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Wilde (Oscar). The Importance of Being Earnest. A Trivial Comedy for Serious People, London: Leonard Smithers, 1899, some toning to endpapers (as usual), untrimmed in original lilac cloth with leaf spray ornaments designed by Charles Shannon in gilt to spine and covers, spine faded, 4to (Qty: 1)NOTESMason 382. First edition, signed limited issue, number 84 of 100 large-paper copies signed by the author. There was also an edition of twelve copies on Japanese vellum and a trade issue of 1,000 copies. Oscar Wilde's enduring farce and final play was first performed on 14 February 1895 at the St, James's Theatre, London and ran for 86 performance before closing due to Wilde's libel suit against the Marquess of Queensbury, which ultimately led to Wilde's arrest for gross indecency. The play was first published in book form in February 1899 by Leonard Smithers after Wilde's release from prison and subsequent exile in France.

Nickols (Ian & Karslake, Kent). Motoring Entente, The Story of Sunbeam, Talbot, Darracq and Sunbeam Talbot Cars, 1st edition, Cassell and Company Limited, [1956], numerous monochrome plates after photographs, original cloth gilt, price clipped dust wrapper, 8vo; Corum (Dudley). Aston Martin The Story of a Sports Car, Motor Racing Publication Ltd 1957, numerous monochrome plates after photographs, original cloth gilt, 8vo together with a number of related publications, mostly 1950s including A.F.C. Hillstead, Those Bentley Days, H.G. Conway, Bugatti-le-pur sang des automobiles, First Edition, Barry Eaglesfield, The Bugatti Book, Fourth Impression 1960, G.E.T. Eyson and Barre Lyndon, Motor Racing and Record Breaking, Rex Hays, Tribute by Trophy, Elizabeth Nagle, The Other Bentley Boys and other related titles, mostly 8vo (Qty: Approximately 60)

Woolf (Virginia). The Waves, 1st edition, Hogarth Press, 1931, occasional light spotting, mostly to first and last few leaves, original purple cloth gilt, in dust wrapper with design by Vanessa Bell, some scattered spotting, spine darkened, chipped with a little loss to head and foot of spine and outer corners, near-detached along rear joint (restrengthened with adhesive clear tape to verso), and with closed central horizontal tear (Qty: 1)NOTESKirkpatrick A16a.

Whittaker ( W.E . De, Barron. Captain P.A ., editors). Automobiles of the World and Encyclopaedia of the Car, The Aeroplane and General Publishing Co Limited 1921, numerous monochrome plates after photographs, original cloth gilt, large 4to, together with a collection of related books, mostly early 20th century including Major H.O.D. Segrave, The Lure of Speed, First Edition 1928, S.F. Edge, My Motoring Reminiscences, Herbert J and Hugh Butler, Electrical Equipment of the Car, 3 volumes and other related titles (Qty: Approximately 50)

Booth (Charles). Descriptive Map of East End Poverty, Compiled from School Board Reports' in 1887, 1st edition, [Macmillan & Co., 1889], lithographic plan, printed in colours, sectionalised on linen, 355 x 485 mm (Qty: 1)NOTESBased on information gathered from School Board visitors, this is the first of Charles Booth's famous poverty maps of London, published in his seminal work Labour and Life of the People, Volume 1: East London (London: Macmillan, 1889). The areas covered include Hoxton, Bethnal Green, Whitechapel, Mile End Road and Limehouse. When the full survey of London was published in 1891, this map was replaced with four maps of the north east, the north west, the south east and the south west of capital together with a key map which encompassed the whole. The four new maps now covered an area from Kensington in the west to Poplar in the east, and from Kentish Town in the north to Stockwell in the south. These maps are collectively known as the Descriptive Map of London Poverty 1889. This earlier map has the same features as the later set, with the streets colour-coded according to the degree of wealth of the inhabitants, ranging from black ('Very poor, lowest class... Vicious, semi-criminal'), through shades of blue and purple ('Poor', 'Mixed', 'Fairly Comfortable'), to red ('Well to do'), but Booth's highest class, yellow ('Wealthy'), does not appear on this map.

Austro-Hungarian Military books comprising:Intruction uber die Einrichtung und Germendung des Repetier Dewehres M.95, Drud und Berlag, Wien, 1899, with four fold out colour plates (illustrated). Der Feldzug des Jahre 1809 in Süddeutschland. Nach Osterreichischen Originalquellen.I. Band vom Innübergang bis zur Schlacht bei Aspernaus der Österreichischen Militärischen Zeitschrift. Jahrgang 1862 und 1863 (The campaign of 1809 in southern Germany. Based on Original Austrian Sources.Volume I from the Inn Crossing to the Battle of Aspernfrom the Austrian Military Journal. Born in 1862 and 1863), Carl Gerold's Sohn, Wien 1865, with various fold out maps (illustrated), Officiers-Bibliothek stamp to title page and numbered B25a.Franz Freiherr Rohr von Denta (1854-1927 Austro-Hungarian field marshal/commander who served as the last commander of the Austro-Hungarian First Army) - Braumuller's Militarische Taschenbucher Band I Taschenbuch Zum Sebrauche Bei Taktischen Ausarbeitungen, Kriegspielen, Taktisdjen Ubungsritten, Manovern Und Im Felde, (Pocket Book for use in Tactical Elaborations, War Games, Tactical Exercises, Manoeuvres and in the Field), Wilhelm Braumuller 1900, 12th edition, with six fold out diagrams and Desterreichs hort Geschichts und Rulturbilder aus ben Habsburgischen Erblandern Fine Festgabe an das Ofterreichische Bolt fur Rubelfeier des Raifers, Volume 1, Patriotische Boltsbuchhandlung, Wien 1909, various colour and monochrome plates.(Braumuller's Military Pocket Book Volume I) Boleslaw Wjcicki (Polish Martinist) - Prawda o Katyniu, Czytelnik 1952, Viktor Bibl - Erzherzog Karl Der Beharrliche Kampfer Fur Detschlands Ehre, Johannes Gunther Verlag 1942,

Two limited edition prints of 25 signed Derek Williamson, each 47 x 30 cm. P&P Group 3, will be sent without glass. (£25+VAT for the first lot and £5+VAT for subsequent lots)

* Cartographers. A collection of thirteen portraits of cartographers, 16th - 19th century, including Galle (Philip). Spectandum dedit Ortelius mortalib. orben, Orbi spectandum Galleus Ortelium, Antwerp, circa 1595, hand coloured portrait of Abraham Ortelius, slight spotting to margins, 325 x 220 mm, Latin text on verso, together with Westermayr (C.). Nicol. Sanson, D. F. Sotzman, Joh. Bapt. Homann, Guillaume de L'Isle, Alex Hub. Jaillot, Edme Mentelle [and] Gerhard Merkator, circa 1800, seven uncoloured engraved oval portraits with title and birth and death dates below image, each approximately 135 x 85 mm, with Munster (Sebastian). Untitled portrait, circa 1550, uncoloured woodblock potrait of Munster seated at a desk holding a quill and paper, Latin text to the right hand side below and on verso, image size 120 x 100 mm, plus Vinkeles (R.). Petrus Pancius [and] Gerardus Mercator, 1790, pair of hand coloured portraits after J. Buys, each 150 x 90 mm, with Hubert (Francois). Mathieu Merian..., circa 1750, uncoloured engraved portrait, trimmed to plate mark and laid on later paper, 135 x 90 mm (Qty: 13)NOTESThe first described item is the most famous portrait of Ortelius and appeared in the 1579 edition of his 'Theatrum Orbis Terrarum', the first modern Atlas.The text below the image translates as 'By looking, Ortelius gave to mortal beings the world, by looking at his face, Galleus gave them Ortelius'. Marcel van den Broecke, Ortelius Atlas Maps, p.14.

Poland. Sandrart (Jacob), Nova totius Regni Poloniae Mangique Ducatus Lituaniae cum suis Palatinabus Ac Confiniis Exacta Delineatio per G. Le Vasseur de Beauplan, Nuremberg, [1675], engraved map with contemporary outline colouring, one printer's fold, slight marginal staining, occasional pin holes affecting image, 410 x 520 mm (Qty: 1)NOTESA rare map of Poland and Lithuania. The map is dominated by a portrait of King Johannes III Sobieski depicted as a Roman emperor. The second edition of the map which was published in 1697 has a portrait of King Augustus II (Augustus the Strong) who came to the throne in that year following Sobieski's death. The map is based upon the work of Guillaume Levasseur de Beauplan (1600-1673), a French mapmaker, engineer and architect. Beauplan served as artillery captain for the army of the Crown of the Kingdom of Poland between 1630 and 1648 and in 1639, he created the first accurate map of Ukraine, a map regarded as one of the most important in Poland's cartographic history. We can only find one record of Sandrart's map appearing in auction in the last ten years (Zisska & Schaer, 2013, Sale 62, Lot 3162 ) where it sold for 4,284 Euros including premium.

Carter (John, draughtsman). [Sammelband of four works from the Society of Antiquaries' Cathedrals Series], London: Society of Antiquaries, 1797-1807, comprising: 1. Some Account of the Abbey Church of Bath, illustrative of the Plans, Elevations, and Sections, of that Building, 1st edition, [1798], 2. Some Account of the Cathedral Church of Durham, 1st edition, printed by W. Bulmer and Co., 1801, 3. Some Account of the Cathedral Church of Exeter, 1st edition, [1797], 4. Some Account of the Collegiate Chapel of Saint Stephen, Westminster. By John Topham, 2nd edition (expanded), [1807], 4 works in 1 volume, all text-leaves as called for, 52 engraved plates by James Basire after John Carter, several double-page and/or folding, variable spotting, generally restricted to margins, some offsetting to folding plates, contemporary diced russia, rebacked, scuffed and worn, elephant folio (65.5 x 48 cm) (Qty: 1)NOTESESTC T105076, N/A, T105075, N/A. The Cathedrals Series 'established for the first time the archaeological status of Gothic as fully comparable to the Antique ... Unique in their time for precision and scholarship, these volumes were designed " not alone to please the eye ... but to give information and instruction to the rising generation of Antiquaries and Architectural Professors" ... For that pioneering aim, at least, the series deserves to stand as Carter's monument' (ODNB).

Rowling, J.K.  Harry Potter and the Philosopher's Stone, 1st impression 1st edition, London:  Bloomsbury Publishing PLC 1997, hardback ISBN 0 7475 3269 9, Clays printer's number 10-1, 'Philospher's' misprint on back cover, owner name in ballpoint on inside first page.Note - this book is one of approximately 500 copies of the first impression first edition, approx. 300 of these were  given to libraries and schools, leaving a maximum 200 editions in general circulation in non ex-library condition.The actual number of survivors is unknown but thought to be very low (please see additional multiple images and condition report)Wear to all corners, generally clean inside with slight light discolouration to extremities, cover a little faded and with peeling acetate overlay in places

FIRST EDITION 1941 'KIKI THE SACRED CAT AND OTHER STORIES' BY M.A.PEART HARD BACKED BOOK COMPLETE WITH ORIGINAL DUST JACKET. SLIGHT DAMAGE TO DUST COVER DUE TO AGE OF BOOK

A HOTPOINT FIRST EDITION FRIDGE, NEEDS A LIGHT CLEAN, IN WORKING ORDER

BEATRIX POTTER - 'Ginger and Pickles', first edition, 1909, published by Frederick Warne and Co., London and New York, buff boards with inset illustration, 4to, S/D.

A A MILNE - 'Now We are Six', first edition, 1927, published by Methuen and Co. Ltd., London, gilt tooled red cloth boards, 4to, also 'The House at Pooh Corner', second edition and 'Winnie the Pooh', second edition. (3)

ARTHUR RACKHAM (ILLUSTRATOR) - 'The Romance of King Arthur and his Knights of of the Round Table', first edition, 1917, published by Macmillan and Co., London, gilt tooled blue cloth boards, 4to also two volumes of Aesop's Fables illustrated by Rackham, first editions 1912. (3)

LEWIS CARROLL - 'Alice's Adventures in Wonderland', illustrated by Arthur Rackham, first edition 1907, published by William Heinemann, London, gilt tooled green cloth boards, 4to.

Outhwaite, Ida Rentoul. First Edition 'Fairyland', Published by A & C Black, Cloth

An Edwardian Oak Book Trough Containing Six Volumes of the Second World War by Winston Churchill. First Edition 1948 by Cassell & Co. with Dust Jackets

A Collection of Children's Books to Include First Edition 'Ant Antics' by Estella Cane (with Dust Jacket), Griset's Grotesques (AF), Songs from the Bad Child's Book of Beasts, Friday and Saturday by John Hassall (AF), Holiday Revels (Raphael Tuck) and the Adventures of Mr Horace Hedgehog

THREE BOXES OF EIGHT TWO BOOKS OF MILITARY WWI INTEREST, both hardback and paperback, various themes including Tank Warfare, Battlefield guildes, Battleground Europe editions, Paschaendale, biography etc, including a hardback edition of 'The Tank Corps' by Major Clough Williams-Ellis M.C. first published in 1919

TODD WHITE (AMERICAN 1969) 'HER FIRST SCREEN TEST', a limited edition print of a female figure 54/195, signed bottom right, with certificate, framed, approximate size 44cm x 74cm (condition: small chip to frame)

A Hotpoint First Edition fridge / freezer

Five Diecast East Yorkshire Model Buses 00 Scale by Corgi and First Edition

Artist: Andy Warhol (American, 1928 - 1987). Title: "Andy Warhol and His Plastic Inevitable [1st printing] [oversize postcard edition]". Medium: Color lithograph. Date: Composed 1967. Dimensions: Overall size: 8 x 5 in. (203 x 127 mm).Lot Note(s): Signed by Warhol in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): Scarce, and rare signed by Warhol. Designed by Wes Wilson. The postcard for the famous event, unlike the poster with the same image, was authorized by Bill Graham and first printed early in 1967 along with the second printing of the poster. The colors of the card match the colors of the first and second printings of the poster. The card was printed by the West Coast Lithograph Co., San Francisco (their imprint verso), who also printed the second printing of the poster. The postcard was subsequently reprinted by Wes Wilson in 1993. Since the poster had a total of three printings, and concert postcards are generally issued before the event, the 1967 printing of the postcard is often erroneously referred to as a second printing, when in fact it was the first. The first printing can be differentiated from the second by the colors ("Andy Warhol and His Plastic Inevitable" is white in the first, pink in the second; orange lettering in the first vs. red/orange in the second); no small letters under the image lower left in the first vs. the addition of "© 1966 Wes Wilson BG 8-3/PS 33" in the second, the change in the small letters lower right from "Wes Wilson 661-5362" in the first to "Wes Wilson '66" in the second, the deletion on the verso of the printer's information on the second printing, the smaller size (8 x 5 on the first, 7 x 5 on the second), and the paper color (pale cream on the first, white on the second). Image copyright © Wes Wilson. [28361-1-400]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athlete: Running [from The Human Figure in Motion: Plate 11]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29376-2-225]

Artist: Fanny Rabel (Polish/Mexican, 1922-2008). Title: "Bolero de Campeche". Medium: Original lithograph. Date: Composed 1959. Dimensions: Overall size: 17 5/16 x 11 11/16 in. (440 x 297 mm). Image size: 12 5/8 x 6 3/4 in. (321 x 171 mm).Lot Note(s): Signed in pencil with the initials, lower right. Proof aside from an unknown edition. Cream wove paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Through Feliciano Peña; Private collection, Patzcuaro, Mexico. Comment(s): Rabel's prints are scarce. Born Fanny Rabinovich, she was a Mexican painter and printmaker, also known as "La Fanny de los Fridos". Her family moved to Mexico City in 1938 to escape the Second World War. Rabel's first exhibition was held at the Liga Popular Israelita in 1941 where Frida Kahlo, her teacher at the time, wrote of her: "Fanny Rabinovich paints as she lives, with great courage, intelligence and sensibility... But what I find most interesting in her painting is the profound roots that link the tradition and strength of her people (Jews). It's not a personal style, but rather socialist. She's worried about class problems and has observed with incredible maturity the character and style of her models, giving them always particularly lively emotions. All of this without pretentiousness and full of femininity and class that make her work so complete." Rabel worked as a muralist with Diego Rivera and David Alfaro Siqueiros; other famous teachers were Santos Balmori and Francisco Zúñiga. She was a founding member of the Taller de Gráfica Popular (TGP) and is considered one of the four "Fridos," along with Arturo Estrada, Arturo Garcia Bustos, and Guillermo Monroy. Image copyright © The Estate of Fanny Rabel. [27835-3-150]

Artist: Paul Strand (American, 1890 - 1976). Title: "Calvario, Patzcuaro [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 10 1/16 x 7 13/16 in. (256 x 198 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6534-3-150]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Cave Interior, Frijoles Canyon". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 6 13/16 in. (216 x 173 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image for inclusion in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29546-1-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Fruit Basket". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12d; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28737-1-600]

Artist: Paul Strand (American, 1890 - 1976). Title: "Cristo, Oaxaca [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 9 7/8 x 7 3/4 in. (251 x 197 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6530-3-150]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Deer Hunt on the Mesa". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 7 in. (216 x 178 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image based on a pictograph found in a cave in Frijoles Canyon, New Mexico, and included it in his “Frijoles Canyon Pictographs.” He first took a rubbing from the original and then cut his woodblock based on it. A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29545-1-300]

Artist: Eadweard Muybridge [d'apres] (English/American, 1830-1904). Title: "Girl Watering [from Animal Locomotion: Plate 478]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 8 x 9 7/16 in. (203 x 240 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25348-3-150]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #08 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/16 x 4 in. (154 x 102 mm).Lot Note(s): Signed by Warhol in black marker, center left. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(f); cf. Feldman/Schellmann II.143. Comment(s): This from the first edition of the Mick Jagger announcement set, scarcer than the second edition and unlike the second not signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28547-1-400]

Artist: Fanny Rabel (Polish/Mexican, 1922-2008). Title: "Muchacho Maya". Medium: Original lithograph. Date: Composed 1958. Dimensions: Overall size: 17 3/8 x 11 1/2 in. (441 x 292 mm). Image size: 11 1/8 x 9 3/16 in. (283 x 233 mm).Lot Note(s): Signed in pencil with the initials, lower right. Proof aside from an unknown edition. Cream wove paper. Wide margins. Fine impression. Very good condition. Provenance: Through Feliciano Peña; Private collection, Patzcuaro, Mexico. Comment(s): Rabel's prints are scarce. Born Fanny Rabinovich, she was a Mexican painter and printmaker, also known as "La Fanny de los Fridos". Her family moved to Mexico City in 1938 to escape the Second World War. Rabel's first exhibition was held at the Liga Popular Israelita in 1941 where Frida Kahlo, her teacher at the time, wrote of her: "Fanny Rabinovich paints as she lives, with great courage, intelligence and sensibility... But what I find most interesting in her painting is the profound roots that link the tradition and strength of her people (Jews). It's not a personal style, but rather socialist. She's worried about class problems and has observed with incredible maturity the character and style of her models, giving them always particularly lively emotions. All of this without pretentiousness and full of femininity and class that make her work so complete." Rabel worked as a muralist with Diego Rivera and David Alfaro Siqueiros; other famous teachers were Santos Balmori and Francisco Zúñiga. She was a founding member of the Taller de Gráfica Popular (TGP) and is considered one of the four "Fridos," along with Arturo Estrada, Arturo Garcia Bustos, and Guillermo Monroy. Image copyright © The Estate of Fanny Rabel. [27832-3-150]

Artist: Fanny Rabel (Polish/Mexican, 1922-2008). Title: "Penitente de Guanajuato". Medium: Original lithograph. Date: Composed 1954. Dimensions: Overall size: 11 7/16 x 8 7/8 in. (291 x 225 mm). Image size: 6 11/16 x 4 in. (170 x 102 mm).Lot Note(s): Signed in pencil with the initials, lower right. Proof aside from an unknown edition. Cream wove paper. Very wide (full?) margins. Fine impression. Very good condition. Provenance: Through Feliciano Peña; Private collection, Patzcuaro, Mexico. Comment(s): Rabel's prints are scarce. Born Fanny Rabinovich, she was a Mexican painter and printmaker, also known as "La Fanny de los Fridos". Her family moved to Mexico City in 1938 to escape the Second World War. Rabel's first exhibition was held at the Liga Popular Israelita in 1941 where Frida Kahlo, her teacher at the time, wrote of her: "Fanny Rabinovich paints as she lives, with great courage, intelligence and sensibility... But what I find most interesting in her painting is the profound roots that link the tradition and strength of her people (Jews). It's not a personal style, but rather socialist. She's worried about class problems and has observed with incredible maturity the character and style of her models, giving them always particularly lively emotions. All of this without pretentiousness and full of femininity and class that make her work so complete." Rabel worked as a muralist with Diego Rivera and David Alfaro Siqueiros; other famous teachers were Santos Balmori and Francisco Zúñiga. She was a founding member of the Taller de Gráfica Popular (TGP) and is considered one of the four "Fridos," along with Arturo Estrada, Arturo Garcia Bustos, and Guillermo Monroy. Image copyright © The Estate of Fanny Rabel. [27830-2-100]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Pictograph #2". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 4 3/8 x 6 11/16 in. (111 x 170 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image based on a pictograph found in a cave in Frijoles Canyon, New Mexico, and included it in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29548-1-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Beatles #2". Medium: Original color offset lithograph. Date: Composed 1980. Dimensions: Overall size: 12 1/4 x 36 in. (311 x 914 mm). Image size: 12 1/4 x 36 in. (311 x 914 mm).Lot Note(s): Signed in black marker, upper left; signed in the plate. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; folds as issued. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIB.5. Comment(s): The auction record for an unsigned impression of this print is $5,437 at Artcurial-Briest, Poulain, F. Tajan (Paris), 6/25/2013, lot #206. Issued as the dustjacket, with title/text/banner, for the first edition of the book 'The Beatles' by Geoffrey Stokes (Rolling Stone Press/Times Books) in 1980. Warhol created the image based on photographs by Dezo Hofmann, London. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28517-6-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #05 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(b); cf. Feldman/Schellmann II.140. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28654-1-400]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Mountain Sheep & Koshare". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 5 1/16 x 7 in. (129 x 178 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image based on a pictograph found in a cave in Frijoles Canyon, New Mexico, and included it in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29544-1-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Beatles #1". Medium: Original color offset lithograph. Date: Composed 1980. Dimensions: Overall size: 12 1/4 x 36 in. (311 x 914 mm). Image size: 12 1/4 x 36 in. (311 x 914 mm).Lot Note(s): Signed in black marker, center left; signed in the plate. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; folds as issued. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIB.5. Comment(s): We have not found a signed impression of this print at auction. The auction record for an unsigned impression is $5,437 at Artcurial-Briest, Poulain, F. Tajan (Paris), 6/25/2013, lot #206. Issued as an additional dustjacket, without title/text/banner, for initial copies of the first edition of the book 'The Beatles' by Geoffrey Stokes (Rolling Stone Press/Times Books) in 1980. Warhol created the image based on photographs by Dezo Hofmann, London. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28516-6-1200]

Artist: Stuart Davis (American, 1894 - 1964). Title: "Thermos [the title variously has been recorded as "Composition" and "Untitled"]". Medium: Color silkscreen. Date: Composed 1964. Dimensions: Overall size: 17 13/16 x 21 5/8 in. (452 x 549 mm). Image size: 11 1/16 x 14 1/4 in. (281 x 362 mm).Lot Note(s): Signed in pencil by the artist's wife, Roselle Springer Davis, lower right; annotated lower left; signed in the plate, lower center. An unrecorded proof aside from the edition of 500. Cream heavy wove Mohawk Superfine paper. Wide margins. Fine impression with bold, bright colors. Good condition; minor foxing verso, not visible recto; some gentle surface marks visible in the raking light, recto. Literature/catalogue raisonne: Cole 27. Provenance: Estate of Seymour Hacker, Hacker Art Books, NYC. Comment(s): From the 'Ten Works x Ten Painters' portfolio, published by Wadsworth Atheneum and printed by Ives-Sillman. In a communication on April 23, 2013, from Ann Brandwein, Assistant Archivist, Wadsworth Atheneum Museum of Art, she notes: "Sam Wagstaff [of the Wadsworth Atheneum] called Stuart Davis directly in July 1963, because Edith Halpert, Davis's dealer, was away for the summer. Wagstaff informed Halpert on July 22 that 'he [Davis] seems amenable to being in the portfolio. He has not been feeling too well so had not been able to do anything on the design, but, as we will postpone publication a bit now anyway, this does not really matter.' Wagstaff had approached Ives-Sillman Printers in New Haven, CT, in February 1963 about producing the portfolio, but it was not until May 1964 that this arrangement was finalized. In this communication, Wagstaff notes that Davis may be late with his work. Davis died unexpectedly from a stroke on June 24, 1964. On Friday, July 10, Wagstaff brought two Davis works to Ives-Sillman. These had arrived at the Atheneum from Halpert's Downtown Gallery on July 3. The two works were #36 Standard Brand #2, 1962, casein and #138 Thermos, 1962. Si Sillman wrote Wagstaff on July 15, 'The two Davis' are now with me. Both are excellent and either would add a superb touch to your book. I'm almost sorry I said anything to you on the phone the other day because you're going to think that that is the only reason I prefer to keep the one which I believe we both prefer (orange, green, red, black and white) the size that it is. First, I like very much the white around it (border) - for me, it needs the large amount of white. Second, I wonder about enlarging the writing when you enlarge the whole thing - I suspect he would have made an adjustment. Well, you decide, But, I must say, you were very lucky to get such good ones.' It should be noted that Sirocco Screenprints of North Haven, CT, was also involved in the production of the prints, in a role that seems subsidiary to Ives-Sillman. But Sirocco was not a subcontractor of the latter, because they billed the Atheneum directly. Roselle Davis approved the inclusion of Thermos, 1962, in the portfolio on November 6, 1964, even though the work had been at the printers since July. The Atheneum's press release and the local paper announced that the publication date for the portfolio would be December 15, 1964. A complete set was on display at the museum at the time of the press release. There is a note/announcement from Wagstaff on January 12, 1965, explaining that the entire portfolio had been delayed because of technical difficulties with one of the silk screen designs, but he hoped it would be ready within a few weeks. By mid March 1965 The Downtown Gallery had received two portfolios and ten Stuart Davis proofs. Toward the end of the year, the Wadsworth Atheneum decided to break up ten of the portfolios and sell the works individually [for $15 each]." Image copyright © Licensed by VAGA, New York, NY. [26851-4-2400]

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Canape #2, Villa d'Este, Lake Como, Italy". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in black marker, lower left; signed and dated in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): A close-up of this image, one of Newton’s most popular, is the dust jacket photo for Newton’s legendary first book “White Women.” The print is very scarce and quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Helmut Newton Foundation. [24691-3-1200]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Dancing Girls". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 7 1/16 in. (216 x 179 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image based on a pictograph found in a cave in Frijoles Canyon, New Mexico, and included it in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29543-1-300]

Moonchild by Aleister Crowley.First edition. Mandrake Press, London 1929. A lovely first edition copy of the British occultist, Aleister Crowley. he end papers are lightly browned. The contents of the book are in very clear and only has slight browning 335 printed pages

2001 Fiat Seicento Schumacher EditionMake: FiatModel: Seicento Schumacher EditionYear: 2001Mileage: 42,102VIN: ZFA18700000705142Registration: PJ51RWLConfiguration: Right hand driveTransmission: Manual1,108cc. This Seicento was purchased from the main dealer after it had been registered to them for seven weeks and retained by the second owner from January 2002 until acquired by the vendor in February 2019. Between 2008 and 2015 the car was placed in storage and remained unused. It has a factory fitted sunroof and control alarm/central locking. During the vendor's ownership, it has benefited from a cambelt change, tensioner, water-pump, core plug, clutch cable and quadrant, discs, hubs and bearings and the wheels refinished and powder coated. The mileage of 42,102 is warranted, supported by eleven service stamps. It also comes with receipts for the works in 2019 and various sundry invoices, first V5, MoT history and owner's manual.

CIBBER, Colley, An Apology for the Life of Mr. Colley Cibber, Comedian….. John Watts, London, 1740, 2nd edition. Full leather with gilt borders to boards and gilt label to spine. Generally considered to be one of the first autobiographies ever written. [1]Condition report: General edgewear.Loss to leather at head and tail of spine.Leather splitting at rear hinge.Spine label faded.

BATTY (CAPTAIN ROBERT), CAMPAIGN OF THE WESTERN PYRENEES, 1983 facsimile limited edition numbered 165 of 250, grey cloth boards with red spine, Ken Trotman, London 1983, originally published 1823 by John Murray, with a miscellany of books relating to the Crimean and Peninsular Wars and the Battle Of Waterloo, to include DALTON (C), THE WATERLOO ROLL CALL, Eyre And Spottiswwoode, London 1904, GLEIG (G.R.), PERSONAL REMINISCENCES OF THE FIRST DUKE OF WELLINGTON, William Blackwood And Sons, Edinburgh 1904, ABBOTT (J.S.C.), THE LIFE OF NAPOLEON BONAPARTE, Ward, Lock & Co Limited, London 1909, RUSSELL (W.H.), THE BRITISH EXPEDITION TO THE CRIMEA, G. Routledge & Co, London 1858, ADKIN (M), COOK ( F & A), CASUALTY ROLL FOR THE CRIMEA, J.B.Hayward and Son, London 1976, and THE WATERLOO COMPANION, Aurum Press Ltd, London 2001, with six volumes of The Army List for 1799, 1802, 1815, 1840, 1854 and 1860, and further military history books and military themes auction catalogues (Qty)

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Star of Wonder". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 5 1/16 x 6 7/16 in. (129 x 164 mm).Lot Note(s): Signed in black marker, right margin. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12b; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, 2004, pg.71. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28736-1-600]

Artist: Paul Strand (American, 1890 - 1976). Title: "Church, Coapiaxtla [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29312-3-225]

Artist: Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). Title: "Foret au printemps". Medium: Original vintage photogravure. Date: Composed c1936. Printed 1936. Dimensions: Image size: 11 1/2 x 9 1/16 in. (292 x 230 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition;affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [25082-2-800]

Artist: Wenceslaus Hollar (Bohemian-English, 1607 - 1677). Title: "Javelin Throwing". Medium: Etching with drypoint. Date: Composed c1654. First edition, printed 1654. Dimensions: Image size: 12 3/16 x 7 5/8 in. (310 x 194 mm).Lot Note(s): Signed in the plate "W. Hollar fecit". Edition unknown, presumed very small. Tipped at corners to cream laid (18th century?) support sheet. Trimmed to the platemark. Very good impression. Letter-press verso, as called for by Pennington. Literature/catalogue raisonne: PE297A (Paste-on Slip for P297). Provenance: Ex-collection Seymour Hacker, Hacker Art Books, NYC. Comment(s): Re: the paste-on slip, Pennington states "A slip of paper was etched by Hollar for pasting over the lower margin of P297 in the earliest states." Pennington locates an impression in the Bodleian Library, Oxford. The paste-down is on the second state of P297. No auction records located in the past 25 years. From "Scenes from Virgil.". [24616-3-100]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athletes: Fencing [from The Human Figure in Motion: Plate 31]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29379-2-225]

Artist: Paul Strand (American, 1890 - 1976). Title: "Men of Santa Anna, Michoacan [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29318-3-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #01 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(i); cf. Feldman/Schellmann II.138. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger nor numbered in the plate. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29433-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #06 (second edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(d); cf. Feldman/Schellmann II.142. Comment(s): This from the second edition of the Mick Jagger announcement set, unlike the first signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28073-1-400]

Artist: Paul Strand (American, 1890 - 1976). Title: "Near Saltillo [Mexico]". Medium: Original photogravure. Date: Composed 1932. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 4 7/8 x 6 1/4 in. (124 x 159 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29319-3-225]

Artist: Man Ray (American, 1890 - 1976). Title: "Barbette, the Transvestite, Dressing". Medium: Original vintage photogravure. Date: Composed 1926. Printed 1934. Dimensions: Image size: 10 5/16 x 7 5/8 in. (262 x 194 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A male dancer in drag, adjusting "her" stockings. "A popular vaudeville performer of the 1920s and 1930s took the stage name of Barbette. He first began dressing as a woman when hired to replace a female tightrope walker. Barbette soon devised his own act, walking the high wire and performing trapeze stunts in elegant gowns, then removing his wig at the end of the show to reveal his true gender." (Courtesy: Getty Museum). See: www.manraytrust.com, pg.23. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [6625-2-400]

Artist: Gustave Baumann (German/American, 1881 - 1971). Title: "Time Worn Dwellings". Medium: Original color woodcut. Date: Composed 1939. Printed 1939. Dimensions: Overall size: 8 1/2 x 6 3/4 in. (216 x 171 mm).Lot Note(s): Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Comment(s): Baumann created this image for inclusion in his “Frijoles Canyon Pictographs.” A foremost printmaker as well as painter, he was one of the leading figures of the color woodcut revival in America in the first half of the 20th Century. Image copyright © The Estate of Gustave Baumann. [29539-1-400]

Artist: Paul Strand (American, 1890 - 1976). Title: "Woman, Patzcuaro [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 3/8 x 4 15/16 in. (162 x 125 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6528-3-300]