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Lot 604

Charles Dickens - Posthumous Papers of the Pickwick Club, 1837, first edition, half calf, and Master Humphry's Clock in two volumes, first edition, cloth, and early edition of Dombey & Son in the original cloth binding (4)

Lot 44

"Queen Victoria" by Richard Holmes - First Edition - 1897 - with original boards and bindings

Lot 47

"History of The Tower of London" - First Edition - 1821 - in two volumes by John Bayley

Lot 48

"Memoires Pour Servir A L'Histoire De Mon Temps Par M. Guizot" - First Edition - 1858 - in eight leather bound volumes

Lot 57

"A History of The Earth and Animated Nature" by Oliver Goldsmith - in two volumes - First Edition 1847

Lot 58

"The Royal Artillery War Commemoration Book" - First Edition - 1920 - in original binding

Lot 62

A Winston Churchill 1948 First Edition, together with five others with dust jackets

Lot 64

"Numismata Scotiae, or A Series of The Scottish Coinage, from The Reign of William The Lion to The Union" - First Edition - 1786 - with full leather bindings

Lot 101

WW1.- Keynes (Geoffrey) A Bibliography of Siegfried Sassoon, first edition, 1962; A Bibliography of Rupert Brooke, third edition, 1964 § Higginson (F.H.) A Bibliography of the Works of Robert Graves, 1966 § Falls (Cyril) War Books, 1989 § White (Arthur S.) A Bibliography of Regimental Histories of the British Army, 1965 § Reilly (Catherine W.) English Poetry of the First World War: A Bibliography, New York, St. Martin's Press, 1978, all in original cloth, boards or rexine, all but the last in dust-jackets, first 3 a little soiled; and 8 others, bibliographies relating to the First World War, 4to and 8vo (14)

Lot 102

Yeats (Jack B.) Life in the West of Ireland, first edition, 8 colour and 16 plain tipped-in plates, 32 line drawings, occasional foxing, ink ownership inscription to endpaper, original pictorial cloth, gilt, spine darkened, spine ends repaired and restored, preserved in slip-case, Dublin, 1912; and 2 others illustrated by the same, 4to & 8vo (3)

Lot 104

Yeats (William Butler) Celtic Twilight, first edition, cut signature of the author with cut portrait both laid down to front free endpaper verso, title in red and black, frontispiece by Jack B. Yeats, 1p. advertisement, ink ownership inscription to front free endpaper, bookplates to pastedown, original second issue green ribbed cloth with publisher's name in upper and lower case, light marking to lower cover, minor bumping to spine ends and corners, [Wade 8], 8vo, 1893.

Lot 14

Blyton (Enid) The Children at Happy House, first edition, inscribed by Enid Blyton, a little soiling to the first 2 pages (not affecting text), cracked hinges, original decorative cloth, a little rubbed and soiled, sm. 4to, Oxford, 1946.

Lot 15

Bradbury (Ray) Fahrenheit 451, first English edition, card signed by the author loosely inserted, frontispiece, original boards, dust-jacket, minor tape repairs to verso, spine ends and corners with minor expert restoration, spine retouched, in effect a near-fine example, 8vo, 1954.

Lot 16

Brando (Marlon) and Robert Lindsey. Songs My Mother Taught Me, first English edition, signed presentation inscription to Desmond Morris "I hope you won't hold this drivel against me - what it really is a pale mask as I hope you come to discover, warmest regards, Marlon Brando" to half-title, plates and illustrations, bookplate of Desmond Morris, original boards, dust-jacket, light creasing to head and foot, else fine, 8vo, 1994.⁂ A superb presentation inscription from Marlon Brando hinting at his own enigmatic nature. Brando was notoriously private and fulsome inscriptions such as this are rare.In July 1996 Marlon Brando contacted Desmond Morris, whose TV series 'The Human Animal' he had been watching, in order to discuss 'the banality of evil' with the famed zoologist. Morris originally assumed the telephone call was a practical joke by a colleague but eventually realised the truth and agreed to meet the renowned actor. Brando wanted to make a documentary with Morris on the nature of human violence. When he visited Morris's London apartment on 9 July 1996 he penned a lengthy dedication in a copy of his memoirs. After dining in London that night, they were pursued across the city by a pack of paparazzi, eager to photograph the reclusive Brando. Sadly, Brando's demand that the documentary should be filmed at Stonehenge meant that it was never realised.

Lot 18

Bulgakov (Mikhail) Master i Margarita [The Master and Margarita], first published edition, 2vol., first published edition, in Moskva magazine no. 11 1966 & no. 1 1967, titles in red and black, illustrations (unrelated), original printed wrappers, vol.2 lacking lower cover, spines a little creased and browned with some chipping, light marking and browning, a few very short closed tears to extremities, 8vo, Moscow, 1966-67.⁂ The rare first publication of Bulgakov uproarious, anarchic masterpiece.The Master and Margarita remained unpublished until over 15 years after Bulgakovs death. Even so when published a number of passages were deemed too controversial by Soviet authorities, leading to around 12% of the novel to be excised. The cut passages along with details of their original locations within the book were secretly printed and distributed by hand.

Lot 20

Chatwin (Bruce) In Patagonia, first edition, plates, map endpapers, original boards, dust-jacket, price-clipped, spine very slightly faded, minor spotting to flaps, 8vo,1977.

Lot 22

Clifford (Siegerson) Travelling Tinkers, number 74 of 100 copies signed by the author, from an edition limited to 500, woodcut title illustration and printer's device, light browning to endpapers, original cloth-backed boards, spine browned, glacine dust-jacket, slip-case, [Miller 1], Dublin, Dolmen Press, 1951 § [Russell (George)], "A.E." Gods of War, first edition, original printed wrappers, lower cover and spine supplied in sympathetic facsimile, preserved in custom folding chemise, 1915; and 20 others, mostly Irish including some private press, v.s. (22)

Lot 27

Craddock (Harry) The Savoy Cocktail Book, first edition, printed in black and colours with illustrations and decorations by Gilbert Rumbold, pictorial endpapers, original cloth-backed art deco texturised boards in black, gold and green, rubbed and scuffed, corners bumped, spine ends frayed, Constable & Co., 1930; and 2 others, similar, 8vo (3)

Lot 28

Dahl (Roald) James and the Giant Peach, first English edition, signed presentation inscription to "Charlie" to front free endpaper, illustrations by Michael Simeon, light marginal damp-staining, original pictorial boards, tape repairs to spine, spine ends and corners a little bumped, 1967; and 7 others by the same, 8vo (8)

Lot 30

Erotica.- Salmon (André) L'Érotisme dans l'Art Contemporain, first edition, plates, some colour, title lightly browned, loose as issued in original boards folder, rubbed & marked, spine faded, 4to, Paris, 1935.⁂ Featuring work by Picasso, Cocteau, Foujita, Pascin and others.

Lot 32

Fermor (Patrick Leigh) The Traveller's Tree, first edition, cut signature of the author tipped in at front, plates, original cloth, dust-jacket, price-clipped, neat repairs and restorations to spine ends and corners, upper panel repaired at head and along fore-edge, still in effect an excellent example, 8vo, 1950.

Lot 34

Fleming (Ian) The Spy Who Loved Me, first edition, original boards, fine, dust-jacket, spine a little browned, light spotting and surface soiling to lower panel, minor rubbing to extremities, a sharp and excellent example overall, 8vo, 1962.

Lot 37

Foreman (Michael) The Saga of Erik the Viking, 1983; Nicobobinus, 1985; War Boy, 1989; War Game, 1993; After the War Was Over, 1995; Billy the Kid, 2000; Memories of Childhood, limited edition, 2000, first editions, all but the first signed by the author and illustrator, illustrated throughout, original boards, dust-jackets; and 48 others, v.s. (56)⁂ A complete listing is available upon request.

Lot 38

Frame (Janet) Owls Do Cry, first edition, light browning and ink ownership inscription to endpapers, original cloth, slight shelf-lean, dust-jacket, minor chipping and creasing to spine ends and corners, small internal chip to spine, extremities a little rubbed, still an excellent example of a scarce jacket, 8vo, Christchurch, 1957.

Lot 43

Greene (Graham) The Power and the Glory, first edition, endpapers and half-title a little browned, text block foreshortened and glued at spine, original cloth, spine darkened, spine ends and corners a little bumped, 8vo, 1940.⁂ Much of the first edition stock was destroyed when Heinemann's warehouse was bombed during the war making this one of Greene's scarcest titles.

Lot 48

Hemingway (Ernest) For Whom the Bell Tolls, first edition, first issue with 'A' to copyright page, light browning to endpapers, original cloth, light toning to spine, first state dust-jacket without photographer credit to lower panel, spine ends and corners chipped, small portion of loss to head of upper joint, abrasion marks to spine, light creasing to head and foot, still a very good copy without the usual fading to spine, 8vo, New York, 1940.

Lot 49

Hemingway (Ernest) Across the River Into the Trees, first edition, light browning to endpapers, original cloth, dust-jacket, some minor creasing and a few small chips to head and foot but an excellent copy overall, preserved in custom drop-back box replication upper cover in relief on lid of box, 8vo, New York, 1950.

Lot 55

Le Carré (John) The Spy Who Came in from the Cold, first edition, original variant brown boards, slight shelf-lean, dust-jacket, spine slightly faded, some very minor chipping to spine ends and corners, but still a near-fine example overall, 8vo, 1963.

Lot 59

Mansfield (Katherine) The Garden Party and other stories, first edition, one of 1,2000 copies designed by Hans Mardersteig, colour lithographed illustrations by Marie Laurencin, some full-page, printed publisher's note tipped in, light foxing to endpapers, original patterned cloth, uncut, 4to, Verona Press, printed at the Officina Bodoni of Verona, 1939 [but 1947].

Lot 6

Beardsley (Aubrey).- Hobbes (John Oliver) The Dream and the Business, first edition, title in red and black, occasional light spotting, original pictorial boards after Beardsley, spine slightly browned, else fine, dust-jacket, browned, upper joint split, loss to spine ends, chipped and creased at head and foot, 8vo, 1906.⁂ Rare in the dust-jacket.

Lot 62

Milne (A. A.) Now We Are Six, first edition, illustrations and pictorial endpapers by E.H.Shepard, advertisement for exhibition of work by Shepard loosely inserted, light browning to endpapers, original pictorial cloth, gilt, dust-jacket, spine browned, light foxing and surface soiling, spine a little frayed at head, still excellent overall, 8vo, 1927.

Lot 63

Milne (A. A.) The House at Pooh Corner, first edition, illustrations and pictorial endpapers by E.H.Shepard, light browning to endpapers, original pictorial cloth, gilt, dust-jacket, very light toning to spine, minor creasing to spine ends, very light surface soiling but a near-fine example overall, 8vo, 1928.

Lot 66

Naughton (Bill) Alfie, first edition, ink booksellers stamp to rear endpaper, original boards, dust-jacket, spine very slightly darkened, minor expert restorations to spine ends and corners, in effect a near-fine example, 8vo, 1966.

Lot 67

O'Brien (Edna) The Country Girls, first edition, card signed by the author loosely inserted, light spotting to endpapers, jacket price-clipped, 1960; Night, 1972; Johnny, I Hardly Knew You, jacket spine slightly faded, 1977; Love's Lesson, number 97 of 99 copies signed by the author and artist, 1997, first editions, original boards, all but the last with dust-jackets, near-fine copies overall; and another by the same, 8vo (5)

Lot 69

Peake (Mervyn) Titus Groan, first edition, original cloth, second issue dust-jacket, spine browned, minor chipping to spine ends and corners, 1946 § Woolf (Virginia) Flush. A Biography, first edition, frontispiece, illustrations by Vanessa Bell, original cloth, spine browned, dust-jacket, light browning, upper joint split, chipped and creased at head and foot, 1933; and 23 others, 8vo (25)

Lot 71

Potter (Beatrix) The Tale of Tom Kitten, first edition, first, second or third printing, colour frontispiece, plain title vignette and 26 colour plates, ink gift inscription to half-title dated Xmas '07, pictorial endpapers, original light brown boards with mounted colour illustration, spine a little darkened, light wear to head of spine, minor bumping to spine ends and corners, still an excellent copy, [Linder p.427; Quinby 13], 16mo, Warne, 1907.⁂ The first three printings are all identical, however the inscription indicates that this is likely from the first.

Lot 74

Potter (Beatrix) The Tale of Pigling Bland, first edition, first or second printing with date on title, colour frontispiece and 14 colour plates, plain title vignette and illustrations in text, pictorial endpapers, neat ink gift inscription dated 'Xmas 1913' to endaper, original green boards with mounted colour illustration, spine a little darkened, minor bumping to spine ends and corners, still an excellent example, [Linder p.429; Quinby 22], 16mo, 1913.

Lot 75

Potter (Beatrix) The Tale of Samuel Whiskers, Or, The Roly-Poly Pudding, first edition, first issue, with undated title and small advertisement to front free endpaper verso, colour frontispiece, plain and full-page colour illustrations, original light red boards with mounted colour illustration, light sunning to spine with lettering rubbed, a few minor ink marks to edge of upper cover, still an excellent copy overall, [Linder p.427; cf. Quinby 15], 16mo, [1926].⁂ Frederick Warne & Co. republished The Roly-Poly Pudding in 1926 with the new title and in the smaller format in order to make it uniform with the rest of the series.

Lot 76

Potter (Beatrix) Peter Rabbit's Almanac for 1929, first edition, colour frontispiece, colour title vignette and 12 colour plates, plain illustrations and decorations, some light spotting, pictorial endpapers, original tan boards with mounted colour illustration, minor bumping to spine ends and corners and light spotting to covers, but an excellent copy overall, [Linder pp.254-255; Quinby 28], 16mo, 1929.⁂ Originally planned as part of a series, however Potter was unhappy with the finished article, making this the sole almanac produced. It is nevertheless a charming production.

Lot 77

Potter (Beatrix) The Tale of Little Pig Robinson, first edition, colour frontispiece, plain title vignette, 5 colour plates and numerous plain illustrations in text, occasional light finger-soiling, neat pencil inscription and minor spotting to endpapers, original pictorial cloth, spine slightly faded, spine ends and corners a little bumped, first issue dust-jacket with a dot between the "L" and "E" of "TALE" on the spine, mounted colour illustration, spine a little browned, spine ends and corners chipped, light creasing and fraying to head, still a very good copy,[Linder p.431; Quinby 30], small 4to, 1930.

Lot 79

Rackham (Arthur).- , Little Brother & Little Sister, and other tales by the Brothers Grimm, first edition, tipped-in colour frontispiece, 11 plates, illustrations, pp. xi-xii detached (loosely inserted), illustrated endpapers, cracked hinges, original cloth, gilt, slight bumping to spine extremities, large 8vo, 1917.

Lot 81

Rackham (Arthur).- Barrie (J.M.) Peter Pan in Kensington Gardens, new edition, original pictorial cloth, gilt, spine browned, spine ends and corners a little worn, n.d; Peter Pan in Kensington Gardens, first edition, ink inscription to half-title, occasional spotting, lacking one or two tissue-guards, later red cloth, slight bumping to spine extremities 1906, plain illustrations and 50 tipped-in colour plates by Arthur Rackham, captioned tissue-guards; and another, illustrated, 4to (3)

Lot 82

Ransome (Arthur) The Picts and Martyrs, first edition, illustrations, map endpapers, original cloth, dust-jacket, worn with loss, 1943; and 19 others, Ransome, 8vo (20)

Lot 83

Rolfe (Frederick William), "Baron Corvo". Don Renato. An Ideal Content, first published edition, slip-case, 1963; The Cardinal Prefect of Propoganda and other stories, 1957; Letters to R.M. Dawkins, A.C.s. form Cecil Woolf loosely inserted, 1962, limited editions, all with signed presentation inscriptions from Cecil Woolf, original boards; and 4 others Corvo, 8vo (7)

Lot 85

Rowling (J.K.) Harry Potter and the Goblet of Fire, first edition, signed by the author on half-title, original pictorial boards, dust-jacket, spine slightly faded, light creasing, 8vo, 2000.

Lot 86

[Rowling (J.K.)] "Robert Galbraith". The Silkworm, signed by the author as Robert Galbraith on title, hologram sticker, 2014; Career of Evil, signed by the author on tipped-in page at front, 2015, first edition, original boards, dust-jackets, fine copies, 8vo (2)

Lot 90

*** Please note, the description of this lot has changed *** Salinger (J.D.) The Catcher in the Rye, first Canadian edition, lengthy ink inscription to front free endpaper, spine slightly faded, spine ends and corners a little bumped, Toronto, 1951; For Esmé - With Love and Squalor, first English edition, ink ownership inscription to endpaper, dust-jacket, spine slightly browned, 1953; Raise High the Roof Beam, Carpenters and Seymour an Introduction, first edition, second issue, damp-staining to endpapers, dust-jacket, spine faded, spine ends chipped, closed tear to foot of upper panel, Boston, 1959, original boards; and 2 others by the same, 8vo (5)

Lot 91

Sassoon (Siegfried) Memoirs of an Infantry Officer, first trade edition, original cloth, lightly spotted, dust-jacket, spine slightly browned, minor expert repairs and restorations to spine ends and corners, still an excellent copy overall, 1930; and an uncorrected proof copy of the same, 8vo (2)

Lot 92

Spark (Muriel) Harper and Wilton, limited edition, signed by the author, Colophon Press, 1996 § De Bernieres (Louis) A Day Out for Mehmet Eerbil, limited edition, signed by the author, illustrations, Belmont Press, 1999 § Clinton (Bill) My Life, first English edition, signed by the author, dust-jacket, 2004 § Kipling (Rudyard) The Second Jungle Book, first edition, foxing, hinges starting, spine faded, a little rubbed, 1895; and a quantity of others modern literature and children's, v.s. (7 boxes)

Lot 93

Thatcher (Margaret) The Path to Power, first edition, bookplate signed by the author to half-title, ex-library copy with remains of labels to endpaper, original cloth, spine rubbed and faded, slip-case, 8vo, 1995.

Lot 96

Wells (H.G.) The Salvaging of Civilization, first American edition, signed by the author on half-title, ownership inscription and some markings to text in pencil, original cloth, spine slightly faded, spine ends and corners a little bumped, 8vo, New York, 1921.

Lot 97

Wheatley (Dennis) Herewith the Clues!, first edition, opened seals and clues, original printed wrappers, creasing, [1939]; and 6 others, crime dossiers, 4to (7)

Lot 98

Wodehouse (P.G.) My Man Jeeves, first edition, first issue with Butler & Tanner listed as printers and measuring 175x111mm., usual light browning to margins, 2pp. advertisements, lacking rear endpaper, hinges tender, original blind-stamped cloth, minor shelf-lean, spine slightly faded and spotted, minor bumping to spine ends and corners, otherwise excellent, [McIlvaine A22a], 8vo, 1919.⁂ The first book to introduce Jeeves and Wooster, Wodehouse's most revered characters.

Lot 99

Wodehouse (P.G.) Eggs, Beans and Crumpets, first American edition, marking and abrasion to endpapers, original cloth, spine ends and corners bumped and frayed, first issue dust-jacket priced at $2.00 and with advertisements to lower panel, beginning Love in the Sun and ending Christmas Holiday, spine faded, spine ends and corners chipped, damp-staining to lower panel, [McIlvaine A62b], New York, 1940; and The Code of the Woosters in a second issue dust-jacket, 8vo (2)

Lot 162

 NIGHTINGALE FLORENCE: (1820-1910) British Pioneer of Nursing. Book signed and inscribed, a small 8vo hardback edition of Max Kromer - A Story of the Siege of Strasbourg by [Hesba Stretton, pseudonym of Sarah Smith], First Edition (?) published by The Religious Tract Society, London, n.d. (c.1872). Signed by Nightingale in bold pencil to the front free endpaper and with an inscription ('Charles Rouse from') in ink in her hand, also dated London, 17th October 1872, in ink in her hand beneath her signature. With a contemporary  light pencil  annotation beneath. Some light overall browning to the front free endpaper and light overall age wear, G 

Lot 163

TERESA MOTHER: (1910-1997) Albanian Roman Catholic Nun, Nobel Peace Prize winner, 1979. Book signed and inscribed, a hardback edition of For the Brotherhood of Man under the Fatherhood of God - Mother Teresa of Calcutta, Her Missionaries of Charity and Her Co-Workers by Kathryn Spink, First Edition published by Colour Library International Ltd., Surrey, 1981. Signed in black ink to the front free endpaper 'My dear Sisters, Let us love Jesus with undivided love and others as He loves each one of us, God bless you, M Teresa MC' and dated 6th July 1981 in her hand. With an ink signature and presentation inscription to a previous owner at the head of the page. Accompanied by the dust jacket. VG

Lot 354

BOMBER PILOTS: Book multiple signed, a hardback edition of Bomber Boys by Kevin Wilson, First Edition published by Weidenfeld & Nicolson, London, 2005. Signed by various RAF bomber pilots and personnel, including some Dambuster pilots and crew, and other members of 617 Squadron, including Les Munro, Benny Goodman, Frank Tilley, Johnny Johnson, John Bell, Beck Parsons, Ken Lucas, Grant McDonald, John Langston, Tony Iveson, Fred Sutherland, Dave Bernard, William Bloxham, Alfie Fripp, Cal Younger, Ron Green, Harry Merrick, Tom Sayer, Gerald Prettejohns, Ken Johnson, Stan Bradford etc. All are signed in pencil to clear areas of the half-title page, title page and dedication page, most adding their squadron number. Accompanied by the dust jacket. VG

Lot 367

WORLD WAR II: Book signed, a hardback edition of Escort to Berlin, by Garry Fry and Jeffrey Ethell, First Edition published by Arco Publishing Inc., New York, 1980. Signed by two American pilots of World War II, comprising Robin Olds and Erwin 'Dusty' Miller. Both signed in pencil to the free-end paper, each adding their squadron numbers beneath their signatures. Accompanied by the dust jacket. Together with a second multiple signed book, a hardback edition of Red Tail Captured, Red Tail Free by Alexander Jefferson with Lewis Carlson, First Edition published by Fordham University Press, 2005. Signed by various Tuskegee Airmen of World War II, including Alexander Jefferson, Leo Gray, William Holloman, Bill Wheeler, Howard Baugh, Harry Sheppard etc. All are signed in pencil to clear areas of the half-title page (both sides), most adding their squadron numbers beneath their signatures. Accompanied by the dust jacket. VG, 2

Lot 388

WORLD WAR II:  Book multiple signed, a hardback edition of Air Combat Legends by Nicholas Trudgian, First Edition published by David & Charles, 1998. Signed by over 200 British and German fighter Aces, Battle of Britain pilots, 'Dambusters', 617 Squadron pilots and aircrew, Tuskegee Airmen etc., including Les Munro, Johnny Johnson, Tom Neil, Tony Pickering, Sandy Johnstone, Johnnie Johnson, John Cunningham, Harold Bennett, Roy McGowan, Neville Duke, Tom Dalton-Morgan, Doug Nicholls, Bob Weedon, Frank Wheeler, Jack Hodges, Bill Green, Robin Olds, Ken Lusty, Albert Gregory, James Kyle, Iain Hutchinson, Norman Samuels, Tex Ash, William Holloman, Leo Gray, George Hardy, Alexander Jefferson, Howard Baugh, James Sheppard, John Ellacombe, Geoffrey Page, Billy Drake, Rolf Ebhardt, Hugo Broch, Peter Spoden, Willibald Volsing, Rusty Townsend, Terrance Kane, Ivor Broom, Mac Hamilton, Fred Sutherland, James Copus, Doug Newham, Harrold Roddis, Tony Iveson, Bob Knight, Bill Reid V.C., Norman Boorer, Jimmy James, Ken Rees, Bill Wheeler, Stephan Mikoyan etc. Accompanied by the dust jacket. Some light age wear to the corners and spine of the book and dustjacket, otherwise about VG

Lot 181

Royal Crown Derby Ledge Wagon, a limited edition of 1250, first in a series of Gypsy Caravans, 22/1250, signed in gilt by John Ablitt, 12cm high, with certificate, in fitted box of issue Condition: Excellent original condition with no chips, cracks or restoration. **General condition consistent with age

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