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Lot 45

Australasia.- Australia.- Maslen (T.J.) The Friend of Australia; or, a Plan for Exploring the Interior and for carrying on a Survey of the Whole Continent of Australia, second edition, folding map, 5 hand-coloured double-page lithographed plates mounted on stubs at end (3 views, partly-coloured plan for a town, and proposal for an Australian flag), foxing to title and first few leaves, original cloth, paper label on spine, rubbed, spine worn and chipped, old repairs to joints, [Ferguson 2145; Wantrup 117b; cf.Abbey Travel 574, first edition of 1830], 8vo, 1836.⁂ Scarce and eccentric work on the unknown Australian interior in accordance with the contemporary theory that the continent contained a vast inland sea, with proposals for an expedition using elephants, camels and craft for navigating the said sea.

Lot 251

Chytraeus (David) De Lectione Historiarum Recte Instituenda...addita est Chronologia Historiæ Herodoti, Thucydidis, Xenophontis..., 2 parts in 1, collation: A-G8; A-K8 L4, italic type, second title with woodcut ornament, L4 blank, final f. with large woodcut printer's device verso otherwise blank, ruled in red throughout, stained at head and foot, mostly in gutters, Strasbourg, Christian Müller, 1565 bound with Patricius (Franciscus) De legendae scribendae' quae historiae ratione, dialogi decem, ex italico in Latinum sermonem conversi, collation: a-b8 A-N8, italic type, woodcut decorative initials, ruled throughout in red, occasional spotting, Basel. Sixtus Henricpetri, [1570], together 2 works in 1 vol., contemporary limp armoiral vellum, soiled, 8vo⁂ First edition of Chytraeus' work on the importance of studying history. It is bound with an historical work by the Venetian Platonist philosopher Patricius. Literature: I: Adams C1583; VD 16 C 2645 II: Not in Adams; VD 16 P 916.

Lot 328

Heaney (Seamus) Eleven Poems, first edition, first issue on wove and watermarked paper, signed presentation inscription from the author to Dr. Peter Rogers, first issue printed wrappers with a nine-pointed sun in purple to upper cover, old tape mark and some light browning to upper cover, minor creasing to foot, but still an excellent example overall, preserved in custom morocco-backed drop-back box, 8vo, [Brandes & Durkan A1a], [1965].⁂ The scarce first issue of the poet's first separately printed collection, rare signed.Reverend Canon Peter Rogers, a mentor of Heaney's and president of St. Joseph's Training College, Belfast while Heaney was a lecturer there (see also lot 330).

Lot 155

Agriculture.- Markham (Gervase) The English Husbandman. The First Part: Contayning the Knowledge of the true Nature of euery Soyle within this Kingdome: how to Plow it; and the manner of the Plough, and other Instruments belonging thereto, first edition, woodcut illustrations, head-pieces and decorative initials, occasional spotting, little marginal soiling to last few ff., contemporary limp vellum, housed in a calf slip-case with pull-off top, [Fussell pp.31-32; Poynter 21.1; STC 17355], small 4to, printed by T[homas]. S[nodham]. for Iohn Browne, and are to be sould at his shop in Saint Dunstanes Church-yard, 1613.⁂ A very good copy of the rare first edition of part 1, with an excellent provenance. It includes a plethora of agricultural, horticultural and sporting advice, including arable farming and ploughing techniques.Provenance: Bridgewater Library (large engraved armorial bookplate); Boies Penrose (bookplate); John L. Clawson (small circular leather bookplate).

Lot 81

Birds.- Cassin (John) Illustrations of the Birds of California, Texas, Oregon, British and Russian America, first edition in book form, 50 hand-coloured lithograph plates by William E. Hitchcock, some after George G. White, advertisement leaf at end, some minor mostly marginal foxing, original cloth, spine faded, [Nissen IVB 173], 8vo, Philadelphia, J.B. Lippincott & Co., 1862.⁂ A very good copy in original condition of this work which was first published in parts between 1853 and 1855 and intended as a complementary volume to the octavo edition of Audubon's Birds of America

Lot 331

Heaney (Seamus) Door into the Dark, first edition, signed presentation inscription from the author 'on "the day of the corncrake." 29th June 1969' on title, original cloth, dust-jacket, spine lightly browned, [Brandes & Durkan A5a], 8vo, 1969.⁂ From the library of the Belfast poet John Hewitt. Hewitt's The Day of the Corncrake was published in the same year as Door into the Dark and this copy was presented to Hewitt by Heaney to commemorate what would be a significant year for both writers.

Lot 247

Doni (Anton Francesco) I Marmi, 4 parts in 1, collation: A- X4; Aa-Pp4; a4, B-X4; AA-MM4, first part-title with large woodcut globe device of the globe from Doni's I Mondi, other part-titles with different device, each part with final woodcut device within full-page scrollwork borders, full-page woodcut portraits, A1 & A2 slightly foxed and bearing small blind-stamp, 1552 bound with [Bidpai]. La Moral Filosophia..., edited by Doni , collation: A-V4, woodcut frontispiece device within full-page scrollwork borders, title with large woodcut globe device, 1552, together 2 works in 1, numerous woodcut illustrations, decorations and initials, bookplate of Nicolas-Joseph Foucault, old inscription on front fly-leaf, late 17th century speckled calf, spine gilt with partly ablated volume reference to one compartment, small tear to head of spine, small 4to, Venice, Francesco Marcolini, 1552⁂ The first edition of Doni's characteristically unconventional series of imaginary dialogues between numerous figures, historical and fictional, conversing and arguing on the marble steps of Florence's Duomo over a wide range of subjects, including contemporary economics, printing, literature and history. The second work present, Bidpai's fables, is significant not least as it was Doni's selection that was used as the primary source for Sir Thomas North's 1568 English translation, preceding by several years the first English editions of Aesop and the Dialogus creaturarum moralizatus Provenance: Bookplate of the noted French bibliophile Nicholas-Joseph Foucault (1643-1721); the Macclesfield copy, Sotheby's October 2008, lot 4440.Literature: Adams D824 & B1997; Mortimer Harvard Italian 165 & 65; EDIT 16 CNCE 17692

Lot 34

Australasia.- Australia.- Pamphlets.- Bond (George) A Brief Account of the Colony of Port-Jackson, in New South Wales...with an Interesting Account of the Murder of Mr.Clode..., 18pp., "sixth" [seventh] edition, [Ferguson 488; Wantrup 30], Dublin, for the Author, [?1810] bound after Concise History (A) of the English Colony in New South Wales...Customs of the Wandering Unfortunate Natives...Treatment and Behaviour of the Convicts & Free Settlers, second edition, aquatint frontispiece of aborigines (cropped with slight loss to caption at foot), [cf. Ferguson 391; not in Wantrup], G.Riley...Harris, [?1804] bound with Observations on that part of the Speaker's Speech, which relates to Trade, issue with catchword "ral" on p.43, 10 appendices on 6 sheets at end, 2 folding, Dublin, 1799 and Clare (John Fitzgibbon, Earl of) The Speech...of John, Earl of Clare, Lord High Chancellor or Ireland, in the House of Lords of Ireland...on Monday, February 10, 1800, half-title, final leaf of Appendix, C2 soiled at foot, Dublin, 1800 and [Johnson (William)] Reasons for Adopting an Union, between Ireland, and Great Britain, first edition, Dublin, 1799 and Castlereagh (Robert Stewart, Lord) The Speech...to the House of Commons of Ireland...on...Union with Great Britain..., lacking final leaf, title stained, Dublin, 1800 and Address (An) to the Freemen of Derry...By a Freeman, ink stains to A1, [Not in ESTC], n.p., 1790 § French Fraternity and French Protection, as promised to Ireland...By an Friend to the People, first edition, Dublin, 1798 and [Tickell (Richard)] Anticipation: containing the Substance of His M_y's Most Gracious Speech to both H_s of P_l_t..., light damp-staining and worming (mostly marginal), manuscript note to foot of final leaf, Dublin, 1778, together 9 works in 1 vol., contemporary half calf, rubbed, old paper label at foot of spine, short splits to head of joints, 8vo⁂ An interesting group of pamphlets relating to Australia, trade and Ireland. The first two are both scarce accounts of the colony of Port Jackson, the first European settlement in Australia. The first is a description of the convict system and corruption by an ensign in the New South Wales Corps who was ejected from the colony on Governor Hunter's recommendation in 1800. Despite the work being issued several times all editions are rare.

Lot 305

Austen (Jane) The Novels, 2 vol., first American collected edition, [one of 1500 copies], printed in double column, a little browned, occasional spotting, marginal water-stain at beginning of vol.1, advertisement leaf at beginning of vol.1 and 2 at end of vol.2, contemporary half calf over marbled boards, rubbed, modern cloth drop-back box, [Gilson E1], 8vo, Philadelphia, Carey, Lea & Blanchard, 1838. ⁂ The second American edition of Austen's novels, but first collected. Each novel was issued individually by Carey & Lea (later Carey, Lea & Blanchard) from 1832-33, pre-dating the reissue of the novels in England by Richard Bentley in his Standard Novels series. An article in The Book Collector by Richard Healey, published a couple of years ago, argues that the copy described in Gilson's entry E1, the two volumes bound in 1 in "elegant embossed cloth" is in fact erroneous and never existed, but that this two-volume edition is the correct first American collected edition.For Jane Austen see also lots 302, 315 and 319

Lot 79

Birds.- Blaauw (Frans Ernst) A Monograph of the Cranes, first edition, one of 170 copies but this copy without limitation label to front pastedown, 22 tipped-in chromolithograph plates, original pictorial cloth, lettered in gilt, a fine copy, [Fine Bird Books p.77; Nissen IVB 105; Wood p.242 "A fine systematic treatise, beautifully illustrated"], folio, Leiden & London, 1897.⁂ Fifteen of the plates are by Leutemann and the other 7 (of which 2 are of eggs) are by Keulemans.

Lot 286

Shirley (James) Six new playes, viz. The Brothers. Sisters. Doubtfull Heir. Imposture. Cardinall. Court secret, first edition, engraved portrait frontispiece, lacking A3 from Doubtfull Heir and the final f. from Cardinall Court (both blanks), worming, heavier in parts affecting small portions of text, occasional damp-staining, marginal browning, occasional ink binder's notes in a contemporary hand, contemporary calf, rebacked, corners worn, rubbed, [not in Pforzheimer; Wing S3486], 8vo, for Humphrey Robinson, 1653.

Lot 235

[Cooke (Thomas)] Tales, epistles, odes, fables, &c. With translations from Homer and other antient authors. To which are added Proposals for perfecting the English language, first edition, engraved arms to dedication, woodcut head-pieces and decorative initials, final advertisement f., [Guerinot, pp. 160-4. Foxon, p. 143], 8vo, Printed for T. Green, 1729.⁂ With translations of Catullus 1, 8, 30, and 92. Cooke had a reputation as an adversary of Cooke, and the present volume includes a completely new version of Cooke's principle attack on Pope, his Battle of the Poets, first published in 1725.

Lot 242

Catullus (Gaius Valerius) The Poems of Caius Valerius Catullus, translated by The Hon. George Lamb, 2 vol. in 1, first edition, half-titles, errata-slip tipped-in at end, some spotting, contemporary red straight-grain morocco, some marking, slightly rubbed, g.e., 1821 § [Hunt (Leigh)] The Feast of Poets, with notes, and other pieces in verse, first edition, with an autograph correction by the author on last page, half-title, lacking final advertisment f., some spotting, contemporary green half calf, head of spine repaired, corners little worn, rubbed, 1814; and 14 others, v.s. (16)⁂ A good selection of 19th and 20th century editions of Catullus, imitations and critiques.

Lot 187

Halfpenny (William) Practical Architecture... or a sure guide to the ... five orders, with their several doors and windows, first edition, 51 engraved leaves, a few ff. corners slightly creased, slightly browned, Finaghy bookplate on front pastedown, contemporary calf, gilt, edges slightly rubbed, [Harris, BABW, 307. Park List 26. Sowerby 4186. O'Neal 53a. Colvin, p. 378], 12mo, Tho: Bowles, and others, [1724].⁂ Halfpenny was the first architectural writer to translate the modular proportions of the orders according to Palladio into feet and inches.

Lot 90

Birds.- Whitaker (J.I.S.) The Birds of Tunisia, 2 vol., first edition, one of 250 copies, this unnumbered, half-titles, photogravure frontispieces, 2 folding maps, 17 plates of which 15 are chromolithographs or hand-coloured lithographs by Gronvold, contemporary green half morocco by R.H.Porter, vol.1 spine a little faded, t.e.g., [Nissen IVB 983], 8vo, 1905.

Lot 19

Americas.- Central America.- Rio (Antonio del) Description of the Ruins of an Ancient City, Discovered near Palenque, in the Kingdom of Guatemala, in Spanish America, first English edition, half-title, 17 lithographed plates after J.F.M. de Waldeck, one folding, 4pp. 8vo advertisements tipped in at end, some spotting, light damp-staining to endpapers, original boards, uncut, paper label on spine (chipped), rubbed, spines ends a little worn, [Sabin 71446; Palau 268187], 4to, 1822.⁂ Scarce; the first published study of the Mayan city of Palenque.

Lot 54

Australasia.- New Zealand.- Nicholas (John Liddiard) Narrative of a Voyage to New Zealand...in company with the Rev. Samuel Marsden, 2 vol., first edition, half-titles, engraved frontispieces, plate and 2 maps, one folding, also woodcut plate of tattoo, advertisement leaf at end of vol.2, contemporary ink signature of Cambusmore at head of titles, a little foxing and offsetting, original boards, printed labels, uncut, rubbed, spines worn and slightly defective at foot, some splits to joints, [Hocken p.37], 8vo, 1817.⁂ Early account of New Zealand and the Maori, and the introduction of Christianity to New Zealand by Samuel Mardsen, a missionary from New South Wales; including a vocabulary of Maori words.

Lot 127

Middle East.- Frith (Francis) Sinai and Palestine, [second edition], 37 mounted albumen prints (c.160 x 230mm. or the reverse), including smaller print on additional title (143 x 115mm.), some foxing and spotting to text and mounts but images generally clean and rich in tone, bookplate of Wharton B. Marriott and letter from another Marriott presenting the book tipped in to front free endpaper, contemporary half morocco, leather to upper cover a little sunned, a.e.g., [Gernsheim Incunabula 195], folio, London, Glasgow and Edinburgh, William Mackenzie, [1862].⁂ The first volume in the second, enlarged edition of Frith's Egypt, Palestine and Nubia, originally published in 1859. "The prints in this edition are of much stronger quality than those in the first edition having been gold-toned" (Gernsheim).

Lot 219

Estienne.- Estienne (Henri) Parodiæ morales H. Stephani, In poetarum vet. sententias celebriores, totidem versibus Gr. ab eo redditas, collation: *8 a-i8 k4, A-M8, italic and Roman type, title with woodcut printer's device, woodcut decorative initials and head-pieces, most rectos of part 1 blank, k4 and M7&8 blank, 17th century vellum, yapp edges, 8vo (160 x 98mm.), [Geneva], Henri Estienne, 1575. ⁂ The Chatsworth copy of the first edition of this collection of parodies of classical poets, profusely annotated by the Dutch scholar Heinrich Christian Henning (Henninius). Henning has filled 46 of the pages left blank by Estienne and a few other ff. with his own selections of proverbs, maxims, and quotations in Latin, Greek, Dutch, German, French, Italian, and Spanish. To acknowledge his additions he has added in on the title 'Cum Sententiarum et Cogitarum Henr. Chr. Henninii'. On this same page he has also included chains of words in various patterns, with the explanation 'Adjiciuntur etiam quaedam Emblemata ingeniosa'. Finally at the foot of the title he has inscribed 'Hic liber odit, amat, nescit, fovet, arcet, honorat, turpia, pulcra, nefas, sacra, profana, bonos'. Henning is best-known for his 1685 edition of Juvenal and for his introduction of the Latin rule of accentuation to Greek (see Pfeiffer, History of Classical Scholarship 1300-1850, p.89). As well as Catullus, other authors parodied include Virgil, Horace, Ovid, Lucan, Juvenal and Martial. Provenance: Thomas William Carr, C.C.C., Oxon (bookplate); Spencer Compton, 8th Duke of Devonshire (Chatsworth armorial bookplate); Heinrich Christian Henning (ink signature to title and annotations). Literature: Adams S1784; Renouard, Estienne, 142:6; Schreiber 194.

Lot 103

Terry Richardson (born 1965), Hysteric Glamour, Tokyo, 1998, first edition limited to 100, signed and numbered #73, quarto (355 x 250 mm), original black boards, spine lettered in red, original photo-illustrated dust-jacket, together with Terry Richardson, Feared by Men, Desired by Women, Shine Gallery, 2000, limited edition of 800 (2) Literature: Martin Parr and Gerry Badger, The Photobook: A History (Volume II), 2006, p.48

Lot 257

Paul Berriff, OBE, (British, 20th century), Lennon & McCartney, 'Harmony', giclee print from a limited edition of 49 58 x 83cm (23 x 32in) Other Notes: This image of Paul McCartney and John Lennon singing 'I Want To Hold Your Hand' on stage at the ABC Theatre in Huddersfield was taken on 29 November 1963 during The Beatles first tour of the UK. The song had been released the same day and this was the first time the group had performed the song in front of a live audience.

Lot 262

Paul Berriff, OBE, (British, 20th century), 'Pink Floyd, Abbey Road', giclee print from a limited edition of 100 53 x 83cm (21 x 32in) Other Notes: This image depicts Members of Pink Floyd recording their single 'Scarecrow' at the Abbey Road studios in London on 20 March 1967. This number appeared on their first album 'The Piper At The Gates of Dawn' which was released in August 1967.

Lot 105

Günter Parth Alex Wiederin, Diamonds & Pearls, Dolce & Gabbana, first edition, 2008, the boards with gilt metal trim, slip case 36.50 x 29cm (14 x 11in)

Lot 284

§ Richard Drew, known as Zacron (British, 1943-2012) Hypnotic signed lower right "Zacron" and numbered 10/250 87cm (34in) Exhibited: Zacron Collection cat no 730 Edition Other Notes: With the blossoming of computers in creative work, Zacron realised the huge potential of digital imaging. Hypnotic was the first of many archival prints produced by Zacron. Simple in form, it has a 1960s pop-art feel. It exhibits the love of vibrant colour, the fascination with spheres and the energy and passion that runs through all of Zacron's art. Condition is fine. Archival fine art print Framed - world limited edition of 250 Printed using light-fast pigment inks onto 305gsm German etching paper, neutral PH and acid-free, calibrated to exactly match the original 68cm x 88.2cm

Lot 259

Paul Berriff, OBE, (British, 20th century), The Beatles 'The Fab Four', giclee print from a limited edition of 49 102 x 84cm (40 x 33in) Other Notes: The Beatles photographed in the auditorium of the ABC Theatre in Huddersfield, Yorkshire on 29 November 1963. It was here they performed for the first time 'I Want To Hold Your Hand', which became their best selling single on both sides of the Atlantic.

Lot 566

Jonathan Wylder (British b. 1957), a patinated bronze group of four nudes with long hair, one seated and three lying down, signed, limited edition 1/9, dated 2006, 13cm high, 17.5cm diameter; a bronze resin copy of the first, signed, limited edition 1/9, dated 2009, 13cm high, 17.5cm high; and Jonathan Wylder, three small bronzes of nudes seated on spheres, one signed, one initialled, two limited editions 15/100, 11.5cm high and smaller; another kneeling, signed, limited edition 17/18, 8cm high, on a separate rectangular marble plinth (7)

Lot 180

Angling - Small collection of various books relating to angling including Bernard Venables - A Fisherman's Testament, first edition 1949, E.A. Barton - An Album Of The Chalk Streams, first edition 1946, B.B. - Confessions Of A Carp Fisher, first edition 1950 etc Condition:

Lot 448

Three volumes of The Modern Tailor Outfitter and Clothier; first published in 1928, fourth edition 1949, new and revised edition reprinted 1951. Edited by A.A. Whife

Lot 394

A Coalport figure; HRH Princess Margaret limited edition, a Worcester figure First Dance 3629, a model of a ceremonial coach and two other figures (5)

Lot 153

An Album Containing Flown RAF and Military First Day Covers, some limited edition 1970's-80's, including The RAF Expedition to Masherbrum, Anniversary of Battle of Britain, First Air Service Across the Atlantic, Methods of Mail Carriage, many signed including Air Vice Marshal Sir John Stacey KCB, Flight Lieutenant W. Waters, Sqd Leader M. Mitchell.

Lot 164

Collection of Two (2) Limited Edition Franklin Mint Sterling Silver Plates in Original Boxes. Includes: George Washington plate and "The First Thanksgiving" by Stevan Dohanos. Signed and numbered, COA's included. Good condition. Each measures 8" Dia. Box measures 10-1/2" W. Together weight approx. 12.61 troy ounces. Shipping $58.00 (estimate $100-$150)

Lot 94

WOOLF VIRGINIA. Monday Or Tuesday. Orig. pict. brds. with woodcut dec. by Vanessa Bell. 4 woodcut plates by Vanessa Bell. FIRST EDITION, ONE THOUSAND COPIES PRINTED, Hogarth Press, 1921. Condition Report. Some chipping to edges of boards, corners slightly based and worn. Some dents/wear to soft spine.Very discoloured end papers, slight yellowing of paper. Light sporadic foxing throughout but generally ok. Some offsetting from plates.As images.

Lot 92

MILNE A. A. Winnie-The-Pooh. Decs. & illus. by E. H. Shepard. Orig. green cloth gilt, some wear, light browning to endpapers. FIRST EDITION, 1926.

Lot 1217

A pair of 20thC Herend of Hungary vases, each trumpet stem on hairy paw feet and platform bases, decorated with flowers, printed marks beneath, first edition, 17cm high. (2)

Lot 697

Andrea Palladio 'The First Book of Architecture' translated into English by Godfrey Richards; 10th Edition 1724 in leather bindings; together with two vols. The Encyclopedia of Architecture; A New and Improved Edition of Nicholson's Dictionary. (3)

Lot 716

A Porcessionarium Sac. Ord Praed by Arch Bishop Antonij de Monroy, first edition published Rome 1679.

Lot 156

Three Royal Doulton bone china figures: 'Pretty Ladies', 'First Anniversary Celebration - Paper', HN5149; limited edition 'Stacey', 27/2950; 'Ninette', HN2379, together with two Coalport figurines: 'Society Ladies' 'Lady Caroline at the Opera', 230/1500 and 'Ladies of Fashion' 'My Sweetheart'. (5)(B.P. 24% incl. VAT)

Lot 225

PUNK/NEW WAVE 7" WITH BOX SETS - Cracking collection of 26 x 7" including limited edition box sets. Artists/titles include The Clash - Singles '77-'79 (Japanese 44-5P-103~110, 8 x 7" - Ex+ or archive quality records and sleeves, with obi/Ex+ outer box one or two very minor creases), Various - Radio Active (Fall OurT Records 12 x 7", Ex+ records and sleeves/Ex outer box), Ramones - Chasing The Night (BEG 128 D), White Heat - Nervous Breakdown (VAL 01 - Ex+/strong Ex), The Lurkers - Shadow / Freak Show (double 7"), The Damned - New Rose (limited edition red and white vinyl issues, both BUY 6), The Stranglers - 96 Years In A Tin (TEARS Q1), Ian Dury, The Clash and The Skids. Condition is first and foremost Ex+ or archive (records) and Ex to Ex+ (sleeves).

Lot 4

INDIE/ROCK 10" - 00s/RSD - Killer collection of 16 x 10" that includes many limited edition Record Store Day Releases. Artists/titles include Joey Ramone - Christmas Spirit, The Flaming Lips - Brainville and This Here Giraffe, The UFO Club/Night Beats split (original pressing with sticker), The Knack - Live In Los Angeles, 1978, David Bowie - Sue, Robert Johnson/Steve Earle, Pete Townshend - Quadrophenia Demos 1 and 2 and First Aid Kit. Condition is almost always Ex+.

Lot 40

PUBLIC IMAGE LIMITED - Staggering nigh complete discography from PiL featuring 30 x LPs and 12" with 6 x 7" and 1 x 10". Titles include Public Image (First Issue) (1st UK issue! V 2114 - great Ex+/Ex with rarely seen large poster of Johnny Rotten), Metal Box (original UK METAL 1 - one of the best we've seen with records Ex+ throughout, complete with paper dividers and insert/very clean Ex tin with little oxidisation that is usually seen with this release), Paris Au Printemps (UK v 2183), The Flowers Of Romance (V 2189), Second Edition (US 2WX 3288), Live In Tokyo (Japanese YS 7148-49 complete original), Album, Happy? (7 90642-1), This Is What You Want..., That What Is Not (V 2681 from 1992), Disappointed (VSTY 1181 12" pic disc), Interview (FLAK 1), Public Image (VS 228 original newspaper sleeve - superb Ex+ record/Ex very clean newspaper...), This Is PiL, Live In Pasadena, CA, Nubes, Memories (12" and 7") and Flowers Of Romance (12" and 7"). Condition is largely Ex to Ex+.

Lot 70

SOUTHERN CULTURE ON THE SKIDS - Mega collection of 5 x LPs, 2 x 10", 8 x 7" and 1 x flexi, ideal for any SCOTS fan. Titles include Rock-A-Hula-Rock (original US debut release SO-17585 with yellow insert - Ex+/Ex+ orange sleeve, ace copy), Clyde's Lament (MR 102 - Ex+/Ex+), Santo! Sings (ZR3 black vinyl), Santo Swings (double EP ES 796-7), Peckin' Party (limited yellow/clear 10"), First Album (US only pressing debut LP SP002 - Ex+/Ex), Plastic Seat Sweat (TR 030 - Mint and still sealed), Dirt Track Date (TR 020 black vinyl), Ditch Diggin' (limited edition picture disc number 362/3000) and Liquored Up And Lacquered Down (TR 040 - Mint and still sealed).

Lot 792

Swarovski Crystal SCS Collectors Members Only Annual Edition Stunning Group Figure for 'Wonders of the Year' 'Eternity' with plaque and members gift scallop. Designer Michael Stamey. Code number 684266 9100 NR 000 008. Issued 2006 retired 2007. 7.75 inches high.. First quality, mint condition, never out of box. Comes complete with box, outer box and booklet.

Lot 307

Rowling, J K "Harry Potter and the Philosopher's Stone", Bloomsbury paperback"The Chamber of Secrets", paperback"The Prisoner of Azkaban", paperback"The Goblet of Fire" Ted Smart 2000"The Order of the Phoenix" Bloomsbury 2003, marked first edition "The Half Blood Prince" Bloomsbury 2005, marked first edition "The Deathly Hallows", Bloomsbury 2007, marked first edition, all with dust jackets, in good order (1 box)

Lot 327

T.E. Lawrence ' The Mint ', First Edition 1955, with dust jacket, one volume ' Highways and Hedges ' illustrated by Berenger Benger, one volume ' Sixty Minutes with Winston Churchill ' together with three volumes ' History of Sicily '

Lot 264

BOY PUNK CLOTHING CATALOGUE.A Boy Black Mail punk clothing catalogue including the legendary Kitsch-22 Designs, a First Edition catalogue 1980. NOTE: This first edition of the Black Mail catalogue totalled about 600 copies before it sold out.

Lot 398

First day covers, various interest, to include: The Fine Art covers, limited edition 850, with wax seals and presentation boards.

Lot 594

The Gipsey Girl, or, The Heir of Hazel Dell, A Romantic Tale; Hannah Maria Jones.London - J&F Tallis, 1836 (presumed, undated edition). Hardcover. First edition. Illustrated by beautiful steel engravings, with a frontispiece. Marbled edges, with original half leather binding. 

Lot 158

All with dust jackets, published by Cassell. Volume 1 is the new revised edition published November 1949, others are first editions published 1949, 1950, 1951, 1952and 1954.

Lot 1

Accarias de Serionne Jacques. Les intérêts des nations de l'Europe, dévélopés relativement au commerce. Tome premier [-second]. A Paris [ma Leida]: Ches Desain, 1766. Two volumes, 4° (253x197 mm). I. [8], 434 pages. II. [6 of 8; lacking fol. ⁂2, as in all recorded copies], 387, [1] pages. Title-pages printed in red and black, with woodcut ornament. Leaves browned; foxing and spotting throughout. A few finger marks. Short tear to the outer blank margin of the first title-page, without any loss. Light dusting to the verso of the last leaf of the secon volume. Contemporary bazzana leather. Spine with five raised bands, gilt tooled; title and volume numbering on double red morocco lettering piece. Marbled pastedown, flyleaves, and edges. Corners worn; a few stains to the covers. Spine damaged, small losses to the upper extremities.  First edition of this treatise by the jurist Jacques Accarias de Serionne, devoted to commercial flows. The author went against the French Enlightenment and Physiocratie. Kress, 6310 ; Einaudi, 55 ; Sabin, 7934. In due volumi in-4° (mm 253x197). I. Pagine [8], 434. II. Pagine [6 di 8; manca la carta ⁂2, come in tutti gli esemplari noti], 387, [1]. Frontespizi stampati in rosso e nero con fregio xilografico. Carte brunite; diffuse fioriture e aloni, qualche segno d'uso. Strappetto al margine esterno bianco del frontespizio del primo tomo, senza alcuna perdita di testo. Tracce di polvere al verso dell'ultima carta del secondo volume. Legatura coeva in bazzana. Dorsi a cinque nervi, scomparti decorati in oro; titolo e numero del volume su doppio tassello in marocchino rosso. Tagli marmorizzati. Contropiatti e sguardie in carta decorata. In entarmbi i volumi abrasioni agli angoli, qualche macchia ai piatti; dorsi fessurati, piccole mancanze in corrispindenza della cuffia di testa. Edizione originale di quest'opera corposa dell'avvocato Jacques Accarias de Serionne che sviluppa un'analisi ragionata, nazione per nazione, dei grandi flussi commerciali trattando il commercio in tutti i suoi aspetti. L'autore è conosciuto come un avversario delle idee dei filosofi francesi e dei fisiocratici. Kress, 6310 ; Einaudi, 55 ; Sabin, 7934.

Lot 101

Say Jean-Baptiste. Trattato di economia politica, o Semplice esposizione del modo col quale si formano, si distribuiscono e si consumano le ricchezze... Tradotto dal francese. Tomo I [-III]. Napoli: nella Stamperia del Ministero della Segreteria di stato, 1817. Three volumes. 8° (205x124 mm). cj, [2], 341, [1] pages; [4], 363, [1] pages; [4], 291, [1] pages with one folding table. Light browning on title pages and on the leaves. Contemporary half-leather, marbled covers, gilt title and numbering on two lettering pieces on the spine. Covers abrased. Note 'L. T.' in gilt on the spine.  First rare Italian edition, edited by Luigi Chitti, of the famous economic writing by Jean Baptiste Say.Tre volumi in-8° (mm 205x124) Pagine cj, [1], 341, [3]; [4], 363, [1]; [4], 291, [1] con una tabella fuori testo più volte ripiegata. Frontespizi con leggere arrossature e tracce di polvere, diffuse anche sulle carte in tutti i volumi. Legatura omogenea coeva in mezza pelle con punte, carta decorata ai piatti, titoli e numero di volume in oro su doppio tassello ai dorsi, tagli gialli. Abrasioni diffuse e qualche lavoro di tarlo ai piatti. Ai dorsi monogramma in oro 'L.T.'. Prima rara edizione italiana, curata da Luigi Chitti, del celebre trattato di economia di Jean Baptiste Say.

Lot 102

Scaliger Iulius Caesar. Poemata omnia in duas partes divisa. Pleraque omnia in publicum iam primum prodeunt reliqua vero quam ante emendatius edita sunt. Sophoclis Aiax Lorarius stylo tragico a Iosepho Scaligero Iulii F. translatus. Eiusdem Epigrammata quaedam... [Heidelberg]: in bibliopolio Commeliniano, 1621. Three parts in one volume, 8° (172x92 mm), each with separate title-page. [4], 692; 311, [1]; 63, [1] pages. Woodcut printer's device on the title-pages of the second, and third part. Woodcut decorated initials. head- and tailpieces. Leaves uniformly browned, spotted and foxed throughout; a few minor stains. The upper margin of some leaves somewhat trimmed. Late nineteenth-century half-leather. Spine with five small raised bands, with title in gilt lettering. At the foot of the spine coat of arms of the Lincoln's Inn Library of London, and the date of publication '1621'. Corners slightly damaged, spine abraded- On the recto of the original front flyleaf ownership inscription 'Hoxe Lincolns Inn 1757' (copy sold, see the small red stamp 'withdrawn' on the verso of the title-page. Eighteenth-century manuscript note on the verso of the original front flyleaf; on the title-page the numbers '5' and '3', in an early hand.  Edition issued by the heirs of Hieronymus Commelinus of the Poemata by the outstanding humanist and philologian Iulius Caesar Scaliger (1484-1558), first appeared in Geneva in 1574. the third part contains the Latin translation, of Sophocles' tragedy Aiax Lorarius, edited by Scaliger's son, Joseph Juste (1540-1609).Tre parti in un volume in-8° (mm 172x92), ognuna introdotta da frontespizio proprio. Pagine [4], 692; 311, [1]; 63, [1]. Marca tipografica incisa su legno ai frontespizi della seconda e terza parte. Iniziali decorate, testatine, e finalini xilografici. Carte uniformemente brunite, diffusi aloni e fioriture; alcune piccole macchie. Margine superiore di alcune carte leggermente rifilato. Legatura tardo ottocentesca in mezza pelle marrone, con angoli. Dorso a cinque piccoli nervi, al secondo scomparto titolo in oro, al piede stemma della Lincoln's Inn Library di Londra, e la data di stampa '1621'. Lievi danni agli angoli, abrasioni al dorso, in particolare in corrispondenza dei nervi e della cuffua di testa. Al recto della carta di guardia anteriore originale la nota di possesso in inchiostro bruno 'Hoxe Lincolns Inn 1757'. Al verso del frontespizio piccolo timbro ovale in rosso di dismissione ('withdrawn') della Lincoln's Inn Library. Ampia annotazione di mano settecentesca al verso della carta di guardia anteriore originale, in riferimento a giudizi di Colerus e Lipsius su Scaliger. Un'antica mano ha annotato al frontespizio i numeri '5' e '3'. L'edizione data alle stampe dagli eredi di Hieronymus Commelinus dell'opera poetica del celebre umanista e filologo Iulius Caesar Scaliger (1484-1558), apparsa per la prima volta nel 1574 a Ginevra, e destinata a notevole fortuna. La terza parte comprende la versione latina, curata dal figlio di Scaliger Joseph Juste (1540-1609) della tragedia di Sofocle Aiax Lorarius.

Lot 103

Schmidt von Avenstein Georg Ludwig. Principj della legislazione universale... traduzione dal francese tomo I [-IIII]... in questa seconda edizione napoletana riveduta e corretta sull'originale, ed accresciuta di più note dell'autore medesimo non ancora pubblicate. Napoli: a spese de fratelli Marotta, 1795. Four volumes, 8° (195x115 mm). [8], XXXI, [1], 283, [1]; [4], 312; [4], XXII, [2], 216 pages (issue B, as recorded in ICCU); [4], 279, [1] pages. Engraved title-pages. Foxing throughout, a few soil. Contemporary vellum over pasteboards. Spines with title in gold on painted double lettering-piece. Edges speckled in brown and orange. Green silk bookmark. Some spots to the covers.  Italian translation, first apperead in 1777, of the Principes, in which the Swiss economist and jurist discusses at length the matter of natural law. The original edition in French had been published in Amsterdam in 1776.Quattro volumi in-8° (mm 195x115). Pagine [8], XXXI, [1], 283, [1]; [4], 312; [4], XXII, [2], 216 (Var. B censita in ICCU); [4], 279, [1]. Frontespizi calcografici. Arrossature diffuse, qualche carta con tracce di polvere. Legatura coeva omogenea in pergamena su cartone, titoli in oro su doppio falso tassello ai dorsi, tagli spruzzati in marrone e arancione, segnalibro in seta verde. Qualche alone ai piatti. Traduzione italiana, apparsa per la prima volta nel 1777, dei Principes dell'economista e giurista elvetico, la cui edizione originale venne impressa ad Amsterdam nel 1776. L'opera offre una serie di argomentazioni e riflessioni per una critica dell'assolutismo dispotico a favore di una netta riaffermazione della legge naturale e dell'autonomia della società. Un utile sunto della fortuna editoriale di questo scritto e le sue edizioni in Italia è offerto nel volume Illuministi italiani. Riformatori napoletani. A cura di Franco Venturi. Volume XLVI, tomo V de La Letteratura Italiana. Storia e Testi. Napoli, Ricciardi, 1962, p. 615. Per il nome dell'Autore si veda invece Barbier, Dictionnaire des ouvrages anonymes et pseudonymes, I, p. 221.

Lot 108

Tasso Torquato. La Gerusalemme liberata... Tomo primo [-secondo]. Firenze: presso Leonardo Ciardetti, 1823. Two volumes, 4° (232x145 mm). I: XXXVIII, 331, [1] pages. II: [4], 383, [1] pages. In the first volume frontispiece with medallion portrait of Tasso, engraved by Antonio Verico. Each canto opens with a plate hors texte engraved by Carlo Lasinio, after Carlo Falcini. Uncut copy. Foxing throughout, slighty offsetting of the plates. Contemporary half-vellum, marbled covers. Smooth spine, compartments underlined by gilt friezes and decorated with small floral tools. Title and volume numbering on double morocco lettering piece. A few minor abrasions to the covers; small loss to the upper headcup of the first volume. Small stamp 'Biblioteca privata Dott. Attilio Ciardini' on the half-title and title-page of both volumes. Some pencilled marginal notes.  Illustrated edition of the masterpiece by Tasso (1544-1595), issued by the Florentine publisher Ciardetti in the editorial series dedicated to the 'illustrious Italians'. The poem is introduced, in the first volume, by Tasso's Life. The engravings were executed by the well-known engrever from Treviso Carlo Lasinio (1759-1838), who habitually collaborated with Ciardetti. Due volumi in-4° (mm 232x145). I: Pagine XXXVIII, 331, [1]. II: Pagine [4], 383, [1]. Nel primo volume antiporta con ritratto in medaglione di Tasso, inciso da Antonio Verico. Ognuno dei venti Canti è introdotto da tavola fuori testo incisa da Carlo Lasinio, su disegno di Carlo Falcini. Esemplare in barbe. Diffuse fioriture, leggero offset delle tavole. Legatura coeva in mezza pergamena con angoli; piatti ricoperti con carta marmorizzata. Dorso liscio, scomparti sottolineati da ghirlande in oro, e decorati con piccolo ferri floreali. Titolo e numero del volume su doppio tassello in marocchino. Qualche leggerissima abrasione ai piatti; piccola mancanza al dorso del primo volume, in corrispondenza della cuffia di testo. Alla carta di occhietto e al frontespizio di entrambi i volumi piccolo timbro 'Biblioteca privata Dott. Attilio Ciardini'. Qualche annotazione marginale a lapis. Edizione illustrata del capolavoro di Tasso (1544-1595), proposta dall'editore fiorentino Ciardetti all'interno - come si legge nel preliminare Avvertimento - di una collana dedicata agli "illustri Italiani", e che nel 1823 aveva già visto la pubblicazione di Dante, Boccaccio, Alfieri e Monti. Il poema è preceduto, al primo volume, dalla Vita del poeta. Le tavole furono realizzate dal noto incisore trevigiano Carlo Lasinio (1759-1838), tra i più assidui collaboratori di Ciardetti.

Lot 109

Tommaseo Niccolò. Canti popolari toscani, corsi, illirici, greci... con opuscolo originale del medesimo autore. Venezia: Stabilimento Tipografico Enciclopedico di Gerolamo Tasso, 1841-1842. Four volumes, 4° (215x143 mm). 399, [1]; 400; 471, [1]; 320 pages. Frontispieces lacking. Foxing throughout, heavier to the first leaves of the first volume; some small ink stains. Esemplare privo delle antiporte. Contemporary green half-morocco, marbled covers. Smooth spines tooled in gold, titles and volume numbering in gilt lettering. Slightly abraded. The first and rare edition of this relevant contribution to etnographical studies, by the linguist and patriot Niccolò Tommaseo (1802-1874). The four-volume work collects prose texts and poems composed in fifferent languages, such as Italian, French, Latin, and Greek. Differently to other recorded copy, the copy presented here does not contain the writing Scintille, often bound at the end of the fourth volume of the collection.Quattro volumi in-4° (mm 215x143). Pagine 399, [1]; 400; 471, [1]; 320. Esemplare privo delle antiporte. Diffuse fioriture, particolarmente evidente alle prime carte del primo volume, qualche lieve macchia di inchiostro. Legatura coeva in mezzo marocchino verde, piatti ricoperti da carta marmorizzata. Dorso liscio con titolo, numero di volume e ferri impressi in oro. Lievi abrasioni. Prima e rara edizione di questo importante contributo agli studi etnografici, redatto dal linguista e patriota Niccolò Tommaseo (1802-1874). L'antologia accoglie un insieme di prose e poesie in diverse lingue, quali l'italiano, il francese, il latino e il greco. Il presente esemplare non comprende l'opuscolo Scintille, che in altre copie si trova legato in fondo al quarto volume.

Lot 13

Beccaria Cesare. Dei delitti e delle pene. Brescia: per Nicolò Bettoni, 1807. 4° (295x210 mm). X, 160 pages. Frontispiece with engraved portrait of the author. Foxing. Contemporary gilt-tooled leather, inside dentelles, blue paper pastedows.  Fine edition, printed with the Bodonian types, and containing the first edition of the Catalogo delle edizioni e traduzioni del trattato Dei delitti e delle pene of the editions of Beccaria's masterpiece so far published,  Gamba, 2148; Brunet I, 729; L. Firpo, Le edizioni italiane del Dei delitti e delle pene, n. 35.In-4° (mm 295x210). Pagine X, 160, con un ritratto dell'Autore inciso su rame in antiporta. Arrossature. Legatura coeva in pelle, cornici impresse in oro ai piatti, dentelles, contropiatti in carta blu. Dorso mancante. Bella edizione stampata con caratteri bodoniani. Contiene in prima edizione il Catalogo delle edizioni e traduzioni del trattato Dei delitti e delle pene - opera dello stesso curatore del volume, Giulio Beccaria - bibliografia delle edizioni del trattato apparse fino a quel momento. Gamba, 2148; Brunet I, 729; L. Firpo, Le edizioni italiane del Dei delitti e delle pene, n. 35.

Lot 17

Bianchini Lodovico. Della scienza del ben vivere sociale e della economia degli stati parte storica e di preliminari dottrine. Palermo: Dalla stamperia di Francesco Lao, 1845.Two works in one volume. 4° (260x160 mm). XVI, 508; XII, 404 pages. Light foxing, stains and soiled on the title page of the first work. Contemporary half morocco, blue percaline on the covers, gilt title on lettering piece on the spine, edges speckled blue. Covers abrased. Gilt monogram on the spine 'L.T.' I works: First and rare edition of this historical part of the great work of the economist Lodovico bianchini, which will be completed, indipendently, by the homonym edition of the 1855, bound togheter in this copy. The writing lists and examines the authors of Political Economy from ancient times to his days and the author proposes the 'genovesiano' approach to the political theory, aims to combine the happy life and public happiness; as Genovesi like Serra, Galiani and Verri, is praised in a controversy optic with English and French liberalism schools. Unfortunately for the author the economy had grown, but not in the direction desired by him: the political economy of those who made profession of liberalism and praised the market automatism - as the criticated Smith, Ricardo and Say - little or nothing had in common with the civil economy of those who had cultivated - as Genovesi - a normative science in the name of an enlightened dirigisme. Einaudi, 482; Kress Italian, 1129. II works: Second edition.LEGATO CON: Id. Principî della scienza del ben vivere sociale e della economia pubblica e degli stati...Seconda edizione. Napoli: dalla Stamperia reale, 1855. Due opere in un volume in-4° (mm 260x160). Pagine XVI, 508; XII, 404. Lievi arrossature, aloni e tracce di polvere all'occhietto e al frontespizio della prima opera. Legatura coeva in mezzo marocchino, percallina blu ai piatti, titoli in oro su tassello al dorso, tagli spruzzati in azzurro. Abrasioni agli angoli e ai bordi dei piatti. Al dorso monogramma in oro 'L.T.'. I opera: Prima e rara edizione della parte storica della grande opera dell'economista Lodovico Bianchini, che verrà completata, in maniera autonoma, dall'omonima edizione del 1855, legata di seguito in questo esemplare. Il trattato elenca ed esamina gli autori di economia politica dall'antichità ai suoi giorni e in esso l'Autore ripropone l'approccio genovesiano alla teorizzazione politica, volta a coniugare la vita felice e la felicità pubblica; proprio Genovesi con Serra, Galiani e Verri, viene lodato in ottica polemica con le scuole liberiste inglesi e francesi. Purtroppo per l'Autore però l'economia era sì cresciuta, ma non nella direzione da lui auspicata: l'economia politica di chi faceva professione di liberismo ed esaltava gli automatismi di mercato - propria dei criticati Smith, Ricardo e Say - poco o niente aveva infatti in comune con l'economia civile di coloro che avevano coltivato - era segnatamente il caso di Genovesi - una scienza normativa all'insegna di un dirigismo illuminato. Einaudi, 482; Kress Italian, 1129. II opera: Seconda edizione dello stesso testo.

Lot 2

Adami Anton Filippo. Odi panegiriche a Cesare. In Firenze: A spese dell'Erede Paperini all'insegna di Pallade ed Ercole, 1755. Folio (383x263 mm). [2], LXXXIX, [3] pages. Engraved frontispiece. Engraved vignette on the title-page, with later hand-colouring. Engraved initials, hand- and tailpieces. Uncut copy. Stains and light foxing, more intense at the end of the volume. Printed correction on a paper label pasted on p. XV. Contemporary paperboards. Scattered stains, defecs at the spine, lacking the rear cover.  First edition of this work by Adami, born in Livorno at the beginning of 18th Century. He studied in Rome and, after the military career he became antiquarian.In-folio (mm 383x263). Pagine [2], LXXXIX, [3]. Antiporta calcografica, impressione calcografica al frontespizio, dipinto successivamente. Frontalini, finalini e iniziali animate calcografiche, alcune delle quali successivamente colorate. Esemplare in barbe ad ampi margini. Aloni e lievi fioriture diffuse, che tendono ad intensificarsi alla fine del volume. Antica correzione con applicazione di tassello cartaceo al recto di p. XV. Legatura in cartonato coevo. Aloni diffusi, mancanze al dorso, manca il piatto posteriore. L'Autore, nato a Livorno nel primo decennio del XVIII secolo, dopo aver studiato a Roma esercitò in un primo tempo il mestiere delle armi. Dopo aver vestito l'abito di cavaliere del Militare Ordine di S. Stefano, ricoprì la carica di provveditore dell'Arte dei medici e degli speziali di Pistoia e nel 1761 fu nominato senatore dal granduca di Toscana. Socio della Colombaria, membro dell'Accademia Etrusca, dei Georgofili e di altre accademie, fu eletto dall'Arcadia di Roma custode della Colonia fiorentina. Vasta fu la sua produzione letteraria che abbracciò diversi campi del sapere.

Lot 26

Capece Minutolo Antonio. I piffari di montagna ossia Cenno estemporaneo di un cittadino imparziale sulla congiura del principe di Canosa e sopra i carbonari epistola critica diretta all'estensore del foglio letterario di Londra. Corretta ed accresciuta. In questa nuova edizione si aggiungono due altri opuscoli d'argomento analogo. Dublino [i. e. Lucca]: nel mese d'Ottobre del 1821. 8° (205x128 mm). [4], 216 pages. Leaves slightly browned; a few foxing and spots; sporadic small ink stains. Contemporary half-calf moucheté, marbled covers. smooth spine, comtartments undelined by gilt friezes, and decorated with floral tools; title on green leather lettering piece. Multicoloured edges. Covers abraded in places. Lower joint a bit cracked, minor loss to the extremities.  Second and enlarged edition of the most famous work by the Neapolitan Antonio Capece Prince of Canosa (1768-1838). I Piffari di montagna first apperead in May 1820 in the Tuscan city, likewise with the indication of 'Dublin' as fictional place of printing, while the author's identity is masked under the name of 'Giuseppe Torelli'. The content is strongly reactionary: the monarchy is presented here as the perfect form of governement, and the author attributes to the Church an essential role in mantaining the social order. This second edition is supplemented, as an appendix, with two other writings by Capece, the Analisi sopra un articolo della Minerva Napoletana, and the Risposta al n.° CXLIV. del Giornale Napoletano intitolato l'Amico della Costituzione de 2. gennajo del corrente anno.In-8° (mm 205x128). Pagine [4], 216. Carte leggermente brunite; qualche fioritura, e aloni; sporadiche e minime macchie di inchiostro. Legatura coeva in mezzo vitello moucheté, piatti ricoperti in carta marmorizzata. Dorso liscio, scomparti sottolineati da ghirlande in oro, e decorati ferro floreale; titolo su tassello in pelle verde Tagli policromi. Qualche abrasione ai piatti; al piatto posteriore usura della cerniera, con leggero distacco in corrispondenza delle cuffie. Seconda e ampliata edizione della più nota opera del politico napoletano Antonio Capece principe di Canosa (1768-1838). I Piffari di montagna avevano visto la luce per la prima volta la luce nel maggio del 1820 nella città toscana, sempre con l'indicazione 'Dublino' quale fittizio luogo di stampa, mentre l'identità dell'autore era celata sotto il nome di 'Giuseppe Torelli'. Il contenuto è fortemente reazionario, indicando nella monarchia la forma perfetta di governo e attribuendo alla Chiesa un ruolo essenziale nel mantenimento dell'obbedienza del popolo. Celebre l'invito ad atei o eterodossi: "Se pure nè al Papa volete credere, come anche a Gesù Cristo per la salute eterna, credetegli, e crediamogli per quella di questo mondo" (p. 172). Rispetto alla precedente impressione del 1820, il volume comprende in appendice due opuscoli dello stesso autore, l'Analisi sopra un articolo della Minerva Napoletana, e la Risposta al n.° CXLIV. del Giornale Napoletano intitolato l'Amico della Costituzione de 2. gennajo del corrente anno.

Lot 28

Caputi Antonio. Estasi e rapimento sopra la luna di Archerio Filoseleno. Poema diviso in tre parti. Seconda edizione accresciuta e corretta, e con note fattevi dall'autore. In Padova: 1769. 4° (225x165 mm). XXIII, [1], 328, III-IX, [3], [10] pages. 9 engraved plates, of which one signed 'Fran. De Luca inv. et fec.' as a frontispiece. Title-page printed in red and black, with engraved vignette. Large waterstain to the leaves; some stains and foxing. Contemporary vellum over pasteboards. On the front pastedown inked monogram 'LM'.Second and enlarged edition of this curious and appreciated work, first appeared in Naples in 1763; the author is considered a forerunner of science fiction genre. The copy presented here is complete, and its pagination is similar to that held at the library of the Universidad Complutense de Madrid. The frontespiece is designed and engraved by Francesco De Luca.In-4° (mm 225x165). Pagine XXIII, [1], 328, III-IX, [3], [10]. Con 9 tavole incise su rame di cui una in antiporta siglata 'Fran. De Luca inv. et fec.'. Vignetta calcografica al frontespizio, stampato in rosso e nero, fregi xilografici e calcografici. Al frontespizio vasta gora, che interessa l'intero insieme delle carte, macchie e arrossature. Legatura coeva in pergamena su cartone, titoli manoscritti al dorso. Qualche piccola macchia ai piatti, gora più visibile a quello posteriore, fioriture alla carta di guardia anteriore. Al contropiatto anteriore monogramma manoscritto in inchiostro 'LM'.Seconda edizione accresciuta - la prima apparve a Napoli presso Vincenzo Pauria nel 1763 - di questa curiosa opera, molto stimata per l'apporto allo sviluppo del genere del romanzo di fantascienza. Esemplare confrontabile, per completezza di composizione e paginazione, con quello censito nel catalogo della Universidad Complutense de Madrid: differente l'ordine di legatura delle carte non numerate. Antiporta disegnata e incisa da Francesco De Luca.

Lot 32

Chiesa cattolica. Caeremoniale episcoporum Clementis VIII. primum nunc denuo Innocentii papae X. toritate recognitum... Romae: Typis Rev. Camerae Apostolicae, 1651. 4° (240x175 mm). [16], 408 pages. Frontispiece and 67 large engravings in text. Text printed in red and black. Small hole to the blank margin of the frontespiace, without any loss. Marginal waterstains to the first quires, light foxing. Contemporary vellum over pasteboards, spine with inked title (rather faded). Edges red. Ownership inscription 'C.A.B.' on the title-page Finely illustrated edition of the Episcopal Ceremonial, first published in 1600 at the direction of Pope Clement VIII, and re-issued in 1651 by Innocent X. Vinciana IV, 4827.In-4° (mm 240x175). Pagine [16], 408 con antiporta e 67 belle illustrazioni nel testo a un terzo di pagina, il tutto inciso in rame. Piccolo foro al margine bianco dell'antiporta, gore marginali ai primi fascicoli e lievi bruniture. Legatura coeva in pergamena su cartone, titolo manoscritto sbiadito al dorso, tagli rossi. Al frontespizio monogramma di possesso 'C.A.B.' Vinciana IV, 4827.

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