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Nicholson, William - an Almanac of Sport, first edition Heinenmann, lithographic print of pugilists, 23 x 23cm; together with a photographic print entitled Harringays Last Night, November 1936-1958, showing various ex-boxers, 48 x 58cm; and a modern black and white print of Joe Lewis, 46 x 35cm (3)

Twenty-five rare Punk and first pressing LP records including Crass, Ramones, Big Black limited edition UK gold seal record with poster and single, Bleach, PiL, Cure, The Creepers, The Fall, etc.

Memoirs of the Life of Colonel Hutchinson, Governor of Nottingham Castle and Town, Second Edition published by Longman, Hurst, Rees and Orme in 1808, both boards detached and some repairs to first few pages

2000 Ferrari 360 Modena Transmission: manualMileage:51921The Ferrari 360 was manufactured from 1999 to 2005 and succeeded the F355. It is a mid-engine, rear-wheel drive, V8 powered coupé and Ferrari partnered with Alcoa to produce an entirely new, all aluminium space-frame chassis that was 40% stiffer than the F355. Along with a lightweight frame, the new Pininfarina body styling deviated from traditions of the previous decade's sharp angles and flip-up headlights. The new V8 engine utilised a 3.6 litre capacity and, despite what looked like, on paper, as modest gains, in reality the power to weight ratio was significantly improved. The first model to be rolled out was the 360 Modena followed later by the 360 Spider and finally, as a special edition, the Challenge Stradale. There were 8,800 Modena's and 7,565 Spiders produced of which, in the UK, only 352 were manual gearbox Modena’s and 478 manual Spiders.This is one of the 352, six-speed manual, Ferrari 360 Modena UK right hand drive cars. Delivered by Maranello Concessionaires in July 2000, it was supplied with sport exhaust, rear challenge grille, yellow brake calipers and Scuderia shields on the wings.This car comes with a very good service history:-26.07.2000 pdi Maranello Ferrari Egham22.06.2001 @ 6,269 miles Carrs Ferrari Exeter Major Service22.07.2002 @ 13,417 miles Carrs Ferrari Exeter Major Service09.09.2004 @ 23,112 miles Graypaul Ferrari Nottingham14.10.2006 @ 27,063 miles Ferrari specialist22.03.2007 @ 30,345 miles Ferrari specialist Major including belts and new clutch27.03.2008 @ 31,891 miles Ferrari specialist18.05.2009 @ 34,276 miles Ferrari specialist08.08.2010 @ 36,497 miles Ferrari specialist including belts07.10.2011 @ 37,730 miles Ferrari specialist05.11.2012 @ 39,690 miles Ferrari specialist05.09.2013 @ 44,850 miles Ferrari specialist06.05.2014 @ 45,320 miles Ferrari specialist including belts17.04.2015 @ 47,972 miles Ferrari specialist29.06.2016 @ 48,488 miles Ferrari specialist22.12.2017 @ 50,490 miles Ferrari specialist21.05.2019 @ 51,166 miles Ferrari specialist GTO Engineering who carried out major service, replaced the cambelts, rebuilt the gearbox, replaced the front upper and lower ball joints and renewed the rear lower ball joints and suspension bushes at a cost of £20,000. A service is being carried out at the time of writing this. Finished in Rosso Corsa with contrasting tan leather interior with Bordeaux carpets, this very good Ferrari 360 Modena is supplied with a V5 registration document, an MoT test certificate which expires in September 2022, the leather wallet with original service and handbooks, toolkit and a good history file. This is a very attractive motorcar and, what could be considered, one of the ultimate driving Ferraris.Interested parties should note that the private registration plate shown is to be retained by the vendor and a new, age-related registration issued instead.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.

1996 Mercedes-Benz SL320 Special Edition Transmission: automaticMileage:76500The Mercedes-Benz R129 models were produced from 1989 through to 2001 and were sold under the SL Class model names. The R129 replaced the R107 SL Class in 1989 and was subsequently replaced by the R230 in 2001. The R129 was based on the shortened floor pan of the Mercedes-Benz W124 saloon and featured many innovative details for the time, for example, electronically controlled shock absorbers (optional) and a hidden, automatically extending roll-over bar. The level of standard equipment was high, with electrically operated windows, mirrors, seats and convertible hood. The R129 came to public attention in 1991 when Diana, Princess of Wales, sold her Jaguar XJS to lease a J-registration, metallic-red 500SL, becoming the first member of the royal family to use a foreign car. This controversy sparked a media storm as it was questioned whether a member of British royalty should drive foreign cars. Media pressure eventually forced her to return the car to Mercedes-Benz in 1992 with whom it now resides in the Mercedes-Benz Museum.On offer here is a Mercedes-Benz 320SL Special Edition, finished in brilliant blue with a contrasting cream leather interior. The current vendor describes the car as being exceedingly pleasant to drive and a delight to own. Showing little sign of age, this Mercedes has recently been serviced and has been fitted with two new Continental tyres. Supplied with a V5C registration document, an MoT test certificate valid until July 2022, together with a good level of service history and a factory panoramic hardtop. Representing superb value for money, this highly usable modern day sports car is already regarded as a design classic.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.

The District Railway Map of London, 5th edition c.1892-3, The District Railway Map of London, 6th edition c.1908 & The District Railway Map of London, 7th edition c.1908,three folding maps printed on paper and backed on linen between card covers, the first published by W. J. Adams & Sons, 59 Fleet Street, E.C., the second and third by Sampson Low, Marston & Company, London, (3)First map measures approx. 66.5 x 106.3cmCondition: markings and stains to all three maps, tears along the section folds, covers loose IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

The District Map of Greater London & Environs, 1st edition 1902 & 1st edition 1904, and Stanford's Map of Metropolitan Railways, Tramways, and other Improvements, 1903,three folding maps on paper backed on linen inside hard covers, the first and second published by Sampson Low, Marston & Company, London, the third by Edward Stanford, London, (3)the first map measures approx. 67.8 x 106.2cmCondition: all maps are in fair condition, some marking and staining to the surfaces, wear to the covers but all relatively intact IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

The Improved District Railway Map of London, 1886 3rd edition, and the Jubilee Edition of the District Railway Map of London, 1887,two folding maps, the first printed on paper with advertisements on reverse and between two linen covers, the second printed on paper and laid down on linen between two linen covers, published by W. J. Adams & Sons, 59 Fleet Street, E.C., (2)second map measures approx. 66.1 x 106.8cmCondition: The first has become separated from its covers leaving upper most left hand section of the map attached, multiple tears to the folding seams and edges, tear to the top middle of the map, staining and discolouration, covers are worn, the second has multiple tears between the map sections but overall is still intact, other smaller tears and folds, covers worn IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

The District Map of Greater London & Environs, 1st edition 1902 & 2nd edition c.1908,two folding maps printed on paper and backed on linen between two hard covers, published by Sampson Low, Marston & Company, (2)first map measures approx. 67.1 x 107cmCondition: maps are in fair condition, no significant tears, stains and markings to the surfaces and covers worn but intact IMPORTANT: ALL TRANSPORT SIGNS AND EPHEMERA WILL BE AVAILABLE FOR COLLECTION FROM OUR OFF SITE WAREHOUSE IN BECKENHAM BY APPOINTMENT ONLY. PLEASE CALL 0208 468 1010 TO ARRANGE AN APPOINTMENT 

Artist: Banksy (English, b. c1973-75 | Active 1990 - Present). Title: "Flying Copper (Angel Cop) [announcement]". Medium: Original color offset lithograph. Date: Printed 2007. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Edition unknown, presumed small. Printed on white stiff paper. Fine, quality printing. Very good to fine condition; very minor edge toning, mainly visible verso, else fine. Comment(s): This very scarce announcement features an image of one of Banksy's large-scale Flying Copper pieces, originally exhibited at his Turf War show in East London in 2003 (but misdescribed on the card as dated 2005). It was released prior to a show held at The Gallery at the Hospital Club in Covent Garden, London, from August 10 to September 1, 2007, organized by Pollock Fine Art. That show appears to have been the first one specifically dedicated to pairing artworks by Andy Warhol and Banksy. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30331-1-300]

Artist: Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). Title: "Feuilles de bambou". Medium: Original vintage photogravure. Date: Composed c1935. Printed 1935. Dimensions: Image size: 11 3/4 x 9 1/8 in. (298 x 232 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [23916-2-300]

Artist: Kiyoshi Saito (Japanese, 1907-1997). Title: "Clay Image". Medium: Original color woodcut. Date: Composed 1952. Dimensions: Overall size: 20 7/8 x 13 1/4 in. (530 x 337 mm). Image size: 20 x 12 1/8 in. (508 x 308 mm).Lot Note(s): Signed, titled, and numbered in pencil, lower margin. Edition of 200. Cream wove paper. Ample margins. Fine impression with strong colors. Very good condition. Comment(s): Sait? was a s?saku-hanga artist in 20th-century Japan. In 1938, he issued his first prints in his now famous "Winter in Aizu" series. Sait? was one of the first Japanese printmaking artists to have won at the São Paulo Biennale in 1951. [25029-4-400]

Artist: Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). Title: "Boat Towers of the Kia Ling Kiang". Medium: Original vintage photogravure. Date: Composed c1939. Printed 1939. Dimensions: Image size: 7 1/4 x 9 1/8 in. (184 x 232 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [25473-2-300]

Artist: Man Ray (American, 1890 - 1976). Title: "Barbette, the Transvestite, Dressing". Medium: Original vintage photogravure. Date: Composed 1926. Printed 1934. Dimensions: Image size: 10 5/16 x 7 5/8 in. (262 x 194 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A male dancer in drag, adjusting "her" stockings. "A popular vaudeville performer of the 1920s and 1930s took the stage name of Barbette. He first began dressing as a woman when hired to replace a female tightrope walker. Barbette soon devised his own act, walking the high wire and performing trapeze stunts in elegant gowns, then removing his wig at the end of the show to reveal his true gender." (Courtesy: Getty Museum). See: www.manraytrust.com, pg.23. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [6625-2-400]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athletes: Fencing [from The Human Figure in Motion: Plate 31]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29379-2-225]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "The Offs: First Record [first edition, first printing]". Medium: Original offset lithograph record jacket & record. Date: Composed 1984. Dimensions: Overall size: 12 3/16 x 12 5/16 in. (310 x 313 mm). Image size: 12 3/16 x 12 5/16 in. (310 x 313 mm).Lot Note(s): Signed in black marker, upper center verso. Small edition. Stiff album cover stock paper. Fine printing quality. Good to very good condition. Literature/catalogue raisonne: See articles by Glenn O'Brien in "Interview Magazine" May, 1985, Angela Holm in "NY Arts Magazine" March/April, 2008, and Angela Holm & Wu Ziru in "Art Today" February, 2008. Provenance: Estate of a private collector, Manhattan. Comment(s): Please note that our example is from the original first edition, first printing/pressing produced during Basquiat's lifetime. The album was later reprinted after his death in a large edition. The most recent auction sale we could find was for $1,397 at Wright, Chicago, July 13, 2013, lot #144 (an unsigned example). The auction record for an unsigned example of this album cover appears to be $2,914 (€1,850) at Kapandji Morhange, Paris, April 15, 2008, Lot 102. The mixed media drawing of this image sold at Sotheby's, New York, 11/10/2011, for $302,500. Our example is the black vinyl (also issued with clear and white vinyl) with the original liner and accompanied by a "C.D. Presents form", originally included with each impression. The cover was a part of the exhibitions "LP Show" 2003, New York, NY - MOMA / Exit Art; "Vinyl - Records and Covers by Artists" in 2005 in Bremen, Germany at Neues Museum Weserburg; in 2006 in Barcelona, Spain, and 2007 in Porto, Portugal. Pressing by Bill Smith Custom Records, El Segundo, California. Published by David Ferguson, C.D. Presents. Includes vinyl record. Image copyright © Artists Rights Society (ARS), New York. [26505-3-1400]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Woman Throwing a Shawl on Her Shoulders [from Animal Locomotion: Plate 410]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 9/16 x 13 5/16 in. (141 x 338 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25350-3-400]

Artist: Robert Capa (Hungarian, 1913-1954). Title: "Omaha Beach, Normandy, France: D-Day, June 6, 1944 ["The Face in the Surf"] [medium format]". Medium: Original photogravure. Date: Composed 1944. Printed 1968. Dimensions: Overall size: 4 11/16 x 7 1/8 in. (119 x 181 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): This image is the most famous of the 11 surviving photographs taken by Capa on D-Day. In recent times these works have become known as “The Magnificent Eleven.” The soldier in the picture is generally considered to be Private First Class Huston (Hu) S. Riley, Section 2, Fox Company, 2nd Battalion, 16th Infantry Regiment. Image copyright © The International Center of Photography. [29285-1-600]

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]

Artist: Banksy (English, b. c1973-75 | Active 1990 - Present). Title: "Monkey Queen/Rude Copper [invitation]". Medium: Original color offset lithograph. Date: Printed 2007. Dimensions: Overall size: 7 x 5 in. (178 x 127 mm).Lot Note(s): Edition unknown, presumed small. Printed on stiff paper. Fine, quality printing. Fine condition. Comment(s): This very scarce invitation features Banksy's image of the Monkey Queen on the recto and the Rude Copper on the verso. It was distributed in a limited quantity prior to an exhibition held from December 2nd to the 29th at the Vanina Holasek Gallery, 502 W. 27th St. in NYC. The exclusive preview (December 1st) for this, the first (unofficial) Banksy show in NYC, has since become infamous. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30332-1-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #03 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker, center right. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(g); cf. Feldman/Schellmann II.145. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28979-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #02 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(h); cf. Feldman/Schellmann II.146. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29531-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #01 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(i); cf. Feldman/Schellmann II.138. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger nor numbered in the plate. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29433-1-400]

Five A.A. Milne Winnie The Pooh books illustrated by E.H. Shepard - The House at Pooh Corner. 1928. First edition. Dustjacket; Now We Are Six. 1927. First edition; Winnie The Pooh. 1934. Fifteenth edition. Dustjacket; When We Were very Young. 1940. Thirty-first edition. Dustjacket; and Now We Are Six. 1927. Second edition (5)

AFTER ROBERT TAYLOR 'Lancaster', first edition print signed by Group Captain Leonard Cheshire VC, DSO, DFC, published by Universal Promotions Ltd, 1979, image size, 34cm x 47cm, framed & glazed

Two boxes containing a good quantity of works Jerome K. Jerome, including several first edition copies of 'Three Men in a Boat', mixed condition plus 'The Idle Thoughts of an Idle Fellow', 'The Passing of the Third Floor Back'

Two boxes containing a good quantity of works Jerome K. Jerome, including several first edition copies of 'Three Men in a Boat', mixed condition plus 'The Idle Thoughts of an Idle Fellow', 'Tommy & Co' etc

Border Fine Arts British bird and wildlife groups including; 'Early Morning' (Otter), model No. B0704 by Ray Ayres, limited edition 115/1750; 'Patience' (Heron), model No. L123 by David Walton, limited edition 658/950; 'Courting Grebes', model No. WW3; 'First One In', model No. B0189 (Qty on one shelf) (a.f). Some boxes present; Early Morning with chip to reed, Heron and Grebes in good condition, other models in generally good condition but sold as seen.

Combat - A Motor Racing History by Lyndon, first edition 1933.

Chinese Jiaqing manuscript of Zhenjiu Dacheng "The Great Compendium of Acupuncture and Moxibustion." In ten volumes, with 103 illustrations. Made from the 1680 edition by Wang Gaoru in the town of Fenyi in the Shanxi province, in the seventh year of the Jiaqing period (1802). Originally compiled by Yang Jizhou (1522-1620). Featuring rich descriptions of the origins of acupuncture, detailed human anatomy, and how acupuncture can treat illnesses.In the late Qing dynasty this manuscript was in the collection of a doctor, who filled the first four pages with medical notes and prescriptions.Provenance: Collection of Bruce Dayton & Ruth Stricker Dayton, Minnesota.Height: 4 1/4 in x width: 8 1/2 in x depth: 5 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 4 1/4 in x width: 8 1/2 in x depth: 5 in.

Herrenarmbanduhr "HAMILTON ELECTRIC VENTURA",Modell 500. Quergestellt schildförmiges Gehäuse 14 kt. GG (massiv). Mattsilbernes Zifferblatt mit goldenen Punktindizes und großer Sekunde (lose). Batteriebetrieben (Funktion nicht geprüft, da zu erneuern). Boden gem. HAMILTON 14 K GOLD S&W. Min. Tragespuren, die Uhr befindet sich gemäß Einlieferer im generalüberholten Zustand. 60er Jahre. D. 5x 3,2 cm. Originales, schwarzes Lederarmband Hamilton (ungetragen). Beigegeben: Warranty René Rondeau, USA, vom 05.12.2002 und mit Serien-Nr. S063851. Die Hamilton electric watch production ("The world's first electric watch") existierte lediglich über elf Jahre von 1957 bis 1969. Vgl.: René Rondeau, "The Watch Of The Future. The Story of the Hamilton Electric Watch", Corte Madera 1999, S. 146-150. Dieses Modell wurde nicht für den Verkauf in Geschäften produziert, sondern ausschließlich als Geschenk-Edition in einer Auflage von ca. 500 Stück.

NO RESERVE Asconius Pedianus (Quintus) Expositio in IIII. Orationes M.Tullii Cic. contra C.Verrem., collation: *4 *8 a-z8 A-M8 N4, woodcut printer's device to title and verso of otherwise blank leaf, with blank *4, capital spaces with guide letters, a couple of contemporary ink underlinings and annotations to margins, a few leaves with light marginal water-staining, a good copy in contemporary vellum, later calf label (chipped), a little soiled, 8vo (160 x 95mm.), Venice, [Heirs of Aldus the Elder and Andrea Torresano], 1522.⁂ First Aldine edition of these commentaries on Cicero.Literature: Adams 2054; Ahmanson-Murphy, 216; Renouard, 96.8; EDIT 16 CNCE 3254.

Coxe (William) Memoirs of the Duke of Marlborough, 3 vol., first edition, half-titles, 9 engraved plates, 3 facsimile letters, 5 genealogical tables, 16 hand-coloured maps and battle plans, some folding, some browning to plates and off-setting, occasional spotting, contemporary calf, gilt spines with black morocco labels, upper labels renewed, covers with a few small marks, joints cracked, extremities lightly scuffed, 4to, 1818-19.

Large paper copy.- Pope (Alexander) The Poetical Works, 2 vol., one of 100 large paper copies, engraved portrait frontispiece, offsetting on to title, occasional spotting, little water-staining at end of vol.2 mostly to endpapers, large bookplates removed from front pastedowns, contemporary maroon straight-grain morocco, richly gilt, spines faded, corners little worn, rubbed, Thomas M'lean, 1821 § Disraeli (Benjamin) Tancred; or, The New Crusade, 3 vol., first edition, 24pp. booklet of advertisement for 'Whittaker's Popular Library' bound in at start, 12pp. publisher's advertisements at end of vol.3, N6 in vol.3 creased, occasional spotting, original cloth-backed boards, printed labels to spine, that of vol.1 with piece missing, corners worn, some staining, rubbed, [Sadleir 728; Wolff 1842], Henry Colburn, 1847; and 7 others, 19th century English Literature, including a rare edition of Robert Dodsley in French (NYPL copy only), v.s. (12)

NO RESERVE Byron (George Gordon Noel, Lord) Werner: A Tragedy, first edition, first issue without "the end" and the imprint on p.188, Lord Palmerston's copy, 7pp. advertisements at front, very occasional few spots, original wrappers, ink ownership name "Palmerston" and manuscript title to upper cover, lightly stained, spine defected with portions lacking, cocked, still overall a good copy, 8vo, 1823.

Trials.- The Trial of Mr. H. Fauntleroy, for forgery..., engraved portrait frontispiece, 1824 § Wilkinson (Robert) Report to the Assignees of the Late Banking-House of Marsh, Stracey, Fauntleroy & Graham, on the State of the Accounts of that Firm, folding tables, 1825 § Mackcoull (John) Abuses of Justice, as Illustrated by My Own Case...Being a Vindication of the Author from Several Charges of Forgery, half-title, 1809; together 4 works in 1, ex-library copy with usual bookplates and stamps, some light spotting or browning, contemporary straight-grain morocco bordered with floral decorations in gilt, rubbed, spine worn with ends fraying, 8vo. ⁂ First is scarce with only one copy of this edition found in the British Library. Henry Fauntleroy (banker and forger, 1784-1824) worked as a clerk in the London bank of Marsh, Sibbald & Co., of which his father was one of the founders, and was later taken into partnership with the firm left in his hands. In 1824 Fauntleroy was arrested on charge of appropriating trust funds by forging trustee's signatures and was committed to trial.

NO RESERVE Rayner (Samuel) The History and Antiquities of Haddon Hall, list of subscribers, 32 lithographs, 6 additional plates, paper guards, some foxing, including to plates, contemporary morocco-backed boards, extremities rubbed, 1836 § Needham (Joseph) Science and Civilisation in China, 4 vol. only (vol. 1-3, 5:6), plain plates, illustrations, original cloth-backed pictorial boards, vol. 1, 2, 5:6 with dust-jackets, 1954-94 § Frankopan (Peter) The First Crusade, first edition, 4 plain plates, original boards, dust-jacket, 2012; and c.125 others history, v.s. (c.130)

Dickens (Charles) Master Humphrey's Clock, 3 vol., first edition in book form, illustrations by Cattermole and Browne, bookplate to front free endpapers, later half morocco, spines faded, 1840; Barnaby Rudge, contemporary half calf, spine gilt with green morocco title label, rubbed, 1871; and 96 others, 19th century literature, v.s. (100)

Scratchley (Arthur) A Treatise on Benefit Building Societies, first edition, presentation copy from the author, scattered faint spotting, water-staining to endpapers, advertisement at end, original cloth, gilt, small tear to spine foot, bumping to corners and extremities, 8vo, 1849.

NO RESERVE Cannon (Richard, compiler) Historical Record of the Eighty-Seventh Regiment, Or the Royal Irish Fusiliers, 1853; Historical Record of the Sixth, or Inniskilling Regiment of Dragoons, first edition, one plate working loose and repaired verso, with abrasion mark to upper margin, title page browned and spotted, rebacked with tape, 1847, 4 hand-coloured plates, ex-library copies with usual stamps and markings, original blind-stamped cloth, gilt, joints and corners a little bumped; and 2 others, military, 8vo (4)

Dickens (Charles) Bleak House, first edition in book form, additional engraved title, browned, contemporary half calf, worn, 1853 § Wilde (Oscar) Salome, plates by Beardsley, endpapers browned, original pictorial cloth, gilt, corners bumped but a bright copy overall, 1907; and a quantity of others, 19th century literature, v.s. (large quantity)

NO RESERVE Thackeray (William Makepeace) The Virginians, first edition in the original 24 parts, plates and illustrations, advertisements, occasional spotting or browning, part 22 lacking advertisements, p.291/2 and corner to p.319 torn away in part 22, original yellow paper wrappers, some small blind-stamps or ownership names partially removed to upper wrappers, lightly faded and rubbed, some spines worn, upper wrappers to parts 20 & 24 detached, housed in 2 modern drop-back boxes, 8vo, 1857-9. sold not subject to return.

Cookery.- "The G.C.". Round the table: Notes on cookery, and plain recipes, with a selection of bills of fare for every month, first edition, wood-engraved illustrations in text, 8pp. advertisements at end, lacking half-title, foot of spine worn, corners little worn, rubbed, original cloth, gilt, Horace Cox, 1872 § Beeton (Mrs M., editor) Myra's cookery book: being a new and practical method of learning cookery and working out well-tried recipes, new edition, half-title, double-page chromolithographed and gilt frontispiece, 4pp. advertisements at end, title browned, some foxing and staining, original pictorial cloth, rubbed and soiled, Myra and Son, [c.1889]; and c.35 others, Cookery, 19th and early 20th centuries, v.s. (c.37)

Cookery.- Gouffé (Jules) The Royal Book of Pastry and Confectionery (Le Livre de Patisserie), first edition in English, half-title, chromolithographed frontispiece (loose) and 9 plates, wood-engraved plates and illustrations, some gatherings working loose, occasional spotting or mostly light staining, original pictorial cloth, gilt, rather worn, but holding, Sampson Low, 1874 § "Aunt Chloe". One hundred and one methods of cooking poultry, with hints on selection, trussing, and carving, half-title, advertisements, bookplate of Sir Cloudesley Shovell, original pictorial wrappers, spine little worn and repaired, spotted, lightly browned, 1888; and c.45 others, Cookery, v.s. (c.47)

NO RESERVE Barrère (Albert) A Dictionary of Slang, Jargon & Cant, 2 vol., first edition, one of 675 copies, half-titles, title in red and black, bookplates to pastedown, endpapers browned, scattered spotting to occasional page, original stiff wrappers, rather rubbed, spines worn, library labels to lower spine, 4to, for subscribers only by the Ballantyne Press, 1889.

Morris (William) News From Nowhere, first edition, a few spots to first few pp., small lithograph portrait of Morris tipped onto title, contemporary ink ownership signature and jottings to front free endpaper and title, original cloth, gilt, 1891; and 3 others about Morris, 8vo (4)

NO RESERVE Douglas (Lord Alfred).- Custance (Olive) Opals, first edition, half-title, 20pp. publisher's advertisements at end, occasional light spotting, endpapers browned, original boards, original printed label to spine, spine darkened, lightly soiled, John Lane, The Bodley Head, 1897; and another, Oscar Wilde, 8vo (2)⁂ Custance was Lady Alfred Douglas. This is her debut collection, preceding her marriage to Lord Alfred Douglas. From the collection of Lord Berners at Faringdon House (without ownership mark), to whom she refers as 'Cousin' in her 'The Blue Bird'.

Carroll (Lewis).- Collingwood (Stuart Dodgson) The Life and Letters of Lewis Carroll. (Rev. C.L. Dodgson), first edition, presentation copy from Charles Lutwidge Dodgson's sister, half-title, portrait frontispiece, plates, illustrations, 12pp. publisher's catalogue at end, related newspaper clippings to front pastedown and title, some foxing at ends, occasional spotting, upper hinge weak, original green pictorial cloth, gilt, spine browned, rubbed, [Williams, Madan, Green & Crutch 501], 8vo, [1898].⁂ A very good family association copy. 'Mr. Dodgson's ten surviving brothers and sisters did well when they invited their nephew, Mr. S.D. Collingwood, to take up the biography of "Lewis Carroll."' (Crutch). The volume is presented by Dodgson's sister Elizabeth to a Rev. W. Hooper (slip mounted on verso of half-title, dated 1898). Also, tipped-in to front free-endpaper is a 2pp. apparently unpublished autograph poem by the author addressed to an 'L.W.' (supposedly one of Carroll's child friends), initialed 'S.D.C.', which presents the volume to her in France. It includes the lines 'He took the children by the hand / and led them into Wonderland.'.

Rosebery (Lord) Lord Randolph Churchill, first edition, half-title, previous owner's ink signature, original cloth, fractional bumping to spine extremities, 1906 § Churchill (Winston S.) Lord Randolph Churchill, second edition, portrait frontispiece, plates and facsimiles, newspaper clipping loosely inserted, original cloth, lightly sunned spine, slight bumping to corners and extremities, 1907 § Cornwallis-West (Mrs. George) The Reminiscences of Lady Randolph Churchill, portrait frontispiece, plates, cracked hinges, scattered faint spotting, previous owner's ink signature and note taped to front free endpaper, original cloth, gilt, bumping to corners and spine extremities, 1908; and 3 others on Lord Randolph Churchill, 8vo (6)

Churchill (Winston S.) Liberalism and the Social Problem, first English edition, previous owner's ink signature, related newspaper clippings loosely inserted, original cloth, gilt, lightly sunned spine, slight bumping to corners and spine extremities, [Woods A15], 1909 § Keynes (J. M.) The Economic Consequences of Mr. Churchill, scattered faint spotting, original paper wrappers, detached, lightly browned, small loss to corners, 1925, 8vo (2)

India.- Churchill (Winston S.) India: Speeches and an Introduction, second edition, occasional faint spotting, original green paper wrappers, very slight creasing to corners and spine extremities, [Woods A38], 8vo, 1931.⁂ The second edition was published in the same month as the first edition, but with different coloured wrappers.

Churchill (Winston S.) Post-War Speeches, comprising The Sinews of War; Europe Unite; In the Balance; Stemming the Tide and The Unwritten Alliance, 5 vol., first editions, original cloth, slight bumping to corners and spine extremities, all but the second with dust-jackets, a little rubbed, slight chipping to corners and spine extremities, 1948-61; Arms and Covenant, first English edition, portrait frontispiece, original cloth, slight sunned spine, slight bumping to corners and spine extremities, [Woods A44(a)], 1938; and others, speeches by Churchill, 8vo (12)

Churchill (Winston S.) The Second World War, 6 vol., first editions, scattered faint spotting, original cloth, light staining to foredges, slight bumping to spine extremities, dust-jackets, slight chipping to spine extremities, 1948-54; A History of the English Speaking Peoples, 4 vol., first edition, maps, related clippings pasted to endpapers, previous owner's ink inscriptions, original cloth, a little rubbed, slight bumping to corners and extremities, 1956-58 § Thomson (Malcolm) Churchill His Life and Times, 1965 § Churchill (Winston S.) Painting as a Pastime, 1962 § Heath (F.W., arranged) A Churchill Anthology, 1962; plates and illustrations, uniformly bound in red roan, black spine labels, gilt; and others, all on or by Churchill, 8vo & 4to (c.80)

Spiritualism.- Seymour (John D.) Irish Witchcraft and Demonology, first edition, manuscript recipes in contemporary hand loosely inserted, endpapers browned, light spotting to first few pp., original cloth, gilt, a very handsome copy, 1913 § Summers (Montague) The Vampire: His Kith and Kin, first English edition, plates, some light spotting, half-title foxed, ex-library blind-stamps, original cloth, spine and covers lightly faded, 1928; and 2 other works on spiritualism, 8vo (4)

NO RESERVE Moncrieff (Charles Scott) The Song of Roland, first edition of this translation, presentation inscription from the author to front free endpaper, previous ownership inscription also to endpaper, light browning to endpaper and spotting to first few pages, original cloth, paper label to spine a little chipped and browned, spine faded and ends bumped, 8vo, 1919.

Military.- Cumming (Hanway R.) A Brigadier in France, first edition, half-title, lithograph portrait frontispiece with tissue guard, 9 maps, library stamp to front endpaper, occasional very light foxing, original cloth, manuscript number to spine, 1922 § Ferrar (Major M. L., editor) The Diary of Colour-Serjeant George Calladine, first edition, original cloth, discoloured, 1922 § Kemble (James) St Helena. During Napoleon's Exile, first edition, 3 black and white plates, original cloth, 1969 § Caldwell (George) and Robert Cooper, signed by author on title, one of 1000 copies, black and white illustrations, original leather, 1994; and 24 others relating to military history and warfare, mainly first editions, 8vo, (28)

Shakespeare (William) The Merchant of Venice, printed from the first folio of 1623, number 63 of 100 specially bound copies from an edition of 606 signed by editors and artist, plates and illustrations by Thomas Lewinsky, original morocco by Zaehnsdorf, gilt, signed with small gilt stamp to rear pastedown, very slight rubbing to spine foot, 4to, Stratford-upon-Avon, Shakespeare Head Press, 1923.⁂ Part of the Players' Shakespeare series, which was published as a series of 7 volumes. This copy is signed by Harley Granville-Barker; Albert Rutherston and Thomas Lewinsky.

Shakespeare (William) The Tragedie of Cymbeline, number 28 of 106 signed copies by the editor and illustrator to title verso, plates and illustrations, light scattered spotting to pastedown and endpapers, original vellum by Zaehnsdorf, gilt, t.e.g., some scuff marks and discolouration, corners bumped, 1923 § Hinman (Charlton) The First Folio of Shakespeare, second edition, original cloth, slip-case, 1996; and 50 others, by or relating to Shakespeare, v.s. (52)

NO RESERVE Wodehouse (P.G.) Blandings Castle, first edition, 1935; Mulliner Nights, first edition, 1933, very occasional spotting to fore-edge and margins, original cloth, rubbed and discoloured, corners bumped, spine ends frayed; and a quantity of others, mostly 20th century literature, v.s. (large quantity)

NO RESERVE Forster (E.M.) Alexandria: A History and a Guide, second edition, maps and illustrations, contemporary ink ownership inscription to front free endpaper, cloth spine darkened and spine ends rubbed, Alexandria, 1938 § Hartley (L. P.) The Go-Between, first American edition, 1954 § Pym (Barbara) The Sweet Dove Died, first edition, 1978, original cloth or boards, last with dust-jacket; and c.100 others, 20th century literature, v.s. (c.100)