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Lot 56

Čapek (Karel) R.U.R. Rossum's Universal Robots, signed by the author on half-title, fifth edition, modern russet half calf, 8vo, Prague, Vydalo Aventinum, 1923⁂ An early edition in Czech of the book which coined the word "robot", together with a first edition of Capek's utopian science fiction novel.

Lot 80

Churchill (Sir Winston Spencer) India Speeches and an Introduction, first paperback edition in book form, title and few other pages spotted, original printed wrappers, spine faded, chipped at ends, 8vo, 1931.⁂ Published simultaneously with the cloth edition.

Lot 197

Ishiguro (Kazuo) The Remains of the Day, first edition, signed by the author on title, original boards, dust-jacket, a mint copy, 8vo, 1989.⁂ A superb copy of this Booker Prize winner, basis for the classic 1993 Merchant & Ivory film adaptation.

Lot 183

Hodgson (William Hope) The House on the Borderland, second edition, 1921 § Cromie (Robert) A Plunge into Space, second edition, [1891] § Llewellyn (Alun) The Strange Invaders, first edition, 1934 § Laurie (Andre) New York to Brest in Seven Hours, 1890, some light spotting, original cloth, lightly rubbed and frayed at extremities, some light fading to spines; and 6 others, weird fiction, 8vo (10)

Lot 375

Williams (Charles) The Greater Trumps, first edition, endpapers lightly toned, original boards, dust-jacket, browned, spine ends chipped, splitting along joints, still overall a sharp copy, 8vo, 1932.

Lot 352

Vance (Jack) Big Planet, first edition in book form, signed by the author to title, New York, 1957; Light From a Lone Star, one of 200 "slipcased" copies signed by the author and illustrator, from an edition of 1000, jacket edges a little scuffed, otherwise fine, slip-case, 1985; To Live Forever, first edition, jacket with light scuffs to spine ends and joints, otherwise a fine copy, New York, 1956; The Brains of Earth, first English edition, signed by the author to title, jacket spine sunned, 1975, original boards or cloth, dust-jackets; and 9 others by or relating to Vance, excellent copies, 8vo (14)

Lot 323

Sayers (Dorothy L.) and Robert Eustace. The Documents in the Case, first edition, original cloth lettered in orange, spine faded, joints rubbed and frayed, corners a little bumped, 8vo, 1930.⁂ A Haycraft-Queen cornerstone, one of 1,000 copies printed.

Lot 395

Woolf (Virginia) The Common Reader, First and Second Series in One Volume, first American edition, original cloth, spine lightly rubbed, dust-jacket, price-clipped, spine browned, light creasing to spine ends, 8vo, New York, 1948.

Lot 373

NO RESERVE White (Randy Wayne) Chasing Midnight, first edition, New York, 2012 § Hiaasen (Carl) Bad Monkey, 2013 § Hall (James W.) Bones of Coral, first edition, New York, 1991 § Shames (Laurence) The Naked Detective, New York, 2000, original boards, dust-jackets, fine copies; and c.100 others, modern American spy fiction, 8vo (c.100)

Lot 15

NO RESERVE Baron Russell (T.) A Hundred Years Hence, first edition, signed presentation inscription from the author on front free endpaper, lightly spotted, cloth a little faded and rubbed, 1905 § Stanliand (Meaburn) Back to the Future, endpapers browned, dust-jacket, a little torn and rubbed, 1947 § Bird (Arthur) Looking Forward: A Dream of the United States of the Americas in 1999, first edition, cloth spine browned, New York, [1899] § "Mr Dick". James Ingleton: The History of a Social State, cloth spine browned, [1893], original cloth; and c.45 others, science-fiction novels, mostly in the 'future history' genre, v.s. (c.50)

Lot 261

Milne (A. A.) [The Christopher Robin books], 4 vol., comprising When We Were Very Young, tenth edition, bookplate to pastedown, 1925; Winnie the Pooh, first edition, later issue dust-jacket, 1926; Now We Are Six, second edition, half-title browned, 1927; The House at Pooh Corner, first edition, bookplate to endpapers, endpapers browned, first issue jacket, small portions of loss to spine ends, spine browned, light surface soiling, 1928, all with illustrations by E.H. Shepard, original pictorial cloth, t.e.g., spines a little faded, ends a little creased and bumped, some light soiling, jackets creased and chipped to extremities, 8vo.

Lot 360

Waugh (Evelyn) Black Mischief, first edition, number 133 of 250 large paper copies signed by the author, frontispiece and plates, pastedown foxed, original cloth, t.e.g., others uncut, sunned, 1932; The Holy Places, one of 950 copies, wood-engraved plates by Reynolds Stone, original buckram, dust-jacket, lightly toned, otherwise an excellent copy, The Queen Anne Press, 1952, 8vo & 4to (2)

Lot 257

Maxwell (William) Time Will Darken It, first edition, T.L.s from the author, signed by his hand and with autograph correction, additional autograph letter from the dedicatee to later recipient, both loosely inserted, original cloth, spine ends, rubbed, dust-jacket, chipping to extremities, light surface rubbing, 3" tear to lower panel, spine browned, 8vo, New York, 1948.

Lot 124

Fermor (Patrick Leigh) The Traveller's Tree, first edition, small ink ownership inscription to endpapers, frontispiece and plates, spotting to fore-edge straying onto some margins, jacket rubbed with the odd hole and tear, chipping to extremities, worse to spine ends, 1950; The Violins of Saint-Jaques, first edition, bookseller's stamp and bookplate to endpapers and half-title, jacket price-clipped, small nicks to edges, otherwise excellent, 1953; The Cretan Runner: His Story of the German Occupation, translated by Fermor, first edition, jacket with expert restorations to extremities, 1955; A Time to Keep Silence, first trade edition, endpapers toned, small stains to jacket, 1957; original cloth, dust-jackets; and 5 others by Fermor, 8vo (9)

Lot 308

Robinson (Frederick) The War of the Worlds, first edition, plates, large water-stain throughout to upper corner, original wrappers, stained, corners creased, 8vo, [Chicago], privately printed, 1914.⁂ Rare. A short future war novella, dubbed as "an odd mixture of the Verne compulsion neurotic, the Wells invasion from space, racial rancor, and low level romance." - Bleiler, Science-Fiction: The Early Years 1889.

Lot 358

NO RESERVE Warby (Marjorie) Happy Summer, first edition, ex-library label to pastedown, endpapers spotted, original cloth, extremities bumped and rubbed, spine ends frayed, 1935 § Grose (Helena) Painted Lady, first American edition, original buckram, spine ends frayed, dust-jacket, chips and tears to extremities, lightly creased at edges, New York, 1933 § Sava (George) Bride of Neptune, first edition, original cloth, dust-jacket, light creasing to edges, 1946 § Pedler (Margaret) Fire of Youth, reprint, endpapers toned, original cloth, dust-jacket, lightly rubbed at extremities, 1932; and c.200 others, mid-20th century romance fiction, 8vo (c.200)

Lot 216

Le Carré (John) The Looking Glass War, first edition, double-signed by the author, "John Le Carré aka David Cornwell" on title, promotional pamphlet of The Literary Guild Review, also double-signed with both names, loosely inserted, original boards, dust-jacket, price-clipped, light creasing to upper edge with one or two nicks, short tear close to joint, otherwise a very excellent example, 8vo, 1965.⁂ The author's fourth novel, scarce find double-signed and in such condition, with additionally signed promotional pamphlet.

Lot 43

Bowen (Elizabeth) The Death of the Heart, first edition, bookplate signed by the author on front pastedown, light marginal browning, original cloth, spine a little chipped and frayed, 8vo, 1938.

Lot 96

Dahl (Roald) Matilda, first edition, cut signatures of the author and illustrator laid down on title, illustrations by Quentin Blake, original boards, spine ends lightly bumped, dust-jacket, light creasing to spine ends, spine a little faded, otherwise excellent, 8vo, 1988.

Lot 53

Burroughs (Edgar Rice) Carson of Venus, first edition, cloth spine ends a little bumped, otherwise fine, California, 1939; Escape on Venus, first edition, cloth spine ends bumped, jacket extremities chipped and creased, edges discoloured, California, 1946; Pirates of Venus, first English edition, jacket price-clipped, spine ends chipped with small portions of loss, spine a little discoloured, 1935; Lost on Venus, first English edition, cloth lightly marked, facsimile dust-jacket, 1937, original cloth, dust-jackets; and another copy of Pirates on Venus, 8vo (5)⁂ A good group of Burrough's Venus series, lacking just the last title The Wizard of Venus.

Lot 396

NO RESERVE Woolf (Virginia) Mrs Dalloway, later impression, jacket spine toned and creased at spine ends, otherwise excellent and sharp, New York, [1948]; Between the Acts, first American edition, jacket spine browned and marked, spine ends chipped, nicks to edges and extremities, New York, 1941; Jacob's Room, later printing, jacket with light surface soiling, spine browned with chips to spine ends, vertical tear along spine, 1931, original cloth, dust-jackets, 8vo (3)⁂ A good group of Woolf titles in the quintessential jackets.

Lot 36

[Blixen (Karen)] "Isak Dinesen". Seven Gothic Tales, first English edition, colour frontispiece by Rex Whistler, some light scattered spotting to edges, ink name erased from endpaper, original cloth, light fading to spine, dust-jacket, spine browned, spine ends and corners chipped, some creasing to head, light rubbing to extremities, splitting and glue repair to upper joint, still a very good example overall, 8vo, 1934.⁂ The author's first book.

Lot 234

NO RESERVE Lee (Harper) To Kill a Mockingbird, first English edition, stamps removed from front free endpaper, small ownership name to endpaper, original cloth, dust-jacket, portions of loss to spine ends and corners, rather creased with tears and nicks to edges and extremities, 1960 § Hemingway (Ernest) For Whom the Bell Tolls, first edition, endpapers toned, original cloth, spine faded, label lightly rubbed, facsimile dust-jacket, New York, 1940; and c.70 others, mixed modern literature, v.s (c.70)

Lot 38

Blyton (Enid) Five Run Away Together, first edition, colour frontispiece and illustrations by Eileen Soper, pictorial endpapers, ink ownership name to front free endpapers, dust-jacket, lightly creased and nicked along edges, spine ends a little frayed, lower panel a little surface soiled, 8vo, 1944.

Lot 267

NO RESERVE Nabokov (Vladimir) Lolita, first Israeli edition, bookseller's sticker to pastedown, original wrappers, creased, light rubbing to joints, spine lightly browned, 8vo, Jerusalem, Olympia Press, 1955 § Mittelholzer (Edgar) A Morning at the Office, first English edition, original cloth, dust-jacket, spine reinforced with paper strip verso, rather torn and browned, chipping to spine ends, light nicks to extremities, The Hogarth Press, 1950 § Miro (Joan) Céramiques de Miro et Artigas, colour lithograph and illustrations, original cloth, dust-jacket, light chips to edges, Maeght, 1974, oblong 4to & 8vo (3)

Lot 313

Rowling (J.K.) Harry Potter and The Chamber of Secrets, first deluxe edition, first printing, original cloth with mounted colour illustration and gilt signature, mint, publisher's cellophane, 8vo, 1999.

Lot 319

NO RESERVE Sayers (Dorothy L.) Clouds of Witnesses, first American edition, light spotting to endpapers, original cloth, discoloured, spine ends frayed and rubbed, spine browned, 8vo, New York, Dial Press, 1927.

Lot 213

Lawrence (D.H.) Aaron's Rod, first edition, endpapers lightly browned, first few pages lightly spotted, original boards, dust-jacket, corners and edges a little creased and chipped, spine a little faded, portion of loss to spine head though not affecting title, longer closed tears along joints, neatly repaired, lacking lower flap, still a good copy, 8vo, 1922.

Lot 126

Fleming (Ian) Casino Royale, first American edition, ownership inscription to front free endpaper, lightly toned, original cloth, spine ends frayed, dust-jacket, first issue priced $2.75 but clipped as issued, spine faded, creasing and tears to extremities, marks and surface soiling to lower panel, New York, 1954; Moonraker, first edition, ex-library with bookplate and accession record removed from rear pastedown, original boards lettered in silver, lightly rubbed, facsimile dust-jacket, 1955; and a reprint of Live and Let Die, 8vo (3)

Lot 324

Sayers (Dorothy L.) Murder Must Advertise, first edition, ink ownership name to toned endpapers, original cloth, spine ends a little bumped and creased, dust-jacket in 2 pieces with remnants of spine, edges brittle and chipped, light tape staining marks to lower panel, 8vo, 1933.

Lot 354

NO RESERVE Verne (Jules) A Floating City, illustrations, light spotting, original pictorial cloth, rubbed, spine faded, 1874 § MacLean (Alistair) H.M.S. Ulysses, first edition, original cloth, extremities bumped, dust-jacket, chips and portions of loss to corners, lightly rubbed along joints, 1955 § Forester (C.S.) The African Queen, second edition, spotting, original boards, dust-jacket, large portion of upper panel lacking, large chips to corners, 1936; Lieutenant Hornblower, first edition, original boards, dust-jacket, chipped and frayed to spine ends, 1952; Hornblower and the Hotspur, first edition, original boards, dust-jacket, chipped and frayed to spine ends, 1962; and c.30 others, naval adventure fiction, 8vo (c.35)

Lot 369

Wells (H.G.) All Aboard for Ararat, first edition, signed presentation inscription from the author to half-title, A.L.s from the author, 2pp., on letterhead paper to "my dear Haynes" loosely inserted, stained, rust-staining to first few pages and jacket flap, pastedown a little soiled, original cloth, dust-jacket, in 2 pieces broken along upper joint, portion of loss to spine head, chips to spine tail and extremities, lower panel rather stained, 1940; and a proof of the same title, 8vo (2)

Lot 331

Senhouse (Roger).- Bunin (I. A.) The Gentleman From San Francisco and Other Stories, first edition, Roger Senhouse's copy with his book-label and ownership name in pencil on pastedown, 1p. note in Senhouse's hand of Hogarth Press bibliographical notes, loosely inserted, light staining to corner of endpapers, original decorative boards, light rubbing to spine ends, otherwise excellent, [Woolmer 19], 8vo, Hogarth Press, 1922.⁂ Includes a slip of paper with Senhouse's hand-written bibliography of the Hogarth Press publications, with note in upper corner "L.W III p.235-7", suggesting that he follows the order of publications put forward by Leonard Woolf which is stated on those pages in vol.3 of his autobiography. Senhouse passed away in 1970, and Leonard Woolf's autobiography was published in 1964, making this autograph list a very early checklist of the Hogarth Press.

Lot 242

Lewis (C.S.) Prince Caspian: The Return to Narnia, first edition, first impression, small pen mark to half-title, light spots to endpapers, third impression dust-jacket, lightly faded, nicked and torn at extremities, 1951; The Voyage of the Dawn Treader, first edition, first impression, hinge cracked, boards soiled, spine faded, facsimile dust-jacket, 1952; The Lion, The Witch, and the Wardrobe, sixth impression, ink ownership inscription to front free endpaper, dust-jacket, price-clipped, 1962; The Silver Chair, third impression, dust-jacket, torn down joint and across spine, spine faded, chip to spine tail, lower panel spotted and lightly soiled, 1959, original boards, 8vo (4)

Lot 356

Walliams (David) The World's Worst Children, signed autograph postcard from the illustrator loosely inserted, 2016; The Beast of Buckingham Palace, first edition, 2019; The Boy in the Dress, "anniversary edition", 2018; Slime, 2020; Code Name Bananas, 2020, signed by the author or illustrator or both, illustrations, original boards, dust-jackets, fine copies; and 10 others by the same, 8vo (15)

Lot 195

Isherwood (Christopher) Lions and Shadows, first edition, endpapers toned, original first state blue cloth, dust-jacket, evenly toned, short tear along joint from lower edge but a remarkably tight and excellent copy overall, [Woolmer 431], 8vo, the Hogarth Press, 1938;

Lot 149

H. (G. D.) & M. Cole. A Lesson in Crime, first edition, 1946 § Burke (Thomas) Dark Nights, [c.1944] § Hartley (L.P.) The Travelling Grave and Other Stories, first edition, 1951 § Stanley Gardner (Erle) The D.A. Calls a Turn, first English edition, 1947, original cloth, dust-jackets, nicks and chips to extremities, light rubbing; and 7 others, crime and mystery novels, 8vo (11)

Lot 379

NO RESERVE Wilson (Colin) The Mind Parasites, first edition, signed presentation inscription from the author on title, original boards, dust-jacket, lightly toned, light creasing and scuffs, 8vo, 1967.⁂ Rare signed copy of this supernatural metaphysical cult thriller.

Lot 380

Wodehouse (P.G.) A Gentleman of Leisure, first English edition, blank bookplate and small stamp to pastedown, light offsetting, some foxing, original cloth, spine ends and joints lightly rubbed, corners bumped, 8vo, 1910.

Lot 147

NO RESERVE Fraser (George MacDonald) Flashman, first edition, jacket spine faded, otherwise a fine copy, 1969; Flashman and the Angel of the Lord, one of 99 copies signed by the author, original morocco-backed boards, 1994; and 13 others by the same, 8vo (15)

Lot 329

NO RESERVE Searle (Ronald).- Willans (Geoffrey) & Ronald Searle. Whizz for Atomms, first edition, ownership stamp to pastedown, jacket price-clipped, 1951 § Ellis (Winifred) London- So Help Me!, fourth impression, ownership inscription to pastedown, endpapers toned, 1953 § Ship (Reuben) The Investigator, 1956 § Parsons (Denys) It Must Be True, third impression, endpapers toned, dust-jacket price-clipped, 1953, illustrated by Searle, original boards or cloth, dust-jackets, creased and chipped to extremities, light toning or browning, 8vo (4)

Lot 68

Christie (Agatha) Death in the Air, first American edition, gift inscription to endpapers, original cloth, rubbed, lightly soiled, joints and extremities rubbed and frayed, facsimile dust-jacket, New York, 1935; The Mirror Crack'd from Side to Side, first edition, endpapers toned, original cloth, dust-jacket, chipped at spine head, extremities lightly rubbed and frayed, 1962; The Seven Dials Mystery, first American edition, original cloth, lightly soiled, spine faded, extremities rubbed, facsimile dust-jacket, New York, 1929; and 3 others by the same, 8vo (6)

Lot 59

Capote (Truman) The Muses are Heard, first edition, signed by the author on 'Part I' page, ownership signature to front free endpaper, original decorative cloth, dust-jacket, lightly scuffed, spine ends creased and chipped, 8vo, New York, 1956.

Lot 365

NO RESERVE Waugh (Evelyn) Helena, first edition, light toning to endpapers, original boards, light bumping to spine tail, dust-jacket, price-clipped, light nicks and creases to edges, slightly heavier to lower edge of upper panel, 1" tear along lower joint, original wrap-around (spine faded, otherwise unusually crisp), overall a sharp and excellent copy, 8vo, 1950.

Lot 39

Blyton (Enid) Five Go to Smuggler's Top, first edition, colour frontispiece and illustrations by Eileen Soper, pictorial endpapers, light faint foxing to half-title, faint ink ownership name to front free endpaper, first issue dust-jacket priced at 6/-net, light pen marks to upper flap, faint stamp to lower flap and rear pastedown, light surface soiling, spine ends and corners a little chipped, still overall a crisp copy, 8vo, 1945.

Lot 26

Bentley (Norman S.) Armada of the Air, first edition, light marginal toning, original boards, dust-jacket, extremities chipped and nicked, spine toned, ends a little chipped, 8vo, New York & Boston, 1937.⁂ Scarce with jacket.

Lot 305

Read (Herbert) Mutations of the Phoenix, first edition, signed presentation inscription from the author to Jacob Kramer, with autograph verses by Read on front free endpaper, lightly browned, other ownership inscription to pastedown, one or two finger-soiling marks, original cloth-backed boards, edges rubbed, preserved in burgundy morocco drop-back box, [Woolmer 38], tall 8vo, Hogarth Press, 1923.⁂ Inscribed "For Jacob Kramer / Herbert Read / 26.x.1930". With manuscript verses below, being the first appearance of this poem which was published in 1935 by Faber & Faber and titled 'Night Negation', one of a selection from Poems 1914 - 1934 by Read. Jacob Kramer (1892-1962) was a Russian Empire-born painter who was involved in the Vorticist movement led by Wyndham Lewis.

Lot 372

NO RESERVE Wheatley (Dennis) The Second Seal, first edition, small gift inscription to endpapers, jacket price-clipped, rather creased to extremities, and a little rubbed, 1950; Vendetta in Spain, 1961; Dangerous Inheritance, 1965; Gateway to Hell, 1970, first editions, original boards or cloth, dust-jackets, most with light creasing or chips to extremities; and 31 others by the same, 8vo (35)

Lot 130

Fleming (Ian) Dr. No, first edition, soiling to endpapers, original second state boards with silhouette, dust-jacket, flaps foxed, lower panel with surface soiling, light chips and ceasing to extremities, heavier to spine ends, still a very attractive example overall, 8vo, 1958.

Lot 198

NO RESERVE Hughes (Ted) Football, first edition, number 105 of 199 copies signed by the poet and artist, from an edition of 499, illustrations by Christopher Battye, original concertina wrapper over boards, 4to, [Sagar & Tabor, A113], 1995; Crow, light toning to endpapers, original boards, dust-jacket, light creasing to head, otherwise fine, 8vo, 1970 (2)

Lot 12

Amis (Martin) Dead Babies, first edition, 1975; Night Train, fourth impression, signed by the author to title, 1997 § Ayckbourn (Alan) Three Plays, first edition, signed by the author to rear endpapers, endpapers foxed, jacket spine faded, 1977 § Adams (Richard) The Plague Dogs, signed presentation inscription from the author "yours sincerely Richard Adams" to endpaper, below later gift inscription, 1977 § Mailer (Norman) The Naked and the Dead, first English edition, author's cut signature laid down to spotted endpapers, jacket spine lightly rubbed and chipped at corners, 1949, original boards, dust-jackets; 8vo (5)

Lot 81

Clapton (Eric) The Autobiography, first edition, one of 1000 copies signed by the author, illustrations, original pictorial boards, slip-case, 8vo, 2007.

Lot 25

NO RESERVE Benchley (Peter) Jaws, first English edition, gift inscription to endpaper, 1974; The Deep, first English edition, 1976 § Dunn (Nell) Up the Junction, first edition, jacket creased at top edge with nicks to extremities, 1963, original boards, spine ends bumped, dust-jackets; and c.70 others, mixed modern literature, v.s. (c.75)

Lot 188

Horovitz (Michael) The Wolverhampton Wanderer, first edition, number 71 of 100 copies signed by the author and 30 artist contributors, including David Hockney, Peter Blake, and R Hamilton etc., illustrations, original boards, dust-jacket, toned (as usual), edges lightly scuffed, 4to, 1971.⁂ A very English attempt at assemblage of extraordinary British artists, including Michael Tyzack, Peter Blake, Adrian Henri, P. G. Findlay & R. Elson, Jeff Cloves, Patrick Hughes, Shepard Sherbell, Gabi Nasemann, Michael Horovitz, Michael Bloom, Paul Kaplan, John Furnival, Bob Godfrey, Pete Morgan, Jeff Nuttall, David Oxtoby, Adam Ritchie, Colin Self, John Furnival, Richard Hamilton, Stephen Morris, Jeff Goldner, Nick Roberts, Marigold Hodgkinson, Mike Francis, Ron Sandford, David Hockney, Michael Foreman, Feliks Topolski, Gabi Nasemann, Mal Dean, Tom Phillips, and Mike McInnerney.

Lot 316

NO RESERVE Rushdie (Salman) Shame, uncorrected proof copy, original wrappers, lightly creased, 1983; Imaginary Homelands, first edition, signed by the author on title, original boards, dust-jacket, spine faded, otherwise fine, 1991; Shalimar the Clown, first edition, signed by the author on title, original boards, dust-jacket, 2005; and 3 others by the same, 8vo (5)

Lot 362

Waugh (Evelyn) Brideshead Revisited, first American trade edition, original decorative cloth, spine ends lightly faded and sunned, dust-jacket, Boston, 1946; Put Out More Flags, first edition, original cloth, edges discoloured, fore-edge spotted, dust-jacket, worn with large tears repaired with tape verso, spine ends and joint corners chipped, small holes to spine, edges creased and nicked, 1942; Unconditional Surrender, proof copy, original wrappers with "Oct" in pen to upper wrapper, toned, one or two repaired tears, 1961, 8vo (3)

Lot 164

Greene (Graham) The Revenge: An Autobiographical Fragment, signed presentation inscription from the author "for ?Murie and Joan, happy christmas and love from Graham" to endpapers, original wrappers, privately printed, 1963; Why the Epigraph, one of 950 copies signed by the author, original cloth, 1989; Marie-François Allain, first edition, signed presentation inscription from Max Reinhardt "with my best wishes from Max" to half title, original wrappers, 1983; and 4 others by or relating to Greene, first editions, 4to & 8vo (7)

Lot 190

Howard (Elizabeth Jane) & Robert Aickman. We Are for the Dark, first edition, light scattered spotting to endpapers, original boards, lightly soiled, dust-jacket, light rubbing to joints, spine head chipped, 1" tear along joint from upper edge, light creasing, 8vo, 1951.

Lot 123

NO RESERVE Faulkner (William) The Reivers, first trade edition, with signature "William Faulkner" on title (not in the author's hand), original cloth, small patch of discolouration to upper board, dust-jacket, rubbed along joints, chipped and frayed at edges and spine head, 8vo, 1962.

Lot 317

Sackville-West (Vita) All Passion Spent, first edition, original cloth, very lightly soiled, dust-jacket, small portion of repair and retouching to spine head and tail, neat repairs along joints and edges, [Cross & Ravenscroft-Hulme A.21a; Woolmer 270], 8vo, Hogarth Press, 1931.

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