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Lot 23

Bates (H. E.). Down the River, first edition, signed presentation inscription from the illustrator on front free endpaper, wood-engraved illustrations by Agnes Miller Parker, some leaves with surface marks, binder's stamp and bookplate to front pastedown, bumping to spine and corners, a few surface marks to covers, second issue dust-jacket with quotation by Eric Gill, spine toned with bumping to ends with minor nicks and chips, some surface marks, foxing to covers, heaviest to lower panel, one or two small tears to lower panel and joint of lower panel flap, 1937 § Lawrence (T. E) The Mint, limited edition, title in red & black, bookplate to front pastedown, foxing to uncut edges, slip-case, toning to spine, bumping, some foxing and surface marks, 1955 § Giles (Lionel) The Analects of Confucius, letter from The Limited Editions Club loosely inserted, glassine dust-jacket, cloth drop-back box, New York, for The Limited Editions Club, 1970, original morocco or cloth, 4to; and 7 others, similar (10)

Lot 219

Smith (Zadie) Changing Minds, first edition, signed by the author on title, 2009 § Hornby (Nick) High Fidelity, first edition, signed by the author on title, 1995 § Lynch (Paul) Prophet Song, reprint, signed bookplate by the author, dust-jacket, 2023 § Evaristo (Bernadine) Girl, Woman, Other, proof copy, original wrappers, 2019; and 14 others, Book prize winners or nominees, 8vo (18)

Lot 129

Joyce (James) Ulysses, first English trade edition, endpapers foxed with strips of toning, otherwise internally clean, original pictorial cloth, gilt, fine, dust-jacket, spine slightly browned, thin strip of toning on upper panel head, a few nicks to extremities but overall an extremely sharp and excellent copy, 4to, 1937.

Lot 19

Banks (Iain M.) The Player of Games, first edition, signed by the author on title, original boards, dust-jacket, fine, 8vo, 1988.

Lot 61

Christie (Agatha) Three Act Tragedy, first edition, 4pp. advertisements, light spotting to fore-edge, original cloth, spine faded, extremities very lightly bumped, 8vo, 1935. *** First published in America titled Murder in Three Acts the year before, the story features Poirot and his friend Mr Satterthwaite collaborating together to solve the mystery. Satterthwaite previously appeared in the stories featuring Harley Quin. Scarce.

Lot 12

Asimov (Isaac) I, Robot, first English edition, original boards, light spotting on fore-edge, dust-jacket, few tears to corners and joints with some creeping onto panels, extremities chipped and nicked, creasing to edges, small portion of loss to spine head, 8vo, 1952. *** Asimov's most famous book, a short story collection in which he first coined the term "robotics" and proposed his Three Laws of Robotics.

Lot 186

Potter (Beatrix) The Tale of Samuel Whiskers Or, The Roly-Poly Pudding, first edition, second issue with undated title and without small advertisement to front free endpaper verso, colour frontispiece, plain title vignette and illustrations, 17 colour plates, pictorial endpapers, original light red boards with mounted colour illustration, spine toned, spine ends and corners a little bumped, one small scuff to lower cover, unprinted glassine wrapper, a near-fine copy, [Linder p.427; cf. Quinby 15], 16mo, [1926]; The Tale of Mrs Tiggy-Winkle, colour frontispiece, plain title vignette and 26 colour plates, pictorial endpapers, ink inscription dated "May 15th 1919", blue boards with mounted colour illustration, spine slightly toned, a little bumping, a few surface marks to upper cover, 1905; The Tale of Two Bad Mice, colour frontispiece, plain title vignette and 26 colour plates, pictorial endpapers, occasional light surface marks, grey boards with mounted colour illustration, spine toned, bumping to spine ends with a little loss and minor splitting, 1907; and one other by Potter (4)

Lot 75

Conrad (Joseph) The Mirror of the Sea, first edition, first printing with 40pp. adverts dated August 1906 at end, bookplate, spotting, uncut, 1906 § Maugham (W.S.) Ashenden, first edition, ownership name on pastedown, rubbing to cloth joints and corners, 1928 § Hope (Anthony) The Prisoner of Zenda, first edition, third issue with 6 titles listed on title verso and 2pp. advertisements, cloth state with 'f' on spine uncrossed, spine faded, extremities a little rubbed and chipped, [1894]; and 14 others, early 20th century literature, 8vo (17)

Lot 166

Miller (Arthur) After the Fall, first edition, one of 500 copies signed by the author, light offsetting to endpapers, ink ownership inscription to front pastedown, original cloth, lettered in gilt, fore-edge and bottom edge uncut, 8vo, New York, 1964.

Lot 213

Sebald (W.G.) Austerlitz, first edition, dust-jacket, a fine copy, Munich, 2001; and 2 other editions of the same work, including the first English edition and the limited proof English edition, original boards, 8vo (3) *** A trio of editions of Sebald's last work before his untimely death in 2001. 

Lot 161

McCartney (Paul), Geoff Dunbar & Philip Ardagh. High in the Clouds, first edition, signed by McCartney on half-title, illustrations, original boards, extremities bumped, dust-jacket, few surface marks otherwise fine, 4to, 2005.*** With certificate of authenticity. 

Lot 225

Steinbeck (John) Sweet Thursday, first edition, original cloth, dust-jacket, light creasing to spine ends and corners, short 1" tear from lower edge on upper panel, still overall an excellent copy, 8vo, New York, 1954.

Lot 62

Christie (Agatha) Death on the Nile, first edition, one or two spots to fore-edge slightly creeping onto margins but largely clean internally,  original cloth, strips of fading to covers, spine faded, light fraying to spine ends, 8vo, 1937.

Lot 185

Potter (Beatrix) The Tale of Johnny Town-Mouse, first edition, first printing, colour frontispiece, plain title vignette and 26 colour plates, very occasional light surface marks, ink inscription dated "28-02-1919" to half-title, pictorial endpapers, original green boards with mounted colour illustration, slight browning to spine, slight bumping to spine ends and corners, otherwise a near-fine copy, [Quinby 25; Linder p.430], 16mo [1918] *** This excellent copy includes the correct spelling of 'London' in the in the title-page imprint; however, the ink inscription date precedes the second printing. 

Lot 65

Christie (Agatha) A Murder is Announced, first edition, contemporary gift inscription on front free endpaper, faint spotting to endpapers, original cloth, edges a little bumped, dust-jacket, price-clipped, nicks and chips to edges, tear on spine, light rubbing along joints, slight shelf-lean, 8vo, 1950.

Lot 45

Buchan (John) The Moon Endureth, signed presentation inscription from the author "Hugh Sheringham from John Buchan | Feb 1920" on slightly toned front free endpaper, light spotting to first few pages, original boards, evenly discoloured and faded, extremities rubbed, spine browned, extremities frayed, 1912; The Causal and the Casual in History, first edition, original boards, rubbed at extremities, 1929; Sick Heart River, first edition, ownership inscription on front free endpaper, first few pages spotted, dust-jacket, extremities rubbed, faded, 1941; and 14 others by or relating to Buchan, including a rare Buchan booklet, The Novel and the Fairy Tale, v.s. (17) 

Lot 47

Buchan (John) The King's Grace, one of 500 copies signed by the author, gift inscription on front free endpapers, browned, original buckram, gilt, faded and discoloured, 1935; Montrose, first edition, endpapers toned, light foxing to first few pages, original cloth, extremities rubbed, dust-jacket, some browning, heavier to spine, extremities rubbed and frayed, 1928; and 16 others, by or relating to Buchan, including a work compiled by the author's wife with a typed letter signed from her on their home letterhead and a postcard from her, v.s. (18)

Lot 220

Solzhenitsyn (Alexander) One Day in the Life of Ivan Denisovich, first English edition, original boards, dust-jacket, spine a little toned, one or two nicks, light strip of toning on spine, otherwise a very excellent example, 8vo, 1962.

Lot 180

Potter (Beatrix) The Tale of the Flopsy Bunnies, first edition, first or second printing, with notice board lettering on p.14, colour frontispiece, plain title vignette and 26 colour plates, pictorial endpapers, one or two surface marks to a few leaves original green boards with mounted colour illustration, spine and edges of covers a little toned, slight bumping to spine ends, otherwise a near-fine copy, [Linder p.428; Quinby 16], 16mo, 1909.

Lot 226

Steinbeck (John) The Winter of Our Discontent, first English edition, signed presentation inscription from the author "To Henry" on title, lacking front free endpaper, some scattered spotting, original boards, sunning to foot of spine, some bumping to spine tips, dust-jacket, rubbing to extremities, else near-fine, 8vo, 1961.

Lot 42

Briggs (Raymond) Father Christmas, first edition, signed by the author "with best wishes from Raymond Briggs" on half-title, light spotting to first few pages, a few handling creases, original boards, dust-jacket, evenly toned, small stain to top corner, light surface marks, spine head a little frayed, 1973; and 3 others by Briggs, 4to & 8vo (4) *** A lovely and timely group of Raymond Briggs titles. 

Lot 144

le Carré (John) The Tailor of Panama, first edition, signed by the author on title, original boards, dust-jacket, light nicks to edges, 1996; Single & Single, first edition, signed by the author on title, original boards, dust-jacket, light creases to extremities, 1999; A Most Wanted Man, one of 500 copies signed by the author, original boards, slip-case (a little marked), 2008; and the promotional edition of Single and Single, 8vo (4)  

Lot 123

Hemingway (Ernest) A Moveable Feast, first edition, original cloth-backed boards, dust-jacket, fractional creasing and nicks to spine ends, otherwise a fine example, 8vo, New York, 1964. *** Hemingway's superb memoir of his life in Paris in the 1920s, here in superb condition. 

Lot 148

Lee (Laurie) Cider with Rosie, first edition, original boards, fine, dust-jacket, a few fractional nicks to spine ends, very faint small number marking to upper panel, otherwise excellent, 8vo, 1959.

Lot 78

Crowley (Aleister) Ambergris, first edition, portrait frontispiece, few ownership markings and light spotting to pastedown and endpapers, original boards, re-backed, one or two bumps to corners, 8vo, Elkin Mathews, 1910. *** Scarce collection of poetry. 

Lot 252

Williams (Tennessee) Suddenly Last Summer, first edition, signed by the author on front free endpaper, original boards, dust-jacket, light toning on spine, ends fractionally rubbed but a very excellent example overall, 8vo, New York, 1958.

Lot 251

Wicks (Mark) To Mars Via the Moon, first edition, signed by the author on front free endpaper, spotting to first few pages and occasionally throughout, upper hinge broken, 1911 § Harris (Rev. W.S.) Life in a Thousand Worlds, upper hinge broken, spine faded, 1905 § Raymond (Rossiter) The Man in the Moon and Other People, front free endpaper partially torn away, stamp on endpaper, hinge cracked and rubbed, New York, 1874, original pictorial cloth, extremities rubbed; and c.95 others, science-fiction, v.s. (c.100)

Lot 193

Pullman (Philip) Count Karlstein, first edition, signed by the author on title, small surface abrasion to front free endpaper, original boards, slight bumping to spine tips and corners, dust-jacket, light creasing to head and foot, near-fine otherwise, 8vo, 1982.*** Pullman's third novel and his first for children. Rare signed and in such superb condition.

Lot 20

Banks (Iain M.) The State of the Art, one of 400 copies signed by the author and artist, illustrations by Arnie Ferner, slip-case, 1989; Excession, first edition, signed by the author, 1996; Inversions, first edition, signed by the author, 1998, original boards, dust-jackets, fine copies; and 5 others by the same, many signed, 8vo (8)

Lot 206

Rubens (Bernice) The Elected Member, first edition, original boards, dust-jacket, spine very lightly faded, spine ends and top edge very lightly rubbed, otherwise excellent and sharp, 8vo, 1969.

Lot 100

Fleming (Ian) Goldfinger, first edition, original boards with skull design in gilt and blind, spine lettered in gilt, dust-jacket, extremities very lightly chipped and nicked, light toning and few toning marks to lower panel, spine a little faded, overall still sharp and excellent, 8vo, 1959.

Lot 29

Blackwood (Algernon) The Dance of Death, first edition, light toning strip on endpapers, original blind-stamped cloth, dust-jacket, spine faded, light chipping to extremities but excellent overall, 1927 § The Listener, new edition, book-label, endpapers toned, original boards, dented, dust-jacket, chips to extremities, toning to spine and on panels, spine ends frayed and creased, 1930 § Thompson (Stanbury) Tales of the Supernatural, light spots to jacket, light nicks to spine head, otherwise an excellent and sharp copy, 1963; and 6 others, weird fiction, 8vo (9)

Lot 87

Dick (Philip K. ) The World Jones Made, first hardback edition, library stamp on printing page, few spots and light patches of staining on margins, light surface abrasion and paper remnants on endpapers, original boards, extremities bumped, dust-jacket, extremities chipped, a few light surface marks, shelf-lean, 8vo, 1968. *** First published by Ace Books in 1956 as a paperback dos-á-dos with Agent of the Unknown by Margaret St. Clair, it was only Dick's second published novel at the time.

Lot 154

Mandel (Emily St. John) Station Eleven, first English edition, signed by the author with quote "This silent landscape" on title, original boards, dust-jacket, fine, 2014 § Taylor (G.P.) Shadowmancer, first edition, one of 2,500 privately printed for the author, unread, typographical error 'right s' on title, original wrappers, a fine copy, for the author, Finland, 2002; and two others, signed copies of Howay's Wool omnibus, 8vo (4)

Lot 76

Conrad (Joseph) The Arrow of Gold, first English edition, first state with title intact on p.67, toning on endpapers, cloth bright and fine, dust-jacket, portion of loss to spine head affecting title, tears to edges, chips and fraying along edges, 1919; Within the Tides, first edition, spots on fore-edge with a few straying onto margins, endpapers toned, 1915; Suspense, first English edition, bumps to spine ends, dust-jacket, surface scuffs on upper panel, chips to edges, some tears along joints, 1925; and 3 others by Conrad, 8vo (6)

Lot 125

Hirst (Damien) The Souls I-IV, first edition, signed by the artist with doodle of butterfly on title, illustrations, original pictorial cloth, fine, 8vo, 2010.

Lot 169

Murakami (Haruki) Colorless Tsukuru Tasaki and His Years of Pilgrimage, first American edition, signed by the author on leaf tipped in at front, original pictorial boards, dust-jacket with decorative cutouts, some slight wear to foot of cutouts, rubbing to lower edge, near-fine, 8vo, New York, 2014.

Lot 35

Boyd (William) Stars and Bars, first edition, signed by the author on title,, toning to margins, 1984; Any Human Heart, second printing, signed by the author on title, 2002; Fascination, first edition, 2004, original boards, dust-jackets, light creasing to edges, otherwise fine; and 3 others, 2 by Boyd and a first issue copy of Ishiguro's An Artist of the Floating World with the Tanner and Butler imprint, 8vo (6) 

Lot 178

Potter (Beatrix) The Tale of Squirrel Nutkin, first edition, first or second printing, colour frontispiece, plain title vignette and 26 colour plates, pictorial endpapers, some surface soiling, bookplate pasted to front free endpaper verso, ink inscription dated "Christmas 1903" to half-title, original blue boards with mounted colour illustration, spine lightly toned, slight bumping to spine ends, a near fine-copy, [Linder p.423; Quinby 5], 16mo, 1903.

Lot 108

Fleming (Ian).- Inspiration for James Bond.- Pearson (John) The Life of Ian Fleming, first edition, lengthy signed presentation inscription from William Stephenson "For our friend Kenneth Till..." on title, original boards, dust-jacket, spine ends torn and frayed, extremities rubbed, 1966 § Montgomery (H.) The Quiet Canadian: The Secret Service Story of Sir William Stephenson, first edition, signed presentation inscription from Stephenson to Till, lightly toned endpaper, newspaper clippings inserted, jacket spine faded, 1962; and c.8 others relating to William Stephenson, including letters to Stephenson from the Bond biographer Pearson, v.s. (5) *** An interesting group of material relating to William Stephenson, Canadian fighter pilot and spymaster, 1897-1989. He is best known by his wartime intelligence code name, Intrepid. Many people consider him to be one of the real-life inspirations for James Bond. Fleming himself once wrote, "James Bond is a highly romanticised version of a true spy. The real thing is... William Stephenson." Fleming's biographer writes in a letter to Stephenson "Many of the most interesting letters in Ian's correspondence are addressed to you, and I know the important role you played in his career from his days in Naval Intelligence onwards. At the moment, however, there are naturally many points of mystery and near-mystery in the story, and several vital points on which I believe you are the only person who can give me the true account of what actually happened..."

Lot 34

Bond (Michael) More About Paddington, first edition, illustrations by Peggy Fortnum, prize bookplate on front free endpaper, majority of library bookplate removed from lower endpapers but leaving paper residue, light strip of toning, original cloth, dust-jacket, light chipping to extremities and along edges, 1" tears down lower spine joints from bottom edge, one to upper panel lower edge, 5" tear up lower flap joint, 8vo, 1959.

Lot 50

ÄŒapek (Karel) R.U.R. [Rossum's Universal Robots], first Russian edition, original wrappers, uncut, edges frayed and nicked, some chipping to extremities, spine toned, 4to, Prague, 1924.

Lot 204

Rowling (J.K.) The Tales of Beedle the Bard, first edition, collector's issue, original rexine with metal embossing, in cloth bag and drop-back box, folder of prints, card slip-case, 4to, 2008.

Lot 200

Robinson (William Heath).- Carse (Roland) All the Monarchs of Merry England (William I to Edward VII), 40 colour plates and black and white illustrations by W. Heath Robinson, ink gift inscription to front endpaper, light foxing at beginning and end, pictorial endpapers lightly browned, original decorative crimson morocco, gilt, wear to spine ends and corners, very lightly rubbed elsewhere, lower joint starting, [c.1907] § Shakespeare (William) A Midsummer-Night's Dream, first trade edition, 12 tipped-in colour plates and black and white illustrations by W. Heath Robinson, ink gift inscription to pastedown, front endpaper with later school prize bookplate and inscription, occasional cracking at gutter, one plate with creasing to lower margin, the odd patch of soiling, endpapers toned, original pictorial cloth, gilt, a few marks, spine slightly faded and with small residue-mark to foot, spine ends and corners rubbed and a little bumped, some light rubbing to covers, 1914; and 3 others illustrated by the same, 8vo & 4to (5)*** The first a scarce, single-volume alternative to Carse's four volume "Monarchs of Merry England", each published with 10 plates by Heath-Robinson. Not recorded in WorldCat.

Lot 142

Lawrence (T.E.) Revolt in the Desert, first American edition, some spotting, heavier to endpapers, ownership inscription on endpapers, original cloth, dust-jacket, splitting at spine ends on joints, frayed and chipped at extremities, split down lower split but holding together, 8vo, 1927.

Lot 203

Rowling (J.K.) Harry Potter and the Half-Blood Prince, first edition, official signed Bloomsbury bookplate by the author on front free endpaper, original boards, dust-jacket, fine, 2005; and a quantity of other Potter-related material, including c.20 other books and catalogues, as well as printed ephemera relating to the books and films and to Rowling herself, v.s., v.d. (sml qty) *** As there was no official signing for this title, official signed bookplates were sent to a select number of bookshops.Ephemera includes a Tiffany and Co. silver Harry Potter bookmark, postcards, badges, a prop box for a wand from Olivander's shop, and other related objects and ephemeral items. 

Lot 81

Dahl (Roald) Matilda, first edition, signed ticket by the author and illustrator loosely inserted, original boards, dust-jacket, creased at spine ends, 8vo, 1988.

Lot 70

Cocteau (Jean) Opium: the Diary of an Addict, first English edition, translated by Ernest Boyd, illustrations by the author, some spotting to fore-edge and throughout, heavier to peripheral pages, original cloth, edges faded, dust-jacket, lower panel spotted, spine browned, small hole to lower spine joint, edges nicked and slightly frayed, spine ends and corners chipped, 8vo, 1933. *** Rare in the jacket. 

Lot 128

Isherwood (Christopher) Goodbye to Berlin, first edition, endpapers foxed and spotted with small Hatchards sticker on pastedown, original cloth, edges toned, dust-jacket, few nicks to edges, spine ends chipped and frayed, one or two short tears, corners a little chipped, but overall a sharp and unrestored copy, [Woolmer 451], 8vo, Hogarth Press, 1939.

Lot 170

Naipaul (V. S.) The Mystic Masseur, first edition, Canadian novelist John Metcalf's copy with his ink ownership inscription to endpaper, original boards, slight bumping to spine tips and corners, dust-jacket, price-clipped, spine ends and corners a little chipped, light toning to spine, a little rubbed, 8vo, 1957.

Lot 69

Clavell (James) Noble House, first edition, signed by the author on half-title, original boards, dust-jacket, light nicks to extremities, otherwise excellent, 8vo, 1981.

Lot 177

Potter (Beatrix) The Tailor of Gloucester, first trade edition, first printing with date on title and single-page endpaper recurring 4 times, colour frontispiece, plain title vignette and 26 colour plates, a few finger and surface markings, one or two small tears to lower margins of a couple leaves, some cracking to gutter with contents a little shaken, ink inscription to front free endpaper verso dated "Dec 23 1903" original red boards with mounted colour illustration, toning to spine, slight bumping to spine ends and corners, [Linder p.423; Quinby 4], 16mo, 1903.

Lot 221

Spark (Muriel) The Prime of Miss Jean Brodie, first edition, original cloth, slight rubbing and bumping to spine tips and corners, dust-jacket, slight chipping to spine tips and corners, short nick to head of upper fore-edge, light creasing to head of upper panel, light surface soiling to lower panel, light rubbing to extremities, a very good, sharp copy, 8vo, 1961.

Lot 171

Naipaul (V. S.) A House for Mr. Biswas, first edition, publisher's review slip loosely inserted, some very light spotting to endpapers, original cloth, slight bumping to spine tips and corners, dust-jacket, spine ends and corners chipped, a few short nicks and tears with creasing to head and foot, extremities rubbed, ligth surface soiling to lower panel, 8vo, 1961.*** Naipaul's post-colonial novel which received world-wide acclaim and remains his most loved work. Scarce in such bright and unrestored condition. 

Lot 63

Christie (Agatha) Dumb Witness, first edition, endpapers toned, original cloth, light fading on covers and to spine, ends a little frayed, 1937; and 3 others by Christie, 8vo (4)

Lot 64

Christie (Agatha) [And Then There Were None], first edition, one or two spots to endpapers, fore-edge a little spotted with a few straying onto margins, original cloth, slightly bowed, spine faded, extremities lightly bumped, spine ends a little frayed, 8vo, 1939. *** Christie's most widely read work, and the world's top best-selling mystery. She cited it as being the most difficult novel to write. First released under this other title, the work was issued under the title And Then There Were None in 1940 for the first American and subsequent editions.

Lot 101

Fleming (Ian) Thunderball, first edition, few marginal spots, original boards with skeletal hand in blind to upper cover, spine lettered in gilt, fore-edge a little spotted, dust-jacket, fractional nicks to spine ends and corners, otherwise a fine copy, 8vo, 1961.

Lot 207

Russell (Bertrand) History of Western Philosophy, first edition, small mark on front free endpaper corner, splash stain to fore-edge, original cloth, spine a little faded, dust-jacket, light nicks and chips to spine ends, otherwise an excellent example, 8vo, 1946.

Lot 80

Dahl (Roald) The Giraffe and the Pelly and Me, first edition, cut signatures of the author and illustrator laid down on title, illustrations by Quentin Blake, original boards, extremities bumped and fractionally rubbed, tall 8vo, 1985.

Lot 18

Banks (Iain M.) Consider Phlebas, first edition, signed by the author on title, light marginal toning, original boards, slight bumping to spine tips and corners, dust-jacket, light rubbing to spine tips and corners, else fine, 8vo, 1987.*** A superb example of the first in Banks' Culture series. 

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