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Hotch Potch and Kedgeree Thacker Spink & Co. Calcutta 1916 Pictorial boards. First edition. 137 pages, 25 tipped-in black & white illustrations A collection of humorous remembrances of life in Scotland and India as a rugby player, horse-owner, merchant and civil servant. Profits from this publication were to be given to Lady Carmichael's Bengal Women's War Fund. English Wear to cover, internally clean Provenance: From the Library of the Late Peter Curnow Millett (1925-2016)

Lady Logins Recollections Court Life and Camp Life 1820-1904 Smith, Elder & Co. London 1916 Boards. First edition. 345 pages, 9 black and white illustrations with a colour frontispiece. English Covers slightly soiled and worn. Minor foxing to inside pages. Provenance: From the Library of the Late Peter Curnow Millett (1925-2016)

The Folklore of Bombay Clarendon Press Oxford 1924 Boards. First edition. 353 pages English Wear to the covers, internally clean Provenance: From the Library of the Late Peter Curnow Millett (1925-2016)

Arran "Machrie Moor" Cask Strength Single Malt Scotch Whisky, First Edition, Released 2014, 58.4% vol 700ml (one bottle), Jura "Tastival" Single Malt Scotch Whisky, limited edition 321 of 3970, distilled 1997, bottled 2015, 52% vol 70cl (one bottle), Hazelburn "Rundlets & Kilderkins" 10 Year Old Campbeltown Single Malt Scotch Whisky, distilled 2003, limited edition one of 12,000 bottles, 50.1% vol 700ml (one bottle) (3)

Formerly the property of James May, 'Captain Slow' of 'Top Gear' and 'The Grand Tour' fame; featured in 'Classic Bike' magazine1970 Honda CB750Registration no. TUX 97HFrame no. CB750-1027653Engine no. CB750E-1027879•Very early example•Delivered new in France•Purchased by James May in 2013•Present ownership since 2018This early Honda CB750 was purchased by James May in August 2013 from marque specialist David Silver, who had sourced it from France, and was the subject of an article written by James for Classic Bike magazine (Why a Honda CB750 Will Make You Happy, October 2013 edition, copy on file).In his article James explains the difficulties of precisely determining the model's identity:'The true K0 was a very short-lived transition model (just 121 examples were made) between the first so-called 'sand-cast' engine bikes... and the subsequent improved K1.'So my bike has the chunky, fluted side panels, an unpainted front caliper, and the baffling slider on the left bar that changes the function of the switchgear button from horn to flasher...'However, this machine has several features characteristic of the improved K1 introduced late in 1970, including the pressure-die-cast engine finish, while the frame number places it in the first batch produced: too early for a K0 and too early for the French market. Further research may prove to be enlightening.Our vendor purchased the Honda on 19th May 2018 (bill of sale on file). Also in the file is an advertisement from Motorcycles Unlimited detailing the machine's French-market features including: extra lighting cut off switch to left handlebar; rear reflector numberplate holder; right-hand light switch with parking light facility; and longer baffles in the exhaust. There are various French documents on file, including the original guarantee card with supplying dealer's stamp; a Honda France specification sheet dated June 1970; and an old French Carte Grise (1999).Additional paperwork includes James May's 2013 application form to register an imported motor vehicle; scan of an old V5C in James May's name; David Silver's 2013 sales invoice; sundry bills for service parts; some old MoTs (last expired September 2018); and a current V5C. The machine was last taxed to the end of June 2022. Offered with key.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 21 April starting at 11am GMT.For further information on this lot please visit Bonhams.com

One of only 34 made 1949 Vincent 998cc Black Lightning Series-C Frame no. RC5130C (see text) Rear frame no. RC5130 Engine no. F10AB/1C/3230 Crankcase mating no. BB98 / BB98 •The 14th production Black Lightning produced •One of two delivered new to Poland •Ordered for sidecar racing •Raced successfully in Poland by Tomasz Kamiński •Brought back to the UK in 1972 •Present ownership since 1976 •Professionally restored circa 1999/2000 and unused since •'Barn find' condition for recommissioning/restoration At a time when almost all major motorcycle manufacturers offer 1,000cc superbikes of broadly similar performance, it is hard to imagine the status enjoyed by the big Vincent v-twin in its 1940/50s heyday. This was a time when the average family saloon was barely capable of reaching 70mph, and not until the arrival of Jaguar's XK120 was there a production sports car that could live with the thundering v-twins from Stevenage. With a top speed approaching 120mph and bettering it in the Black Shadow's case, the Vincent v-twin was quite simply the fastest production road vehicle of its day. At the pinnacle of Vincent production sat the Black Lightning: a competition model produced in limited numbers and affordable only by enthusiasts with the deepest of pockets. It is also notable as one of very few motorcycles immortalised in song: by folk/rock hero Richard Thompson (Vincent Black Lightning). It was Rollie Free's capture of the 'world's fastest production motorcycle' record in 1948 on a tuned Series-B Black Shadow that led directly to Vincent marketing a racer of similar specification to Free's machine: the Black Lightning. His motorcycles' design innovation and engineering excellence notwithstanding, Philip Vincent well understood that it was performance that grabbed the headlines and stimulated sales. Season-long racing was prohibitively expensive but a one-off speed record attempt was more affordable, and the latter was the obvious choice for cash-strapped Vincent, all the more so because it was already producing the world's fastest production vehicle (both two and four wheeled): the Black Shadow. The most famous and spectacular Vincent record attempt is that undertaken by Free, who rode multi-millionaire oilman John Edgar's special factory-prepared Black Shadow to a speed of over 150mph on the Bonneville salt flats in Utah in 1948, the first time that an un-supercharged motorcycle had surpassed that figure. The photograph of Free, lying prone on the Vincent wearing only swimming trunks and running shoes, is one of motorcycling's most reproduced images. To enable Free to reach 150mph, the power of the Shadow engine ('1B/900') had been boosted from 55 to around 70bhp by means of - amongst other things - a raised compression ratio, Mark II (Lightning) cams, Amal TT carburettors, and 2'-diameter, straight-through exhaust pipes, all of which found their way on to the production Black Lightning. First exhibited at the 1948 Earls Court Show, the Lightning came equipped for racing with rev counter, alloy wheel rims, Elektron (magnesium alloy) brake plates, and a gearbox modified for quicker changes. For many years it had been assumed that around 20 examples of this, the ultimate Vincent v-twin, had been built between 1948 and the end of production in 1955, though more recent research has established that the total was 34 (one with a Series D engine), while a further half-dozen-or-so engines were supplied for use in racing cars. This Vincent Black Lightning is one of a pair (the other being '4652/2752') despatched to Poland towards the end of 1949. Factory records show '4652/2752' being delivered on 15th November 1949 and this machine exactly 14 days later. This was a time when the ruling communist authorities in the Eastern Bloc states controlled almost every aspect of daily life; private citizens were not allowed to import goods for their own consumption – much less complete motorcycles – so the brace of Vincents was ordered by the Centrala Handlowa Przemyslu Motoryzacyjnego Motozbyt (Commercial Headquarters of the Automotive Industry Motozbyt or CHPM for short). The 13th and 14th production Black Lightnings produced, the two CHPM machines were intended for sidecar racing; the one offered here is the 14th, CHPM No. 2. The accompanying photocopy Works Order Form shows that this machine was built with Girdraulic forks; Amal TT10 racing carburettors; 280km/h speedometer; straight-through exhaust; racing mudguards; 52T and 56T sidecar-gearing rear sprockets; and a Lucas KVFTT magneto, and was delivered without lights or a horn. The Black Lightning was tested by 'CJW', believed to be Works Manager Jack Williams, father of Peter. Engine builder Denis Minett's famous notebook records that the Black Lightning also had sidecar mounting brackets and sidecar springs fitted (see extract on file). Fast forward 20-plus years and we find Vincent Owners' Club member Ian Harper touring the Eastern Bloc in 1971 on his 'Green Meanie' special. While in Warsaw, Ian met two motorcycle enthusiasts, Andrzej and Woyciech Echilczuk, who told him that they knew of a Vincent somewhere in the city. It turned out to be one of the 'Polish Lightnings' (that offered here) and little more than a year later the brothers had tracked down the second ('4652/2752'). Ian ended up making two separate trips to bring the Black Lightnings back to the UK. The two Vincents were brought back dismantled, this one having been classed as 'scrap' by the engineer charged with issuing the necessary export paperwork (copy on file), while a little subterfuge was employed to bring '4652/2752' safely back home. It should be noted that this report (dated 19th August 1972) records the frame number as 'RC5130', not 'RC5130C' as it is now. The full story of the retrieval of the Polish Lightnings was published in MPH (January and February 2012 editions) and also in The Classic MotorCycle magazine (February 2018). Copies of both articles are on file. According to the Echilczuk brothers, this Black Lightning had been raced with considerable success by Tomasz Kamiński between 1950 and 1954 when it was taken over by one Branecki. The Vincent was later sold and raced by the privateer Nowacki, passing to someone called Trzcinski before being acquired for Ian Harper by Andrzej Echilczuk from someone called Ankiewicz. Back in the UK, Ian Harper did little to the two Lightnings before selling both to former Vincent factory tester and racer Ted Davis, later the company's Chief Development Engineer. Writing in MPH (December 1982 edition) Davis recalled: 'I actually road tested these two when they were first built and could remember the odd specification: steel rims, touring footrests, wide bars, etc.' Its late owner acquired this Black Lightning from Ted Davis circa 1976. (The other Polish Lightning, '4652/2752', is now in The National Motorcycle Museum.) Correspondence on file shows that marque specialist Bob Culver restored this machine for its late owner circa 1999/2000. We are advised by the VOC Machine Registrar Simon Dinsdale that the headstock fitted presently is of the early type (not the later design that this example would have left the factory with), which has been stamped with the number 'RC5130C' (please note the works record records 'RC5130'). It is not known when this substitution was carried out, although presumably after the Vincent left Poland (see above). For further information on this lot please visit Bonhams.com.

1986 Ducati 750 F1 MontjuichRegistration no. C739 KJOFrame no. ZDM750M*131*Engine no. DM750L*7502056*With its all-new range of water-cooled, eight-valve twins just over the horizon, Ducati capitalised on the success of its existing 750 F1 model by releasing a series of hand-built, limited edition race replicas: Montjuich, Santamonica and Laguna Seca, the former celebrating the Italian manufacturer's many endurance racing victories at the eponymous circuit in Spanish city of Barcelona. One of the most exotic models ever offered by Ducati, the Montjuich came with an extensively revised engine featuring different crankcases, a strengthened gearbox, larger inlet ports, 'hotter' cams, bigger carburettors, Kokusan ignition, and an extremely loud Verlicchi competition exhaust system. Only 200 were made, all in 1986 (20 allocated to the USA. The Montjuich was one of the most exclusive motorcycles of its time and is highly prized by Ducati collectors. Currently displaying a total of 3,812 miles on the odometer, this beautiful Montjuich was imported by Three Cross (Imports) Ltd in 1986, as confirmed by their letter on file. First registered in March 1990, the Ducati was purchased in the early 1990s by the late owner, who is its first registered keeper in the UK. Used sparingly since acquisition, the machine will require recommissioning before it returns to the road (the engine turns over and the gears engage). Offered with an expired MoT (1990-1991); the early 1990s purchase receipt: and old/current V5C registration documents. Offered without keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 20 April starting at 2pm GMT.For further information on this lot please visit Bonhams.com

1964 I.S.D.T and Steve McQueen Ephemeraincluding a programme for the 7-12 Sept 1964 XXXIX Internationale SechStagefahrt ISDT, in lovely condition (close inspection advised); an embroidered British I.S.D.T 1964 Trophy patch; A copy of Steve McQueen 40 Summers Ago... Hollywood Behind the Iron Curtain, Tonaka, Rin and Sean Kelly. Osaka: Cycleman, 2004 Hardcover without dust jacket, as issued. First edition signed by David Ekins and Ed Kretz, Jr with fold out poster of McQueen enclosed. The story of the first American team, including McQueen and his stunt double Bud Ekins, to compete in the off-road motorcycle race the International Six Days Trial in 1964. Together with A Birmingham Motor Cycle Club Silver and Enamel 1921 Victory Cup Fob awarded to A. E. Wood, a Redditch & District 1921 Autumn Trial fob awarded to A.Wood and an Auto Cycle Union 1919 Six Days Reliability Trial B.S.A. Class D No. 45 medallion. Close inspection advised. (Qty)Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 20 April starting at 11am GMT.'Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Ex-works; H J 'Bert' Bacon 1930 Senior TT; Les Newman 1934 Senior Manx Grand Prix1930 Sunbeam 500cc Model 90 Racing MotorcycleRegistration no. GH 4181Frame no. 8217Engine no. NN4067•Known ownership history•Present ownership since 2009•Recently been fitted with close-ratio gears and an Arias forged piston•Comprehensive history file•Well documented•'Goes as well as it looks'According to the continuation old-style logbook on file (issued January 1938) 'GH 4184' was first registered on 23rd July 1930 (just less than a month after the TT). The Sunbeam was taxed from March 1938 and the final entry is dated December 1941. The aforementioned logbook lists owners in the Bristol area: Jack Cooper was the recorded keeper 1938-1941, while in June '41 the Sunbeam passes to James Powell before being acquired by John Norris of Southampton the following month. In September 1945 Thomas 'Nigel' Seymour Smith became the new owner. (It should be noted that the logbook and consequently the V5C documents omit the frame number's last digit.)This Model 90 is pictured in The Motor Cycle's TT Report edition of 26th June 1930 (copy on file). 'GH 4184' was one of the five works entries for the 1930 Senior TT and was ridden by gentleman racer H J 'Bertie' Bacon to 11th place. The Sunbeam was later was sold to L C Newman, who rode it at the 1934 Manx GP. The machine was ridden at the TT with Druid-type forks and at the Manx with the Webb type (both sets are still with it).There are no factory records identifying the numbers of the frame and engine allocated to Bacon for the TT. However, the bike does have the unique frame and TT tanks that mark it out as a works machine. Unique identifying features of the factory bikes include a foot-change gearbox; scalloped frame lugs; TT left-fill oil tank; and TT extra-wide fuel tank with quick filler. The Sunbeam is currently fitted with a slightly later Amal 89, but a correct M90 stamped '29/001' is included in the sale. It has recently been fitted with close-ratio gears from Chris Odling, plus an Arias forged piston.In terms of paperwork, there is a folder that came with the Sunbeam when purchased, which contains photographs and copies of interesting correspondence. The Model 90 came to our vendor from Thomas Davis of Wotton-Under-Edge via Richard Jones. The buff logbook ties this machine to Nigel Seymour Smith (TT rider, motorcycle collector and lifelong VOC member) and there is a copy of a letter from Les Newman to him where Newman states the Sunbeam is Bacon's. There is also a period tankard awarded to Newman for his performance at the MGP. The Marston club know 'GH 4184' well, and it is usually referred to at the Bacon or Newman bike. The file also contains photographs of Smith on the bike alongside 'Titch' Allen, and one of Newman when he was reunited with it some years later.There is also a copy of another letter from Graham Walker, dated 4th July 1934, telling Newman the price and condition of the Bacon bike: 'I have now heard from Bacon who tells me the price of his machine is somewhere between £38 and £40.' A letter dated 14th August 1988 from Newman to Tom Davis (referencing Nigel) requests a story he had published. This letter recounts the finish of the MGP, stating that the piston rings were broken, and also references Graham Walker (which establishes the connection between the two). Newman's original album of images comes with the machine, including some of the Model 95 he replaced the 90 with in 1935. Another letter, dated September 1934, from Burt Bacon to Les Newman passes on his congratulations. Another letter from Les to Nigel Seymour Smith, dated 1986, states he sold the bike to Harry Prior, and when he (Harry) was called up, his parents sold it assuming he would not come back alive! Newman's story on file recounts how he bought the bike, etc.Spares offered with the machine include the later forks used by Newman; a correct M90 stamped '29/001' Amal carburettor; an early type drum/sprocket believed as used by the TT bikes; and a rare short gearbox main-shaft plus dished engine sprocket from Bill Page; they were only used on the race gearboxes without kickstart. There is also a couple of award tankards and a 1930 TT Programme. Other documents are listed below:•Photocopy of a letter dated 15/9/34 from someone who recorded the lap times for Les Newman (we know that the person lived at 91 Pslater Lane, Sheffield, but it's not been possible to positively identify them)•Page 380 of The Motor Cycle 20th September 1934 listing the results•Large file of invoices•Correspondence from Bert Bacon's son Graham Bacon•Old MoTs•Old/current V5C documentsAn older restoration, the Sunbeam is reported to go as well as it looks (easy starting, easy gear change) and has been ridden at numerous events while in the vendor's ownership. In 2008 the Model 90 was ridden up the test hill at the '100 Years of Brooklands' celebration. It has also been ridden in other Brooklands events; on the Banbury Run; and at the Marston Sunbeam Club's Centenary Rally in 2012. The machine was last started in March 2024 and last ridden on the road in 2022.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 21 April starting at 11am GMT.For further information on this lot please visit Bonhams.com

1991 Ducati 851Registration no. D2 SMOFrame no. ZDM851S3*003105*Engine no. obscured (003362 to V5C)•Present ownership since August 2000•Three former keepers•Used sparingly•16,746 miles recordedOne of the most influential motorcycles of recent times, the Ducati 851 Superbike restored the fortunes of the Italian company and paved the way for a highly successful family of superbikes, the final (pre-Panigale) example being the 1098 of 2007. In developing the original 851 Desmoquattro, engineer Massimo Bordi created one of the finest motorcycle power plants ever. By the mid-1980s, Ducati's existing air-cooled Desmodue twins were approaching the end of their development, so Bordi started with a clean sheet in creating their water-cooled, 8-valve, fuel-injected successor. Ducati's trademark desmodromic valve actuation system, which closes the valves mechanically rather than relying on springs, was retained, as was the 90-degree angle between the cylinders. Wrapped around this outstanding Desmoquattro engine was a frame, consisting of an intricate trellis of straight tubes, whose design would become a Ducati trademark. Only one paint scheme was available at first: silver-grey frame with bodywork in the Italian national colours of red/white/green, hence these models' Tricolore sobriquet.Riding the factory prototype, Marco Lucchinelli had won the Battle of The Twins (BoTT) race at Daytona in March 1987, and Ducati then spent the rest of the season on development prior to the production version's launch at the Milan Show in November. Two models were available initially: the 851 Strada and 851 Superbike Kit, the latter being the first of many limited edition 'homologation specials' produced to satisfy World Superbike Championship requirements. From the vendor: ''D2 SMO' was bought 15 years ago to replace my 175cc D7 Bantam so a vast difference in performance was noticeable! It was purchased in Northamptonshire and, being supplied by Baines Racing in Silverstone, had not travelled far. It was serviced by Ducati John and used for a few more years, taken on holiday around Europe several times and a few trips up to the Manx GP. It lived in my front room for several years until 'her indoors' moved in.....'Apparently retaining its original factory paint, the Ducati has been used sparingly during the present ownership and currently displays a total of 16,746 miles on the odometer. A Micron exhaust is fitted (original included). The Ducati is only being sold to purchase a Morgan, and following a thorough service should be good for another 30 years. The machine is offered with a copy spare parts catalogue; owner's manual; some old MoTs (most recent expired 2011); an old-style V5C; Ducati John Service Report and invoice (2008); old purchase invoices; Baines Racing invoice; and various other bills. Two keys present.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 21 April starting at 11am GMT.For further information on this lot please visit Bonhams.com

Formerly the property of the late Jeff Clew1929 Velocette 415cc Speedway Model Re-creationEngine no. KDT149•Only 21 KDT's were built•Formerly owned by the late Jeff Clew•Displayed at the renowned Haynes International Motor MuseumAmong the rarest of all speedway (or dirt track) racing motorcycles is the Velocette KDT, only 21 of which were made by Veloce Ltd in 1929. Developed with the clandestine assistance of Jack Parker, then contracted to BSA, Veloce's speedway model handled well but suffered a disadvantage because at 415cc its engine capacity was 85cc less than that of its rivals. (Veloce did not make a 500cc model at that time).The project to recreate this speedway Velocette began over 40 years ago when Jeff Clew swapped a bundle of magazines for a completely dismantled 415cc KDT engine belonging to former VMCC President, the late Eric Thompson. It had been fitted to a speedway model that left the factory on 29th September 1929 destined for Hubert 'Bert' Clayton of Huddersfield to race at Halifax's Thrum Hall track.Bearing the number prefix 'KDT', the engine is basically an over-bored 348cc KTT unit, the cylinder bore having been opened up to 80mm from its original 74mm. It runs on methanol and has a compression ratio of 10.25:1, and does not need the KTT's cam box oil return pump because speedway races were (and still are) of short duration. The combined petrol/oil tank necessitates long oil lines to the pump in the crankcase as the engine has a dry sump lubrication system. The gearbox is a Velocette three-speed type of the same year, acting as a countershaft to permit the use of a clutch. It has no kick-starter or gear change mechanism. Currently, the 'box is locked in second gear for demonstrations other than on a track. Changing the gear ratio to suit track sizes and conditions is facilitated by Velocette's trademark outboard final drive sprocket.Jeff installed the reassembled engine in a 1929 Velocette KSS chassis at first and ran the bike in Vintage sprints before undertaking the re-creation. Finding an original dirt track frame proved impossible so a copy was made by grass track champion, Lew Coffin. Lew modified the frame of a 1927 KSS using a drawing, originally published in the 7th August 1929 edition of Motor Cycling, which was supplied by the late Bob Currie. Note the additional but unusual 'dog leg' lower chain stays and the way in which the saddle tube slants backwards to the rear of the gearbox mount. Additional plates under the gearbox give the rear engine plates greater rigidity.Owned and built by Jeff Clew, the Velo was last ridden by him with other Vintage speedway bikes to celebrate Exeter Speedway's 60th Anniversary in 1989. Fitted temporarily with braked wheels, it was also ridden in a Vintage motorcycle parade at Mallory Park by Jack Parker of Belle Vue Speedway fame, who had assisted Harold Willis, Veloce's Development Engineer, with the design of the speedway model's cycle parts.Offered at the Bonhams Autumn Stafford Sale in 2012 (Lot 318), the current vendor purchased it and returned it to the Haynes International Motor Museum where it was part of the display which featured the world renowned Forshaw Speedway Collection, it had been previously on display before the auction in 2012 whilst in the ownership of the Clew family, this wonderful re-creation of a rare Velocette competition model is offered with a substantial quantity of correspondence, various period photographs (including some of Bert Clayton on 'KDT 149'), assorted press cuttings, frame geometry drawings and a copy of Jeff Clew's own article about the machine published in Off Road Review (issue 92).Key not requiredFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 21 April starting at 11am GMT.For further information on this lot please visit Bonhams.com

1984 Honda CB1100RRegistration no. A133 VUCFrame no. SC08 2100292Engine no. SC05E-2200415Ridden by stars such as Ron Haslam, Wayne Gardner and Roger Marshall, the works Honda CB1100R production racers thrilled British racegoers throughout the early 1980s. In effect a limited edition 'homologation special' based on the road-going CB900F, the racer-on-the-road CB1100R was the RC30 of its day and priced accordingly. Honda UK initially ordered only 100, with deliveries commencing in November 1980, and sold the CB1100R for £3,700. That might seem cheap today but you could buy a new CB900FZ for £1,999 at the time! It's not surprising that the CB1100R sold in correspondingly small numbers, mainly to race teams and wealthy enthusiasts, and today this exclusive model is increasingly sought after by collectors. Over a three year period (1981-1983) approximately 4,050 were completed, making the CB1100R an extremely rare model by Honda standards.Offered here is an example of the final CB1100RD version. Built during 1983 and first registered on 11th June 1984, 'A133 VUC' has had only three owners from new: the first from 1984-1985, covering approximately 5,100 miles; the second from 1985-2016, purchased from Wheels International of Hockliffe on 4th May 1985 and covering an average of 1,600 miles a year during his time riding it; and our vendor from 2016 onwards, spending the last 7 years of its life in climate controlled storage. It last ran in 1999. The recorded mileage of 27,606 appears to be genuine, and the motorcycle seems to be largely unmolested. Accompanying paperwork includes the original service booklet; 1985 purchase invoice; five old MoT certificates; a quantity of service and repair invoices; a photocopy of an old-style V5 registration document; and a V5C document. Re-commissioning is advised before further use.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 21 April starting at 11am GMT.For further information on this lot please visit Bonhams.com

TOWNSCAPE: TREVOR GRIMSHAW, first edition, oblong with black and white, brown cover with black lettering, North West Art Association 1973.Condition Report: Some slight bends to the corners, the front cover has some signs of being in the sun, and some light creasing throughout.

Collection of 13 Robert Harrop 'The Beano Dandy Collection' models / figures to include Computer Whizz (BP12 ltd edn - first edition), Surfing (BP03), Fully Loaded (BP04), Rollerblading (BP05), Snowboarding (BP07), "Party Animal!" (BP09), etc

Fielding (Helen): Bridget Jones's Diary, first edition, 4th impression, signed by the author to half title - pub. Picador, 1996, original boards, dust-jacket, not price clipped, 8vo, slight creasing to head of jacket, good copy and scarce signed.

Three large and four small Lighthouse stockbooks of World stamps to include 36 GB Queen Victoria. Also to include a large quantity of loose stamps sorted into 66 countries, and various World covers (20th century), one being a Daily Sketch 'British Technology' first day cover enclosing the September 19th 1966 edition of the newspaper.

A pair of Hummel figure bookends and First Edition Annual Bell, 1977

BERRY, (Wendell), November Twenty Six Nineteen Hundred Sixty Three, A Tribute to President Kennedy, 1st edition, with an outer case, George Braziller, New York, 1963, together with, GRAVES, (Robert), Poems: Abridged for Dolls and Princes, hardback, dust cover, 1st edition, London, George Over Ltd, 1971, AIKEN, (Conrad), A Seizure of Limericks, hardback, dustcover, New York, Holt, Rinehart and Winston, 1964, KOCH, (Rudolph), Was die Mutter an der Wiege Singt, hardback, dustcover, Tubingen, Rainer Wunderlich Verlag, 1930s, MASEFIELD, (John), Natalie Maisie and Pavilastukay, first edition, dustcover, Surrey, The Windmill Press, 1942, and BARNETT, (Anthony), Nothing Doing in London One, first edition, London, 1966, copy number 202 of 500, together with a group of Greetings Telegrams, cards designed by Eric Fraser, various dates, also LEWIS, (C,Day), Ariel Poem, Christmas Eve, illustrated by Edward Ardizzone, in envelopes, London, Faber and Faber, and Fifty Folio Epigrams, hardback, cased, The Folio Society, (qty)

ESTIMATE REVISED Eighteen Modern hardback books, many first editions within dust-jackets and clothbound volumes includes:HEMINGWAY (Ernest). The Old Man and The Sea, first UK edition, Jonathan Cape, 1952; DU MAURIER (Daphne). The Scapegoat, first UK edition, Gollancz, 1957; DI LAMPEDUSA (Giuseppe). The Leopard, first English edition, Collins & Harvill Press, 1960; CARROLL (Lewis). Alices Adventures in Wonderland, reprint, Macmillan, 1954; FLAHERTY (Liam). Insurrection, first edition, Gollancz, 1950; TOLKIEN (J.R.R.). The Hobbit, eleventh impression, George Allen & Unwin, 1959; WAUGH (Evelyn). Brideshead Revisited, sixth edition, Chapman & Hall, 1947; together with, MITCHELL (Margaret). Gone With the Wind, reprint, 1940; JOAD (C.E.M). Shaw, first edition, 1947; SPRING (Howard). Winds of the Day, first edition, 1964; HAMILTON (Hamish). Majority 1931-1952: An Anthology of 21 Years of Publishing, first edition, 1952; SCOTT (Sir Walter), Ivanhoe, c. 1930s; King James VI & I, 1956; and five clothbound books, 8vo. (18)Condition Report: Tolkien, John Ronald Reuel - The Hobbit, 2nd edition, 11th impression, with colour frontispiece, map endpapers, original green cloth in unclipped d/jDiscolouration to the edges of the dust jacket with spotting to the inside, some wear to the edges a small rip to one fold. Ownership inscription on facing page to map. Some spotting on top corner of pages up to title page and on the bottom of page 63.

BRIGGS, (Raymond), Ethel & Ernest, A True Story, two hardback first editions, London, Jonathan Cape Random House, 1998, The Snowman, Hamish Hamilton, London, first edition 1978, and further books by Briggs, DAHL, (Roald), a collection of children's books, mostly hardback, to include, The Twits, 1st edition, London, Jonathan Cape Ltd, 1980, and The Giraffe and Pelly and Me, 1st edition, hardback, Ipswich, W.S. Cowell Ltd, 1985, and others, together with a collection of works illustrated by Quentin Blake, some first editions, (Qty)

THEMERSON, (Franciska drawings, and Stefan text), Semantic Divertissements, first edition, London, Gaberbocchus Press Ltd, 1962, together with BUFFET, (Bernard), Toxique Sagan Souvenir, first edition, London, E. P. Dutton & Co., 1965, IONESCO, (Eugene), La Cantatrice Chauve, first edition, 1964, number 3693 of a Ltd edition of 6000 examples, and a programme and copy of the play As You Like It, adaptation, WARREN, (Roger), 2004, and a programme signed by Peter Hall CBE, (4)

SENDAK, (Maurice), MARGOLIS, (Matthew), Some Swell Pup or Are you Sure you Want a Dog, first edition, London, Bodley Head Ltd, 1976, ADAMS, (Charles), Homebodies,1954, together with Nightcrawlers, 1957, and Black Maria, 1960, and Dr Seuss, Horton Hatches the Egg, 1940, together with four boxes of various children's books, mainly hardback, (qty)

DEIGHTON, (Len), Spy Hook, first edition, Hutchinson Ltd, London, 1988, together with Funeral in Berlin, 1964, the Ipcress File, 1962, with a quantity of twenty seven Deighton hardback novels, and five soft backs, mostly first editions, and a mixed box of paperback books, (qty)

WATTS, (Alan W.), The Spirit of Zen, A way of Life, Work and Art in the Far East, 1st edition, hardback with dustcover, London, John Murray, Albemarle Street, 1936Condition Report: Dust jacket tired as per image, small split to inner top left corner. There is a pencilled name and date to the first '74. Pages 7-10 there is a slight crease to the upper right corner, page 64-65 you can see the book has been pressed flat. There are also pencil and pen notes to margins and underlinings in places.

GILBERT Davies The Parochial History of Cornwall, Founded on the Manuscript Histories of Mr Hals and Mr Tonkin - J B Nichols and Son, London 1838 first edition in four volumes, rebound with plain paper boards. (4)

Hornby limited edition OO gauge R3073 Great British Railways Collection LNER 4-6-2 'Royal Lancer' Class A1 electric steam locomotive model with souvenir first day cover. Contents in at least near mint condition with sealed accessory bags, instructions and CoA (435/1200), box near mint

Internet Stamps presentation cover for The Golden Jubillee with Elizabeth II 1962 Sovereign, Limited Edition no 16/952 with a Jersey First Day of Issue 2002 £3 stamp presentation

The Royal Mint - 500th Anniversary of the First Gold Sovereign 1489-1989, Double Sovereign, Limited Edition no.1668/2000, with original box and COA

Country Artists 'End of the Ridge', limited edition 5/300, on wood base; together with 'First Light', limited edition 185/850, both by Keith Sherwin, with boxes and certificates (2)

Country Artists 'Securing The Field', model No. 01064, limited edition 8/850, and 'First Cut', model No. CA947, limited edition 9/850, both by Keith Sherwin, on wood bases, with certificates (2)Models appears to be in overall good condition, with no obvious faults, damage or restoration. First Cut with box.

First edition, hand painted nibbling rabbit in black fishnet pattern. Gloss finish. Backstamp Herend Hungary in blue. Issued: 20th centuryDimensions: 2.25"L x 1.5"W x 3"HManufacturer: HerendCountry of Origin: HungaryCondition: Age related wear.

First edition hand painted porcelain box with pair of ducks in black fishnet pattern, gilded rim and painted scalloped trim. Herend Hungary backstamp. Issued: 20th centuryDimensions: 5.5"L x 3.75"W x 2"HManufacturer: HerendCountry of Origin: HungaryCondition: Age related wear.

Annual edition lead crystal first edition of the Magic of Dance trilogy. Isadora is depicted in clear and blue crystal with moveable bracelets on her wrists. Swarovski etched backstamp. This item has its original box. Box measures: 6.5"L x 11"W x 5.75"H. Certificate of Authenticity included. Issued: 2002Dimensions: 3.25"L x 4.5"W x 8"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

A large porcelain covered treat jar made in the first set of 10,000. Inspired by the famous American sitcom, I Love Lucy, the jar is formed as Lucy's white and teal car with Lucy, Ricky, Ethel, and Fred as passengers. Limited edition number and first edition sticker on the underside of the lid. This item has its original box: 15.75"L x 7.5"W x 16.5"H. Issued: 1998Dimensions: 14.5"L x 7"W x 8"HEdition Number: 1068 of 10000 Manufacturer: VandorCountry of Origin: United StatesCondition: Age related wear.

H. Vredeman de Vries, van Doetecum brothers - Castle Garden inside fortress wall / Description: This print is described by the Rijksmuseum (RP-P-1964-1642) and makes part of , a series of small architectural prints engraved by Johannes or Lucas van Doetecum , first published by Hieronymus Cock in 1562, then by Theodor Galle in 1601, and some decades later by his son Joan Galle. We see a view of a castle with a fortress wall on the left. To the right a corridor of latticework and a pavilion in front. The edition could not be established but based on the superior quality comparing to the Rijksmuseums example and the ones found elsewhere: this is certainly an early impression from 1601 or earlier. Rare in this early printing quality! / Dimensions: 15,20 x 21,00 cm / Condition: Very good impression with plate tone and ink smudges in the plate borders. With wide margins in the original full sheet of laid paper. / Literature: New Hollstein Dutch 281 Van Doetecum, Hollstein Dutch 99-Vredeman de Vries / Medium: Etching /Circa: 1562 260

Master of Antwerp (1485-1491), Attr. - Jesus preaches in the synagogue / Description: This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is identical in style as the ones attributed by the Rijksmuseum to The First Antwerp Master and dated 1485-1491. They do not have this woodcut and I did not find it elsewhere. It is a real early woodcut in History and precedes the more common woodcuts from the Ludolphus editions of the turn of the century. / Dimensions: 9,85 x 13,00 / Condition: Excellent impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and in "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1485-1491 260

Albrecht Dürer -Christ bearing the cross - Ca. 1509 / Description: Meder 146 d/e. Woodcut from the Small Passion by Dürer monogrammed and dated 1509 in the block. Original Dürer woodcut from an early edition without text, dating from circa 1544 -1589 based on the fragment of watermark found on ' Christ before Pilate' (see other lot in this auction, watermark similar to the 'Kleines Wappen von Kaufburen mit einfachen Sternen =Meder Watermark 220.a, as used in the 'Ehrenporte' published in 1559.) Subject: Christ bearing the cross, supporting himself with one arm on the ground, turning his head towards St Veronica on the left who is holding a cloth. Original woodcut from circa 1509 by Dürer from the small passion, his first major project, and today his most celebrated, depicting the final days of Christ’s life. / Dimensions: 12,80 x 9,70 cm / Condition: Excellent brilliant sharp and evenly printed well contrasted black impression. Early impression with almost intact borderlines. With the gaps in the borderline top right and bottom middle as described for this state d. Early edition well ahead of the Italian text edition. On the full sheet of lead paper measuring 19,50 x 15,00 cm. Tipped with left border on a laid paper support sheet. Excellent untouched condition with no folds, tear or stain / Literature: Meder 146 d/e. With the gaps in the borderline top right and bottom middle as described for this state ---- Bartsch / Le Peintre graveur (VII.120.37) --- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.296.81) --- Woodcut Ca. 1509 / Medium: Woodcut /Circa: 1509 1400

Master of Haarlem (1483-1486 Fl.)Attr. - The Wise and Foolish Virgins / Description: The foolish virgins with a lamp without oil before a door, inside the wise virgins with a lamp holding oil. This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is identical in style as the ones attributed by the Rijksmuseum to The Master of Haarlem and dated 1483-1486. They do not have this woodcut and I did not find it elsewhere. It is a real early woodcut in History and precedes the more common woodcuts from the Ludolphus editions of the turn of the century. / Dimensions: 9,20 x 13,00 cm / Condition: Excellent impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and in "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Colored woodcut /Circa: 1483-1486 260

Master of Haarlem (1483-1486 Fl.) - The Last Supper / Description: This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is attributed by the Rijksmuseum to The Master of Haarlem and dated 1483-1486. This attribution was also confirmed by Prof. Defoer. This makes it a real early woodcut in History. / Dimensions: 17,50 x 14,50 cm / Condition: Excellent impression with unbroken woodcut borderlines tipped with corners on a support sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway 1884 (Conway 21.3:4) ---"The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1483-1486 260

Master Of Delft -Die mensche. Scriptura / Description: Scriptura and man : A man kneeling. A woman looks into the book, behind her a bookcase. She is the personification of the Scriptura, of the Bible. Christ as Salvator Mundi appears in heaven. (Banderolles with the text still upside down, that was not the case in later editions...) This is a full page incunabula woodcut, in fact the first and title woodcut of a very rare and early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". This woodcut is discussed by Prof. Henri Defour in his article 'story of the woodcuts from the Ludolphus editions' DBNL 24/2017. The history of the woodcuts is very complicated, see an extract under 'literature'. It belongs to the very rare first edition or an earlier work that has not survived as described below. The fresh impression still with complete intact borderlines also emphasizes that fact. / Dimensions: 17,50 x 14,5 cm / Condition: Excellent impression with unbroken woodcut borderlines tipped with borders on a support sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017)… Ina Kok is of the opinion that an earlier edition preceded Leeu's edition of 'tBoeck vanden Leven ons lief heeren Jhesu Christi of 3 November 1487, which has not been preserved. She assumes that on the basis of the similarity of the second title woodcut with Mensch and Scriptura in the above edition with the title woodcuts in a two-part passionael, consisting of a winter and a summer piece, which appeared on 1 March 1487 in Delft by Jacob Janszoon van der Meer (ilc 1510, see figures 7 and 8) The maker of these woodcuts has been given the 'Second Delft Woodcutter' by Conway as an emergency name. The title page of both volumes shows a female figure sitting behind a lectern, with a bookcase full of books behind her. Before her kneels a man, looking up to Christ appearing in the sky in a mandorla. Above the woman floats a banderole with the text upside down: Dat Passionael, and above the man a banderole with the words upside down on one side: Summer stuck and the other time: Winter stuck. The Delft printer also used the same woodcut for his edition of the short redaction of the life of Christ by Ludolphus de Saxonia, which came off the press on 22 May 1488 (ilc 1504) There the words scriptura and die mensche can be read in the bands respectively. These words make sense here, since the text of the book largely consists of a dialogue between scriptura and die mensche. This indicates that the woodcut was originally cut for an edition of the Life of Christ by Ludolphus de Saxonia and must therefore be older than 1 March 1487, the publication date of the two-volume passionael. No copies of this earlier (probably also) Delft edition have survived, nor of the early edition by Gheraert Leeu, which Kok presumes....... The stylistic affinity between the paintings of the Master of Virgo inter Virgines and the woodcuts of the Second Delft Master is so great that it is generally assumed that he was the designer of the woodcuts of the Second Delft Master It can be concluded from this that the Second Delft Master is most likely identical with the Master of the Virgo inter Virgines.......( The Master of the Virgo inter Virgines was an Early Netherlandish painter and designer of woodcuts active around Delft between 1483 and 1498. He is named for The Virgin and Child with Four Holy Virgins, an altarpiece of the Virgin with Saints Catherine, Cecilia, Ursula, and Barbara which formerly hung in the convent of Konigsveld, but which is now in the Rijksmuseum in Amsterdam.) / Medium: Colored woodcut /Circa: Pre 1487 280

Master Of Delft - Healing of the blind of Bethsaida / Description: Christ heals the blind Bethesda. Three scenes from the story of the healing of the blind man. Blind man being led to Christ by a young boy. Christ lays his hands on blind eyes. The Cured man walks away . This is a full page incunabula woodcut, from a very early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". This is a full page incunabula woodcut, from a very early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. The woodcut here on auction is attributed to the second master of Delft, alias the Master of the Virgo inter Virgines) and dated 1480-1500. The woodcut was already used in the edition of 22 May 1488. In fact the fresh impression still with complete intact borderlines makes it very plausible our woodcut belongs to the early edition of 22 May 1488. / Dimensions: 17,50 x 14,50 cm / Condition: Excellent impression with unbroken woodcut borderlines tipped with corners on a support sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway 1884 (Conway 21.12:11) ---"The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Colored woodcut /Circa: 1480-1503 260

Michel Wolgemut (1434-1519) - Martyrdom Of Sint Peter - 1493 / Description: Old colored woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg on 12 July 1493. The apostle S. Petyer crucified upsidedown. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, godfather of Dürer. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. / Dimensions: 15,60 x 11,20 cm / Condition: Excellent condition. Mounted on a collection sheet. With the original Latin letterpress above and on the backside of the woodcut from the first edition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. / Medium: Coloured /Circa: 1493 250

Andries Stock - Portrait of Karel van Mander, 1610 / Description: Karel van Mander, famous Flemish painter . Seen three-quarter length, directed to the left head slightly turned to face the viewer, holding a paper in his left hand. A portrait from the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. This is a first edition published by Hondius, a later edition was published in 1612and 1618 by Jansonius. / Dimensions: 2060 x 12,50 cm / Condition: Outstanding early impression on a full sheet of watermarked laid paper. In excellent condition. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (80-155) ----- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (2400) ----- van Someren 1888 / Beschriivende catalogus van Gegraveerde Portretten van Nederlanders. Vervolg op Frederik Mullers catalogus van 7000 Portretten van Nederlanders. (M.2400) / Medium: Etching /Circa: 1610 220

Michel Wolgemut (1434-1519) - Saint Peter as Pope - 1493 / Description: Old colored woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg on 12 July 1493. Saint Peter, sitting on a throne in a room with four windows. He wears a tiara on his head and a crosier in his right hand. On his lap is a book. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, godfather of Dürer. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. / Dimensions: 11,80 x 7,20 cm / Condition: Excellent condition. Mounted on a collection sheet. With the original Latin letterpress and rubrification in handpainted red on the backside of the woodcut from the first edition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. / Medium: Engraving /Circa: 1493 200

Albrecht Dürer - Christ on the Cross - Ca. 1509 / Description: Meder 149 c. Woodcut from the Small Passion by Dürer monogrammed in the block. Original Dürer woodcut from an early edition without text, dating from circa 1544 -1589 based on the fragment of watermark found on ' Christ before Pilate' (see other lot in this auction, watermark similar to the 'Kleines Wappen von Kaufburen mit einfachen Sternen =Meder Watermark 220.a, as used in the 'Ehrenporte' published in 1559.) Subject: Christ on the Cross, on the left St John amongst the group of holy women, with the Magdalen on her knees at the foot of the cross. Original woodcut from circa 1509 by Dürer from the small passion, his first major project, and today his most celebrated, depicting the final days of Christ’s life. / Dimensions: 12,80 x 9,90 cm / Condition: Excellent brilliant sharp and evenly printed well contrasted black impression. Early impression with almost intact borderlines. With the gaps in the borderline top right and bottom middle as described for this state c. Early edition well ahead of the Italian text edition. On the full sheet of lead paper measuring 19,50 x 15,00 cm. Tipped with left border on a laid paper support sheet. Excellent untouched condition with no folds, tear or stain / Literature: Meder 149 c. With the gaps in the borderline top right and bottom middle as described for this state ---- Bartsch / Le Peintre graveur (VII.120.40) --- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.262.7) --- Woodcut Ca. 1509 / Medium: Woodcut /Circa: 1509 1600

G.-B. Piranesi - Ponte Trionfale / Description: Ponte trionfale - Triumphal bridge. Etching from Opere Varie di architettura, prospettivi, grotteschi, antichita; inventate, ed incisi di Giambattista Piranesi Architetto Veneziano. This plate from the Roman edition of Opera Vari II was not published before 1761 in any volume, and was an adition to the Opere Varie I of 1750. Good impression from the Roman edition (before the three digits numbes of the later Paris edition). / Dimensions: 15 x 21,80 cm / Condition: Excellent condition with no folds, tears or stains. Full plate border and good wide margins. / Literature: Focillon 130 first state without the number, Wilton-Ely 745, / Medium: Etching /Circa: 1760 250

Michel Wolgemut - Salome Carving the Head of John the Baptist - 1493 / Description: Early woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg on 12 July 1493. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, godfather of Dürer. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. This woodcut is not brought in connection with Dürer in existing literature. / Dimensions: 14,00 x 15,00 cm / Condition: Excellent condition. Mounted on a collection sheet. With the original Latin letterpress on the backside of the woodcut from the first edition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493. / Medium: Woodcut /Circa: 1493 220

Albrecht Dürer (1471-1528) - Fool with Church bell upside down - 1494 / Description: Narrenrede, nicht auf alle Reden achten - Nil curare detractiones hominum - Not paying attention to all talk - Of them that forceth or careth for the bacbytynge of lewde people. "Whether that a bell be hangyd or lye on grounde, If vnto the same a clapper lacke or fayle, The bell shall make but sympyll noyse or sounde, Though thou in it do hange a Foxys tayle, Right so backbyters that vse on men to rayle, Can nat greatly hurt them that lyue rightwysly, Wherfore it is foly theyr babblynge to set by." Woodcut made by the young Albrecht Durer in 1494 for Sebastian Brant's Stultifera navis - Das Narrenshiff. The Basel humanist Sebastian Brant described the sea journey of fools (representing the follies of human weakness and vice) to "Naragonia" the paradise of fools. The fine woodcut is the one commissioned for the first edition (in German) of 1494. This is one of the 75 of the 112 woodcuts now attributed to Dürer, who resided in Basel for a few months in 1494. "The woodcut illustrations created for the Das Narrenschiff are of immense density and tenseness. Since there was no iconographical tradition for this newly conceived text, the subjects and scenes of the illustrations had to be created entirely new. The images presented are of such convincing force that their equal in design had never before been seen" (A Heavenly Craft, p. 63). The woodcut here on auction from the Latin edition of 1511. / Dimensions: 11,70 x 8,50 cm / Condition: Very good black impression trimmed outside the borderline. Small Latin text letters on the backside. Overall very good condition. / Literature: Schramm 1152 - Rogner & Bernard 1360 / Medium: Woodcut /Circa: 1494 250

Albrecht Dürer - Christ at Emmaus - Ca. 1510 / Description: Meder 157 b. Woodcut from the Small Passion by Dürer. Original Dürer woodcut from an early edition without text, dating from circa 1544 -1589 based on the fragment of watermark in the paper ( Meder 220.a: 'Kleines Wappen von Kaufburen mit einfachen Sternen, as used in the 'Ehrenporte' published in 1559.) Christ at Emmaus, sitting in the centre of a table and breaking bread, with his disciples to both sides. Original woodcut from circa 1510 by Dürer from the small passion, his first major project, and today his most celebrated, depicting the final days of Christ’s life. / Dimensions: 12,70 x 9,80 cm / Condition: Excellent brilliant sharp and evenly printed well contrasted black impression with the gaps in bottom borderline as described for state b. Early edition well ahead of the Italian text edition. On the full sheet of lead paper measuring 19,50 x 15,00 cm. Tipped with left border on a laid paper support sheet. Excellent untouched condition with no folds, tear or stain / Literature: Meder 157 (b). With the gaps in the border as described for this state. ---- Bartsch / Le Peintre graveur (VII.120.48) --- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.296.92) Woodcut Ca. 1510 / Medium: Woodcut /Circa: 1510 1800

Giovanni Battista Piranesi (1720-1778) - Temple Of Salus On The Via D'Albano / Description: Tempio antico volgarmente detto della Salute su la via d'Albano, cinque miglia lontan da Roma, Series: Series: Vedute di Roma -- View of the so-called Temple of Salus on the Via d'Albano, outside Rome, Etching by Giovanni Battista Piranesi. Lettered as if a stone inscription at lower right with the title and 'l'opera con tutt' i suoi ornamenti è di terra cotta, è l Capitello A è composito a differenza di t[ut]ti gli altri'. At lower left 'Piranesi F.' Roman edition 'before' the number upper right corner. First or second state on four. On watermarked laid paper. The watermark near the middle fold is hard to disipher. / Dimensions: 41,10 x 45,60 cm / Condition: A very good impression of the first state on thick laid paper with watermark . Full margins. Flattened middle fold. Overall in excellent condition. / Literature: Wilton-Ely 1994 / Giovanni Battista Piranesi, the complete etchings (204) --- Hind 1922 / Giovanni Battista Piranesi, a critical study (71.I or II / IV) --- Focillon 1918 / Giovanni Battista Piranesi: Essai de catalogue raisonné de son oeuvre (776) / Medium: Etching /Circa: 1760-1778 600

Etienne Duperac - Pyramide Cestio / Description: Vestigi dell'Antichitá di Roma Raccolti et Ritratti in Perspettiva con Ogni Diligentia da Stefano Du Perac - 1575 Piramide CistioFrom the first edition of the series of prints etched by Etienne Du Pérac and published in Rome in 1575Publisher: Lorenzo Vaccari (Italian, active Rome, ca. 1575–1608).Du Pérac (1525-1604) was a French architect and garden designer who had studied engraving under Antonia Lafreri, to who's Speculum Magnificentiae he contributed. The prints were published in the same year as the set by Battista Pittoni. While Pittoni works closely to the work of Hieronymus Cock, Du Pérac shows his own designs. Du Pérac represents as no other the lively renewal and interest in sixteenth century Rome, his prints form a a key source for the state of the Roman monuments at that time. / Dimensions: 21,00 x 38,50 cm / Condition: Superb good inked impression with good plate tone. Full plate border and margins on laid paper. Excellent condition. / Literature: Etienne Dupérac (Etcher, engraver, painter, draughtsman, architect, garden designer, French c.1535? - 1604) He had studied engraving under Antonio Lafreri, to whose Speculum Romanae Magnificentiae he contributed.Etienne Duperac, a native of Bordeaux or Paris, he soon moved to Venice, where he learned the art of making various subjects by Titian, mainly for the publisher Giovanni Francesco Camocio.He arrived in Rome in 1559 where he devoted himself to the study of architecture and antiquities, with special attention to the works of Michelangelo. In Rome knows Onofrio Panvinio, archaeologist and antiquarian who influences him and introduced him to the study of Roman antiquities. Like all artists from Northern Europe, was fascinated by the majesty of the Roman ruins and decided to study them. The above representations of the monuments of Rome, such as those performed by Hieronymus Cock in 1550, were painted and embellished with elements of fantasy.The great importance of the views of Rome Duperac lies in the fact that they were represented with absolute precision archaeological and topographical, as to be now studied with great attention by scholars of archeology, monuments and sites as they often are now lost." Roma Rome Robert Dusmenil, Peintre Graveur Francais, vol. VIII, pp. 92 - 99, 1 - 40; Reed & Wallace, Italian Etchers of the Renaissance & Barocque, p. 83,84. 380 210He specialized in antiquities, maps and views and published his own work..""I vestigi dell'antichità di Roma raccolti et ritratti in perspettiva da Stefano Du Perac parisino"", first published in Rome in 1575 by Lorenzo Vaccari. The set, composed by 39 plates and 2 title. Etching with engraving, very good condition. Etienne Duperac, a native of Bordeaux or Paris, he soon moved to Venice, where he learned the art of making various subjects by Titian, mainly for the publisher Giovanni Francesco Camocio. He arrived in Rome in 1559 where he devoted himself to the study of architecture and antiquities, with special attention to the works of Michelangelo. In Rome knows Onofrio Panvinio, archaeologist and antiquarian who influences him and introduced him to the study of Roman antiquities. Like all artists from Northern Europe, was fascinated by the majesty of the Roman ruins and decided to study them. The above representations of the monuments of Rome, such as those performed by Hieronymus Cock in 1550, were painted and embellished with elements of fantasy. The great importance of the views of Rome Duperac lies in the fact that they were represented with absolute precision archaeological and topographical, as to be now studied with great attention by scholars of archeology, monuments and sites as they often are now lost." Roma Rome Robert Dusmenil, Peintre Graveur Francais, vol. VIII, pp. 92 - 99, 1 - 40; Reed & Wallace, Italian Etchers of the Renaissance & Barocque, p. 83,84. 376 215In 1574 URBIS ROMAE SCIOGRAPHIA EX ANTIQUIS MONVMENTIS ACCVRATISSIn 1575 he published VESTIGI DELL’ ANTICHITA DI ROMA. / Medium: Etching /Circa: 1575 180

Master Of Delft - Christ healing the sick of Bethesda / Description: Four scenes about the healing of the sick in Bethesda. Bottom left: the sick man in bed. Bottom right: Christ heals the man and commands him to get up. Top right: the healed man rises from his bed. Middle: Angel stirs the water and man takes his bath. Man carries his sleeping mat. This is a full page incunabula woodcut, from a very early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. The woodcut here on auction is attributed to the second master of Delft, alias the Master of the Virgo inter Virgines) and dated 1480-1500. The woodcut was already used in the edition of 22 May 1488. In fact the fresh impression still with complete intact borderlines makes it very plausible our woodcut belongs to the early edition of 22 May 1488. / Dimensions: 17,50 x 14,60 cm / Condition: Excellent impression with unbroken woodcut borderlines tipped with corners on a support sheet. Nice period hand colouring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway 1884 - (21.12:7) --- "The guilder compass" 1951. Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Coloured woodcut /Circa: 1480-1503 260

Michel Wolgemut (1434-1519) - Pentecost - 1493 / Description: Old colored woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg on 12 July 1493. Saint Mary sitting on a throne surrounded by the apostles. Maria has a book on her lap. The Holy Spirit, in the form of a dove, is depicted under the canopy of Mary's throne. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, godfather of Dürer. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. / Dimensions: 16,50 x 11,20 cm / Condition: Excellent condition. With the original Latin letterpress above and on the backside of the woodcut from the first edition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. / Medium: Woodcut /Circa: 1493 320

Michel Wolgemut (1434-1519) - Martyrdom Of S. Jacob Minor - 1493 / Description: Old colored woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg on 12 July 1493. The apostle Jacobus Minor, James the Lesser died a martyr's death when he was thrown from the roof of the temple, after which they stoned him and beat him to death. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, godfather of Dürer. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. / Dimensions: 14,00 x 10,60 cm / Condition: Excellent condition. Mounted on a collection sheet. With the original Latin letterpress above and on the backside of the woodcut from the first edition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. / Medium: Colored /Circa: 1493 250

Michel Wolgemut (1434-1519) - The Crucifixion - 1493 / Description: Old colored woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg on 12 July 1493. The crucifixion of Jesus in the 34th year of his life with Mary and John at the foot of the cross. Woodcut from the nativity and life of Christ, folio XCV verso. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, godfather of Dürer. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. / Dimensions: 9,00 x 7,20 cm / Condition: Excellent condition. With the original Latin letterpress above and on the backside of the woodcut from the first edition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. / Medium: Woodcut /Circa: 1493 200

Albrecht Dürer (1471-1528) - Of Lust and Bodely Desire - 1494 / Description: Narr und Wollust - De voluptate corporali - Of pleasure seeking - Of bodely pleasour or corporall voluptuosyte. "Wanton wastfull and vayne voluptuosyte, Oft blyndeth attysynge vnto inconuenyence, Many that ar rude, for theyr symplycyte, And them as shepe sleeth for all theyr innocence, But other some it kepyth with myght and violenceAs bulles bounde sure to endure great care, And other as byrdes it tangleth in hir snare " Woodcut made by the young Albrecht Durer in 1494 for Sebastian Brant's Stultifera navis - Das Narrenshiff. The Basel humanist Sebastian Brant described the sea journey of fools (representing the follies of human weakness and vice) to "Naragonia" the paradise of fools. The fine woodcut is the one commissioned for the first edition (in German) of 1494. This is one of the 75 of the 112 woodcuts now attributed to Dürer, who resided in Basel for a few months in 1494. "The woodcut illustrations created for the Das Narrenschiff are of immense density and tenseness. Since there was no iconographical tradition for this newly conceived text, the subjects and scenes of the illustrations had to be created entirely new. The images presented are of such convincing force that their equal in design had never before been seen" (A Heavenly Craft, p. 63). The woodcut here on auction from the Latin edition of 1511. / Dimensions: 11,70 x 8,50 cm / Condition: Very good black impression trimmed outside the borderline. Small Latin text letters on the backside. Overall very good condition. / Literature: Schramm 1161 - Rogner & Bernard 1368 / Medium: Woodcut /Circa: 1494 250

Albrecht Durer - Christ before Pilate / Description: Meder 140 (a-c/d). Woodcut from the Small Passion by Dürer. Original Dürer woodcut from an early edition without text, dating from circa 1544 -1589 based on the fragment of watermark found in the paper, watermark similar to the 'Kleines Wappen von Kaufburen mit einfachen Sternen =Meder Watermark 220.a, as used in the 'Ehrenporte' published in 1559.) Original woodcut from circa 1509-1511 by Dürer from the small passion, his first major project, and today his most celebrated, depicting the final days of Christ’s life. / Dimensions: 12,70 x 9,70 cm / Condition: Excellent brilliant sharp and evenly printed well contrasted black impression. Early impression Meder 140 (a-c/d), Before the damage to the right corner as described for Meder d but with the gap in the borderline bottom left corner. Early edition well ahead of the Italian text edition. On the full sheet of lead paper measuring 19,50 x 15,00 cm. Tipped with left border on a laid paper support sheet. Excellent untouched condition with no folds, tear or stain / Literature: Meder 140 (a-c/d) ---Bartsch / Le Peintre graveur (VII.120.31) --- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.295.75) Woodcut Ca. 1509-1511. / Medium: Woodcut /Circa: 1509-1511 1500

Italian 16thC. - The Ancient Campidoglio in Rome - C. 1553 / Description: Speculum Romanae Magnificentia - Reconstructed view of the ancient Campidoglio in Rome. This large engraving with etching was first published by Antonio Salamanca circa 1553-1563. There are still traces of the erased publishers address of Salamanca on the road surface before the bottom right building. Here in a later edition with the publishers address of Gio.Jacomo Rossi at bottom middle of the square. For an example with Salamanca's address see THE MET, inventory number 402867. For an example with de Rossi's address see British Museum 1950,0325.1.38. / Dimensions: 27,00 x 40,80 cm / Condition: A good silvery impression on a large sheet of laid paper with flattened middle fold and good margins. In good condition. / Literature: Reference for the 'Speculum Romanae Magnificentiae': In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These images were calculated to appeal to the taste for classical antiquity that fueled the cultural event we call the Renaissance. After Lafreri published a title page in the mid-1570s, collections of these prints came to be known as the Speculum Romanae Magnificentiae, the "Mirror of Roman Magnificence." Tourists and other collectors who bought prints from Lafreri made their own selections and had them individually bound. Over time, Lafreri's title page served as starting point for large and eclectic compilations, expanded and rearranged by generations of collectors. / Medium: Engraving, etching /Circa: 1553-1660 420

SCROOGE MCDUCKLimited Edition Print (13 1/2"" x 11" Unframed); 14/100 Artist Proof-Pick and Shovel Laborer Notated and Signed by Artist Very Fine+; Artwork by Carl Barks Walt Disney, 1992This is an artist's proof of only 100 and has the artist's handwritten notations. It is a scarce print in these low numbers.This print is hand-signed and numbered by the artist. It is currently attached to a grey and red matte.Carl Barks (1901-2000) was an American cartoonist, author, and painter. He is best known for his work in Disney comic books, as the writer and artist of the first Donald Duck stories, and as the creator of Scrooge McDuck.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.

GODZILLA VS MECHAGODZILLAArt Print (20" x 30" ); 15/120 Signed by ArtistNear Mint Rolled; Artwork by Attack Peter Mondo, 2020Hand Signed and Numbered Limited Edition Linocut Print on Lokta PaperThis art print is on linocut paper, with only minor wear from handling. Godzilla's mechanical archnemesis, Mechagodzilla, made its first appearance in this Toho Studios movie, though as an alien impostor rather than the human-made creation it was depicted as in later Godzilla movies.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.