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FALCONER, Hugh: Palaeontological Memoirs and notes of the late Hugh Falconer with a Biographical Sketch of the Author. Compiled and edited by Charles Murchison, in two 2 volumes. R Hardwick, 1868, first edition. PP: lvi, 590, (i)Adv,+34 Maps & plates, including frontis; xiii, (i), 675, +38 plates + Frontis portrait. Later plain cloth with gilt lettering and museum number to spines. Leicester Museum bookplate to front pastedown, But NO STAMPS. (2) Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)

1- AUSTEN-LEIGH J. E: A Memoir of Jane Austen by Her Nephew. R. Bentley, 1870, first edition. With a frontis portrait plus 4 plates. PP: v, (iii), 236. Original cloth rubbed and with tears; recased with new endpapers; 2- TROLLOPE, Anthony: The Last Chronicles of Barset, in two volumes. S. Elder, 1867, first edition. PP: 384; 384. Cont. half leather, rubbed, inner hinges cracked and sellotaped. (3)

ADAMS, George: 1- Lectures on Natural and Experimental Philosophy, Considered in It's Present State of Improvement.. In 5 volumes. L, R Hindmarch, 1794, first edition. Complete with all the plates in vol. 5 and the frontis in vol.1. PP: xlviii, 548; vii, (i)b, 561, (i)b, (ii)References etc; vii, (i)b, 579; viii, 576; 43(General Index), (i)Direction to binder, + 39 folding plates. Near cont. full leather with later labels; VERY GOOD & RARE SET; 2- ASTRONOMICAL AND GEOGRAPHICAL ESSAYS. L, R Hindmarch, 1789, first edition. Complete with the frontis Plus 21 folding plates. PP: xix, (i)b, 665, (i)b, 15(Catalogue of instruments). Ex-Libra, bound in library cloth and with the usual stamps & condition. (6)

Phillips (John): Illustrations of the Geology of Yorkshire; or a Description of the Strata and Organic Remains of the Yorkshire Coast… In two parts. York, printed for the author by Thomas Wilson & Sons, 1829, first edition. PP: Part one: xvi (includes Subscribers list), 192, Plus a frontis coloured map and 9 plates of sections of the cliffs (4 hand-coloured), Plus 14 plates; Part two: Printed for John Murray, 1836. PP: xx (includes subscribers list), 253, (i) Errata, Plus 25 plates (2 folding and linen backed). Later half leather with gilt lettering to spine, marbled endpapers and all edges marbled. Leicester Museum bookplate to front pastedown and stamps to the 9 cliff section plates only. Occasional foxing and light offsetting. Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)

HAWKINS, Thomas: Memoirs of Ichthyosauri and Plesiosauri, Extinct Monsters of the Ancient Earth. Relfe & Fletcher, 1834, first edition, with 28 Plates (one folding). Elephant Folio, PP: vi, (i)Subscribers list with only 48 names, (i)blank, (i)Dedication, (i)blank, 1-36, (ii)blank, (i)Dedication, (i)blank, 39-51, (i)blank, Plus Fronis Plate and plates 2-28. Original boards with label to upper cover priced £2. 10s. Covers detached and lacking the spine; the block is mostly loose. Frontis plate frayed at edges; various degrees of DAMP STAINING to all plates. (SOLD A/F NOT SUBJECT TO RETURN. You can make an appointment to view this lot) Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)

MURCHISON, Roderick Impey: The Silurian System founded on geological researches in the counties of Salop, Hereford. One volume bound in two. J. Murray, 1839, first edition. PP: xxxii(with list of Subscribers, which includes Charles Darwim), 576; Vol. 2: Title page, 577-734, + 14 Lithographic sketches (3 hand coloured), 112 wood-cuts, 31 plates (in which the organic remains are figured), 9 Plates of coloured sections illustrative of part I(folding double page hand coloured), Plus the all important & rare 3 sheet Engraved geological map dissected and mounted on linen and hand coloured, each sheet measuring 950 X 630mm. Later leather backed boards with Leicester Museum bookplate only, no stamps; gilt lettering, Museum number and date to spine and added endpapers. LACKING THE 3 SMALL MAPS (never bound-in!); occasion foxing. (2) Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps) (2)

CHILDREN’S BOOKS: 1- ROSCOE, W: The Butterfly's Ball, and the Grasshopper's Feast. Printed For J Harris, 1807, first Picture Book edition; with 14 hand-coloured plates after William Mulready, each printed on one side only and with a caption above it. PP: xxx, + the original printed wrappers; 2- The Rose's Breakfast. Printed For J Harris, 1808, first Picture Book edition; With 8 hand-coloured plates. PP: 32, + plates; 3- [PEACOCK, T L]: Sir Hornbook; or, Childe Launcelot's Expedition. A Grammatico-Allegorical Ballad. Printed For J Sharpe, 1815, 2nd. Edn. With 8 Hand-coloured plates. PP: 29, (i)blank, (ii)Publisher’s adverts, + the original printed wrappers. ALL THREE VOLUMES are bound in matching full leather with gilt decoration to boards and titles to uppers; covers rubbed. (3)

Children & Illustrated: LANG, Andrew: The Green Fairy book. Longman, Green, 1893, 2nd. Edn. Original gilt pictorial covers; rubbed and with cuts; damp stain to corner of first 20 pages; Violet Fairy Book. 1916, new impr. Original covers; faded in parts and little stained; Carroll, Lewis: Alice's Adventures in Wonderland. Macmillan, 1867, 6th. Thousand, Original cloth, rubbed and torn; inner hinges cracked; Another edition: Macmillan, 1888, 15th. Thousand (People's edition). Original pictorial cloth, rubbed and a little grubby; Another edition: Collins, nd, with colour plates; Newbolt, Henry: Drake's Drum and Other Songs of the Sea. No date (inscription dated 1914). With 12 tipped-in colour plates. Original gilt pictorial covers; VG. (6)

WISDEN Cricketers' Almanack: 1918 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1919 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1921 Original Hardback, first edition. Covers little rubbed, inner hinges cracked, otherwise Very Good copy.

WISDEN Cricketers' Almanack: 1923 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1924 Original Hardback, first edition. Covers slightly rubbed, small stain to upper cover; Good copy.

WISDEN Cricketers' Almanack: 1925 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

CARY, John: Cary's New and Correct English Atlas: Being a New Set of County Maps from Actual Surveys. J Cary, Sept 1, 1787, First edition, large 4to. with only 36 hand coloured maps of 47: 33 county maps plus: South Britain, North Wales And South Wales. Cont. full treecalf; rubbed and hinges cracked; some staining to top margins (away from the images); six maps with the former owner’s name in ink, to verso.

WISDEN Cricketers' Almanack: 1926 Original Hardback, first edition. Covers slightly rubbed, small dent/hole to spine; inner hinges cracked, otherwise a Good copy.

WISDEN Cricketers' Almanack: 1927 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1929 Original Hardback, first edition. Covers slightly rubbed, inner hinges cracked and the pastedown torn (without loss), Good copy.

WISDEN Cricketers' Almanack: 1930 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1931 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1932 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1933 Original Hardback, first edition. Covers slightly rubbed, inner hinges cracked, otherwise a Very Good copy.

WISDEN Cricketers' Almanack: 1934 Original Hardback, first edition. Covers slightly rubbed, inner hinges cracked, otherwise a Good copy.

WISDEN Cricketers' Almanack: 1935 Original Hardback, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1938. Although the covers look original there are no adverts to the pastedowns and endpapers, first edition. Covers slightly rubbed, Very Good copy.

WISDEN Cricketers' Almanack: 1941 Original Hardback, first edition. Covers slightly rubbed, Very Good+ copy. (One of only 800 hardbacks produced. The scarcest of the war years).

SIR KYFFIN WILLIAMS & OTHER WELSH ARTIST REFERENCE BOOKS & CATALOGUES (9) to include Gwladfa Kyffin, Kyffin in Patagonia, Portreadau/Portraits 1944-1993 A Wider Sky, Gomer Press, 4th Impression 2001, Kyffin in Venice, An Illustrated Conversation with David Meredith, Gomer Press 2006, Kyffin Williams by William Sinclair with essay by Ian Jeffrey, Lund Humpries 2004, A Tribute to Sir Kyffin Williams Programme of Introduction, Bangor Cathedral 11th September 2006, William Selwyn, Bardd y Brwsh Paent/Paintbrush Poet with introduction by Sir Kyffin Williams, 2007, Wil Rowlands Exhibition catalogue, Oriel Ynys Mon 2000, The Artist in Wales, David Bell, 1957 First Edition, published George G Harrap & Co Ltd London and Wilf Roberts Familiar Paths Exhibition catalogue, Oriel Ynys MonN.B.  This lot is located in our Colwyn Bay Saleroom.  Please make an appointment to view.

CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) limited edition monochrome wood engraving on Japan paper - resting goshawk, limited edition, signed, 36 x 14cms Provenance: private collection south of England Auctioneer's Note: believed first edition of 50, signed in 1945 Presentation & Condition: frame is loose but glazed NB: Located for viewing / collection at Cardiff saleroom

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Woman: Pouring a Basin of Water over Her Head [from The Human Figure in Motion: Plate 50]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 5/16 in. (241 x 287 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29374-2-225]

Artist: Eadweard Muybridge [d'apres] (English/American, 1830-1904). Title: "Woman Getting up from Bed [from Animal Locomotion: Plate 265]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 4 1/2 x 14 1/4 in. (114 x 362 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25352-3-150]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Beatles #2". Medium: Original color offset lithograph. Date: Composed 1980. Dimensions: Overall size: 12 1/4 x 36 in. (311 x 914 mm). Image size: 12 1/4 x 36 in. (311 x 914 mm).Lot Note(s): Signed in black marker, upper left; signed in the plate. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; folds as issued. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIB.5. Comment(s): The auction record for an unsigned impression of this print is $5,437 at Artcurial-Briest, Poulain, F. Tajan (Paris), 6/25/2013, lot #206. Issued as the dustjacket, with title/text/banner, for the first edition of the book 'The Beatles' by Geoffrey Stokes (Rolling Stone Press/Times Books) in 1980. Warhol created the image based on photographs by Dezo Hofmann, London. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28517-6-600]

Artist: Andre de Dienes (Hungarian/American, 1913 - 1985). Title: "Support". Medium: Original vintage photogravure. Date: Composed c1950. Printed c1950. Dimensions: Image size: 11 9/16 x 8 9/16 in. (294 x 217 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Andre de Dienes (born Andor György Ikafalvi-Dienes) is most noted for his work with Marilyn Monroe and his nude photography. In recent years his work has received long overdue and favorable attention, most notably an exhibition entitled "André de Dienes: Marilyn and California Girls," which opened June 9, 2016 at the Steven Kasher Gallery in New York City. It represented the first solo show of his work in New York in over ten years. Image copyright © The Estate of Andre de Dienes. [24833-2-150]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Pop Art One [book/portfolio with signed "Explosion" sticker]". Medium: Color offset lithograph. Date: Composed 1965. Lot Note(s): Signed across the sticker in black marker. Edition unknown, presumed small. Fine impression. Very good condition. Overall size of book/portfolio: 7 1/2" x 5 5/8". Comment(s): A scarce item on its own, especially with the unbroken seal, even more so with Lichtenstein’s signature across his “explosion” sticker. This early, charming, and innovative catalogue edited by Dorothy Herzka (later to become Lichtenstein) is one of the earliest documents of the New York Pop Art movement. It presents brief texts, photographic portraits (by Rudy Burkhardt and Hans Namuth, among others), and four or five individual plates each for artists Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, and Andy Warhol. The design is ingenious: two plastic spiral bindings on the left and right hand sides, bound to a heavy card back panel, hold the Lichtenstein inspired black Benday dot card covers and the first 16 pages of text. The pages are cut vertically at the center so the pages open on the left and right sides and allow the catalog to stand up and showcase (if desired), via the medium of the shutter-like wrappers, any of the loose and unbound 27 plates (complete) in the rear compartment. Opened fully, the grey card folder that holds the individual plates reproducing works by these artists is revealed. The compartment is sealed with the Lichtenstein explosion sticker that is still unopened and uncut. An intriguing and imaginative production from the height of the Pop Art movement. New York: Publishing Institute of American Art, 1965. First Edition. Image copyright © Estate of Roy Lichtenstein. [24522-1-800]

Artist: Fanny Rabel (Polish/Mexican, 1922-2008). Title: "Niño de la Costa". Medium: Original lithograph. Date: Composed 1958. Dimensions: Overall size: 16 1/8 x 11 1/2 in. (410 x 292 mm). Image size: 16 1/8 x 10 5/8 in. (410 x 270 mm).Lot Note(s): Signed in pencil with the initials, lower right. Proof aside from an unknown edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Provenance: Through Feliciano Peña; Private collection, Patzcuaro, Mexico. Comment(s): Rabel's prints are scarce. Born Fanny Rabinovich, she was a Mexican painter and printmaker, also known as "La Fanny de los Fridos". Her family moved to Mexico City in 1938 to escape the Second World War. Rabel's first exhibition was held at the Liga Popular Israelita in 1941 where Frida Kahlo, her teacher at the time, wrote of her: "Fanny Rabinovich paints as she lives, with great courage, intelligence and sensibility... But what I find most interesting in her painting is the profound roots that link the tradition and strength of her people (Jews). It's not a personal style, but rather socialist. She's worried about class problems and has observed with incredible maturity the character and style of her models, giving them always particularly lively emotions. All of this without pretentiousness and full of femininity and class that make her work so complete." Rabel worked as a muralist with Diego Rivera and David Alfaro Siqueiros; other famous teachers were Santos Balmori and Francisco Zúñiga. She was a founding member of the Taller de Gráfica Popular (TGP) and is considered one of the four "Fridos," along with Arturo Estrada, Arturo Garcia Bustos, and Guillermo Monroy. Image copyright © The Estate of Fanny Rabel. [25276-3-150]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #08 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/16 x 4 in. (154 x 102 mm).Lot Note(s): Signed by Warhol in black marker, center left. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(f); cf. Feldman/Schellmann II.143. Comment(s): This from the first edition of the Mick Jagger announcement set, scarcer than the second edition and unlike the second not signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28547-1-400]

Artist: Alvin Hollingsworth (American, 1928-2000). Title: "Lonely Woman". Medium: Original color woodcut. Date: Composed c1960. Dimensions: Overall size: 10 3/4 x 8 9/16 in. (273 x 217 mm). Image size: 8 7/16 x 6 3/8 in. (214 x 162 mm).Lot Note(s): Initialed in pencil, lower right; editioned (HC) in pencil, lower left; initialed in the plate, lower left. Edition unknown, presumed small. Light cream stiff wove paper. Wide margins. Fine impression. Fine condition. Comment(s): Born in Harlem, Alvin Carl Hollingsworth, whose pseudonyms included Alvin Holly, was an African-American painter and printmaker and one of the first black artists in comic books. Image copyright © The Estate of A.C. Hollingsworth. [23301-2-225]

Artist: Eadweard Muybridge [d'apres] (English/American, 1830-1904). Title: "Jockey on Galloping Horse (The Horse in Motion) [from Animal Locomotion: Plate 667]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 6 5/8 x 10 3/8 in. (168 x 264 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [27137-3-225]

Artist: Eadweard Muybridge [d'apres] (English/American, 1830-1904). Title: "Girl Watering [from Animal Locomotion: Plate 478]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 8 x 9 7/16 in. (203 x 240 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25348-3-150]

Artist: Eadweard Muybridge [d'apres] (English/American, 1830-1904). Title: "First Dance Step [from Animal Locomotion: Plate 369]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 7/16 x 14 5/16 in. (138 x 364 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25353-3-150]

Artist: Eadweard Muybridge [d'apres] (English/American, 1830-1904). Title: "Dogs Fighting [from Animal Locomotion: Plate 715]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 5/16 x 13 3/4 in. (135 x 349 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25355-3-100]

Artist: Banksy [d'apres] (English, b. c1973-75 | Active 1990 - Present). Title: "Di-faced Tenner [Dismaland]". Medium: Color print. Date: Composed 2004. Printed later. Dimensions: Overall size: 3 x 5 11/16 in. (76 x 144 mm).Lot Note(s): Stamped "Dismaland Bemusement Park" lower center, both recto and verso. Edition not specified. White wove paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): The first Di-faced Tenner was executed by Banksy in 2004 and retailed at the 'Santa's Ghetto' exhibition in London the same year. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30338-1-225]

Artist: Paul Strand (American, 1890 - 1976). Title: "Cristo, Oaxaca [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 9 7/8 x 7 3/4 in. (251 x 197 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6530-3-150]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Fruit Basket". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12d; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28737-1-600]

Artist: Paul Strand (American, 1890 - 1976). Title: "Calvario, Patzcuaro [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 10 1/16 x 7 13/16 in. (256 x 198 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6534-3-150]

Artist: Banksy [d'apres] (English, b. c1973-75 | Active 1990 - Present). Title: "British £10 Note, Di-faced Tenner". Medium: Color print. Date: Composed 2004. Printed later. Dimensions: Overall size: 3 x 5 11/16 in. (76 x 144 mm).Lot Note(s): Edition not specified. White wove paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): The first Di-faced Tenner was executed by Banksy in 2004 and retailed at the 'Santa's Ghetto' exhibition in London the same year. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30339-1-225]

Artist: Paul Strand (American, 1890 - 1976). Title: "Boy, Uruapan [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 10 1/16 x 7 15/16 in. (256 x 202 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29311-3-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Andy Warhol and His Plastic Inevitable [2nd printing] [postcard edition]". Medium: Color lithograph. Date: Composed 1993. Dimensions: Overall size: 7 x 5 in. (178 x 127 mm).Lot Note(s): Edition unknown. White wove paper. Full margins. Fine impression. Fine condition. Comment(s): Designed by Wes Wilson. The postcard for the famous event, unlike the poster with the same image, was authorized by Bill Graham and first printed early in 1967 along with the second printing of the poster. The colors of the card match the colors of the first and second printings of the poster. The card was printed by the West Coast Lithograph Co., San Francisco (their imprint verso), who also printed the second printing of the poster. The postcard was subsequently reprinted by Wes Wilson in 1993. Since the poster had a total of three printings, and concert postcards are generally issued before the event, the 1967 printing of the postcard is often erroneously referred to as a second printing, when in fact it was the first. The first printing can be differentiated from the second by the colors ("Andy Warhol and His Plastic Inevitable" is white in the first, pink in the second; orange lettering in the first vs. red/orange in the second); no small letters under the image lower left in the first vs. the addition of "© 1966 Wes Wilson BG 8-3/PS 33" in the second, the change in the small letters lower right from "Wes Wilson 661-5362" in the first to "Wes Wilson '66" in the second, the deletion on the verso of the printer's information on the second printing, the smaller size (8 x 5 on the first, 7 x 5 on the second), and the paper color (pale cream on the first, white on the second). The colors of the second printing of the postcard match the colors of the third printing of the poster. Image copyright © Wes Wilson. [28362-1-100]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #04 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker, center right. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(j); cf. Feldman/Schellmann II.147. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28980-1-400]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Charles the First". Medium: Color offset lithograph. Date: Composed 1982. Printed 1984. Dimensions: Overall size: 8 3/4 x 7 9/16 in. (222 x 192 mm).Lot Note(s): Signed in black marker, lower right. Edition size unspecified, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Museum Boijmans Van Beuningen (the exhibition ran from February 9th to March 31st, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. “Charles the First” was the title of this image at the exhibition; it is now sometimes titled “Most Young Kings Get Thier (sic) Heads Cut Off.” Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28993-1-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Campbell's Soup - Pepper Pot [Ferus Gallery invitation/announcement]". Medium: Original color offset lithograph. Date: Composed 1962. Dimensions: Overall size: 12 1/4 x 10 in. (311 x 254 mm). Image size: 8 7/8 x 5 1/16 in. (225 x 129 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed very small. Slightly textured white wove paper with serrated lower margin (as issued). Full margins. Fine, strong impression with bright colors. Good to very good condition: folds as issued for mailing; a few handling creases and spots, not in the image. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018 (unknown to Marechal, undoubtedly to be included in the forthcoming revised edition); cf. Feldman/Schellmann II.51. For an extensive coverage of the history and importance of this announcement and its exhibition, please see Kirk Varnedoe's essay 'Campbell's Soup Cans, 1962' in Gagosian Gallery's 'Ferus,' 2002, pp. 44-52. The announcement is illustrated, full page, full color, on pg. 42. The exhibition painting upon which the announcement is based is pictured on pg.129. Comment(s): A very rare object. “Gordon’s Print Prices” records only three sales from 1985 to 2019, all works unsigned, the most recent sale realizing $2,750 at Bonhams New York, 12/6/2106, lot #136. The importance of the Warhol exhibition at the Ferus Gallery and this related announcement cannot be overemphasized. Although the Archives of American Art at the Smithsonian has a total of 32 different Irving Blum and Ferus Gallery announcements, it does not possess this announcement. As Wikipedia states in its article on the Campbell's Soup Cans, "Warhol…showed the work on July 9th, 1962 in his first one-man gallery exhibition as a fine artist in the Ferus Gallery of Los Angeles, California. The exhibition marked the West Coast debut of pop art." Note the differences in our poster and the related painting to the later, true to life, screenprints of the soup cans. As Varnedoe states,"…Warhol added one central, repeated note of expediently pure abstraction in the solid gold disk that utterly ignores the fine black printing actually found on this area of the real label." Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. TM Licensed by Campbell's Soup Co. All rights reserved. [26480-2-3000]

Artist: Jean-Michel Basquiat & Andy Warhol (Americans, 20th Century). Title: "Warhol * Basquiat Paintings [original first printing]". Medium: Original color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 19 x 12 in. (483 x 305 mm). Image size: 19 x 12 in. (483 x 305 mm).Lot Note(s): Signed by both artists in black marker. Edition unknown, presumed small. Smooth cream medium weight wove paper. The full sheet. Fine impression. Very good condition; colors very good; a few minor handling marks, else fine. Comment(s): The legendary, iconic, and famous poster of two of the greatest artists of the latter part of the 20th Century, perhaps the most poignant and enduring image of the 1980's NYC art scene. We could locate only 11 sales of this poster in the past 28 years, with only five of these being signed. The auction record for a signed example is $6,600 at Christie's New York, May 1, 2007, lot #839. The image is by Michael Halsband. The show displayed the collaborative paintings that Warhol and Basquiat worked on from 1984-1985. These works were the culmination of their friendship, one which began in the late 70's. Eventually, the two began work on the paintings that would constitute the bulk of this exhibition. But the process was not without conflict. Warhol, whose work ethic was legendary, grew frustrated with Basquiat's erratic appearances and the two worked very little on the paintings at the same time. The show was a financial and critical failure and marked the end of their friendship. The full title of the poster is: "Tony Shafrazi * Bruno Bischofberger Present: Warhol * Basquiat Paintings, September 14 through October 19, 1985, 163 Mercer Street, New York.". [27961-3-3000]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Portrait of Jack Walls [poster]". Medium: Color offset lithograph. Date: Composed 1985. Printed 1986. Dimensions: Overall size: 16 3/8 x 8 3/16 in. (416 x 208 mm).Lot Note(s): Hand-signed in black marker, lower right. Edition size very small. Very light cream smooth thick paper. Full margins. Fine impression. Fine condition. Comment(s): No auction records located for this extremely rare poster. The only impression we could find for sale was an unsigned one at $4,500 offered in February 2021 by Skyline Books, Forest Knolls, California, the distinguished long time bookseller. The text in their listing, with a few deletions but no additions, is here “Promotional poster for the 1986 ‘To Repel Ghosts’ exhibition at Galerie Delta, Rotterdam. It reproduces a painting of fellow artist Jack Walls. Like the poster Basquiat did for his 1982 show at Galerie Delta the print run for this poster was also going to be limited to 35 copies. However, this smaller poster was intended to be folded and mailed but the thick paper used couldn’t be folded without cracking so the project was abandoned and it’s likely that not even 35 copies were done. Very few copies of this poster have surfaced and this is the first one we’ve ever seen or handled. A true Basquiat rarity, arguably his rarest poster.” Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30315-3-2400]

Nicholson, William - an Almanac of Sport, first edition Heinenmann, lithographic print of pugilists, 23 x 23cm; together with a photographic print entitled Harringays Last Night, November 1936-1958, showing various ex-boxers, 48 x 58cm; and a modern black and white print of Joe Lewis, 46 x 35cm (3)

Twenty-five rare Punk and first pressing LP records including Crass, Ramones, Big Black limited edition UK gold seal record with poster and single, Bleach, PiL, Cure, The Creepers, The Fall, etc.

Memoirs of the Life of Colonel Hutchinson, Governor of Nottingham Castle and Town, Second Edition published by Longman, Hurst, Rees and Orme in 1808, both boards detached and some repairs to first few pages

2000 Ferrari 360 Modena Transmission: manualMileage:51921The Ferrari 360 was manufactured from 1999 to 2005 and succeeded the F355. It is a mid-engine, rear-wheel drive, V8 powered coupé and Ferrari partnered with Alcoa to produce an entirely new, all aluminium space-frame chassis that was 40% stiffer than the F355. Along with a lightweight frame, the new Pininfarina body styling deviated from traditions of the previous decade's sharp angles and flip-up headlights. The new V8 engine utilised a 3.6 litre capacity and, despite what looked like, on paper, as modest gains, in reality the power to weight ratio was significantly improved. The first model to be rolled out was the 360 Modena followed later by the 360 Spider and finally, as a special edition, the Challenge Stradale. There were 8,800 Modena's and 7,565 Spiders produced of which, in the UK, only 352 were manual gearbox Modena’s and 478 manual Spiders.This is one of the 352, six-speed manual, Ferrari 360 Modena UK right hand drive cars. Delivered by Maranello Concessionaires in July 2000, it was supplied with sport exhaust, rear challenge grille, yellow brake calipers and Scuderia shields on the wings.This car comes with a very good service history:-26.07.2000 pdi Maranello Ferrari Egham22.06.2001 @ 6,269 miles Carrs Ferrari Exeter Major Service22.07.2002 @ 13,417 miles Carrs Ferrari Exeter Major Service09.09.2004 @ 23,112 miles Graypaul Ferrari Nottingham14.10.2006 @ 27,063 miles Ferrari specialist22.03.2007 @ 30,345 miles Ferrari specialist Major including belts and new clutch27.03.2008 @ 31,891 miles Ferrari specialist18.05.2009 @ 34,276 miles Ferrari specialist08.08.2010 @ 36,497 miles Ferrari specialist including belts07.10.2011 @ 37,730 miles Ferrari specialist05.11.2012 @ 39,690 miles Ferrari specialist05.09.2013 @ 44,850 miles Ferrari specialist06.05.2014 @ 45,320 miles Ferrari specialist including belts17.04.2015 @ 47,972 miles Ferrari specialist29.06.2016 @ 48,488 miles Ferrari specialist22.12.2017 @ 50,490 miles Ferrari specialist21.05.2019 @ 51,166 miles Ferrari specialist GTO Engineering who carried out major service, replaced the cambelts, rebuilt the gearbox, replaced the front upper and lower ball joints and renewed the rear lower ball joints and suspension bushes at a cost of £20,000. A service is being carried out at the time of writing this. Finished in Rosso Corsa with contrasting tan leather interior with Bordeaux carpets, this very good Ferrari 360 Modena is supplied with a V5 registration document, an MoT test certificate which expires in September 2022, the leather wallet with original service and handbooks, toolkit and a good history file. This is a very attractive motorcar and, what could be considered, one of the ultimate driving Ferraris.Interested parties should note that the private registration plate shown is to be retained by the vendor and a new, age-related registration issued instead.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.

1996 Mercedes-Benz SL320 Special Edition Transmission: automaticMileage:76500The Mercedes-Benz R129 models were produced from 1989 through to 2001 and were sold under the SL Class model names. The R129 replaced the R107 SL Class in 1989 and was subsequently replaced by the R230 in 2001. The R129 was based on the shortened floor pan of the Mercedes-Benz W124 saloon and featured many innovative details for the time, for example, electronically controlled shock absorbers (optional) and a hidden, automatically extending roll-over bar. The level of standard equipment was high, with electrically operated windows, mirrors, seats and convertible hood. The R129 came to public attention in 1991 when Diana, Princess of Wales, sold her Jaguar XJS to lease a J-registration, metallic-red 500SL, becoming the first member of the royal family to use a foreign car. This controversy sparked a media storm as it was questioned whether a member of British royalty should drive foreign cars. Media pressure eventually forced her to return the car to Mercedes-Benz in 1992 with whom it now resides in the Mercedes-Benz Museum.On offer here is a Mercedes-Benz 320SL Special Edition, finished in brilliant blue with a contrasting cream leather interior. The current vendor describes the car as being exceedingly pleasant to drive and a delight to own. Showing little sign of age, this Mercedes has recently been serviced and has been fitted with two new Continental tyres. Supplied with a V5C registration document, an MoT test certificate valid until July 2022, together with a good level of service history and a factory panoramic hardtop. Representing superb value for money, this highly usable modern day sports car is already regarded as a design classic.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.

The District Railway Map of London, 5th edition c.1892-3, The District Railway Map of London, 6th edition c.1908 & The District Railway Map of London, 7th edition c.1908,three folding maps printed on paper and backed on linen between card covers, the first published by W. J. Adams & Sons, 59 Fleet Street, E.C., the second and third by Sampson Low, Marston & Company, London, (3)First map measures approx. 66.5 x 106.3cmCondition: markings and stains to all three maps, tears along the section folds, covers loose IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

The District Map of Greater London & Environs, 1st edition 1902 & 1st edition 1904, and Stanford's Map of Metropolitan Railways, Tramways, and other Improvements, 1903,three folding maps on paper backed on linen inside hard covers, the first and second published by Sampson Low, Marston & Company, London, the third by Edward Stanford, London, (3)the first map measures approx. 67.8 x 106.2cmCondition: all maps are in fair condition, some marking and staining to the surfaces, wear to the covers but all relatively intact IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

The Improved District Railway Map of London, 1886 3rd edition, and the Jubilee Edition of the District Railway Map of London, 1887,two folding maps, the first printed on paper with advertisements on reverse and between two linen covers, the second printed on paper and laid down on linen between two linen covers, published by W. J. Adams & Sons, 59 Fleet Street, E.C., (2)second map measures approx. 66.1 x 106.8cmCondition: The first has become separated from its covers leaving upper most left hand section of the map attached, multiple tears to the folding seams and edges, tear to the top middle of the map, staining and discolouration, covers are worn, the second has multiple tears between the map sections but overall is still intact, other smaller tears and folds, covers worn IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT