-872c-afee00cf6ece/075ed160-ef6d-409c-a416-b0c400e1702c/468x382.jpg)
[MISCELLANEOUS] A collection of 17th century and later books, some part sets, to include; Campbell, Dr John, Lives of the British Admirals: containing an accurate Naval History from the Earliest Periods, printed for C.J Barrington, Strand, and J. Harris, Corner of St Paul's Churchyard, 1817, Vols. I to V [of VIII], together with, Evans, Thomas, An English and Welch Vocabulary; or, an easy guide to the Ancient British Language, to which is prefixed, a Grammar of the Welch Language, by Thomas Richards, printed in Merthyr, undated; Les Metamorphoses D'Ovide, printed in Amsterdam, 1643, vol. III only; The Twenty-First Edition of The Ready Reckoner, printed in London, 1798; Ozell, J, History of the Renowned Don Quixote de La Mancha, printed in London, 1733, Vol III only, and others (16 books in total)
A COLLECTION OF SMALL NOVELTY TEAPOTS, CHARACTER AND TOBY JUGS, fourteen pieces to include Royal Doulton The Doultonville Collection jugs: Captain Prop the Pilot D6812, Dr Pulse the Physician D6723, Pat Parcel the Postman D6813, and Mr Litigate the Lawyer D6699, a Glazed Expressions 'Margaret Thatcher - The First Ten Years' limited edition character jug, with certificate numbered 314/5000, a Kevin Francis 'John Major' limited edition character jug, numbered 37/500, a Royal Doulton Sherlock Holmes D6661 toby jug, Rip Van Winkle D6463 character jug and Happy John toby jug, Artone/Acorn small novelty teapots: a butcher, a nurse (extensive hairlines, chipped) and a policeman (14) (Condition Report: most pieces appear in good condition, sd and as stated, would benefit from a clean)
BREITLING Old Navitimer Chronograph, Patrouille Suisse Edition, Ref A13022. Herrenuhr. Edelstahl. Automatik-Uhrwerk. Lederband mit Stiftschließe (nicht original). Gebrauchter Zustand. Box und Papiere anbei. Erstkauf 08/1997. Revisionsbeleg von 2008 anbei. Gehäuse Durchmesser ca. 41 mm ohne Krone, passend bis zu ca. 19,5 cm Handgelenkumfang. | BREITLING Old Navitimer Chronograph, Patrouille Suisse Edition, Ref A13022. Men's watch. Stainless steel. Automatic movement. Leather strap with pin buckle (not original). Used condition. Box and papers enclosed. First purchase 08/1997. 2008 Service certificate enclosed. Case diameter approx. 41 mm without crown. Fits up to approx. 19 cm wristsize.
TUTIMA Grand Classic Havanna Fliegerchronograph Herren Armbanduhr. Ref. 781-01. Erstkauf Mai 2005 bei Hunke in Ludwigsburg. Limitierte Edition No. 011/800. Edelstahl mit Glasboden und bidirektionaler kanellierter Lünette. Stahlband mit Doppelfaltschließe. Automatikwerk, ETA Vajoux Kal. 7754 mit sehr guten Gangwerten, Protokoll anbei. Rotbraunes Zifferblatt mit Leuchtzeigern- und Ziffern, zweiter Zeitzone, 2 Chrongraphenregistern und Datumsanzeige. Gebraucht, Tragespuren am Band und Gehäuse. Original Box, Anleitung, Dornschließe mit 2 Federstegen für Lederband, Erstkaufrechnung sowie Zertifikat anbei. Durchmesser ca. 43 mm ohne Krone. Passend bis zu ca. 21,5 cm Handgelenkumfang.| TUTIMA Grand Classic Havana Aviator Chronograph men's wristwatch. Ref. 781-01. First purchased in May 2005 from Hunke in Ludwigsburg. Limited Edition No. 011/800. Stainless steel with glass back and bi-directional fluted bezel. Steel bracelet with double folding clasp. Automatic movement, ETA Vajoux cal. 7754 with very good performance, protocol enclosed. Red-brown dial with luminous hands and numbers, second time zone, 2 chronograph registers and date display. Used, signs of wear on the bracelet and case. Original box, instructions, pin buckle with 2 spring bars for leather strap, original purchase invoice and certificate enclosed. Diameter approx. 43 mm without crown. Fits up to approx. 21.5 cm wristsize.
A group of four military prints, comprising 'Avro Lancaster Path Finder', signed by the artist, Dan Briggs DFC 156 Sqn, and Ken Chalmber DFC 9A 630 Sqns, 29 by 40cm, mounted, glazed and framed, 61 by 61cm, 'Spitfire', by Robert Taylor, First Edition signed by Johnnie Johnson and Douglas Bader, 33 by 47cm, mounted, glazed and framed, 56 by 68.5cm, 'Storm Over The Desert', by Keith Hill, and after JMW Turner 'The Battle of Trafalgar', limited edition, with certificate. (4)
2021 COPA AMERICA WINNER'S GOLD MEDALCopa America is one of the world's oldest soccer competitions and has traditionally featured only South American countries to determine the best national team on the continent. The first one took place in 1916, hosted and won by Argentina. La Albiceleste (White and Sky Blues) have won the tournament 15 times alongside Uruguay. Surprisingly, Brazil is third with nine Copa titles. Since 1993, at least two teams - one or more from North America and one from Asia - have been invited outside of South America's usual 10 CONMEBOL (South American Football Confederation) teams. The 2021 edition was held in Brazil. In the end, it was Argentina holding off the host nation Brazil in the Final 1-0.Presented here is a gold winner's medal awarded to a member of the 2021 Copa America champion Argentina National Team. Designed with a loop and lovely blue 2021 Copa America ribbon (32” if fully stretched) to wear proudly, it measures 60 mm in diameter and weighs 88 grams (including the ribbon). The obverse has “AL CAMPEON” at the top with “CONMEBOL COPA AMERICA 2021” at the bottom and an image of the tournament emblem at centre. The reverse has an image of the South American continent and “1916” to denote the first year the tournament was played.
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