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Lot 8
Zarina Hashmi (American-Indian, 1937-2020)A thousand knots (c.1980s) signed 'Zarina' lower right and edition 2/10 lower leftcast paper pulp/mixed media, framed61.6 x 61.6cm (24 1/4 x 24 1/4in).Footnotes:ProvenanceProperty from a private collection, New York.Gifted to the vendor by a Prominent Collector;Acquired from the artist.'Paper is an organic material, almost like human skin,' the artist Zarina Hashmi has said. 'You can scratch it, you can mold it. It even ages.' Zarina in Reveling in the Multicultural Possibilities of Paper by Karen Rosenberg, 31st January 2013, The New York Times'Watching paper being made and seeing the liquid paper pulp gave me all sorts of new ideas: What if I pour this pulp into my plate? Will my plate act like a mold? Will the paper dry in that shape? Can I cast paper? The papermakers said it couldn't be done, but I kept thinking about it.'Zarina, Zarina with Sarah Burney, Directions to my house, Asian/Pacific, American Institute, New York University, 2018, p.63Born in the university town of Aligarh, India in 1937, Zarina Rashid was the youngest of four children, two boys and two girls and grew up in a traditional Muslim home. She was closest to her elder sister, Rani and enjoyed sleeping outdoors 'under the stars and plotting our journeys in life' in the scorching summer heat of her childhood home, whose walls enclosed a fragrant garden. (Holland Cotter, Zarina Hashmi, Artist of a World in Search of Home, Dies at 82, New York Times, 5th May 2020). This all changed in 1947, when aged 10 she witnessed the Partition of India. Her idyllic life ended abruptly. She saw mass atrocities being committed by both Hindu's and Muslims and the memories of the ensuing violence, fear of separation, migration, and longing for home, would haunt her and mould her life and career. During this turbulent time, her father sent the family to Karachi, in the newly formed Pakistan for their safety. She would however later return to India to obtain her degree in mathematics and statistics at the university of Aligarh, although the place would never be home again.Shortly after graduating, aged 21, she married Saad Hashmi, a foreign service diplomat, which commenced a new chapter in her life. The nature of Saad's career meant frequent travel, and over the ensuing years she would end up living in over 25 countries across the continents of Asia, the Middle East, Europe, Latin America and finally the United States where she would reside permanently from 1975 onwards. Zarina also studied in London, England when she enrolled at St. Martin's School of Art in London, England. This was a turning point in her career as it cemented her desire to become a fully-fledged artist. She returned to India, and in the ensuing half decade participated in group and solo exhibitions. Her works were showcased at the likes of Gallery Chanakya, Delhi, Kunka Chemould and Pundole Art Gallery in Bombay. It was during this time, that she went to Bonn, Germany where along with studying silk-screening, she was captivated by the prints of Dürer. In Tokyo, her two-week stint turned into a year long stay as she immersed herself in studying the woodblock techniques with Toshi Yoshida. It was here that she began to experiment with printmaking styles and abandoned colour. She printed the grain textures found on scraps of wood that she collected on the roadside, having cleaned, oiled, and inked them herself. She identified with the resilience of the damaged organic material and wanted to capture its inherent beauty. She also either slashed and punctured the surface of handmade paper or built it up sculpturally with pulp.She relocated to the United States in 1975, having arrived in Los Angeles, before moving to New York in 1976, where she would reside for the remainder of her life. Here, she broadened her horizons further by teaching papermaking at the Feminist Art Institute, and being part of the of Heresies Collective, a feminist publication on art and politics. She was part of their issue on Third World artists and it was the first time she encountered works by other discriminated minorities including the Afro-Americans, the native Americans and the Hispanics. This experience fundamentally altered her perception of her own experiences and made her realise how her plight was universal. Questions pertaining to notions of 'home,' 'geographical boundaries' and 'nation' would now be examined in her prints, and the amalgamation of her learnings would come to the fore. She would simplify these complex experiences in the precise and uncluttered works that she would produce, which would be the culmination of all her experiences; the influence of artists such as Sol LeWitt, Yves Klein and Jean Arp, her own background of mathematics, and adherence to Islamic notions of geometry. The two works on offer in this auction are exquisite examples from her oeuvre and illustrate Zarina's lifelong adherence to the creation of 'multiples.' The multiplicity of prints appealed to her sensibilities, as they were the mainstays of printmaking, but also allowed for a plurality of ownership. Having grown up being surrounded by books, multiples of the original, meant that she could have access to something that might hitherto have been inaccessible. She therefore applied the aesthetic and mechanics of printmaking onto other mediums that had previously been the preserve of a singular work. In 'A thousand knots,' (lot 8) Zarina's sculptural work we see the continuation and extension of her works on paper. It retains the expertise she had been cultivating in propagating a geometric purity and lyrical form. What makes it unique is that it is injected with colour which is reminiscent of the red sandstone of the Buland Darwaza and Jodha Bai Mahalat Fatehpur Sikri. Having lived in 25 cities and inculcated numerous experiences and cultures, she was simultaneously at home and not at home. She was likely aware of the inscriptions that surmount the doorway of the Buland Darwaza, one of which reads, 'Isa, Son of Mariam said: The world is a bridge, pass over it, but build no houses on it.'Known for being deeply interested in Sufism, the title of the work might allude to a line in the Sufi poem, Tum Ek Gorakh Dhanda Ho by Naz Khialvi, rendered beautifully by Ustad Nusrat Fateh Ali Khan, a world-renowned singer of qawwalis, a form of devotional Sufi music. The line in the poem mentions that one is looking to untangle the cord but fails to find top. The title might therefore be self-referential, as Zarina was constantly 'searching' for home. Structurally, much like her white works on paper from the 60s and 70s, this work is about shadows. As you approach the work, you'll see thousands of tiny holes which pierce the pulp, and the work keeps changing based on which angle you approach it from. It's a sculpture made of shadow, caught in the interstices of each fine hole. It recalls the notion of home and is perhaps best explained by Zarina in her own words: 'I often wonder what my life would have been like had I never left my house of four walls in India [...] I do not feel at home anywhere, but the idea of home follows me wherever I go. In dreams and on sleepless nights, the fragrance of the garden, image of the sky, and sound of language returns. I go back to the roads I have crossed many times. They are my companions and my solace.' (Zarina Hashmi, Cities I called home, 2010.)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 246
GB & British Commonwealth: Maritime & motor car thematic collection in 2 high quality blue Leuchtterm ring binder albums plus Benham cover album with signed, limited edition, first day and other commemorative covers, presentation packs, PHQ cards, sheets, booklets and mint/used mini-sheets, booklet panes and sets. Includes Titanic centenary with $20 gold stamp of St Vincent seen plus QE2 and metallic-numismatic covers.
Lot 101
BOWLES, Caroline - The Birth-Day; A Poem, in three parts: to which are added, occasional verses. Cont. diced calf lacking label. EXTRA ILLUSTRATED with five pen sketches thought to be in the hand of the author, and one botanical water colour, with a pen sketched presentation page. 8vo. Blackwood & Cadell, first edition, 1836.
Lot 132
FLEMING, Ian - From Russia With Love : org. black cloth lettered in red and silver on the spine, with a Smith & Wesson in silver with a red rose on the upper cover. Dust wrapper 13s. 6d, a little soiled on the back panel of the d/w and a touch rubbed at the edges, with a small amount of chipping at the head of the spine of the d/w, which is also slightly tanned. Cape, first edition. 1957.
Lot 166
OWENSON, Miss - The Novice of Saint Dominick : 4 volumes. Contemporary full calf with Signet Library stamps. 8vo. Printed for Richard Phillips, second edition. 1806. With (Madame Sillery - Brulart) Lessons of a Governess to her Pupils : 3 vols. Contemporary calf. 8vo. Printed for G.G.J and J. Robinson. 1792. With - Memoirs of Harriette Wilson. Written by Herself. 3 vols. Attractive half calf. 8vo. Thirty-First edition. 1825. With - Hamilton, Elizabeth. The Cottagers of Glenburnie; a Tale for the Farmer's Ingle-Nook : 8vo. Full speckled calf gilt spine contrasting morocco label. Second ed. Edinburgh, 1808.(10)
Lot 189
TEMPLE, Sir William - Memoirs of what pass'd in Christendom, from the War begun 1672, to the Peace concluded 1679 . full panelled calf. 8vo. With - Miscellanea. The First Part. Containing 1. A survey of the constitutions and interests of the Empire, Sweden, Denmark, Spain, etc. ... with the Second Part. In Four Essays, fifth edition, 1705. Two works bound in one. With - The History of the Wars, of his late Majesty Charles X11. King of Sweden, from, his First Landing in Denmark, to his return from Turkey to Pomerania. By a Scots Gentleman in the Swedish Service. Full sprinkled calf a little snagged at the head of the spine. One eng..portrait frontispiece(3)
Lot 305
CRADDOCK, Harry: The Savoy Cocktail Book .. The Cocktail Recipes in this book have been compiled by Harry Craddock of the Savoy Hotel, London. Decorations are by Gilbert Rumbold. Original thirties designed cover the gilt lettering rubbed on the spine, Constable, first edition, 1930.* better than average copy of this '30s classic.
Lot 343
SOUTHWOOD, T, R. E & LESTON, Dennis : Land and Water Bugs of the British Isles. Illustrated inc. 32 colour plates. Original bright cloth in edge worn d/.w small 4to. Small neat ownership inscription on the half-title. Frederick Warne, first edition, 1959. Scarce volume in the Wayside and Woodland series, with 47 others in the same series, with a few others similar, the 'scarce, volumes mainly have their dust wrappers. * Includes :- Dragonflies. British Pyralid & Plume Moths. Collecting & Breeding Butterflies & Moths. Practical Entomology. Beetles of the British Isles 2 vols, etc.(a lot)
Lot 349
"GAME COCK" (editor) : Cock-Fighting and Game Fowl from the Note-Books of Herbert Atkinson of Ewelme together with the Life and Letters of John Harris, the Cornish Cocker : org. red cloth snagged at the head of the spine. 22 plates inc. ten in colour. 4to. George Bayntun, Bath, first edition, 1938. With two others (3).
Lot 356A
MUNNINGS, A. J - Pictures of Horses and English Life. With an appreciation by Lionel Lindsay : 28 mounted colour plates. Other plates and illustrations in text. Original buckram in the finest condition in scarce dust wrapper which has a little shelf wear. Large 4to. Eyre and Spottiswoode, first edition, 1927. * loosely attached are four contemporary exhibition catalogues, etc.
![KIP, William - Devoniae Comitatus Vulgo Denshyre : ... [Devon]. Hand coloured map. 330 x 290mm. f & g. first edition. 16](https://cdn.globalauctionplatform.com/5004378e-b0a9-463f-8ea4-af7200bc7cf4/e6853be8-2d6c-432e-ab0c-aff801209a35/468x382.jpg)
Lot 56
MILNE, A. A - Now We Are Six : illust. Ernest H. Shepard. Org. red cloth unevenly faded in places, 8vo. Inscription on half title, lean to the text block, ink stain to lower edge. Methuen, first edition, 1927. With - Potter, Beatrix, The Roly-Poly Pudding. 16 colour plates. Org. red cloth with colour pictorial onlay. Small 4to. Warne, 1908.(2)
Lot 57
MILNE, A. A - Now We Are Six : illustrated by Ernest H. Shephard. Original blue soft leather sunned on the spine otherwise in very good condition. Neat cont. ownership inscription on upper margin of the front end paper. 8vo. Methuen. First edition 1927. With ... Yeats, W. B. Four Plays for Dancers, org. decorative boards, first edition. 1921.(2)
Lot 74
THOMSON, Hugh - (Illustrator) The Chimes Charles Dickens. 7 mounted coloured plates. Org. pictorial decorative gilt morocco. Small 4to. Hodder & Stoughton. n.d. With - Rackham, Arthur - (illustrator), Little Brother & Little Sister, 12 tipped-in colour plates, 4 with corner creases, rust mark in margin of two pages. Org. pictorial gilt cloth traces of damp fading, inner hinge cracking. 4to. Constable. First edition, 1917. With - Rackham, Arthur - (illustrator), English Fairy Tales, Flora Annie Steel, 16 colour plates. Org. red gilt cloth quite faded. 4to. Macmillan, first edition, 1918 (3)
Lot 189
R. BUCKMINSTER FULLER. A book by R. Buckminster Fuller, 'Intuition'. A signed first edition with compliment slip. Also, a typescript titled 'Intuition Metaphysical Mosaic' by R Buckminster Fuller, dedicated to Jean Shrimpton, 'In deep Gratitude of her thoughtfulness toward me & in Admiration of the Beauty of Her Being as unconscious manifest of her metaphysical integrity'. Signed Buckminster Fuller, May 20th 1971 London. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 454
BERNARD LEACH BOOK. 'Kenzan and His Tradition' by Bernard Leach. Hardback with dust wrapper. First edition published 1966 by Faber & Faber. Bernard Leach facsimile signature & pencil signature of former owner, (the St. Ives artist, the late Victor Bramley) to the front endpapers. Condition very good. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 372
Quantity of Military and War related books x forty one, includes Manual of Military Law Part 1, The Queen's Regulations For The Army 1976, The Army List Part 1 1989, Titles and Forms of Address, Customs of the Service War Edition, War on the Home Front, Scrimgeour's Small Scribbling Diary 1914-1916 War Time Diary and Letters, First Day on the Somme, Flanders Fields, Flanders and Other Fields, and others, generally Poor to Good. (41)
Lot 412
Quantity of Philately related items including Post Office advertising posters from 1968 to 1993, Netto Great Britain Postage Stamps of Queen Elizabeth II book, stamp collecting books, Stanley Gibbons Stamp Album, various issues of Philatelic Bulletin, Cardinal Illustrated Loose Leaf Stamp Album 9th Edition with various international stamps from 1960's onwards, Star Wars 2015 first day cover stamps (sealed but has ink inscription), mint stamp presentation packs x 2 and postcards, philately related to the Military including first day covers (Beating Retreat 1977 Horse Guards, Military Uniforms, Presentation of Colours, The Queen's Lancashire Regiment and others), British Forces first day covers 1969 -1993 (mostly 1970s), large quantity of vintage embossed paper and envelope designs, and others, all generally Fair, to Excellent. (qty)
Lot 74
Stapledon, Olaf "Star Maker", published Methuen & Co 1937, first edition, third state, bound in pictorial wrappers, pictorial front cover from the artwork by Bip Pares on the hard cover first edition dust wrapper, wrappers are separated, some loss to the edges of the backstrip and the front wrapper, hinges cracked
Lot 182
Oscar Wilde, Salome, illustrated by Aubrey Beardsley, 1903, Margaret Wells, A selection of her wood engravings, HUmbert Wolfe, The ABC of Theatre, J M Synge, Riders To The Seam and Cecil Beaton, The Face of The World.Condition report:Cecil Beaton - 1957 printed by Jarrold, staining, scuffs and some tears to dust cover, pencil annotation to front inside lip of dust cover, bookseller label to inside cover, minor foxing to the edge of most pages, foxing / discolouration under the dust coverSynge - 1969Wells - not numbered but states an edition of 200, 17- bound in cloth as this isABC of the Theatre - significant damage to the dust cover, glue residue to first and last pages, foxing to many pagesFurther images have been uploaded to the lot page on our website for you to view.
Lot 444A
Bernard Darwin, ' The Golf Courses of the British Isles ' illustrated by Harry Rountree, First Edition 1910, printed London, Duckworth & Co. with green tooled boards, together with another volume ' Highways and Byways in London ' by Hugh Thomson & F.L. GriggsGolf Courses of the British Isles - Some discolouration and foxing to pages, small wear to binding.
Lot 1144
Leeds United signed First Day Covers, five in total signed by ex Legends of the Elland Road club, Jack Charlton, Allan “Sniffer” Clarke, Norman “Bite Yer Legs” Hunter, Tony Yeboah and Gary Speed. Two of the covers are very Limited Edition signed collectors items, Gary Speed number 116 of 200 with Toy Yeboah number 225 of 249
Lot 1145
Manchester United signed First Day Covers, three in total signed by ex mangers of the Red Devils, Sir Matt Busby, Tommy Docherty & Sir Alex Ferguson,all are very Limited Edition signed collectors items, Matt Busby number run of 350, Tommy Docherty run of 248 with Alex Ferguson number 122 of 250
Lot 1149
Liverpool signed First Day Covers, three in total signed by ex mangers of the Anfield legends, Bob Paisley, Joe Fagan & Gerard Houlier, all are very Limited Edition signed collectors items, Bob Paisley number 65 of 250, Joe Fagan number 246 of 249 with Gerard Houlier limited to a run of just 93 signed
Lot 109
COSEINCORSOMod. The Drago VaseTerre cuite émaillée tournée et façonnée à la main. Edition ouverte.VaasGeglazuurde terracotta met de hand gedraaid en gevormd. Open editie.VaseGlazed terracotta. Open edition.2023.H: 35cm D: 40cmFootnotes:TVA sur les œuvres d'art vendues pour la première fois par l'artiste à un taux préférentiel de 6 % sur le prix d'adjudication et au taux en vigueur sur la commission.BTW op kunstwerken die voor het eerst door de kunstenaar worden verkocht met voorkeurstarief van 6% op de hammerprijs en op het geldend tarief op de commissie.VAT on works of art sold for the first time by the artist at a preferential rate of 6% on hammer price and the prevailing rate on buyer's premiumThis lot is subject to the following lot symbols: † AR† TVA sur le taux en vigeur sur le prix d'adjudication et la Commission d'achat.BTW op de hamerprijs tegen een huidig tarief op de inschrijvingsprijs en het geldende tarief op de aankoopprovisie.VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Lot 13
LAURA GREINDL - Atelier 365Lampe Structure en wengé massif et globe en verre opalin mat. Edition ouverte.LampMassief wengé en matte opaal glazen bol. Open editie.LampSolid wenge and matte opal glass globe. Open edition.2023.H: 108cmFootnotes:TVA sur les œuvres d'art vendues pour la première fois par l'artiste à un taux préférentiel de 6 % sur le prix d'adjudication et au taux en vigueur sur la commission.BTW op kunstwerken die voor het eerst door de kunstenaar worden verkocht met voorkeurstarief van 6% op de hammerprijs en op het geldend tarief op de commissie.VAT on works of art sold for the first time by the artist at a preferential rate of 6% on hammer price and the prevailing rate on buyer's premiumThis lot is subject to the following lot symbols: † AR† TVA sur le taux en vigeur sur le prix d'adjudication et la Commission d'achat.BTW op de hamerprijs tegen een huidig tarief op de inschrijvingsprijs en het geldende tarief op de aankoopprovisie.VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Lot 14
LAURA GREINDL - Atelier 365Lampe Structure en wengé massif et globe en verre opalin mat. Edition ouverte.LampMassief wengé en matte opaal glazen bol. Open editie.LampSolid wenge and matte opal glass globe. Open edition.2023.H: 108cmFootnotes:TVA sur les œuvres d'art vendues pour la première fois par l'artiste à un taux préférentiel de 6 % sur le prix d'adjudication et au taux en vigueur sur la commission.BTW op kunstwerken die voor het eerst door de kunstenaar worden verkocht met voorkeurstarief van 6% op de hammerprijs en op het geldend tarief op de commissie.VAT on works of art sold for the first time by the artist at a preferential rate of 6% on hammer price and the prevailing rate on buyer's premiumThis lot is subject to the following lot symbols: † AR† TVA sur le taux en vigeur sur le prix d'adjudication et la Commission d'achat.BTW op de hamerprijs tegen een huidig tarief op de inschrijvingsprijs en het geldende tarief op de aankoopprovisie.VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Lot 57
BIJOY JAIN - Studio MumbaiMod. Folding Chair BChaise plianteStructure en bois teinté, assise en cannage de corde en plastique noir et détails en laiton. Edition ouverte.VouwstoelFrame van gebeitst hout, zitting van zwart plastic touw en messing details. Open editie.Folding chairStained wood, black plastic rope and brass details. Open edition.2015.H: 73cm L: 40cm P: 49cmFootnotes:TVA sur les œuvres d'art vendues pour la première fois par l'artiste à un taux préférentiel de 6 % sur le prix d'adjudication et au taux en vigueur sur la commission.BTW op kunstwerken die voor het eerst door de kunstenaar worden verkocht met voorkeurstarief van 6% op de hammerprijs en op het geldend tarief op de commissie.VAT on works of art sold for the first time by the artist at a preferential rate of 6% on hammer price and the prevailing rate on buyer's premiumThis lot is subject to the following lot symbols: † AR† TVA sur le taux en vigeur sur le prix d'adjudication et la Commission d'achat.BTW op de hamerprijs tegen een huidig tarief op de inschrijvingsprijs en het geldende tarief op de aankoopprovisie.VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Lot 88
POL QUADENS (1960-)BibliothèqueAcier patiné. Prototype d'une édition limitée à 8 exemplaires. BibliotheekGepatineerd staal. Prototype van een gelimiteerde editie van 8 stuks.BookcasePatinated steel. Prototype of a limited edition of 8 pieces.2023.H: 200cm L: 77cm P: 25cmFootnotes:TVA sur les œuvres d'art vendues pour la première fois par l'artiste à un taux préférentiel de 6 % sur le prix d'adjudication et au taux en vigueur sur la commission.BTW op kunstwerken die voor het eerst door de kunstenaar worden verkocht met voorkeurstarief van 6% op de hammerprijs en op het geldend tarief op de commissie.VAT on works of art sold for the first time by the artist at a preferential rate of 6% on hammer price and the prevailing rate on buyer's premiumThis lot is subject to the following lot symbols: † AR† TVA sur le taux en vigeur sur le prix d'adjudication et la Commission d'achat.BTW op de hamerprijs tegen een huidig tarief op de inschrijvingsprijs en het geldende tarief op de aankoopprovisie.VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
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106046 item(s)/page