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ELIOT, THOMAS STEARNS. 1888-1965.The Waste Land. New York: Boni and Liveright, 1922. 8vo. Publisher's stiff black cloth boards, lacking dust-jacket. Minor rubbing, corners slightly bumped. FIRST EDITION, SECOND ISSUE, number 652 of 1000 copies.Provenance: Hale Moore (bookplate).WITH: The Sacred Wood. London: Methuen, 1930. Publisher's cloth, dust-jacket. Front flap detached, sunning to spine. FIRST EDITION, FIRST BINDING.WITH: Ezra Pound: His Metric and Poetry. New York: Knopf, 1917. Frontispiece portrait of Pound by Gaudier-Brzeska. Publisher's cloth, lacking scarce dust-jacket, spine sunned. FIRST EDITION of the author's 2nd book, published anonymously.

ELIOT, THOMAS STEARNS. 1888-1965.Five limited edition works: 1. Journey of the Magi. New York: William Edwin Rudge, 1927. Publisher's printed wrappers. LIMITED EDITION OF 27 COPIES, of which only 12 were offered for sale.2. A Song for Simeon. London: Faber & Gwyer, 1928. Illustration by E. McKnight Kauffer. Publisher's boards stamped in gilt. Browning to edges. LIMITED LARGE PAPER EDITION, number 137 of 500.Provenance: Daniel M. Friedenberg (bookplate). 3. JOHNSON, SAMUEL. 1709-1784. London: a Poem and the Vanity of Human Wishes ... with an introductory essay by T.S. Eliot. London: Frederick Etchells & Hugh MacDonald, 1930. 4to. Publisher's boards, green paper lettering piece on upper cover. Corners slightly bumped, first few leaves creased at bottom corner. SIGNED LIMITED EDITION, number 69 of 150 on Kentish rag paper.4. Ara Vus Prec. London: The Ovid Press, 1919. 4to. Publisher's cloth, paper spine label, black cloth chemise and slipcase. Top hinge cracked, upper joint loose, corners bumped. LIMITED EDITION of 264 copies.5. John Dryden, the Poet, the Dramatist, the Critic. New York: Terence & Elsa Holliday. 1932. Publishers quarter black cloth and marbled boards. Slightly rubbed. SIGNED LIMITED EDITION, number 110 of 110.

EMERSON, RALPH WALDO. 1803-1882.Essays. Boston: James Munroe & Co., 1841. 8vo. Publisher's cloth, spine lettered in gilt, upper cover decorated in blind, some rubbing to cloth, minor wear at the spine ends.Provenance: Rufus Choate (ink note to early blank).'There is a time in every man's education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion.'FIRST EDITION, FIRST ISSUE, BAL's binding C (sequence 'almost entirely arbitrary'), including the first appearance of 'Self-Reliance.' 'Their ethical inspiration and stimulation, their occasional startling phrase, their individualistic idealism, which stirred renascent Yankee New England to its depths, speaks with the same simple power and force in the midst of modern complexities' (Grolier American 47). A clean tight copy of a landmark of American thought. BAL 5189. Myerson A10.1.a.

FAULKNER, WILLIAM. 1897-1962.The Marble Faun. Boston: The Four Seas Company, 1924. 8vo. Publisher's mottled green paper covered boards, pictorial printed paper title label to upper cover, printed title label to spine, original glassine wrapper, without printed dust-jacket, custom green morocco backed cloth clamshell box. Front hinge started, but tight, clean.FIRST EDITION, REVIEW COPY, OF FAULKNER'S FIRST BOOK, WITH ORIGINAL GLASSINE with The Four Seas Company review slip laid in, with code '8-23-3M.' Phil Stone, who financed the small printing of the book, wrote a preface, and was its primary champion, was also assiduous in 'requesting the dispatch of review copies of The Marble Faun and in checking to see that they had arrived' (Blotner, Faulkner, p 128). There seems to have been no shortage of them sent, albeit with Stone's hectoring. However, in his extensive census in 1974, William Boozer does not mention a single copy, and we locate no review copies at auction, or in the major Faulkner collections. Given the spotty nature of the books distribution, and the undamaged survival of this copies glassine, it seems likely that this review copy was sent without the jacket. See Boozer, William Faulkner's First Book: The Marble Faun, Fifty Years Later, 1974. Petersen A1.1.

FAULKNER, WILLIAM. 1897-1962.Sanctuary. New York: Jonathan Cape & Harrison Smith, (1931). 8vo. Publisher's cloth-backed magenta paper boards, spine lettered in magenta, patterned endpapers, black topstain, original dust-jacket. Minor wear at spine ends of jacket, tiny tear to lower joint.FIRST EDITION, FIRST ISSUE, OF FAULKNER'S FIRST SENSATIONAL SUCCESS. When Faulkner first sent Sanctuary to Harrison Smith, he received the reply: 'Good God, I can't publish this we'd both be in jail.' So he was surprised when galley proofs arrived a year later. Faulkner replied, 'You can't print it like this; it's just a bad book,' and set about revising Sanctuary, pulping the galley proofs at his own expense. In the end, his revised text did nothing to alleviate the terror of the book, but the book found its reading audience and became his first bestseller. A fine copy in a bright, unfaded jacket. Connolly Modern Movement 69. Petersen A8b.

FAULKNER, WILLIAM. 1897-1962.These 13: Stories. New York: Jonathan Cape & Harrison Smith, [1931]. 8vo. Original cloth-backed gray linen boards, spine lettered in silver, gray endpapers, original glassine dust jacket, top edge silver, others uncut, almost imperceptible fading to spine cloth.FIRST EDITION, SIGNED ISSUE OF FAULKNER'S FIRST STORY COLLECTION, number 184 of 299 copies, signed by Faulkner to limitation page. Includes the first book appearance of 'A Rose for Emily,' one of his best. A tight, fresh copy. Petersen A9d.

SHAKESPEARE, WILLIAM. 1564-1616.GRANVILLE, GEORGE. 1666-1735. Editor. The Jew of Venice. A Comedy. London: Printed for Ber[nard] Lintott, 1701. 4to (219 x 160 mm). Half title. Modern blue-gray boards. Upper cover detached, slight browning and foxing, worming at bottom margin. Provenance: Arthur A. Houghton, Jr. (offsetting from bookplate visible on half-title; his sale, Christie's London, June 14, 1979, lot 233). FIRST EDITION OF GRANVILLE'S ADAPTATION of Shakespeare's The Merchant of Venice. George Granville, Baron Lansdowne, was an English politician who served in both the House of Commons and House of Lords (after being raised to the peerage), and as Secretary of War. He wrote poetry and drama in the vein of his friend, John Dryden. His adaptation of The Merchant of Venice omits nearly all of the second act from the original. Pforzheimer 916; Jaggard p 394; Nicoll II, p 333.

FAULKNER, WILLIAM. 1897-1962.Light in August. [New York]: Harrison Smith & Robert Hass, 1932. 8vo. Publisher's tan cloth, upper cover lettered in orange, and spine in blue, orange topstain, original dust jacket by Arthur Hawkins; without glassine, tape ghost to endpapers, minor wear to jacket corners.Provenance: John Miller Brabson (bookplate).'Memory believes before knowing remembers.' FIRST EDITION, FIRST ISSUE, with 'Jefferson' for 'Mottstown' on p 340, line 1. A landmark of American fiction, 'Light in August is a powerful novel, a book which secures Mr. Faulkner's place in the very front rank of American writers' (Donald J. Adams, The New York Times Book Review, October 9, 1932). A bright copy, spine unfaded. Petersen A13a.

FAULKNER, WILLIAM. 1897-1962.Absalom! Absalom! New York: Random House, 1936. 8vo. Folding map of Yoknapatawpha County, after a drawing by Faulkner, at rear. Publisher's green-cloth backed patterned paper boards, top edges gilt, custom folding box, cloth lightly faded at spine, with rubbing at foot.FIRST EDITION, SIGNED ISSUE, number 160 of 300 copies, signed by Faulkner at the colophon. Perhaps best summed up by Faulkner himself, as he showed the manuscript to David Hempstead, 'I think it's the best novel yet written by an American' (Blotner, Faulkner, p 364). Petersen A17d.

FAULKNER, WILLIAM. 1897-1962.Absalom! Absalom! New York: Random House, 1936. 8vo. Publisher's black cloth ruled in red with gilt facsimile signature to upper cover, spine lettered in gilt, original pictorial dust-jacket.A FINE COPY IN JACKET OF THE FIRST TRADE EDITION. Petersen A17d.

FAULKNER, WILLIAM. 1897-1962.Go Down, Moses and Other Stories. New York: Random House, 1942. 8vo. Publisher's half brick-colored cloth over salmon patterned paper boards, spine titled in gilt, top edge gilt, minor wear to extremities.FIRST EDITION, LIMITED ISSUE, number 90 of 100 copies, SIGNED BY FAULKNER on the limitation page. A clean, bright copy. Faulkner considered these connected Yoknapatawpha County stories to be a novel, and the subtitle as published ... and Other Stories' a mistake that was altered in all subsequent printings. Sporting the smallest limitation of any of his signed issues, it's one of the scarcest, and most sought after, including the first book publication of 'The Bear.' Petersen A21c.

FAULKNER, WILLIAM. 1897-1962.Three early limited first editions, signed by Faulkner. 1. The Wild Palms. New York: Random House, 1939. Publisher's half cloth and wood veneer boards spine gilt lettered, top edge gilt. Spine sunned, some minor staining. FIRST EDITION, LIMITED ISSUE, number 63 of 250 copies. Petersen A19a.2. Doctor Martino and Other Stories. New York: Harrison Smith and Robert Haas, 1934. Original black and burgundy cloth, stamped in gilt. Spine sunned, light shelfwear. LIMITED EDITION, number 202 of 360 copies, SIGNED by Faulkner. Petersen A16.1a.3. Pylon. New York: Harrison Smith and Robert Haas, 1935. Original half cloth, pictorial silver boards, publisher's slipcase, some darkening and splitting to edges. LIMITED EDITION, number 12 of 310 copies, SIGNED by Faulkner. Petersen A17.1b.

FAULKNER, WILLIAM. 1897-1962.3 signed novels: 1. The Reivers. New York: Random House, 1962. Publisher's burgundy cloth stamped in gilt, acetate jacket. Slight shelfwear. Number 62 of 500, SIGNED by the author on the limitation page. First edition. Petersen A37e.2. A Fable. New York: Random House, 1954. Publisher's pictorial blue cloth, glassine jacket, gray paper-covered slipcase with blue and white paper label. Glassine torn, light wear to slipcase. Number 822 of 1,000, SIGNED by the author on the limitation page. First edition. Petersen A31b.3. Requiem for a Nun. New York: Random House, 1951. Publisher's half black cloth and marbled boards. Lacking glassine jacket, shelfwear. Number 689 of 750, SIGNED by the author on the limitation page. First edition. Petersen A28c.

FAULKNER, WILLIAM. 1897-1962.[The Snopes Trilogy]: 1. The Hamlet. New York: Random House, 1940. Publisher's half blue-green cloth over boards, spine stamped in gilt, top edge gilt. Lacking glassine, shelfwear, slight spotting to endpapers. Number 196 of 250, SIGNED by the author.2. The Town. New York: Random House, 1957. Publisher's tan cloth stamped in gilt, acetate wrapper. Fine. Number 139 of 450 copies, SIGNED by the author.3. The Mansion. New York: Random House, [1959]. Original black cloth stamped in gilt, acetate wrapper. Chips to acetate, otherwise fine. Number 426 of 500 copies, SIGNED by the author.THE SNOPES TRILOGY, LIMITED FIRST EDITIONS, SIGNED by Faulkner. 'At the living center of the life work of William Faulkner are the novels and stories which deal with Yoknapatawpha County ... and at the heart of the fictional accounting of the Yoknapatawpha County stands this trilogy' (George Garret, 'Introduction' to the 2012 Modern Library edition). Garret goes on to note, 'here joined together as had always hoped and planned they would be, as one continuous and sequential narrative.' Petersen A20a, A34a, A36a.

FLEMING, IAN. 1908-1964.Live and Let Die. London: Jonathan Cape, 1954. 8vo. Publisher's black (Fabroleen) cloth, front cover with gilt-stamped Edward VII coin, original magenta dust-jacket lettered in yellow, closed tear to upper front panel, minor foxing to rear panel, some foxing to page margins first and last pages.Provenance: 'Charles' (ink note to endpaper, dated '4/1954').'In my job ... when I come up against a man like this one, I have another motto. It's 'live and let die.''-James Bond on 'Mr. Big,' p 41FIRST EDITION OF THE SECOND BOND BOOK, FIRST ISSUE TEXT AND BINDING, FIRST STATE OF JACKET. Like its predecessor Casino Royale, Live and Let Die was written at Fleming's Goldeneye estate in Jamaica, and his second effort more acutely treats the shifting geopolitical landscape of the 50s, with the same rollicking style. A clean bright copy with all of the earliest points. Gilbert A2a(1.1).

FLEMING, IAN. 1908-1964.Moonraker. London: Jonathan Cape, 1955. 8vo. Publisher's black cloth, title foil-stamped in silver to upper cover, spine lettered in silver, original flame design dust-jacket, minor soiling to jacket, with darkening to the spine, publisher's flaw at p 19/20 mistrimmed.Provenance: H.W. Higginson (pencil inscription to endpaper dated 'May '55').FIRST EDITION, FIRST ISSUE, FIRST BINDING of Fleming's third novel, printed on thinner paper with misprint to p 10. The third James Bond title, and widely considered to be the best. Gilbert A3a(1.1).

FLEMING, IAN. 1908-1964.Diamonds are Forever. London: Jonathan Cape, 1956. 8vo. Publisher's black cloth ruled in blind in a diamond pattern, with silver diamond decoration to upper cover, spine lettered in silver, original pictorial dust-jacket, small stain to fore-edge of page edges, corresponding small stain to fore-edge of rear panel of jacket.Provenance: 'Hazelden' (ink notation to endpaper).'We're both travelling bad roads and all bad roads lead to the bad town.'FIRST EDITION, FIRST IMPRESSION, with 'Boofy' to p 134. A very nice copy of the fourth Bond book. Gilbert A4a(1.1).

FLEMING, IAN. 1908-1964.Dr. No. London: Jonathan Cape, 1958. 8vo. Publisher's plain black cloth, lettered in silver to spine, original pictorial dust jacket designed by Pat Marriot, some tiny chips to corner, and upper panel, dampstain to rear panel. FIRST EDITION, FIRST STATE, IN FIRST ISSUE JACKET. While the novel's sex and violence encountered harsh criticism in the U.K., the U.S. response was much kinder, where it was called 'the most artfully bold, dizzyingly poised thriller of the decade' (James Sandoe in The New York Herald Tribune). Unsurprisingly, Hollywood saw it similarly, and Dr. No became the first of the Bond novels to be made into a film in 1962, starring Sean Connery as the dapper spy. Gilbert A6a(1.1).

FLEMING, IAN. 1908-1964.Goldfinger. London: Jonathan Cape, (1959). 8vo. Publisher's black cloth with blind-stamped skull design to upper cover, coins in the eyes stamped in gilt, spine lettered in gilt, original dust-jacket designed by Richard Chopping, some repair to cloth at joints, small stain at lower gutter, minor chipping to corners of jacket.FIRST EDITION, FIRST ISSUE JACKET, binding in the second state without 3 mm indentation to upper left of skull. Cited by Anthony Burgess as one of the 99 best novels in English since 1939 (Ninety-nine Novels, 1984). Gilbert A7a(1.2)

FLEMING, IAN. 1908-1964.8 James Bond novels: 1. From Russia, With Love. London: Jonathan Cape, 1957. FIRST EDITION. Gilbert A5a.2. For Your Eyes Only. London: Jonathan Cape, 1960. FIRST EDITION, Binding A. Staining to jacket spine. Gilbert A8a(1.1). 3. Thunderball. London: Jonathan Cape, 1961. FIRST EDITION, Binding A. Gilbert A9a(1.1). 4. The Spy Who Loved Me. London: Jonathan Cape, 1962. FIRST EDITION, primary title page, with spurious signature of the author. Gilbert A10a(1.1).5. On Her Majesty's Secret Service. London: Jonathan Cape, 1963. FIRST EDITION, Binding A. Gilbert A11a(1.1).6. You Only Live Twice. London: Jonathan Cape, 1964. FIRST EDITION, Binding A. Gilbert A12a(1.1).7. The Man with the Golden Gun. London: Jonathan Cape, 1965. FIRST EDITION, second binding (c). Gilbert A13a(1.4).8. Octopussy, and the Living Daylights. London: Jonathan Cape, 1966. FIRST EDITION, Binding A. Gilbert A14a(1.1).All in publisher's cloth with pictorial dust jackets. Minor wear to corners of jackets, otherwise fine, except where noted. All FIRST EDITIONS of Fleming's much-celebrated James Bond novels.

FROST, ROBERT. 1874-1963.North of Boston. London: David Nutt, (1914). 8vo. Publisher's olive green cloth, lettered in gilt on front cover and spine, blind-rule to upper cover, custom green cloth chemise and morocco backed slipcase, small plate removed from upper corner paste-down, fine.Provenance: Author's presentation copy to Paul Lemperley (holograph note laid-in), sold his sale, Sotheby's Parke Bernet, New York, January 4, 1940; Frederic Dannay (his sale, Christie's New York, December 16, 1983, lot 146). FIRST EDITION, FIRST ISSUE, FIRST BINDING, PRESENTATION COPY FOR PAUL LEMPERLEY, inscribed by Frost (without Lemperley's name), 'With real regard, / Robert Frost / May 15, 1915,' with two tiny corrections by the author on p 11, lines 4 and 11, and an autograph note signed by Lemperley with initials describing the binding and corrections. Paul Lemperley was a noted Cleveland book-collector and Rowfant Club member: his copy of Frost's New Hampshire bears the authorial inscription, 'My friend since my first book.'A fine association copy of the author's second major book. Crane A3(A).

FROST, ROBERT. 1874-1963.3 signed works: 1. Complete Poems of Robert Frost. New York: Limited Editions Club, 1950. 2 volumes. 4to. Wood-engraved decorations by Thomas W. Nason. Denim cloth with gilt-lettered morocco spine labels; original slipcase. LIMITED EDITION number 1267 of 1500 copies signed by frost, Nason, and designer Bruce Rogers. 2. Complete Poems of Robert Frost 1949. New York: Henry Holt, 1949. Publisher's gilt-stamped cloth; original slipcase. Title with short marginal tear. LIMITED EDITION, number 304 of 500 copies SIGNED by Frost. 3. From Snow to Snow. New York: Henry Holt, 1936. Original silver lettered cloth; pictorial dust jacket. FIRST EDITION, PRESENTATION COPY inscribed by Frost 'For the Mayor' and dated 1937.

FROST, ROBERT. 1874-1963.A collection of signed, limited editions: New Hampshire. 1923. Number 230 pf 350. * A Witness Tree. 1942. Number 645 of 735. Slipcase. * A Masque of Reason. 1945. Number 235 pf 800. * Steeple Bush. 1947. Number 167 of 751. Slipcase. * A Masque of Mercy. 1947. Number 690 of 750. * Hard Not to be King. 1951. Number 117 of 300. * Aforesaid. 1954. Number 308 of 650. Slipcase. * New Hampshire. New Dresden Press, 1955. First separate edition. Number 121 of 750. * In the Clearing. 1962. Number 1087 of 1,500. Slipcase. WITH: Steeple Bush. 1947. Trade hardcover, signed on the free front endpaper: 'Robert Frost. Breadloaf, 1947.Most fine with minor wear, first title covers rubbed, Aforesaid slipcase dampstained, not affecting book.

FROST, ROBERT. 1874-1963.Collection of early books, mostly signed, all in original binding: 1. Collected Poems. 1930. Publisher's buckram cloth, an unnumbered copy from the edition of 1000 copies, SIGNED by Frost on the half-title.2. West-Running Brook. 1928. Publisher's cloth-backed decorated paper boards, lacking slipcase, number 736 of 1000 copies SIGNED by Frost at the colophon, and by J.J. Lankes beneath each of his 3 illustrations.3. A Further Range. 1936. Publisher's cloth, slipcase, number 702 of 803 copies SIGNED by Frost.WITH: A Boy's Will. Holt, 1915. Lacking dust-jacket. First American edition, FIRST ISSUE. * Mountain Interval. 1916. Lacking dust-jacket. FIRST EDITION, FIRST STATE. * A Way Out. 1928. Number 182 of 485, SIGNED by Frost. * Collected Poems. 1930. FIRST TRADE EDITION, FINE IN JACKET. * A Further Range. 1936. Later printing in jacket, SIGNED by Frost. * Collected Poems... 1939. 1939. FIRST EDITION, SIGNED by Frost, 'Mt Auburn St/ Boston.'

HARDY, THOMAS. 1840-1928.The Return of the Native. London: Smith, Elder, & Co., 1878. 3 volumes. 8vo. Half-title, map frontispiece by Hardy in vol 1. Publisher's cloth, upper cover and spine decoratively stamped in black and gilt, spines lettered in gilt and blind, lower cover with double-rule border in blind, custom cloth chemise and morocco backed box, minor rubbing at joints, light foxing to endpapers.FIRST EDITION IN BOOK FORM, FIRST ISSUE, Purdy's primary binding. Controversial upon publication for its frank treatment of sexuality, Hardy's classic tragedy and its proud and unconventional heroine, Eustacia Vye, are now considered one of his best. A clean, bright copy. Purdy, pp 24-72. Sadleir 1113 (binding B).

HARDY, THOMAS. 1840-1928.The Trumpet Major. London: Smith, Elder, & Co., 1880. 3 volumes. 8vo. Half-titles, initial blanks. Publisher's red cloth, front covers pictorially stamped in black, spines in black and gilt, lower covers with triple-rule in blind. custom cloth drop-back box. Spines lightly faded, minor rubbing to gilt.FIRST EDITION IN BOOK FORM, SECONDARY BINDING, which Purdy notes is scarcer than the primary binding. The Trumpet-Major first appeared in 12 monthly parts of Good Words for 1880. The cover features an encampment in the top panel and a mill on the lower panel and follows the author's own design. Hardy also specified the exact shade of red he wanted, a bright sanguine which accords well with the most drastic change that Hardy made to the book edition from the serial: the allusion to the future death of the trumpet major 'upon one of the bloody battle-fields of Spain.' Purdy, pp 31-35; Sadleir 1115.

HARDY, THOMAS. 1840-1928.The Mayor of Casterbridge: The Life and Death of a Man of Character. London: Smith, Elder & Co, 1886. 2 volumes. 8vo. Half-titles, single ad leaf at end of vol 1, and 2 leaves in vol 2 (as called for by Purdy). Publisher's smooth blue cloth, stamped in black, spines titled in gilt, gray floral endpapers. Light rubbing to joints, chip to lower inner corner of many pages in vol 1, small burn hole to pp 189/190. Washed out inscription dated 1888 to half-title.FIRST BOOK EDITION, 758 copies printed, of which 600 were bound at publication. According to critic Albert Guerard, [the main character] 'Henchard ... stands at the very summit of his creator's achievement; his only tragic hero and one of the greatest tragic heroes in all fiction. He takes his place at once with certain towering and possessed figures of Melville, Hawthorne, and Dostoevsky' (Thomas Hardy: The Novels and Stories, New York: 1949). Purdy, pp 50-54; Sadleir 1111.

HARDY, THOMAS. 1840-1928.Tess of the d'Urbervilles. A Pure Woman. [London]: James R.Osgood, McIlvaine & Co., 1891. 3 volumes. 8vo. Half-titles, vols 2 & 3 with final blanks, and vol 2 with initial blank, as called for. Publisher's brown cloth, with gilt honeysuckle design by Charles Ricketts, spines decoratively titled in gilt, modern cloth drop-back box. Minor rubbing to covers, spines lightly cocked.Provenance: Alfred & G. Ivy Clark (etched bookplate).FIRST BOOK EDITION, FIRST ISSUE, a very nice copy of one of Hardy's greatest novels. When it appeared in serial form, two scenes were removed from the serial publication by the editor, necessitating changes in plot including the introduction of a mock marriage. For the book edition, Hardy was able to 'piece the trunk and limbs of the novel together' (Purdy, p 67). Banned and much-discussed at the time of publication for its frank sexuality, Hardy's tragic portrayal of 'a pure woman' trapped by the mores of Victorian society still stands today as one of the most important English novels. Purdy, pp 67-78; Sadleir 1114.

HARDY, THOMAS. 1840-1928.The Dynasts. London: MacMillan & Co, Limited, 1903-1908. 3 volumes. 8vo. Publisher's green cloth, publisher's decorated 'TH' monogram to upper covers, spines lettered in gilt, lacking dust-jackets, spines very lightly faded.FIRST EDITION, FIRST ISSUE of volume one, the usual second state of volume two (with cancel title, no known copy of the first state in an English binding), embossed 'PRESENTATION COPY' stamps to all three title pages, and REVIEW SLIP laid in to volume one. According to George Orwell, writing in the midst of another war in 1942, Hardy 'set free his genius' to write a 'grandiose and rather evil vision of armies marching and counter-marching through the mists, and men dying by hundreds of thousands in the Russian snows, and all for absolutely nothing' (Tribune, September 18, 1942). Purdy, pp 119-135.

HARRIS, JOEL CHANDLER. 1948-1908.Uncle Remus, His Songs and His Sayings, The Folk-Lore of the Old Plantation. New York: D. Appleton, 1881. 8vo. Frontispiece, 7 illustrations and illustrations in text after Frederick S. Church and James H. Moser, 8 pp advertisements at rear. Publisher's cloth, pictorially stamped in gilt and black, patterned endpapers, minor wear to cloth, newspaper article pasted to verso of final textual leaf.WITH: Autograph Letter signed ('Joel Chandler Harris'), 1 p, 108 x 137 mm, on The Constitution letterhead, Atlanta, GA, May 28, 1883, to The World offices asking for two copies of the issue 'containing a notice of the June Century,' light soiling.Provenance: E. Laffam (ownership name); St. Pancras House Improvement Society (stamps to endpapers).FIRST EDITION, FIRST ISSUE, with 'presumptive' to p 9, and no mention of the work in ads. A clean copy of Harris's retelling of African-American folk-tales and myths, with an Autograph Letter Signed from Harris laid in. BAL 7100; Grolier American 83; Parley to Penrod pp 56-57.

JOYCE, JAMES. 1882-1941.Exiles. New York: B.W. Huebsch, 1918. 8vo. Publisher's cloth-backed slate green paper-covered boards, blind-stamped upper cover, spine gilt lettered, publishers dust jacket. Small nick to edge of upper cover, light darkening and rubbing to edges; dust jacket with skillful restoration to spine and folds.Provenance: The Sunwise Turn, Inc. (bookseller's label on back paste-down, see below); William Pieper (small label at back and morocco bookplate?). FIRST EDITION, American issue published simultaneously with the English edition, featuring the rare dust jacket stating: 'A play in three acts that belongs on the shelf with Ibsen and Hauptmann.' The Sunwise Turn, Inc. 'A Modern Bookshop,' is one of the first women owned bookshops in America. It was a bookstore, gallery space, publisher (briefly considering publishing Ulysses) and gathering place for contemporary authors, founded by Madge Jenison and Mary Horgan Mowbray-Clarke in 1916 and operated until 1927. Slocum and Cahoon A15; see Madge Jenison, Sunwise Turn, A Human Comedy of Bookselling, New York, 1923; See Huw Osborne, editor, The Rise of the Modern Bookshop, Burlington, 2015, p 32.

JOYCE, JAMES. 1882-1941.Anna Livia Plurabelle. New York: Crosby Gaige, 1928. 12mo. Publisher's cloth, gilt triangle decoration to front cover, border stamped in blind, spine lettered and decorated in gilt, top edge gilt, custom cloth box, abrasion to front cover.FIRST BOOK EDITION, SIGNED ISSUE, number 619 of 800 copies signed by Joyce on the colophon. By his own count, Joyce spent more than 1200 hours on ALP 'on which I am prepared to stake everything' (Letter to Harriet Weaver, October 8, 1927). Regarded as the most lyrical section of what would become Finnegans Wake, 'Anna Livia' had 'an undoubted influence on 'The Revolution of the Word' (Connolly Modern Movement 87). Slocum & Cahoon A32.

JOYCE, JAMES. 1882-1941.Haveth Childers Everywhere. Fragment from A Work in Progress. Paris: Henry Babou and Jack Kahane; New York: The Fountain Press, 1930. Folio. Title printed in green and black, initials and headlines printed in green. Publisher's printed wrappers, uncut, glassine dustwrapper, custom cloth slipcase, minor chipping to lower spine corner, small chip to glassine at upper corner, tanning to spine.FIRST EDITION, SIGNED ISSUE, number 73 of 100 copies signed by Joyce in pencil, and printed on hand-made iridescent Japan, from a total edition of 685. Jack Kahane, the 'dirty books' publisher the Obelisk Press, approached Joyce in 1929 about publishing something from his 'Work in Progress,' a portion of which had appeared in Transitions earlier that year. Introduced through Sylvia Beach, Kahane, who was known to refer to Joyce simply as 'God,' paid Joyce 50,000 francs and published the 5000-word fragment with 'touching reverence and incomparable luxury' (Kahane, Memoirs of a Booklegger, p 29). The section forms chapter 3 of book III in what eventually became Finnegans Wake. Slocum and Cahoon A41.

JOYCE, JAMES. 1882-1941.3 titles: 1. Ulysses. New York: Random House, 1934. Publisher's cloth printed in red and black, dust jacket. Slight toning to cloth, toning to spine and a few small tears in jacket. FIRST AUTHORIZED AMERICAN EDITION, with reprint of U.S. District Court decision regarding the ban of the work, and the first appearance of Ernst Reichl's bold typographic jacket design. Slocum & Cahoon A212. Finnegans Wake. New York: Viking Press, 1939. Publisher's cloth, jacket printed in red and blue on white. Jacket spine sunned, slightly soiled, with a few chips. FIRST AMERICAN TRADE EDITION. Slocum & Cahoon A47.3. Anna Livia Plurabelle: Fragment of Work in Progress. London: Faber & Faber, [1930]. Publisher's cloth titled in gilt. Lacking original glassine jacket, slight spotting. FIRST ENGLISH EDITION of this chapter, a fragment of what would later become Finnegan's Wake, printed as part of series, 'Criterion Miscellany No.15.' Slocum & Cahoon 33.

KING, STEPHEN. B.1947.Carrie. New York: Doubleday & Company, 1974. 8vo. Publisher's maroon cloth, lettered in gilt to spine, original pictorial dust-jacket, minor wear at corners of jacket. FIRST EDITION, FIRST PRINTING OF KING'S FIRST NOVEL, INSCRIBED by King to title page, and dated December 12, 1995, with code P6 to gutter of p 199. A clean bright copy of an important first novel, the basis for the 1976 classic starring Sissy Spacek in the title role.

KING, STEPHEN. B.1947.Carrie. New York: Doubleday & Company, 1974. 8vo. Publisher's original maroon cloth, lettered in gilt to the spine, original pictorial dust-jacket, light wear at corners.SIGNED FIRST EDITION OF AUTHOR'S FIRST BOOK, first printing with code 'P6' in gutter of p 199.

KING, STEPHEN. B.1947.Carrie. London: New English Library, 1974. 8vo. Publisher's purple cloth lettered in gilt, original pictorial dust-jacket, light wear at the corners.FIRST ENGLISH EDITION OF AUTHOR'S FIRST BOOK. A bright copy of a scarce issue.

KING, STEPHEN. B.1947.CHONG, VINCENT. Illustrator. The Shining. Burton, MI: Subterranean Press, 2013. 4to. Publisher's cloth-backed marbled boards, spine lettered in gilt, publisher's suede folding case, lettered in gilt.DELUXE EDITION, number 464 of 750 copies, signed by King at the colophon, and by Chong on an inserted illustrated leaf. With the pamphlet including Chong's sketches and the original jacket art before letters (650 x 252 mm). Fine.WITH: 1. Danse Macabre. NY: Everest House, 1981. Publisher's cloth, glassine, slipcase. FIRST EDITION, SIGNED ISSUE, number 230 of 250 copies, signed at the colophon. Fine. 2. Cujo. NY: Mysterious Press, 1981. Publisher's cloth, acetate, slipcase. FIRST EDITION, SIGNED ISSUE, number 339 of 750 signed at the colophon. Fine.3. Skeleton Crew. Santa Cruz: Scream Press, 1985. 4to. Publisher's cloth, original illustrated dust-jacket and slipcase. DELUXE EDITION, number 231 of 1000 copies signed by King and illustrator J.K. Potter. With folding poster laid-in at rear. Fine.

KING, STEPHEN. B.1947.Firestarter. Huntington Woods, Phantasia Press, 1980. 8vo. Publisher's blue leatherette, lettered in silver, original wraparound pictorial dust-jacket by Michael Whelan, publisher's blue paper-covered card slipcase, fine.FIRST EDITION, SIGNED ISSUE, number 270 of 725 copies signed by King and dated 'July 6, 1980.' Nominated for the Locus Award, Balrog Award and the British Fantasy Award when it was published, Firestarter was made into the 1984 film starring Drew Barrymore, Heather Lcklear, Martin Sheen and George C. Scott. A fine copy in slipcase.

KING, STEPHEN. B.1947.The complete Dark Tower series in the deluxe issue, 10 books in 13 volumes, all in publisher's cloth with original pictorial dust-jackets and slipcases: 1. The Gunslinger. 1982. Number 229 of 500 copies SIGNED by King and Michael Whelan. 2. The Drawing of the Three. 1987. Number 594 of 850 copies SIGNED by King and Phil Hale.3. The Waste Lands. 1991. Number 229 of 1250 copies SIGNED by King and Ned Dameron.4. Wizard and Glass. 2 volumes. 1997. Number 268 of 1250 copies signed by King and Dave McKean.5. Wolves of the Calla. 2 volumes. 2003. Number 1252 of 1350 copies signed by King and Bernie Wrightson.6. Song of Susannah. 2004. Number 1252 of 1400 copies signed by King and Darrel Anderson.7. The Dark Tower. 2 volumes. 2004. Number 1252 of 1500 copies signed by King and Michael Whelan.8. Little Sisters of Eleuria. 2008. Number 745 of 1250 signed by King and Whelan. 9. The Wind Through the Keyhole. 2012. Number 561 of 800 copies signed by King and Jae Lee.WITH: Vincent, Bev. The Road to the Dark Tower. Cemetery Dance, 2005. Number 934 of 1000 copies signed by Bev Vincent.FINE COPIES OF THE COMPLETE DARK TOWER SERIES. Nominated multiple times for the Locus Award and winner of the 2005 British Fantasy Award for best novel (for The Dark Tower), the acclaimed series began with The Gunslinger in 1982, with the main part of the series ending with book VII in 2004. Little Sisters of Eleuria first appeared as a precursor to the Dark Tower cycle in 1998, and was republished by King in 2009 with a revised edition of the original Gunslinger. In 2012, Grant issued The Wind in the Key Hole, the eighth novel in the series which takes place between volumes 4 and 5. A beautiful, complete set of King's Magnum Opus, an 'imposing example of pure storytelling' (Bill Sheehan, The Washington Post, 2007).

KING, STEPHEN. B.1947.The complete Dark Tower series in 7 volumes, first trade editions, original cloth, dust-jackets, all in fine condition:The Gunslinger. 1982. * The Drawing of the Three. 1987. * The Waste Lands. 1991. * Wizard and Glass. 1997. * Wolves of the Calla. 2003. * Song of Susannah. 2004. * The Dark Tower. 2004. WITH: The Wind Through the Keyhole. London: Hodder & Stoughton, 2012. Publisher's cloth, slipcase, sealed in original shrink-wrap plastic. SIGNED LIMITED EDITION, one of 200 with 6 color plates.

KING, STEPHEN. B.1947.Eyes of the Dragon. Bangor, ME: Philtrum Press, 1984. Folio. Publisher's quarter black cloth and red hand-painted paper boards, matching slipcase. Light wear and one small scuff to slipcase, otherwise fine.INSCRIBED, LIMITED EDITION, RED-NUMBERED ISSUE, number 241 of 250, from a total edition of 1,250. The first 250, numbered in red ink, were for private distribution, and often found inscribed, as is the case here, where King writes on the title page: 'For Jim French / Hope you'll like this little story, and I also hope you have the happiest holiday season ever / With best, Stephen King, 12/6/84.'

DRYDEN, JOHN. 1631-1700.Absalom and Achitophel. A Poem [WITH: The Second Part of Absalom and Achitophel]. London: Jacob Tonson, 1681-82. Folio (300 x 190 mm and 350 x 220 mm). Part 1 without initial blank, bound in early 20th century half morocco, the second part stitched and uncut, title and final leaf slightly worn. Loose in a cloth case. FIRST EDITION, 1st issue of Part 1; part 2 in the second state with Fleet St added to imprimatur, and 12 lines on the final leaf. Macdonald 12a/15a. Wing D-2212/D-2350. Provenance: Part I Robert S. Pirie (bookplate); Part II, Belmont Corn and Robert S. Pirie (bookplates).WITH: The Medall. A satire against sedition. London: J. Tonson, 1682. Small 4to. Modern green half morocco. Provenance: Winston Henry Hagen (Bookplate); Robert S. Pirie (Bookplate). Wing D-2311; Macdonald 13 Aii. A fine group of three of Dryden's political satires, all from the Pirie Library. Dryden wrote this political verse at the request of Charles II, using biblical allegory to describe the political situation regarding the arrest of the Earl of Shaftesbury for treason, his imprisonment in the Tower of London and his acquittal after his trial in 1681. Part 1 appeared anonymously describing the arrest and trial while part 2 was published a year later, although largely written by Nahum Tate, it was revised by Dryden, and included his satirical portraits of Thomas Shadwell and Elkanah Settle. Dryden's political stance brought about a slew of anti-Dryden sentiment, most couched in verse!

KING, STEPHEN. B.1947.3 signed and limited books from the Lord John Press, Northridge, CA: 1. Dolan's Cadillac. 1989. Publisher's morocco-backed marbled paper boards, spine lettered in gilt. FIRST EDITION, DELUXE ISSUE, number 247 of 250 copies signed by King to the half-title.2. Dolan's Cadillac. 1989. Publisher's cloth-backed decorated paper boards with multiplied Cadillac design, spine lettered in gilt. FIRST EDITION, number 199 of 1000 copies signed by King to the half-title.3. Lord John Signatures. 1991. Publisher's blue morocco-backed grey cloth, stamped in blue, spine lettered in gilt. DELUXE ISSUE, number 100 of 150 copies (of 576 total), signed by King at the end of his introduction, and additionally signed by Ray Bradbury; James Crumley; Richard Ford; Jim Harrison; Harry Crews; Thomas McGuane; Ursula LeGuin; Norman Mailer; Richard Matheson; Edna O'Brien; Eudora Welty; Richard Yates; William Everson, and Gerald Ford, among others.

KING, STEPHEN. B.1947.The Green Mile. London: Penguin Books, 1996. 6 volumes. Illustrations at front of each part by Mark Edward Geyer. Publisher's pictorial wrappers. Fine.FIRST ENGLISH EDITION, EACH SIGNED by King on the title page. First appearing in this form in six serialized parts, The Green Mile was published simultaneously in the U.S. by Signet, and by Penguin in the U.K. The story was nominated for a Bram Stoker award in 1997, and was later adapted to the screen by Frank Darabont, earning four Academy Award nominations, including Best Picture.

KING, STEPHEN. B.1947.The Green Mile. Burton, MI: Subterranean Press, 2006. Publisher's blue morocco and cloth, matching cloth-covered slipcase. Slight fading to edges of slipcase, otherwise fine.LIMITED, FIRST SEPARATE HARDCOVER EDITION, number 120 of 148 numbered copies, of a total edition of 200. SIGNED by the author on the limitation page in Volume I.

MCCARTHY, CORMAC. B.1933.No Country for Old Men. New Orleans: B. E. Trice, 2005. 8vo. Publisher's half-burgundy morocco over marbled boards, spine lettered in gilt, raised bands, original slipcase with author's facsimile signature in gilt to upper panel, fine, unopened.'Nineteen is old enough to know that if you have got something that means the world to you it's all the more likely it'll get took away.'FIRST EDITION, DELUXE ISSUE, number 67 of 75 copies signed at the colophon and issued in deluxe binding. Taking its title from Yeats, McCarthy's novel is dark, violent, and brilliant, and was translated to an award-winning film by the Coen Brothers in 2007.

MCCARTHY, CORMAC. B.1933.Four signed editions: 1. No Country for Old Men. New Orleans: Trice, 2005. Publisher's quarter calf with gilt spine titles, marbled boards, slipcase. FIRST EDITION LIMITED ISSUE, number 56 of 325 copies signed. 2. Cities of the Plain. New Orleans: Trice, 1998. Publisher's quarter calf with gilt spine titles, slipcase. FIRST EDITION LIMITED ISSUE, number 92 of 325 copies signed. 3. The Stonemason. 1994. Publisher's cloth-backed boards, slipcase. FIRST EDITION LIMITED ISSUE, number 261 of 350 copies signed. 4. The Gardener's Son. 1996. Publisher's cloth; slipcase. FIRST EDITION LIMITED ISSUE, number 119 of 350 copies signed.

MCCARTHY, CORMAC. B.1933.10 first editions, all fine in dust-jackets (except where noted): 1. No Country for Old Men. New York: Alfred A. Knopf, 2003. Publisher's advance copy, with tipped-in flyleaf, SIGNED in pencil by the author. 2-4. The Border Trilogy: All the Pretty Horses, The Crossing, Cities of the Plain.. 1992-1998. ALL FIRST EDITIONS. 5. Child of God. 1973. First edition. Tape stain to endpapers.6. The Orchard Keeper. 1965. First edition. Dampstain to jacket, library stamp. 7. The Stonemason. 1994. First edition.8. The Road. 2006. First edition.9. The Gardener's Son. 1996. First edition.10. 'The Dark Waters,' in Sewanee Review, volume LXXIII, number 2, Spring 1965. Publisher's printed wrappers. An excerpt from The Orchard Keeper and the first appearance of McCarthy's work in the literary press.

MCMURTRY, LARRY. B.1936.In a Narrow Grave: Essays on Texas Austin: Encino Press, 1968. 8vo. Publisher's suede-backed tan paper boards, upper cover lettered in blind against black blocking, spine lettered in black and titled in gilt on black morocco spine label, publisher's cloth slipcase with facsimile signature stamped in black, light rubbing to joints.Provenance: Roy Walton (inscribed by the author).FIRST EDITION, DELUXE ISSUE, SIGNED by McMurtry to half-title, and numbered 243 of 250 copies, this one additionally inscribed by McMurtry.

MCMURTRY, LARRY. B.1936.In a Narrow Grave: Essays on Texas. Austin: Encino Press, 1968. 8vo. Publisher's original yellow cloth, author's facsimile signature stamped in black to upper cover, printed paper spine label, original black and tan dust-jacket, fine.FIRST EDITION, FIRST PRINTING, with 'skycrapers' for 'skyscrapers' to p 105, line 12, among other errors. Reportedly, McMurtry had all copies of the error ridden printing withdrawn and they were destroyed, with 15 managing to survive. Although, APG notes 'seems more common.' Still a FINE COPY of a legendary rarity.

POUND, EZRA. 1885-1972.Lustra. London: Elkin Mathews, [1916]. 8vo. Photogravure portrait frontispiece by Alvin Langdon Coburn, 'EP' device designed by Edmund Dulac to title page. Publisher's tan cloth, lettered in blue, uncut and unopened, custom cloth chemise and slipcase, with morocco title label, minor soiling.Provenance: Jonathan Goodwin (his sale, Sotheby's New York, March 29, 1977, lot 231). FIRST EDITION, FIRST ISSUE, SIGNED BY POUND IN THE YEAR OF PUBLICATION, dated 'Oct 1916' in pencil, number 45 of 200 unabridged copies, hand-numbered by pound to colophon on title page. After a dispute with his publisher Elkin Mathews over sexually charged language, Lustra was printed in an edition of 200 copies containing an 'unabridged' text in September 1916; the 'abridged' trade edition was 800 copies. Cyril Connolly called Lustra Pound's 'first volume of truly modern work' ('The Break-Through in Modern Verse,' London Magazine, 1961). Gallup A11a; Connolly Modern Movement 35.

POUND, EZRA. 1885-1972.Eliot, T.S., Editor. Selected Poems. London: Faber & Gwyer, (1928). 8vo. Publisher's vellum-backed blue paper boards, spine lettered in gilt, some soiling to spine.FIRST EDITION, SIGNED ISSUE, number 24 of 100 copies signed on the colophon. Edited by Eliot, the 1928 Selected Poems became the primary text on which all of the primary Pound collections were based. In his selection and his introduction, Eliot attempted to popularize Pound and essentially market Pound to 'an audience he had systematically insulted since 1914' (Hugh Witemeyer, Ezra Pound Encyclopedia, 2005). Gallup A30b.

POUND, EZRA. 1885-1972.A Draft of XXX Cantos. Paris: Hours Press, 1930. 8vo. Decorative initials by Dorothy Shakespear. Publisher's buckram cloth, lettered in red, spine and margins lightly toned. Provenance: Purchased from Newbegins Bookshop, San Francisco (bookseller's ticket, with manuscript note dated 11/15/30).FIRST EDITION of this extended Cantos, number 41 of 200 copies, beautifully printed by François Bernouard for Nancy Cunard's Hours Press on Canson-Mongolfier Soleil velin M. R. V. Paper. 'It is in the minutiae—in the minute organization of the words and their relationships in a composition that the seriousness and value of a work of writing exist—not in the sentiments, ideas, schemes portrayed ... (W.C. Williams, 'A Draft of XXX Cantos by Ezra Pound,' Selected Essays, 1954). Gallup A31a.

RESTORATION DRAMA AND POETRY.DRYDEN, JOHN. 1631-1700. All for Love: or, the World well lost. A Tragedy ... and Written in Imitation of Shakespeare's stile. London, 'In the Savoy': Thomas Newcomb, for Henry Herringman, 1678. 8vo (220 x 1700 mm). Without the 4pp preface b1-4, and with the prologue placed after the title. Lightly browned and spotted throughout, several quires with a water mark affecting upper part of the leaf. Early 20th century half calf with green cloth boards, upper cover with title lettered in gilt. Slightly browned. Wing D-2229; MacDonald 82a. Provenance: Robert Hoe (leather book-label on front paste down). WITH: two other copies of this edition, one an ex-library copy without the prologue or preface, and with upper title shaved with loss of letters, and the second the Foyle copy, with the prologue bound after the Epistle Dedicatory, and with the preface b1-4.FIRST EDITION of one of the finest revisions of a Shakespearean play, and often considered as Dryden's own best play; WITH: other late 17th century poetical works by Dryden, from the Pirie Collection: The Hind and the Panther. A Poem. 1687. * Eleonora: A Panegyrical Poem. 1692. * Three poems upon the death of Oliver Lord Protector. 1659 * Another, the reprint of 1682.

SASSOON, SIEGFRIED. 1886-1967.The Old Huntsman and Other Poems. London: William Heinemann, 1917. 8vo. Errata slip pasted to contents page. Original grey paper boards, printed paper title label to spine, original grey paper dust-jacket, some foxing to endpapers and page edges, wear to corners of jacket, with light staining along spine and upper margin front panel, foxed to verso.FIRST EDITION of author's first major collection of war poetry. Edwin Muir said of Sassoon's war poems: 'They are effective because of the moderation they observe in the midst of furious indignation and pity ... their force lies in their impersonality, which sets down with indignant economy the shame and horror of war.' Keynes A15a.

SASSOON, SIEGFRIED. 1886-1967.The War Poems of Siegfried Sassoon. London: William Heinemann, 1919. 12mo. Publisher's red cloth, printed title labels to upper cover and spine designed by William Nicholson, original orange dust-jacket, ruled and lettered in red, cloth lightly faded at margins, offsetting to endpapers, minor foxing.FIRST EDITION, including the first trade appearance of 12 poems, and collecting 64 more of his most powerful from previous works. In many ways, his most complete comment on the war. Keynes A20.

SASSOON, SIEGFRIED. 1886-1967.NICHOLSON, WILLIAM. Illustrator. Memoirs of a Fox-Hunting Man. London: Faber and Faber Limited, (1929). 8vo. 7 plates, illustrations and endpapers by William Nicholson. Publisher's vellum, lettered and decorated in red and gray, top edge gilt, original pictorial dust-jacket, with inner glassine wrapper, light wear to corners of jacket.FIRST ILLUSTRATED EDITION, SIGNED ISSUE, number 216 of 300 copies signed by Sassoon and Nicholson. AN EXCEPTIONAL COPY.

SASSOON, SIEGFRIED. 1886-1967.FREEDMAN, BARNETT. Illustrator. Memoirs of an Infantry Officer. London: Faber and Faber Limited, (1931). 8vo. 15 color plates by Barnett Freedman. Publisher's pictorial parchment-covered cloth, untrimmed, top edge gilt, original pictorial dust-jacket, publisher's pictorial slipcase, minor chipping to vellum at spine ends, minor wear to slipcase.FIRST ILLUSTRATED EDITION, SIGNED ISSUE, number 226 of 320 copies signed by the author and artist. A bright copy, in the scarce slipcase.

SASSOON, SIEGFRIED. 1886-1967.Four books: 1. Heart's Journey. New York and London: Crosby Gaige/William Heinemann, 1927. Publisher's cloth backed boards, paper spine label, printed dust jacket. FIRST, LIMITED EDITION of 590 unnumbered copies, SIGNED on the title page.2. Picture Show. [Cambridge]: Privately printed, 1919. Publisher's textured brown boards, printed paper lettering piece on upper board. Rubbed and soiled, some browning to edges. With original prospectus/order form loosely inserted.Provenance: Evelyn Henry Tschudi Broadwood (bookplate and ownership inscription).3. Memoirs of an Infantry Officer. Publisher's blue cloth, gilt lettered on spine. Sunned. SIGNED LIMITED EDITION, number 216 of 750. 4. Counter Attack and Other Poems. New York: E.P. Dutton & Co., 1918. Publisher's textured brown boards, printed paper lettering piece on upper board. Minor soiling to boards, very light dampstaining at gutter on some leaves, lacking jacket. First America edition.